St Michael And All Angels Church, Marden
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St Michael And All Angels Church, Marden
St Michael and All Angels Church is a parish church in Marden, Kent. It was begun circa 1200 and is a Grade I listed building. Building The church was begun around 1200 and was altered or extended in the 13th, 14th, 15th and 16th centuries and was restored in 1868 and 1909. The church is constructed variously of coursed and random sandstone, rag-stone and puddingstone and has plain tiled and lead roofs. The nave is adjoined by aisles on the north and south sides, the one to the south continuing across the south face of the west tower. The chancel has chapels on the north and south side. The tower was built in the 13th or early 14th century and comprises three stone-built stages with a fourth stage, containing the belfry added later in white painted weatherboarding with a pyramidal roof. Louvred openings occupy the centre of each side of the belfry. Small rectangular or pointed lancet windows pierce the stonework on each external face of the lower stages, except the south face ...
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Marden, Kent
Marden ( or ) is a village and civil parish in the Kent borough of Maidstone approximately south of Maidstone. The civil parish is located on the flood plain of the River Beult, and also includes Chainhurst and the hamlet of Wanshurst Green. The village is associated with apple growing and from 1933 to 1991 hosted a nationally recognised fruit show. History Name The dense woodland and marshes of the Weald of Kent were littered with acorns and beech mast in autumn making ideal seasonal foraging ground for pigs. The grants by Saxon kings for rights to these pannage areas were known as ''dens'' which later came to refer to the herders' camps and ultimately the settlements that grew up there. ''Maer'' referred to barren areas of marsh alongside the forest. In time the dens developed into permanent settlements such a ''Maer'' ''den'', or clearing beside the marsh. By 1066 the settlement was recorded as ''Maere Denn''; in 1170, ''Maeredaen''; 1235, ''Mereden''; 1283, ''Merdenne ...
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Weatherboarding
Clapboard (), also called bevel siding, lap siding, and weatherboard, with regional variation in the definition of these terms, is wooden siding of a building in the form of horizontal boards, often overlapping. ''Clapboard'' in modern American usage is a word for long, thin boards used to cover walls and (formerly) roofs of buildings. Historically, it has also been called ''clawboard'' and ''cloboard''. In the United Kingdom, Australia and New Zealand, the term ''weatherboard'' is always used. An older meaning of "clapboard" is small split pieces of oak imported from Germany for use as barrel staves, and the name is a partial translation (from , "to fit") of Middle Dutch and related to German . Types Riven Clapboards were originally riven radially producing triangular or "feather-edged" sections, attached thin side up and overlapped thick over thin to shed water.
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Stocks
Stocks are feet restraining devices that were used as a form of corporal punishment and public humiliation. The use of stocks is seen as early as Ancient Greece, where they are described as being in use in Solon's law code. The law describing its use is cited by the orator Lysias: "“He shall have his foot confined in the stocks for five days, if the court shall make such addition to the sentence.” The “stocks” there mentioned, Theomnestus, are what we now call “confinement in the wood”" (''Lys''. 10.16) Form and applications The stocks, pillory, and pranger each consist of large wooden boards with hinges; however, the stocks are distinguished by their restraint of the feet. The stocks consist of placing boards around the ankles and wrists, whereas with the pillory, the boards are fixed to a pole and placed around the arms and neck, forcing the punished to stand. Victims may be insulted, kicked, tickled, spat on, or subjected to other inhumane acts. In the Bible, ...
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Patrick Reyntiens
Nicholas Patrick Reyntiens OBE (; 11 December 1925 – 25 October 2021) was a British stained-glass artist, described as "the leading practitioner of stained glass in this country." Personal life Reyntiens was born in December 1925 at 68 Cadogan Square, Knightsbridge, London SW1, of Belgian extraction. He was sent to school at the Benedictine Ampleforth College in Yorkshire and was a practising Roman Catholic. He left school in 1943 (archived) and joined the Scots Guards, with whom he served from 1943 to 1947. His artistic training was first at Regent Street Polytechnic (now the University of Westminster) and then at Edinburgh College of Art. At Edinburgh he met Anne Bruce (1927–2006), a painter whom he later married. They had two sons and two daughters, Edith, Dominick, Lucy, and John. In the 1950s, Reyntiens and Bruce bought Burleighfield House, a run-down country house near Loudwater, Buckinghamshire. The couple moved to Somerset in 1982. Reyntiens died on 25 Octo ...
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Rood Loft
The rood screen (also choir screen, chancel screen, or jubé) is a common feature in late medieval church architecture. It is typically an ornate partition between the chancel and nave, of more or less open tracery constructed of wood, stone, or wrought iron. The rood screen would originally have been surmounted by a rood loft carrying the Great Rood, a sculptural representation of the Crucifixion. In English, Scottish, and Welsh cathedrals, monastic, and collegiate churches, there were commonly two transverse screens, with a rood screen or rood beam located one bay west of the pulpitum screen, but this double arrangement nowhere survives complete, and accordingly the preserved pulpitum in such churches is sometimes referred to as a rood screen. At Wells Cathedral the medieval arrangement was restored in the 20th century, with the medieval strainer arch supporting a rood, placed in front of the pulpitum and organ. Rood screens can be found in churches in many parts of Europe, ...
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Finial
A finial (from '' la, finis'', end) or hip-knob is an element marking the top or end of some object, often formed to be a decorative feature. In architecture, it is a small decorative device, employed to emphasize the Apex (geometry), apex of a dome, spire, tower, roof, or gable or any of various distinctive ornaments at the top, end, or corner of a building or structure. A finial is typically carved in stone. Where there are several such elements they may be called pinnacles. The very top of a finial can be a floral or foliated element called a bouquet. Smaller finials in materials such as metal or wood are used as a decorative ornament on the tops or ends of poles or rods such as tent-poles or curtain rods or any object such as a piece of furniture. These are frequently seen on top of bed posts or clocks. Decorative finials are also commonly used to fasten lampshades, and as an ornamental element at the end of the handles of souvenir spoons. The charm at the end of a pull chain ...
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Baptismal Font
A baptismal font is an article of church furniture used for baptism. Aspersion and affusion fonts The fonts of many Christian denominations are for baptisms using a non-immersive method, such as aspersion (sprinkling) or affusion (pouring). The simplest of these fonts has a pedestal (about tall) with a holder for a basin of water. The materials vary greatly consisting of carved and sculpted marble, wood, or metal. The shape can vary. Many are eight-sided as a reminder of the new creation and as a connection to the practice of circumcision, which traditionally occurs on the eighth day. Some are three-sided as a reminder of the Holy Trinity: Father, Son, and Holy Spirit. Fonts are often placed at or near the entrance to a church's nave to remind believers of their baptism as they enter the church to pray, since the rite of baptism served as their initiation into the Church. In many churches of the Middle Ages and Renaissance there was a special chapel or even a separate build ...
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Lean-to
A lean-to is a type of simple structure originally added to an existing building with the rafters "leaning" against another wall. Free-standing lean-to structures are generally used as shelters. One traditional type of lean-to is known by its Finnish name . Lean-to buildings A lean-to is originally defined as a building in which the rafters lean against another building or wall, a penthouse. These structures frequently have skillion roofs and as such are sometimes referred to as "skillions". A lean-to shelter is a free-standing structure with only three walls and a single-pitched roof. The open side is commonly oriented away from the prevailing winds and rains. Often it is a rough structure made of logs or unfinished wood and used as a camping shelter. A lean-to addition is a shed with a sloping roof and three walls that abuts the wall of another structure. This form of lean-to is generally provisional; it is an appendix to an existing building constructed to fulfill a new need ...
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Crown Post
A crown post is a term in traditional timber framing for a post in roof framing which stands on a ''tie beam'' or ''collar beam'' and supports a ''collar plate''.Alcock, N. W.. Recording timber-framed buildings: an illustrated glossary. London: Council for British Archaeology, 1989. G5 Historically, crown posts were called king posts, but this usage is confusing and obsolete. A crown post is designed to be in a compression and transfers weight to the tie beam, where a king post is designed to be in tension and supports the tie beam. In the U.K a ''crown strut'' is similar to a crown post but does not carry a plate Plate may refer to: Cooking * Plate (dishware), a broad, mainly flat vessel commonly used to serve food * Plates, tableware, dishes or dishware used for setting a table, serving food and dining * Plate, the content of such a plate (for example: .... References {{Reflist Timber framing ...
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Parvise
A parvis or parvise is the open space in front of and around a cathedral or church, especially when surrounded by either colonnades or porticoes, as at St. Peter's Basilica in Rome. It is thus a church-specific type of forecourt, front yard or apron. Etymology The term derives via Old French from the Latin ''paradisus'' meaning "paradise". This in turn came via Ancient Greek from the Indo-European Aryan languages of ancient Iran, where it meant a walled enclosure or garden precinct with heavenly flowers planted by the Clercs (Clerics). Parvis of St Paul's Cathedral In London in the Middle Ages the Serjeants-at-law practised at the parvis of St Paul's Cathedral, where clients could seek their counsel. In the 14th century Geoffrey Chaucer referred to ''"A sergeant of the laws ware and wise/ That often hadde yben at the par uis..."''. Later, ecclesiastical courts developed at Doctors' Commons on the same site. Late English use In England the term was much later used to ...
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Tracery
Tracery is an architecture, architectural device by which windows (or screens, panels, and vaults) are divided into sections of various proportions by stone ''bars'' or ''ribs'' of Molding (decorative), moulding. Most commonly, it refers to the stonework elements that support the glass in a window. The term probably derives from the tracing floors on which the complex patterns of windows were laid out in late Gothic architecture. Tracery can also be found on the interior of buildings and the exterior. There are two main types: plate tracery and the later bar tracery.Hugh Honour, Honour, H. and J. Fleming, (2009) ''A World History of Art''. 7th edn. London: Laurence King Publishing, p. 948. The evolving style from Romanesque architecture, Romanesque to Gothic architecture and changing features, such as the thinning of lateral walls and enlarging of windows, led to the innovation of tracery. The earliest form of tracery, called plate tracery, began as openings that were pierced fro ...
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Bay (architecture)
In architecture, a bay is the space between architectural elements, or a recess or compartment. The term ''bay'' comes from Old French ''baie'', meaning an opening or hole."Bay" ''Online Etymology Dictionary''. http://www.etymonline.com/index.php?allowed_in_frame=0&search=bay&searchmode=none accessed 3/10/2014 __NOTOC__ Examples # The spaces between posts, columns, or buttresses in the length of a building, the division in the widths being called aisles. This meaning also applies to overhead vaults (between ribs), in a building using a vaulted structural system. For example, the Gothic architecture period's Chartres Cathedral has a nave (main interior space) that is '' "seven bays long." '' Similarly in timber framing a bay is the space between posts in the transverse direction of the building and aisles run longitudinally."Bay", n.3. def. 1-6 and "Bay", n.5 def 2. ''Oxford English Dictionary'' Second Edition on CD-ROM (v. 4.0) © Oxford University Press 2009 # Where there a ...
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