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Stabat Mater (other)
''Stabat Mater'' is a 13th-century Catholic hymn to Mary's suffering as Jesus Christ's mother at his crucifixion. Stabat Mater may also refer to: Musical arrangements for the hymn * Stabat Mater (Boccherini), by Luigi Boccherini * Stabat Mater (Dvořák), by Antonin Dvořák * Stabat Mater (Haydn), by Joseph Haydn * Stabat Mater (Jenkins), by Karl Jenkins * Stabat Mater doloroso, part XII of the oratorio Christus (Liszt) by Franz Liszt * Stabat Mater (Palestrina), Giovanni Pierliugi Palestrina * Stabat Mater (Pärt), by Arvo Pärt * Stabat Mater (Pergolesi), by Giovanni Battista Pergolesi * Stabat Mater (Poulenc), by Francis Poulenc * Stabat Mater (Rossini), by Gioachino Rossini * Stabat Mater (Scarlatti), by Alessandro Scarlatti * Stabat Mater in F minor (Schubert), by Franz Schubert * Stabat Mater in G minor (Schubert), by Franz Schubert * Stabat Mater (Szymanowski), by Karol Szymanowski * Stabat Mater (Vivaldi), by Antonio Vivaldi Other uses * Stabat Mater (album), a studio al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stabat Mater
The Stabat Mater is a 13th-century Christian hymn to Mary, which portrays her suffering as Jesus Christ's mother during his crucifixion. Its author may be either the Franciscan friar Jacopone da Todi or Pope Innocent III.Sabatier, Paul ''Life of St. Francis Assisi'' Charles Scribner Press, NY, 1919, page 286''The seven great hymns of the Mediaeval Church'' by Charles Cooper Nott 1868 ASIN: B003KCW2LA page 96 The title comes from its first line, "Stabat Mater dolorosa", which means "the sorrowful mother was standing". The hymn is sung at the liturgy on the memorial of Our Lady of Sorrows. The Stabat Mater has been set to music by many Western composers. Date The Stabat Mater has often been ascribed to Jacopone da Todi, OFM (ca. 1230–1306), but this has been strongly challenged by the discovery of the earliest notated copy of the Stabat Mater in a 13th-century gradual belonging to the Dominican nuns in Bologna (Museo Civico Medievale MS 518, fo. 200v-04r). The Stabat Mater ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stabat Mater In F Minor (Schubert)
in F minor, 383, is a musical setting of the Stabat Mater sequence, composed by Franz Schubert in 1816. It is scored for soprano, tenor and bass soloists, SATB choir, 2 flutes, 2 oboes, 2 bassoons, contrabassoon, 2 french horns, 3 trombones, violin I and II, viola, cello and double bass. Rather than setting the Latin sequence of the , Schubert used a German paraphrase by F. G. Klopstock, '. The work is sometimes referred to as the ''Deutsches Stabat Mater'', and was written for the composer's brother Ferdinand. Schubert had written a shorter setting of the Latin in 1815, Stabat Mater in G minor, 175, a single-movement piece of approximately six minutes' duration, using only four verses of the twenty stanzas of the sequence. Structure This setting is essentially a short oratorio with arias, duets, trios and chorus work. The work is divided into twelve movements. Performances require 30–40 minutes. #"" Largo, F minor, common time; choir #"" B-flat minor, 3/8; sopran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stabat Mater (Kristeva)
Stabat Mater (original French title "Hérethique de l'amour") is an essay by philosopher and critic Julia Kristeva. First published in French in ''Tel Quel'' (1977), it was translated into English by Arthur Goldhammer and published in '' Poetics Today'' (1985), and translated again by Leon S. Roudiez for ''The Kristeva Reader'' (ed. Toril Moi, Columbia UP, 1986). The essay's title derives from ''Stabat Mater'', the 13th-century Catholic hymn to Mary; Kristeva's childhood, she said, was "bathed" in the liturgy of the Orthodox Church. The essay is experimental, and (in two columns) combines a scholarly investigation of the cult of the Virgin Mary Mary; arc, ܡܪܝܡ, translit=Mariam; ar, مريم, translit=Maryam; grc, Μαρία, translit=María; la, Maria; cop, Ⲙⲁⲣⲓⲁ, translit=Maria was a first-century Jewish woman of Nazareth, the wife of Joseph and the mother o ... and of "the maternal" symbolized by the Virgin with a personal account of Kristeva's "bod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stabat Mater (band)
Clandestine Blaze is a one-man black metal band formed by Mikko Aspa in Lahti, Finland in 1998. Aspa cites Darkthrone, Burzum, Beherit, and Bathory as key influences. Aspa is also currently involved in many other projects, such as Stabat Mater, Creamface, Fleshpress, AM, Grunt, Clinic of Torture, Alchemy of the 20th Century, and Nicole 12.Clandestine Blaze biography @ MusicMight Aspa is also the owner of Northern Heritage, a record label that has released albums by , , |
Peter Martins
Peter Martins (born 27 October 1946) is a Danish ballet dancer and choreographer. Martins was a principal dancer with the Royal Danish Ballet and with the New York City Ballet, where he joined George Balanchine, Jerome Robbins, and John Taras as balletmaster in 1981. He retired from dancing in 1983, having achieved the rank of danseur noble, becoming Co-Ballet Master-In-Chief with Robbins. From 1990 until January 2018, he was solely responsible for artistic leadership of City Ballet. Early life Martins was born and raised in Copenhagen, Denmark.Mary Ellen Snodgrass (2015)''The Encyclopedia of World Ballet,''Rowman & Littlefield. His parents were Børge Martins, an engineer, and Tove Christa Ornberg, a pianist. His maternal aunt and uncle, Leif and Elna Ornberg, members of the Royal Danish Ballet, started teaching him ballroom combinations when he was five years of age; when he applied to ballet school, however, he was the subject of discrimination because his aunt and uncle had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stabat Mater (ballet)
The Stabat Mater is a 13th-century Christian hymn to Mary, which portrays her suffering as Jesus Christ's mother during his crucifixion. Its author may be either the Franciscan friar Jacopone da Todi or Pope Innocent III.Sabatier, Paul ''Life of St. Francis Assisi'' Charles Scribner Press, NY, 1919, page 286''The seven great hymns of the Mediaeval Church'' by Charles Cooper Nott 1868 ASIN: B003KCW2LA page 96 The title comes from its first line, "Stabat Mater dolorosa", which means "the sorrowful mother was standing". The hymn is sung at the liturgy on the memorial of Our Lady of Sorrows. The Stabat Mater has been set to music by many Western composers. Date The Stabat Mater has often been ascribed to Jacopone da Todi, OFM (ca. 1230–1306), but this has been strongly challenged by the discovery of the earliest notated copy of the Stabat Mater in a 13th-century gradual belonging to the Dominican nuns in Bologna (Museo Civico Medievale MS 518, fo. 200v-04r). The Stabat Mat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stabat Mater (art)
Stabat Mater (Latin for "the mother was standing") is a compositional form in the crucifixion in the arts, crucifixion of Jesus in art depicting the BVM(RC), Virgin Mary under the true cross, cross during the crucifixion of Christ alongside John the apostle. It is common in groups of sculpture on a rood screen, and in paintings. In large hanging ''Crucifixions'', Mary and John may be shown at a smaller scale beside Christ's torso. Description In these depictions, the Virgin Mary and John the apostle are standing under the true cross, cross during the crucifixion of Christ, with only these three figures shown. Mary is almost always standing to the right hand side of the body of her son Jesus on the cross, with John standing to the left. It is distinguished from fully populated ''Crucifixion'' scenes where there may be considerable numbers of other figures, though these three have the same positions. It contrasts with depictions of the ''Swoon of the Virgin'', where she is s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stabat Mater (album)
''Stabat Mater'' is the sixth full-length album by Stefano Lentini. It was released on October 8, 2013. The single 'Stabat Mater' is a part of the soundtrack of Wong Kar Wai's The Grandmaster, 2014 Oscar Nominee. In an interview with the Pitchfork website, Lentini said: ''Sacred music is generally only referred to music based on religious texts. I think this is wrong. Any kind of music able to convey some Truth about existence should be regarded as “sacred”. It is neither a matter of sound nor of musical instrument. It is not a genre, but an attitude: whether it is symphonic or indie music, if there is some inner truth in it, a profound expressive intensity, then there’s sacredness. Whatever is human is necessarily sacred, because humanity always deserves to be respected and honoured. Before being “sacred” for its text, my Stabat Mater is mundanely sacred for the emotions it hopefully arouses''. Track listing All songs written by Stefano Lentini # "Stabat Mater" – ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stabat Mater (Vivaldi)
Stabat Mater for solo alto and orchestra, RV 621, is a composition by the Italian baroque composer Antonio Vivaldi on one of the Sorrows of Mary. It was premiered in Brescia in 1712. Instrumentation The work is scored for violins I & II, violas, solo alto or countertenor and basso continuo. Movements Vivaldi's Stabat Mater only uses the first ten stanzas of the hymn. stabatmater.info The music is keyed in , and is generally slow and melancholy, with allegro only being used once in the Amen, and all the other movements not going faster than |
Stabat Mater (Szymanowski)
Karol Szymanowski's Stabat Mater, Opus number, Op. 53, was composed in 1925 to 1926 for soprano, alto and baritone soloists, SATB choir, and orchestra. The work is divided into six movement (music), movements and uses Jozef Janowski's (1865–1935) Polish translation of the Blessed Virgin Mary, Marian hymn, Stabat Mater. Szymanowski's first composition on a liturgical text, ''Stabat Mater'' was written during his late period of 1922–1937, characterized by his use of Polish melodies and rhythms. Following a trip to Zakopane in 1922, Szymanowski wrote of Polish folk music: "[it] is enlivening by its proximity to Nature, by its force, by its directness of feeling, by its undisturbed racial purity." Szymanowski's pairing of Polish musical elements with a liturgy, liturgical text in ''Stabat Mater'' is unique. Origin and performances First commissioned in 1924, Princess Edmond de Polignac requested "a piece for soloists, choir, orchestra (perhaps with Polish text) – a kind of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stabat Mater In G Minor (Schubert)
in G minor, 175, is a musical setting of the Latin sequence, composed by Franz Schubert in April 1815. It is scored for SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 3 trombones, violin I and II, viola, and basso continuo (cello, double bass and organ). This setting contains four stanzas of the twenty stanzas of the sequence. After a short orchestral interlude, these four stanzas are repeated with "far-reaching variation". Its structure as a single continuous movement is unusual; most of Schubert's sacred works (not including masses) were composed as one movement divided into three sections. While settings of the developed into a staple of concert music by the late 19th century, it is thought that this piece would have been performed for liturgical use in the Lichtental Church. Schubert's original manuscript indicates that he wished to score the piece with horns, rather than trombones. However, the early horn was valveless, limiting it from producing certain notes; the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stabat Mater (Scarlatti)
Stabat Mater by Alessandro Scarlatti is a religious musical work composed for two voices ( soprano/ alto), two violins and basso continuo, in 1724, on a commission from the Order of Friars Minor, the "Knights of the Virgin of Sorrows" of the Church of San Luigi in Naples for Lent The text, the Stabat Mater sequence, is a 13th-century liturgical text meditating on the suffering of Mary, mother of Christ. Considered outdated by those who had ordered it, Scarlatti's work was replaced in 1736 by the famous Stabat Mater by Giovanni Battista Pergolesi. Scarlatti set the Stabat Mater three times. There is another manuscript of a three-part Stabat Mater, dated 1715 and kept in Naples (''Stabat Mater'' I and a third work, composed for four voices, dated 1723, but now lost (''Stabat Mater'' II. Description The Stabat Mater consists of eighteen pieces that can be grouped into four parts, starting and ending with a duet. Scarlatti inverts verses 10 and 11 and groups verse 13 wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
