Star Time (album)
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Star Time (album)
''Star Time'' is a four-CD box set by American musician James Brown. Released in May 1991 by Polydor Records, its contents span most of the length of his career up to the time of its release, starting in 1956 with his first hit record, "Please, Please, Please", and ending with "Unity", his 1984 collaboration with Afrika Bambaataa. Writing in 2007, Robert Christgau described it as "the finest box set ever released... as essential a package as the biz has ever hawked, not just because it's James Brown, but because compilers Cliff White and Harry Weinger invested so much care and knowledge in it." Its title comes from the question Brown's announcer would ask concert audiences, as heard on the album '' Live at the Apollo'': "Are you ready for star time?" ''Star Times liner notes, written by Cliff White, Harry Weinger, Nelson George, Alan Leeds, and Brown himself, won a 1991 Grammy Award for Best Album Notes. The notes also include a discography and a one-page comic by Mary Flee ...
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Box Set
A box set or (its original name) boxed set is a set of items (for example, a compilation of books, musical recordings, films or television programs) traditionally packaged in a box and offered for sale as a single unit. Music Artists and bands with an extremely long and successful career often have anthology or "essential" collections of their boxes of music released as box sets. These often include rare and never-before-released tracks. Some box sets collect previously released boxes of singles or albums by a music artist, and often collect the complete discography of an artist such as Pink Floyd's ''Oh, by the Way'' and ''Discovery'' sets. Sometimes bands release expanded versions of their most successful albums such as Pink Floyd's ''Immersion'' box set versions of their ''The Dark Side of the Moon'' (1973), ''Wish You Were Here'' (1975) and ''The Wall'' (1979) albums. Pink Floyd have also released ''The Early Years 1965–1972'' box set which features mostly unreleased mate ...
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Please, Please, Please
"Please, Please, Please" is a rhythm and blues song performed by James Brown and the Famous Flames. Written by Brown and Johnny Terry and released as a single on Federal Records in 1956, it reached No. 6 on the R&B charts. The group's debut recording and first chart hit, it has come to be recognized as their signature song. Background In 1952, James Brown was released from a youth detention center in Toccoa, Georgia after Bobby Byrd and his family sponsored him. Brown's warden agreed to the release on the condition that Brown not return to Augusta. After his release, Brown briefly pursued a career in sports before starting his musical career as a gospel vocalist with the group the Ever-Ready Gospel Singers. When a member of Bobby Byrd's vocal group, the Avons, died in 1954, Byrd asked Brown to join his group. A year later, after performing as the Five Royals, they became the Flames, playing all over Georgia and South Carolina. According to Etta James, Brown and his group came u ...
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I Got You (I Feel Good)
"I Got You (I Feel Good)" is a song by American singer James Brown. First recorded for the album ''Out of Sight'' and then released in an alternate take as a single in 1965, it was his highest-charting song and is arguably his best-known recording. Description "I Got You (I Feel Good)" is a twelve-bar blues with a brass-heavy instrumental arrangement similar to Brown's previous hit, "Papa's Got a Brand New Bag". It also features the same emphasis "on the one" (i.e. the first beat of the measure) that characterizes Brown's developing funk style. The lyrics have Brown exulting in how good he feels ("nice, like sugar and spice") now that he has the one he loves, his vocals punctuated by screams and shouts. The song includes an alto sax solo by Maceo Parker. Precursors "I Got You (I Feel Good)" developed from an earlier Brown-penned song, "I Found You", with a nearly identical melody and lyrics. "I Found You" had been recorded by Brown's back-up singer Yvonne Fair and released as a ...
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Song
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical compose ...
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Mary Fleener
Mary Fleener (born September 14, 1951) is an American alternative comics artist, writer and musician from Los Angeles. Fleener's drawing style, which she calls ''cubismo'', derives from the cubist aesthetic and other artistic traditions. Her first publication was a work about Zora Neale Hurston, called ''Hoodoo'' (1988), followed by the semi-autobiographical comics series ''Slutburger'', and the anthology ''Life of the Party'' (1996). She is a member of the rock band called The Wigbillies. Among Fleener's influences are ancient Egyptian art and the works of Chester Gould ('' Dick Tracy''), Otto Soglow (''The Little King'') and Al Capp (''Li'l Abner''). Robert Crumb and Robert Armstrong (creator of Mickey Rat) encouraged her to create her own comics. Her works have been exhibited at La Luz de Jesus Gallery, Track 16, David Zapt Gallery, Laguna Beach Art Museum Annex, LACE (Los Angeles), COCA (Seattle), Southwestern College, Patricia Correia Gallery, Sushi Gallery. In 2020 h ...
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Comics
a medium used to express ideas with images, often combined with text or other visual information. It typically the form of a sequence of panels of images. Textual devices such as speech balloons, captions, and onomatopoeia can indicate dialogue, narration, sound effects, or other information. There is no consensus amongst theorists and historians on a definition of comics; some emphasize the combination of images and text, some sequentiality or other image relations, and others historical aspects such as mass reproduction or the use of recurring characters. Cartooning and other forms of illustration are the most common image-making means in comics; '' fumetti'' is a form that uses photographic images. Common forms include comic strips, editorial and gag cartoons, and comic books. Since the late 20th century, bound volumes such as graphic novels, comic albums, and ' have become increasingly common, while online webcomics have proliferated in the 21st century. The histo ...
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Discography
Discography is the study and cataloging of published sound recordings, often by specified artists or within identified music genres. The exact information included varies depending on the type and scope of the discography, but a discography entry for a specific recording will often list such details as the names of the artists involved, the time and place of the recording, the title of the piece performed, release dates, chart positions, and sales figures.Roy Shuker. Popular Music: The Key Concepts'. Routledge, 2005. 80. A discography can also refer to the recordings catalogue of an individual artist, group, or orchestra. This is distinct from a sessionography, which is a catalogue of recording sessions, rather than a catalogue of the records, in whatever medium, that are made from those recordings. The two are sometimes confused, especially in jazz, as specific release dates for jazz records are often difficult to ascertain, and session dates are substituted as a means of organiz ...
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Grammy Award For Best Album Notes
The Grammy Award – Best Album Notes has been presented since 1964. From 1973 to 1976 (the 15th through 18th Awards), a second award was presented for Best Album Notes – Classical. Those awards are listed under those years below. The award recognizes albums with excellent album notes, sometimes referred to as liner notes. It is presented to the album notes author or authors, not to the artists or performers on the winning work, except if the artist is also the album notes author. Years reflect the year in which the Grammy Awards were presented, for works released in the previous year. Winners and nominees References {{DEFAULTSORT:Grammy Award For Best Album Notes Album Notes Liner notes (also sleeve notes or album notes) are the writings found on the sleeves of LP record albums and in booklets that come inserted into the compact disc jewel case or the equivalent packaging for cassettes. Origin Liner notes are desce ... Awards established in 1964 ...
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Alan Leeds
Alan Leeds (born January 26, 1947) is an American music executive, tour manager, production manager, writer and archivist best known for his work organizing performances and concert tours for artists such as James Brown, Prince, KISS, Cameo, D'Angelo and Chris Rock. In addition to his career in management for artists, Leeds is recognized as an award-winning writer and music archivist. Leeds received a Grammy Award for Best Album Notes in 1992 for his work on the James Brown compilation '' Star Time''. Leeds also penned the liner notes for the 1993 Prince box set ''The Hits/The B-Sides'', and cowrote ''The James Brown Reader'' with Nelson George. Alan Leeds was born in Jackson Heights, New York. Leeds' music career began as a music writer. He first became involved with James Brown as his publicity director in 1969, and worked as Brown's tour manager from 1970 to 1973. Beginning in 1983, Leeds managed tours for Prince during the peak of his commercial and artistic success, notably ...
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Nelson George
Nelson George (born September 1, 1957) is an American author, columnist, music and culture critic, journalist, and filmmaker. He has been nominated twice for the National Book Critics Circle Award. Biography George attended St. John's University. He was an intern at the ''New York Amsterdam News'' before being hired as black music editor for ''Record World''. He later served as a music editor for ''Billboard'' magazine from 1982 to 1989. While there, George published two books: ''Where Did Our Love Go: The Rise and Fall of the Motown Sound'' in 1986, and ''The Death of Rhythm & Blues'' in 1988. He also wrote a column, entitled "Native Son", for the ''Village Voice'' from 1988 to 1992. He first got involved in film when, in 1986, he helped to finance director Spike Lee's debut feature ''She's Gotta Have It''. A lifelong resident of Brooklyn, New York, George currently lives in Fort Greene. Literary work George has authored 15 non-fiction books, including the bestseller ''The Mic ...
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Liner Notes
Liner notes (also sleeve notes or album notes) are the writings found on the sleeves of LP record albums and in booklets that come inserted into the compact disc jewel case or the equivalent packaging for cassettes. Origin Liner notes are descended from the program notes for musical concerts, and developed into notes that were printed on the inner sleeve used to protect a traditional 12-inch vinyl record, i.e., long playing or gramophone record album. The term descends from the name "record liner" or "album liner". Album liner notes survived format changes from vinyl LP to cassette to CD. These notes can be sources of information about the contents of the recording as well as broader cultural topics. Contents Common material Such notes often contained a mix of factual and anecdotal material, and occasionally a discography for the artist or the issuing record label. Liner notes were also an occasion for thoughtful signed essays on the artist by another party, often a sympathetic ...
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Live At The Apollo (1963 Album)
''Live at the Apollo'' is the first live album by James Brown and the Famous Flames, recorded at the Apollo Theater in Harlem, Manhattan, Harlem and released in 1963 by King Records (United States), King Records. The album is included in Robert Christgau's "Basic Record Library" of 1950s and 1960s recordings, published in ''Christgau's Record Guide: Rock Albums of the Seventies'' (1981). In 2000 it was voted number 248 in Colin Larkin's ''All Time Top 1000 Albums''. In 2003, the album was ranked number 25 on ''Rolling Stone'' magazine's list of ''Rolling Stone's 500 Greatest Albums of All Time, The 500 Greatest Albums of All Time'', maintaining the rating in a 2012 revised list, and re-ranking at number 65 in a 2020 reboot of the list. In 2004, it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 1998, this album was inducted into the Grammy Hall of Fame. Release and reception ''Live at the Apollo'' was re ...
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