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Stephen Varcoe
Christopher Stephen Varcoe (born 19 May 1949 in Lostwithiel, Cornwall) is an English classical bass-baritone singer, appearing internationally in opera and concert, known for Baroque and contemporary music and a notable singer of Lieder. Professional career Stephen Varcoe was educated at The King's School, Canterbury and King's College, Cambridge, where he sang in the choir. He later completed a PhD at the University of York. In 1977 he won a scholarship from the Gulbenkian Foundation. On the opera stage he appeared in Haydn's ''L'infedeltà delusa'' in Antwerp, in Debussy's '' Fall of the House of Usher'' in Lisbon and London, in John Tavener's opera ''Mary Of Egypt'' for the Aldeburgh Festival, and he performed the part of Plutone in Peri's Euridice at the Drottningholm Festival in Sweden. He also performed the parts of Death in Gustav Holst's chamber opera '' Savitri'', Demetrius in Britten's '' A Midsummer Night's Dream'' and Salieri in Nikolai Rimsky-Korsakov's ''Moz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lostwithiel
Lostwithiel (; kw, Lostwydhyel) is a civil parish and small town in Cornwall, England, United Kingdom at the head of the estuary of the River Fowey. According to the 2001 census it had a population of 2,739, increasing to 2,899 at the 2011 census. The Lostwithiel electoral ward had a population of 4,639 at the 2011 census. The name Lostwithiel comes from the Cornish "lostwydhyel" which means "tail of a wooded area". Origin of the name The origin of the name Lostwithiel is a subject much debated. In the 16th century it was thought that the name came from the Roman name ''Uzella'', translated as ''Les Uchel'' in Cornish. In the 17th century popular opinion was that the name came from a translation of ''Lost'' (a tail) and ''Withiel'' (a lion), the lion in question being the lord who lived in the castle. Current thinking is that the name comes from the Old Cornish ''Lost Gwydhyel'' meaning "tail-end of the woodland". The view from Restormel Castle looking towards the town sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Midsummer Night's Dream (opera)
''A Midsummer Night's Dream'', Op. 64, is an opera with music by Benjamin Britten and set to a libretto adapted by the composer and Peter Pears from William Shakespeare's play, '' A Midsummer Night's Dream''. It was premiered on 11 June 1960 at the Aldeburgh Festival, conducted by the composer and with set and costume designs by Carl Toms. Stylistically, the work is typical of Britten, with a highly individual sound-world – not strikingly dissonant or atonal, but replete with subtly atmospheric harmonies and tone painting. The role of Oberon was composed for the countertenor Alfred Deller. Atypically for Britten, the opera did not include a leading role for his partner Pears, who instead was given the comic drag role of Flute/Thisbe. Performance history ''A Midsummer Night's Dream'' was first performed on 11 June 1960 at the Jubilee Hall, Aldeburgh, UK as part of the Aldeburgh Festival. Conducted by the composer, it was directed by the choreographer John Cranko. The work re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach Cantata
The cantatas composed by Johann Sebastian Bach, known as Bach cantatas (German: ), are a body of work consisting of over 200 surviving independent works, and at least several dozen that are considered lost. As far as known, Bach's earliest cantatas date from 1707, the year he moved to Mühlhausen, although he may have begun composing them at his previous post in Arnstadt. Most of Bach's church cantatas date from his first years as and director of church music in Leipzig, a position which he took up in 1723. Working for Leipzig's and , it was part of Bach's job to perform a church cantata every Sunday and holiday, conducting soloists, the Thomanerchor and orchestra as part of the church service. In his first years in Leipzig, starting after Trinity of 1723, Bach regularly composed a new cantata every week, although some of these cantatas were adapted (at least in part) from work he had composed before his Leipzig era. Works from three annual cycles of cantatas for the lit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Missa (Bach)
Most of Johann Sebastian Bach's extant church music in Latin— settings of (parts of) the Mass ordinary and of the Magnificat canticle—dates from his Leipzig period (1723–50). Bach started to assimilate and expand compositions on a Latin text by other composers before his tenure as Thomaskantor in Leipzig, and he continued to do so after he had taken up that post. The text of some of these examples by other composers was a mixture of German and Latin: also Bach contributed a few works employing both languages in the same composition, for example his early .Bach Digital Work The bulk of Bach's sacred music, many hundreds of compositions such as his church cantatas, motets, Passions, oratorios, four-part chorales and sacred songs, was set to a German text, or incorporated one or more melodies associated with the German words of a Lutheran hymn. His output of music on a Latin text, comprising less than a dozen of known independent compositions, was comparatively small: in Luthe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans-Martin Linde
Hans-Martin Linde (born 24 May 1930 in Werne, Germany) is a German noted virtuoso flute and recorder (musical instrument), recorder player of (mainly) baroque and early music. He authored a number of original and highly instructive books on the flute and recorder respectively. * ''Recorder Player Handbook'' (Handbuch des Blockflötenspiels, 1997) * ''Complete F recorder method'' * ''Complete C recorder method'' * ''Studies in the French clef for recorder'' * ''History of fipple-flutes'' He then set up the Linde Consort (a baroque orchestra) and has made numerous recordings. External linksShort biography with some photos 1930 births Living people People from Iserlohn German classical flautists Academic staff of Schola Cantorum Basiliensis German recorder players German male writers {{germany-classical-musician-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Historically Informed Performance
Historically informed performance (also referred to as period performance, authentic performance, or HIP) is an approach to the performance of Western classical music, classical music, which aims to be faithful to the approach, manner and style of the musical era in which a work was originally conceived. It is based on two key aspects: the application of the stylistic and technical aspects of performance, known as performance practice; and the use of #Early instruments, period instruments which may be reproductions of historical instruments that were in use at the time of the original composition, and which usually have different timbre and temperament (music), temperament from their modern equivalents. A further area of study, that of changing listener expectations, is increasingly under investigation. Given no Sound recording and reproduction, sound recordings exist of music before the late 19th century, historically informed performance is largely derived from Musicology, music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Norrington
Sir Roger Arthur Carver Norrington (born 16 March 1934) is an English conductor. He is known for historically informed performances of Baroque, Classical and Romantic music. In November 2021 Norrington announced his retirement. Life Norrington is the son of Sir Arthur Norrington, and his brother is Humphrey Thomas Norrington. He studied at The Royal Conservatory of Music in Toronto, Dragon School, Oxford, Westminster School, Clare College, Cambridge and the Royal College of Music under Adrian Boult among others. Norrington played the violin, and worked as a tenor through the 1960s. In 1962 he founded the Schütz Choir (later the Schütz Choir of London). Conductor in Britain and US From 1969 to 1984, Norrington was music director of Kent Opera. In 1978, he founded the London Classical Players and remained their musical director until 1997. From 1985 to 1989, he was principal conductor of the Bournemouth Sinfonietta. He is also president of the Oxford Bach Choir. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Schubert
Franz Peter Schubert (; 31 January 179719 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast ''oeuvre'', including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...s, incidental music, and a large body of piano and chamber music. His major works include "Erlkönig (Schubert), Erlkönig" (D. 328), the Trout Quintet, Piano Quintet in A major, D. 667 (''Trout Quintet''), the Symphony No. 8 (Schubert), Symphony No. 8 in B minor, D. 759 (''Unfinished Symphony''), the Symphony No. 9 (Schubert), "Great" Symphony No. 9 in C major, D. 944, the String Quintet (Schubert), String Quintet (D. 956), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Hickox
Richard Sidney Hickox (5 March 1948 – 23 November 2008) was an English conductor of choral, orchestral and operatic music. Early life Hickox was born in Stokenchurch in Buckinghamshire into a musical family. After attending the Royal Grammar School, High Wycombe from 1959 to 1966, he studied at the Royal Academy of Music in London from 1966 to 1967, then was an organ scholar at Queens' College, Cambridge from 1967 to 1970. Career In 1967, while his father was Vicar of Wooburn, Buckinghamshire, Hickox founded the Wooburn Festival and eventually became its president. The Festival still takes place and features music, drama and the visual arts. Hickox also founded the Wooburn Singers and continued as conductor until succeeded by Stephen Jackson. From 1970 to 1971 Hickox was Director of Music at Maidenhead Grammar School (later Desborough School). He founded the City of London Sinfonia in 1971, remaining music director until his death, and also founded the Richard Hickox Si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralph Vaughan Williams
Ralph Vaughan Williams, (; 12 October 1872– 26 August 1958) was an English composer. His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over sixty years. Strongly influenced by Tudor music and English folk-song, his output marked a decisive break in British music from its German-dominated style of the 19th century. Vaughan Williams was born to a well-to-do family with strong moral views and a progressive social life. Throughout his life he sought to be of service to his fellow citizens, and believed in making music as available as possible to everybody. He wrote many works for amateur and student performance. He was musically a late developer, not finding his true voice until his late thirties; his studies in 1907–1908 with the French composer Maurice Ravel helped him clarify the textures of his music and free it from Music of Germany, Teutonic influences. Vaughan Williams i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trevor Pinnock
Trevor David Pinnock (born 16 December 1946 in Canterbury, England) is a British harpsichordist and conductor. He is best known for his association with the period-performance orchestra The English Concert, which he helped found and directed from the keyboard for over 30 years in baroque and classical music. He is a former artistic director of Canada's National Arts Centre Orchestra and founded The Classical Band in New York. Since his resignation from The English Concert in 2003, Pinnock has continued his career as a conductor, appearing with major orchestras and opera companies around the world. He has also performed and recorded as a harpsichordist in solo and chamber music and conducted and otherwise trained student groups at conservatoires. Trevor Pinnock won a Gramophone Award for his recording of Bach's ''Brandenburg Concertos'' with the European Brandenburg Ensemble, an occasional orchestra formed to mark his 60th birthday. Biography and career Early life Trevor Pi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Matthew Passion
The ''St Matthew Passion'' (german: Matthäus-Passion, links=-no), BWV 244, is a '' Passion'', a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets the 26th and 27th chapters of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the greatest masterpieces of Baroque sacred music. The original Latin title translates to "The Passion of our Lord J susC[hrist">rist.html" ;"title="susC[hrist">susC[hristaccording to the Evangelist Matthew".Markus Rathey. 2016. ''Bach's Major Vocal Works. Music, Drama, Liturgy'', Yale University Press History The ''St Matthew Passion'' is the second of two Passion settings by Bach that have survived in their entirety, the first being the '' St John Passion'', first performed in 1724. Versions and contemporaneous performances Little is known with certainty about the creation proc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
