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Sposa Son Disprezzata
"Sposa son disprezzata" ("I am wife and I am scorned") is an Italian aria written by Geminiano Giacomelli. It is used in Vivaldi's pasticcio, '' Bajazet''. The music for this aria was not composed by Vivaldi. The aria, originally called ''Sposa, non mi conosci'', was taken from the Geminiano Giacomelli's opera '' La Merope'' (1734), composed before Vivaldi's pasticcio ''Bajazet''. It was a common practice during Vivaldi's time to compile arias from other composers with one own's work for an opera. Vivaldi himself composed the arias for the good characters and mostly used existing arias from other composers for the villains in this opera. "Sposa son disprezzata" is sung by a villain character, Irene. Vivaldi has recently been attributed as the composer of the work, perhaps because Cecilia Bartoli's album "If You Love Me—'Se tu m'ami': Eighteenth-Century Italian Songs," which uses Alessandro Parisotti's 19th-century piano version, attributes the work solely to Vivaldi. Libretto { ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aria
In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, 'Aria del Gran Duca'). By the early 16th century it was in common use as meaning a simple setting of strophic poetry; me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geminiano Giacomelli
Geminiano Giacomelli (sometimes Jacomelli) (28 May 1692 – 25 January 1740) was an Italian composer. Biography Giacomelli was born in Piacenza. In 1724 he was named to the post of ''Kapellmeister'' to the duke of Parma. Beginning with the first performance of his opera ''Ipermestra'', in 1724, he became one of the most popular opera composers of his era. Between 1724 and 1740 he composed 19 operas. His best known opera is ''Cesare in Egitto'' of 1735. He also wrote a deal of sacred music, including eight psalm settings for tenor and bass, and some concertos with continuo. In 1738 Giacomelli again became ''Kapellmeister'', this time at the Basilica della Santa Casa in Loreto; he died in Loreto in 1740. List of works Operas *''Ipermestra'' (Venice, 1724) *''Catone in Utica'' (Vienna 1727; Teatro Ducale, Milan, 1736) *''Scipione in Cartagine'' (Venice, 1728) *''Zidiana'' (Milan, 1728) *''Astianatte '' (Alessandria, 1729) *''Gianguir'' (Venice, 1729) *''Lucio Papirio dittat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Vivaldi
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers. He pioneered many developments in orchestration, violin technique and Program music, programatic music. He consolidated the emerging concerto form into a widely accepted and followed idiom, which was paramount in the development of Johann Sebastian Bach's instrumental music. Vivaldi composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as Sacred Music, sacred choral works and more than List of operas by Antonio Vivaldi, fifty operas. His best-known work is a series of violin concertos known as ''The Four Seasons (Vivaldi), the Four Seasons''. Many of his compositions were written for the all-female music ensemble of the ''Ospedale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pasticcio
In music, a ''pasticcio'' or ''pastiche'' is an opera or other musical work composed of works by different composers who may or may not have been working together, or an adaptation or localization of an existing work that is loose, unauthorized, or inauthentic. Etymology The term is first attested in the 16th century referring both to a kind of pie containing meat and pasta (''see pastitsio'') and to a literary mixture; for music, the earliest attestation is 1795 in Italian and 1742 in English. It derives from the post-classical Latin ''pasticium'' (13th century), a pie or pasty.''Oxford English Dictionary'', March 2008 revision, ''s.v.'' pasticcio In opera In the 18th century, opera ''pasticcios'' were frequently made by composers such as Handel, for example ''Oreste'' (1734), ''Alessandro Severo'' (1738) and ''Giove in Argo'' (1739), as well as Gluck, and Johann Christian Bach. These composite works would consist mainly of portions of other composers' work, although they could ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bajazet (opera)
''Bajazet'' (; also called ''Il Tamerlano'') (RV 703) is an Italian opera in 3 acts composed by Antonio Vivaldi in 1735. Its libretto was written by Agostino Piovene. It was premiered in Verona, during the Carnival season of that year. It includes a three-movement sinfonia as an introduction. The story is about the fate of Bajazet (known as Bayezid I) after being captured by Tamerlane (Timur Lenk). The famous aria "Sposa son disprezzata" is from this opera. Roles Synopsis Act I. ''In garden of occupied capital of Bursa, where Tamerlane resides following the defeat of the Turks''. :Scene 1 (Bajazet & Andronicus): Awaiting death, Bajazet tells Andronicus that if he weds Asteria he must hate Tamerlane. :Scene 2 (Andronicus & Idaspe). Andronicus tells Idaspe to watch Bajazet for Asteria’s sake. Idaspe warns him that Greece has already turned the Empire over to Tamerlane and that Asteria’s beauty will fade, but Andronicus could be crowned Byzantine emperor. :Scene 3 (Tamerlan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vivaldi
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers. He pioneered many developments in orchestration, violin technique and programatic music. He consolidated the emerging concerto form into a widely accepted and followed idiom, which was paramount in the development of Johann Sebastian Bach's instrumental music. Vivaldi composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as sacred choral works and more than fifty operas. His best-known work is a series of violin concertos known as '' the Four Seasons''. Many of his compositions were written for the all-female music ensemble of the '' Ospedale della Pietà'', a home for abandoned children. Vivaldi had worked as a Catholic pries ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Merope (Giacomelli)
''La Merope'' is an opera seria in three acts by Geminiano Giacomelli with a libretto by Apostolo Zeno. It was dedicated to Karl August, Prince of Waldeck and Pyrmont. It was first performed in 1734 at the Teatro Grimani di San Giovanni Grisostomo in Venice. The stage designer was Alessandro Mauro, the costume designer was Natale Canciani and the choreographer was Francesco Aquilante. Music The opera contains the famous aria "Sposa, non mi conosci" sung by the character Epitide. It was later used by Vivaldi in his pasticcio '' Bajazet'' and it was now called "Sposa son disprezzata", because of the new text. Another aria is "Quell'usignolo" (also sung by Epitide) which also had been recorded many times, and the aria is also known for its difficult coloratura Coloratura is an elaborate melody with runs, trills, wide leaps, or similar virtuoso-like material,''Oxford American Dictionaries''.Apel (1969), p. 184. or a passage of such music. Operatic roles in which such music pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cecilia Bartoli
Cecilia Bartoli, Cavaliere OMRI (; born 4 June 1966) is an Italian coloratura mezzo-soprano opera singer and recitalist. She is best known for her interpretations of the music of Bellini, Handel, Mozart, Rossini and Vivaldi, as well as for her performances of lesser-known music from the Baroque and Classical period. She is known for singing both soprano and mezzo roles. Bartoli is considered a coloratura mezzo-soprano with an unusual timbre. According to Nicholas Wroe in 2001, her voice was known for its "fully developed sumptuousness of the lower register, the vibrancy of the middle range...the top was limpid and powerful", and she was one of the most popular opera singers of recent years. Early life Bartoli was born in Rome. Her parents, Silvana Bazzoni and Pietro Angelo Bartoli, were professional singers and gave her her first music lessons. She first performed publicly at age nine as the shepherd boy in ''Tosca''. Bartoli later studied at the Conservatorio di Santa Cec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Parisotti
Alessandro Parisotti (24 July 1853 – 4 April 1913) was an Italian composer and music editor. Life and career Though also a composer, Alessandro Parisotti is better known today as the original editor of a collection of songs known as ''Arie antiche'' (''Arie antiche: ad una voce per canto e pianoforte'', Milan, 1885–1888). The original collection comprises three volumes of songs or arias published as a primer to study classical singing, but the three volumes have since been reduced to single-volumed extracts known as the '' 24 Italian Songs and Arias''. The original Arie Antiche are still available through Ricordi, Schirmer, and Kalmus. Parisotti collected these antique arias (''arie antiche'' is the Italian) in what was the 19th century vogue for discovering forgotten old or antique music from the classical and baroque eras. The most famous example of this practice of reclaiming forgotten music is Mendelssohn's revival of Bach's '' St. Matthew Passion'' in Berlin (1829). T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Excerpts
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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