|
Stick Zither
Bar zither is class of musical instruments (subset of zither) within the Hornbostel-Sachs classification system for a type of simple chordophone (stringed instrument), in which the body of the instrument is shaped like a bar. In the system, bar zithers are made up of musical bows and stick zithers. Musical bows have flexible ends, stick zithers are rigid or have only one flexed end. Bar zithers, whether musical bow or stick zithers, often have some form of resonator. Examples of resonators include the player's mouth, an attached gourd or an inflated balloon or bladder. According to Sachs,Sachs, Curt (1940). ''The History of Musical Instruments'', p.463. W. W. Nortan & Company, Inc. Instruments may be monochords (single stringed) or polychord (multiple stinged). They may also be idiochords (string made from the bar or stick) or heterchords (string made of separate substance from the bar or stick. File:Richard Nunns 22.jpg, Man playing a heterochord musical bow, using his m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Instrument
A musical instrument is a device created or adapted to make musical sounds. In principle, any object that produces sound can be considered a musical instrument—it is through purpose that the object becomes a musical instrument. A person who plays a musical instrument is known as an instrumentalist. The history of musical instruments dates to the beginnings of human culture. Early musical instruments may have been used for rituals, such as a horn to signal success on the hunt, or a drum in a religious ceremony. Cultures eventually developed composition and performance of melodies for entertainment. Musical instruments evolved in step with changing applications and technologies. The date and origin of the first device considered a musical instrument is disputed. The oldest object that some scholars refer to as a musical instrument, a simple flute, dates back as far as 50,000 - 60,000 years. Some consensus dates early flutes to about 40,000 years ago. However, most historians be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mvet
The mvet is a stringed musical instrument, a type of stick zither, Hornbostel-Sachs (311) of the Fang people of Gabon, Cameroon, Democratic Republic of the Congo, São Tomé and Equatorial Guinea. Somewhat resembling the Mande kora, but larger and simpler, it consists of a tubular stick of palm-raffia or bamboo, between one and two metres long, with usually three calabash resonators. A central vertical bridge divides four or five gut or metal strings, played both sides of the bridge. The instrument is held horizontally on the chest to close or open the central resonator with a movement of the arms. It may be played solo or may accompany song or poetry that includes epics, battle-songs, ritual, philosophy and knowledge of the world. In the late twentieth century the mvet became a key instrument of bikutsi music. File:Mvet (MDMB 679).jpg, Mvet with multiple gourd resonators File:Musée africain de Gunsbach-Mvett.jpg file:GuitareTraditionelle.jpg See also *Bwiti *List of mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Chordophones By Hornbostel–Sachs Number
The Hornbostel-Sachs system of musical instrument classification defines chordophones as all instruments in which sound is primarily produced by the vibration of a string or strings that are stretched between fixed points. This group includes all instruments generally called string instruments (list) in the west, as well as many (but not all) keyboard instruments, such as pianos and harpsichords. Chordophones (3) Simple chordophones or zithers (31) Instruments which are in essence simply a string or strings and a string bearer. These instruments may have a resonator box, but removing it should not render the instrument unplayable (although it may result in quite a different sound being produced). They include the piano therefore, as well as other kinds of zithers such as the koto, and musical bows. Bar zithers (311) The string bearer is bar shaped. 311.1 Musical bows - The string bearer is flexible (and curved). 311.11 Idiochord musical bows - The string is cut from the bark ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villu Paatu
''Villu Paatu'' (English: Bow Song, Tamil: வில்லுப்பாட்டு), also known as Villadichampaatu, is an ancient form of musical story-telling method performed in Southern India , where narration is interspersed with music, an art of southern states of Tamil Nadu and Kerala, as well as North-East Sri Lanka. This art form is popular among Nadar and Ezhava castes of erstwhile Travancore kingdom. Simple tunes and verses make the story easy to follow. The ''villu'' (bow), the age-old weapon of warriors - paradoxically lends itself to be used as a primary musical instrument (a musical bow) for the ''Villu Paatu'' artists. Overview In Tamil villages, performers narrate stories ranging from mythological to social. The main storyteller narrates the story striking the bow. The bow rests on a mud pot kept facing downwards. A co-performer beats the pot while singing. There is usually another co-singer who acts as active listener to the narration, uttering appropriate o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Onavillu
An onavillu is a simple, short, bow-shaped musical instrument. Its name may come from ''Onam'', a festival in Kerala where the instrument is used in dances, and ''villu'', which means 'bow' in Malayalam (and several other South Indian languages). Although still regularly used in rural art forms, use of the onavillu is on the decline. ''Onavillu'' also refers to flat, tapered wooden artifacts decorated with tassels and used in ceremonies of devotion to Lord Vishnu. Instrument The onavillu that accompanies the Kummattikali and other folk dances is a Keralite string instrument made from the pith of the palmyra stem, or from bamboo, shaped as a bow. Bamboo slivers are used for bowstrings. The bow strings sound when struck with a thin stick, the size of a pencil. The sound can be varied through finger pressure on the string. Ceremonial bow The ceremonial onavillu, which is not a musical instrument, is made from a flat piece of wood 1/2 inch thick, tapering on both sides. Sizes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pinaka Vina
The ''pināka vīnā'' ( hi, पिनाक pinnak + hi, वीणा veena) was an Indian musical instrument, a musical bow that was itself played with a bow. It has also been transliterated ''pinaki vina'' and ''pinak''. It appeared similar to the rudra veena (also called "''bīn''" or "''been''"), with a long bar held over the musician's shoulder and resting on the ground, with large gourds attached at each end for resonators. However, where the ''rudra veena'' has multiple strings and frets, the pinaka vina had only one string made of wire and no frets. Where the ''rudra veena'' was a stick zither (with a straight and rigid bar for the instrument's body), the ''pinaka vīnā'' was a musical bow (its body a long stick turned up at each end). The instrument was sounded with a bow. The musician chose notes with a stick held against the strings, able to slide it up and down on the string, in the same way a bottle slides on a slide guitar's strings. File:Ragaputra Sarang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudra Veena
The ''Rudra veena'' ( sa, रुद्र वीणा) (also spelled ''Rudraveena'' or ''Rudra vina'')—also called ''Bīn'' in North India—is a large plucked string instrument used in Hindustani Music, especially dhrupad. It is one of the major types of ''veena'' played in Indian classical music, notable for its deep bass resonance. The rudra veena is mentioned in court records as early as the reign of Zain-ul Abidin (1418-1470), and attained particular importance among Mughal court musicians. Before Independence, rudra veena players, as dhrupad practitioners, were supported by the princely states; after Independence and the political integration of India, this traditional patronage system ended. With the end of this traditional support, dhrupad's popularity in India declined, as did the popularity of the rudra veena. However, in recent years, the rudra veena has seen a resurgence in popularity, driven at least partly by interest among non-Indian practitioners. Names a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stick Zither
Bar zither is class of musical instruments (subset of zither) within the Hornbostel-Sachs classification system for a type of simple chordophone (stringed instrument), in which the body of the instrument is shaped like a bar. In the system, bar zithers are made up of musical bows and stick zithers. Musical bows have flexible ends, stick zithers are rigid or have only one flexed end. Bar zithers, whether musical bow or stick zithers, often have some form of resonator. Examples of resonators include the player's mouth, an attached gourd or an inflated balloon or bladder. According to Sachs,Sachs, Curt (1940). ''The History of Musical Instruments'', p.463. W. W. Nortan & Company, Inc. Instruments may be monochords (single stringed) or polychord (multiple stinged). They may also be idiochords (string made from the bar or stick) or heterchords (string made of separate substance from the bar or stick. File:Richard Nunns 22.jpg, Man playing a heterochord musical bow, using his m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tube Zither
The tube zither is a stringed musical instrument in which a tube functions both as an instrument's neck and its soundbox. As the neck, it holds strings taut and allows them to vibrate. As a soundbox or it modifies the sound and transfers it to the open air. The instruments are among the oldest of chordophones, being "a very early stage" in the development of chordophones, and predate some of the oldest chordophones, such as the Chinese Se, zithers built on a tube split in half. Most tube zithers are made of bamboo, played today in Madagascar, India, Southeast Asia and Taiwan. Tube zithers made from other materials have been found in Europe and the United States, made from materials such as cornstalks and cactus. There are both round and half tube zithers, as well as tube zithers with the strings cut out of the bamboo body, ''idiochordic'', or, rarely, have separate strings, ''heterochordic''. Cultural connections The areas where the bamboo tube zither has been used was connec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vichitra Veena
The ''vichitra veena'' ( sa, विचित्र वीणा) is a stick zither, a plucked string instrument used in Hindustani music. Similar to the Carnatic ''gottuvadhyam'' (chitra vina) it has no frets and is played with a slide. The structure The Vichitra Veena is the modern form of ancient Ekatantri Veena. It is made of a broad, fretless, horizontal arm or crossbar (''dand'') around three feet long and six inches wide, with two large resonating gourds (''tumba''), which are inlaid with ivory and attached underneath at either end. The narrow ends of the instrument are fashioned into peacock heads, the national bird of India. The strings There are four main playing strings and five secondary strings (''chikaris''), which are played openly with the little finger for a drone effect. Underneath them are 13 sympathetic strings tuned to the notes of the appropriate raag. The veena has a five-octave range. Two plectrums ('' mizrab'') identical to those used for sitar are wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudra Vina
The ''Rudra veena'' ( sa, रुद्र वीणा) (also spelled ''Rudraveena'' or ''Rudra vina'')—also called ''Bīn'' in North India—is a large plucked string instrument used in Hindustani Music, especially dhrupad. It is one of the major types of ''veena'' played in Indian classical music, notable for its deep bass resonance. The rudra veena is mentioned in court records as early as the reign of Zain-ul Abidin (1418-1470), and attained particular importance among Mughal court musicians. Before Independence, rudra veena players, as dhrupad practitioners, were supported by the princely states; after Independence and the political integration of India, this traditional patronage system ended. With the end of this traditional support, dhrupad's popularity in India declined, as did the popularity of the rudra veena. However, in recent years, the rudra veena has seen a resurgence in popularity, driven at least partly by interest among non-Indian practitioners. Names a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
