St. Mark Preaching In Alexandria
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St. Mark Preaching In Alexandria
''St. Mark Preaching in Alexandria'' is an oil painting by the Italian Renaissance artists Gentile Bellini, Gentile and Giovanni Bellini, dated to 1504–1507, and held in the Pinacoteca di Brera, in Milan. History The work is a huge canvas (''telero'') destined for the Scuola Grande di San Marco in Venice. It is 26 m2 in surface, and has rich narrative and iconographic features. The cycle of paintings with stories of the life of St Mark was completed around 60 years later by Giorgione and Tintoretto, and is today housed in the Pinacoteca di Brera and the Gallerie dell'Accademia, Accademia in Venice. The canvas was started by Gentile in July 1504, but after his death in February 1507, when it was "largely completed", it passed to his brother Giovanni, as indicated in Gentile's will. Giovanni completed it, making some modifications. The invitation to complete it was probably from his brother just before he died, to which Giovanni probably responded negatively, This explains it ...
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Gentile Bellini
Gentile Bellini (c. 1429 – 23 February 1507) was an Italian painter of the school of Venice. He came from Venice's leading family of painters, and at least in the early part of his career was more highly regarded than his younger brother Giovanni Bellini, the reverse of the case today. From 1474 he was the official portrait artist for the Doges of Venice, and as well as his portraits he painted a number of very large subjects with multitudes of figures, especially for the Scuole Grandi of Venice, wealthy confraternities that were very important in Venetian patrician social life.Hartt, 397-398 In 1479 he was sent to Constantinople by the Venetian government when the Ottoman Sultan Mehmed II requested an artist; he returned the next year. Thereafter a number of his subjects were set in the East, and he is one of the founders of the Orientalist tradition in Western painting. His portrait of the Sultan was also copied in paintings and prints and became known all over Europe. B ...
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Lives Of The Most Excellent Painters, Sculptors, And Architects
''The Lives of the Most Excellent Painters, Sculptors, and Architects'' ( it, Le vite de' più eccellenti pittori, scultori, e architettori), often simply known as ''The Lives'' ( it, Le Vite), is a series of artist biographies written by 16th-century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most-read work of the older literature of art",Max Marmor, ''Kunstliteratur''
translated by , in Art Documentation Vol 11 # 1, 1992
"some of the 's most influential writing on ...
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Obelisk
An obelisk (; from grc, ὀβελίσκος ; diminutive of ''obelos'', " spit, nail, pointed pillar") is a tall, four-sided, narrow tapering monument which ends in a pyramid-like shape or pyramidion at the top. Originally constructed by Ancient Egyptians and called ''tekhenu'', the Greeks used the Greek term to describe them, and this word passed into Latin and ultimately English. Ancient obelisks are monolithic; they consist of a single stone. Most modern obelisks are made of several stones. Ancient obelisks Egyptian Obelisks were prominent in the architecture of the ancient Egyptians, and played a vital role in their religion placing them in pairs at the entrance of the temples. The word "obelisk" as used in English today is of Greek rather than Egyptian origin because Herodotus, the Greek traveler, was one of the first classical writers to describe the objects. A number of ancient Egyptian obelisks are known to have survived, plus the " Unfinished Obelisk" found part ...
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Hieroglyph
A hieroglyph ( Greek for "sacred carvings") was a character of the ancient Egyptian writing system. Logographic scripts that are pictographic in form in a way reminiscent of ancient Egyptian are also sometimes called "hieroglyphs". In Neoplatonism, especially during the Renaissance, a "hieroglyph" was an artistic representation of an esoteric idea, which Neoplatonists believed actual Egyptian hieroglyphs to be. The word ''hieroglyphics'' refers to a hieroglyphic script. The Egyptians invented the pictorial script, which refers to any writing system that employs images as symbols for various semantic entities, rather than the abstract signs used by alphabets. The appearance of these distinctive figures in 3000 BCE marked the beginning of Egyptian civilization. Though based on images, Egyptian script was more than a sophisticated form of picture-writing. Each picture/glyph served one of three functions: (1) to represent the image of a thing or action, (2) to stand for a sound or ...
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St Mark's Basilica
The Patriarchal Cathedral Basilica of Saint Mark ( it, Basilica Cattedrale Patriarcale di San Marco), commonly known as St Mark's Basilica ( it, Basilica di San Marco; vec, Baxéłega de San Marco), is the cathedral church of the Catholic Church, Catholic Patriarchate of Venice; it became the episcopal seat of the Patriarch of Venice in 1807, replacing the earlier cathedral of San Pietro di Castello (church), San Pietro di Castello. It is dedicated to and holds the Relic#Christianity, relics of Mark the Evangelist, Saint Mark the Evangelist, the patron saint of the city. The church is located on the eastern end of Piazza San Marco, Saint Mark's Square, the former political and religious centre of the Republic of Venice, and is attached to the Doge's Palace. Prior to the Fall of the Republic of Venice, fall of the republic in 1797, it was the chapel of the Doge of Venice, Doge and was subject to his jurisdiction, with the concurrence of the procurators of Saint Mark ''de supra' ...
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Mark The Evangelist
Mark the Evangelist ( la, Marcus; grc-gre, Μᾶρκος, Mârkos; arc, ܡܪܩܘܣ, translit=Marqōs; Ge'ez: ማርቆስ; ), also known as Saint Mark, is the person who is traditionally ascribed to be the author of the Gospel of Mark. According to Church tradition, Mark founded the episcopal see of Alexandria, which was one of the five most important sees of early Christianity. His feast day is celebrated on April 25, and his symbol is the winged lion. Mark's identity According to William Lane (1974), an "unbroken tradition" identifies Mark the Evangelist with John Mark, and John Mark as the cousin of Barnabas. However, Hippolytus of Rome in ''On the Seventy Apostles'' distinguishes Mark the Evangelist (2 Tim 4:11), John Mark (Acts 12:12, 25; 13:5, 13; 15:37), and Mark the cousin of Barnabas (Col 4:10; Phlm 1:24). According to Hippolytus, they all belonged to the "Seventy Disciples" who were sent out by Jesus to disseminate the gospel (Luke 10:1ff.) in Judea. Accord ...
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Scuola Grande San Marco
''Scuola'' ('school' in Italian; plural ''scuole'') is part of the name of many primary and secondary schools in Italy, Italian-language schools abroad, and institutes of tertiary education in Italy. Those are not listed in this disambiguation article. It may also refer to: Associations * The Scuole Grandi of Venice, religious confraternities with art collections * The Scuole Piccole of Venice, religious confraternities Artistic movements * Scuola Romana or Scuola di via Cavour, a 20th-century art movement in Rome * Giovane scuola, a group of Italian composers of the late 19th and early 20th centuries Other * '' La scuola'', 1995 Italian film * CISL Scuola CISL Scuola is a trade union representing school teachers in Italy. The union was founded in 1997, when the National Union of Elementary Schools merged with the National Middle School Union. Both unions had been part of the loose Italian Federat ...
, Italian labor union for teachers {{disambiguation ...
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Byzantine Architecture
Byzantine architecture is the architecture of the Byzantine Empire, or Eastern Roman Empire. The Byzantine era is usually dated from 330 AD, when Constantine the Great moved the Roman capital to Byzantium, which became Constantinople, until the fall of the Byzantine Empire in 1453. However, there was initially no hard line between the Byzantine and Roman empires, and early Byzantine architecture is stylistically and structurally indistinguishable from earlier Roman architecture. This terminology was introduced by modern historians to designate the medieval Roman Empire as it evolved as a distinct artistic and cultural entity centered on the new capital of Constantinople (modern-day Istanbul) rather than the city of Rome and its environs. Its architecture dramatically influenced the later medieval architecture throughout Europe and the Near East, and became the primary progenitor of the Renaissance and Ottoman architectural traditions that followed its collapse. Characteristic ...
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Turban
A turban (from Persian دولبند‌, ''dulband''; via Middle French ''turbant'') is a type of headwear based on cloth winding. Featuring many variations, it is worn as customary headwear by people of various cultures. Communities with prominent turban-wearing traditions can be found in the Indian subcontinent, Southeast Asia, the Arabian Peninsula, the Middle East, the Balkans, the Caucasus, Central Asia, North Africa, West Africa, East Africa, and amongst some Turkic peoples in Russia as well as Ashkenazi Jews. A keski is a type of turban, a long piece of cloth roughly half the length of a traditional "single turban", but not cut and sewn to make a double-width "Double Turban" (or Double Patti). Wearing turbans is common among Sikh men, and infrequently women. They are also worn by Hindu monks. The headgear also serves as a religious observance, including among Shia Muslims, who regard turban-wearing as ''Sunnah mu’akkadah'' (confirmed tradition). The turban is also the tr ...
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Cloak
A cloak is a type of loose garment worn over clothing, mostly but not always as outerwear for outdoor wear, serving the same purpose as an overcoat, protecting the wearer from the weather. It may form part of a uniform. Cloaks have been and are worn in countless societies. Over time cloak designs have been changed to match fashion and available textiles. Cloaks generally fasten at the neck or over the shoulder, vary in length, from hip all the way down to the ankle, mid-calf being the normal length. They may have an attached hood and may cover and fasten down the front, in which case they have holes or slits for the hands to pass through. However, cloaks are almost always sleeveless. Etymology The word ''cloak'' comes from Old North French ''cloque'' (Old French ''cloche'', ''cloke'') meaning "travelling cloak", from Medieval Latin ''clocca'' "travelers' cape," literally "a bell," so called from the garment's bell-like shape. Thus the word is related to the word ''clock''. H ...
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Frock
Frock has been used since Middle English as the name for an article of clothing, typically coat (clothing), coat-like, for men and women. Terminology In British English and in Commonwealth of Nations, Commonwealth countries the word may be used as an alternative term for a girl's or woman's dress, in particular for a dress suitable for a smart occasion but (in UK English usage) with a hemline higher than a full-length ballgown. In Australia it is frequently used this way, with the phrase "to frock up" meaning to wear a formal dress or gown for a special occasion. Relatedly, a frock coat is a men's Coat (clothing), coat style of the 19th century, characterized by full skirts reaching to the lower thigh or knee. Despite the similarity in the name, the frock coat should be regarded as being a distinct garment quite separate from the frock. In the French language the frock coat is called 'une redingote' (from English "riding coat"), and so unlike the English language implies no im ...
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