State Art Museum Of Adjara
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State Art Museum Of Adjara
State Art Museum of Adjara ( ka, აჭარის ხელოვნების სახელმწიფო მუზეუმი) is a museum in the city of Batumi in Adjara, Georgia. Museum collection The museum houses paintings of native Georgian as well as foreign artists. Museum collection has works of Niko Pirosmani, David Kakabadze, Lado Gudiashvili, Elene Akhvlediani, Stefan Bakałowicz, A. Zommer, Nikoloz (Koka) Ignatov, A. Zankovski and drawing made by N. Churgulia, Rusudan Petviashvili, L. Zambakhidze, G. Tsereteli etc. Sculptures are represented by E. Pantareli's “Nymph and a Little Faun”, Irakli Ochiauri’s “Portrait” and others. Decorative art collection has many works of ceramics, woodcuts, glasswork, engravings, tapestry.Adjara State Art Museum
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Batumi
Batumi (; ka, ბათუმი ) is the second largest city of Georgia and the capital of the Autonomous Republic of Adjara, located on the coast of the Black Sea in Georgia's southwest. It is situated in a subtropical zone at the foot of the Caucasus. Much of Batumi's economy revolves around tourism and gambling (it is nicknamed "The Las Vegas of the Black Sea"), but the city is also an important seaport and includes industries like shipbuilding, food processing and light manufacturing. Since 2010, Batumi has been transformed by the construction of modern high-rise buildings, as well as the restoration of classical 19th-century edifices lining its historic Old Town. History Early history Batumi is located on the site of the ancient Greek colony in Colchis called "''Bathus"'' or "''Bathys"'', derived from ( grc-gre, βαθύς λιμεν, ; or , ; lit. the 'deep harbour'). Under Hadrian (), it was converted into a fortified Roman port and later deserted for the fortress ...
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Irakli Ochiauri
Irakli Ochiauri ( ka, ირაკლი ოჩიაური, russian: Иракли Очиаури; November 20, 1924 – December 4, 2015) was a Georgian painter and sculptor who was awarded the Shota Rustaveli State Prize, the highest prize in Georgia in the fields of art and literature. Ochiauri was born in Tbilisi. From 1945 to 1951 he studied at the Tbilisi State Academy of Arts on the faculty of Sculpture first with professor Silovan Kakabadze and then with Iakob Nikoladze. His dissertation was devoted to Vazha Pshavela. He participated in exhibitions from 1953. His first work, the portrait of Marine Kubaneishvili attracted attention when it was exhibited in Moscow and, thanks to this, Irakli Ochiauri became a member of the Union of Soviet Artists. In the same 1953 Irakli Ochiauri exhibited his first embossing - Portrait of Iakob Nikoladze that is considered as the renaissance of the new Georgian Art of coining.. From 1952 to 1962, he worked alone in restoration and f ...
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List Of Museums In Georgia (country)
Museums in Georgia listed by the principal subdivisions of the country. Tbilisi Adjara Adjara State Museum Adjara State Museum of Fine Art Kemal Turmanidze's Ethnographic Museum "Borjgalo" Batumi Archaeology Museum Ilia Chavchavadze Museum Memed Abashidze House Museum Joseph Stalin House Museum Khelvachauri Local Museum Machakheli Valley Ethnography Museum Gonio-Apsaros Museum-Reserve Khulo Local Museum Adjaristskali Art Gallery Sherip Khimshiashvili House Museum Khikhani Valley Ethnography Museum Oladauri Ethnography Museum Petra-Tsikhisdziri Historical-Architectural Museum-Reserve Imereti Niko Berdzenishvili Kutaisi History Museu(web) Kutaisi Sport History Museum Kutaisi Museum of Zakaria Paliashvili Kutaisi Museum of Military Glory Kutaisi Fine Art Gallery Kutaisi- Gelati State Museum-Reserve Niko Nikoladze House Museum Samtredia Picture Gallery Akaki Shanidze House Museum Khoni Local Museum Polikarpe Kakabadze House-Museum Irakli ...
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Tapestry
Tapestry is a form of textile art, traditionally woven by hand on a loom. Tapestry is weft-faced weaving, in which all the warp threads are hidden in the completed work, unlike most woven textiles, where both the warp and the weft threads may be visible. In tapestry weaving, weft yarns are typically discontinuous; the artisan interlaces each coloured weft back and forth in its own small pattern area. It is a plain weft-faced weave having weft threads of different colours worked over portions of the warp to form the design. Tapestry is relatively fragile, and difficult to make, so most historical pieces are intended to hang vertically on a wall (or sometimes in tents), or sometimes horizontally over a piece of furniture such as a table or bed. Some periods made smaller pieces, often long and narrow and used as borders for other textiles. European tapestries are normally made to be seen only from one side, and often have a plain lining added on the back. However, other tradit ...
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Engravings
Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it with a burin. The result may be a decorated object in itself, as when silver, gold, steel, or glass are engraved, or may provide an intaglio printing plate, of copper or another metal, for printing images on paper as prints or illustrations; these images are also called "engravings". Engraving is one of the oldest and most important techniques in printmaking. Wood engraving is a form of relief printing and is not covered in this article, same with rock engravings like petroglyphs. Engraving was a historically important method of producing images on paper in artistic printmaking, in mapmaking, and also for commercial reproductions and illustrations for books and magazines. It has long been replaced by various photographic processes in its commercial applications and, partly because of the difficulty of learning the technique, is much less common in printmaking, where it ...
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Glasswork
Glassblowing is a glassforming technique that involves inflating molten glass into a bubble (or parison) with the aid of a blowpipe (or blow tube). A person who blows glass is called a ''glassblower'', ''glassmith'', or ''gaffer''. A ''lampworker'' (often also called a glassblower or glassworker) manipulates glass with the use of a torch on a smaller scale, such as in producing precision laboratory glassware out of borosilicate glass. Technology Principles As a novel glass forming technique created in the middle of the 1st century BC, glassblowing exploited a working property of glass that was previously unknown to glassworkers; inflation, which is the expansion of a molten blob of glass by introducing a small amount of air into it. That is based on the liquid structure of glass where the atoms are held together by strong chemical bonds in a disordered and random network,Frank, S 1982. Glass and Archaeology. Academic Press: London. Freestone, I. (1991). "Looking into Glass". ...
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Woodcuts
Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce the print. The block is cut along the wood grain (unlike wood engraving, where the block is cut in the end-grain). The surface is covered with ink by rolling over the surface with an ink-covered roller (brayer), leaving ink upon the flat surface but not in the non-printing areas. Multiple colors can be printed by keying the paper to a frame around the woodblocks (using a different block for each color). The art of carving the woodcut can be called "xylography", but this is rarely used in English for images alone, although that and "xylographic" are used in connection with block books, which are small books containing text and images in t ...
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Ceramics
A ceramic is any of the various hard, brittle, heat-resistant and corrosion-resistant materials made by shaping and then firing an inorganic, nonmetallic material, such as clay, at a high temperature. Common examples are earthenware, porcelain, and brick. The earliest ceramics made by humans were pottery objects (''pots,'' ''vessels or vases'') or figurines made from clay, either by itself or mixed with other materials like silica, hardened and sintered in fire. Later, ceramics were glazed and fired to create smooth, colored surfaces, decreasing porosity through the use of glassy, amorphous ceramic coatings on top of the crystalline ceramic substrates. Ceramics now include domestic, industrial and building products, as well as a wide range of materials developed for use in advanced ceramic engineering, such as in semiconductors. The word "''ceramic''" comes from the Greek word (), "of pottery" or "for pottery", from (), "potter's clay, tile, pottery". The earliest known m ...
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Decorative Art
] The decorative arts are arts or crafts whose object is the design and manufacture of objects that are both beautiful and functional. It includes most of the arts making objects for the interiors of buildings, and interior design, but not usually architecture. Ceramic art, metalwork, furniture, jewellery, fashion, various forms of the textile arts and glassware are major groupings. Applied arts largely overlaps with decorative arts, and the modern making of applied art is usually called design. The decorative arts are often categorized in distinction to the "fine arts", namely painting, drawing, photography, and large-scale sculpture, which generally produce objects solely for their aesthetic quality and capacity to stimulate the intellect. Distinction from the fine arts The distinction between the decorative and fine arts essentially arose from the post-Renaissance art of the West, where the distinction is for the most part meaningful. This distinction is much less meaning ...
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Rusudan Petviashvili
Rusudan Petviashvili ( ka, რუსუდან ფეტვიაშვილი; (born 25 January 1968), Tbilisi, Georgia) – Georgian artist, graphic artist. Creates paintings using unique technique: total image is performed in one-touch. Petviashvili's works and lives in Tbilisi, few months a year she works in Berlin, Geneva and Paris where she has a studio. Childhood and family Rusudan Petviashvili was born in Tbilisi, 25th of January, 1968, in family of artists. Her father — a sculptor artist, mother — a poet and dramaturgist. The talent of the artist appeared in early childhood. Petviashvili began painting when she was one and a half years old. Rusudan's parents tried to keep the identity of her talent, did not put it down, did not try to fit the personality of the girl in any frames. As a child, Rusudan could take charcoal or pencil and begin to draw directly on the walls of the apartment. Rusudan's ancestors by the paternal side were physicists. The grandmothe ...
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Adjara
Adjara ( ka, აჭარა ''Ach’ara'' ) or Achara, officially known as the Autonomous Republic of Adjara ( ka, აჭარის ავტონომიური რესპუბლიკა ''Ach’aris Avt’onomiuri Resp’ublik’a'' ), is a political-administrative region of Georgia. Located in the country's southwestern corner, Adjara lies on the coast of the Black Sea near the foot of the Lesser Caucasus Mountains, north of Turkey. It is an important tourist destination and includes Georgia's second most populous city of Batumi as its capital. About 350,000 people live on its . Adjara is home to the Adjarians, a regional subgroup of Georgians. The name can be spelled in a number of ways, including ''Ajara'', ''Ajaria'', ''Adjaria'', ''Adzharia'', ''Atchara'' and ''Achara''. Under the Soviet Union, Adjara was part of the Georgian Soviet Socialist Republic as the Adjarian ASSR. The autonomous status of Adjara is guaranteed under article 6 of the Treaty of Kars. H ...
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Nikoloz (Koka) Ignatov
Nikoloz (Koka) Ignatov ( ka, ნიკოლოზ (კოკა) იგნატოვი) (July 29, 1937 – May 6, 2002) was a 20th-century Georgian painter. He studied at the Tbilisi State Academy of Arts The Tbilisi State Academy of Arts ( ka, თბილისის სახელმწიფო სამხატვრო აკადემია) is one of the oldest universities in Georgia and Caucasus. It is located in central Tbilisi near .... External links Georgian Art Portal 1937 births 2002 deaths Painters from Georgia (country) Tbilisi State Academy of Arts alumni Artists from Tbilisi Laureates of the State Prize of Georgia (country) {{Georgia-bio-stub ...
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