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Bajazet (opera)
''Bajazet'' (; also called ''Il Tamerlano'') (RV 703) is an Italian opera in 3 acts composed by Antonio Vivaldi in 1735. Its libretto was written by Agostino Piovene. It was premiered in Verona, during the Carnival season of that year. It includes a three-movement sinfonia as an introduction. The story is about the fate of Bajazet (known as Bayezid I) after being captured by Tamerlane (Timur Lenk). The famous aria "Sposa son disprezzata" is from this opera. Roles Synopsis Act I. ''In garden of occupied capital of Bursa, where Tamerlane resides following the defeat of the Turks''. :Scene 1 (Bajazet & Andronicus): Awaiting death, Bajazet tells Andronicus that if he weds Asteria he must hate Tamerlane. :Scene 2 (Andronicus & Idaspe). Andronicus tells Idaspe to watch Bajazet for Asteria’s sake. Idaspe warns him that Greece has already turned the Empire over to Tamerlane and that Asteria’s beauty will fade, but Andronicus could be crowned Byzantine emperor. :Scene 3 (Tamerlan ...
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Antonio Vivaldi
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers. He pioneered many developments in orchestration, violin technique and Program music, programatic music. He consolidated the emerging concerto form into a widely accepted and followed idiom, which was paramount in the development of Johann Sebastian Bach's instrumental music. Vivaldi composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as Sacred Music, sacred choral works and more than List of operas by Antonio Vivaldi, fifty operas. His best-known work is a series of violin concertos known as ''The Four Seasons (Vivaldi), the Four Seasons''. Many of his compositions were written for the all-female music ensemble of the ''Ospedale ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Europa Galante
Europa Galante is an Italian period-instrument Baroque orchestra founded by violinist Fabio Biondi in 1990 and directed by him. The ensemble has been invited to play at festivals and in concert halls such as La Scala in Milan, the Accademia di Santa Cecilia in Rome, the Suntory Hall in Tokyo, the Concertgebouw in Amsterdam, the Royal Albert Hall in London, the Konzerthaus in Vienna, Lincoln Center in New York City, the Sydney Opera House, and the Kraków Philharmonic. They have performed with soloists such as Roberta Invernizzi, Vivica Genaux, Ian Bostridge, Sonia Prina, Philippe Jaroussky. Repertoire The orchestra began its career with a recording of Vivaldi's '' The Four Seasons''. Their large repertoire includes Cavalli's operas, Caldara's oratorios, Scarlatti's oratorios and concertos, chamber music, and recently Bellini's ''Norma'', and Donizetti's ''Anna Bolena''. Europa Galante first recorded for the OPUS 111 French label, and after 10 years with Virgin Clas ...
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Fabio Biondi
Fabio Biondi (born 15 March 1961) is an Italian violinist and conductor. He is a specialist in Baroque and early music. Biography Born in Palermo, Sicily, Biondi had a late start, having never even held a violin till age 11, but by the following year he had advanced so quickly that he played a concerto with the RAI Symphony Orchestra.Cosic, Miriam (17-18 October 1999). "Baroque con brio", ''The Weekend Australian'', Review, p. 19 When he was 16, he performed Johann Sebastian Bach's violin concertos at the Musikverein in Vienna. Since then, he has performed with a number of baroque ensembles including La Capella Reial, Musica Antiqua Wien, Seminario Musicale, La Chapelle Royale and Les Musiciens du Louvre. In 1990 Biondi founded Europa Galante, an Italian ensemble specializing in baroque music, that he directs. Biondi's recordings include Antonio Vivaldi's ''Il cimento dell'armonia e dell'inventione'' including '' The Four Seasons'' and the opera '' Bajazet'', Arcangelo Corell ...
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Merope (Giacomelli)
''La Merope'' is an opera seria in three acts by Geminiano Giacomelli with a libretto by Apostolo Zeno. It was dedicated to Karl August, Prince of Waldeck and Pyrmont. It was first performed in 1734 at the Teatro Grimani di San Giovanni Grisostomo in Venice. The stage designer was Alessandro Mauro, the costume designer was Natale Canciani and the choreographer was Francesco Aquilante. Music The opera contains the famous aria "Sposa, non mi conosci" sung by the character Epitide. It was later used by Vivaldi in his pasticcio '' Bajazet'' and it was now called "Sposa son disprezzata", because of the new text. Another aria is "Quell'usignolo" (also sung by Epitide) which also had been recorded many times, and the aria is also known for its difficult coloratura Coloratura is an elaborate melody with runs, trills, wide leaps, or similar virtuoso-like material,''Oxford American Dictionaries''.Apel (1969), p. 184. or a passage of such music. Operatic roles in which such music pla ...
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Motezuma
''Motezuma'', RV 723, is an opera in three acts by Antonio Vivaldi with an Italian libretto by Alvise Giusti. The libretto is very loosely based on the life of the Aztec ruler Montezuma who died in 1520. The first performance was given in the Teatro Sant'Angelo in Venice on 14 November 1733. (In earlier reference books the opera is referred to as ''Montezuma'', but since the reappearance of the original manuscript this has been corrected to ''Motezuma''.) The music was thought to have been lost, but was discovered in 2002 in the archive of the music library of the Sing-Akademie zu Berlin. Its first fully staged performance in modern times took place in Düsseldorf, Germany, on 21 September 2005. Background and performance history Vivaldi's librettist was the Venetian lawyer Girolamo Giusti. His libretto was a highly fictionalised account of an episode in the life of the Aztec ruler Montezuma. The opera has a happy ending, unlike the real Montezuma who was killed during the ...
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Adriano In Siria
''Adriano in Siria'' (''Hadrian in Syria'') is a libretto by Italian poet Metastasio first performed, with music by Antonio Caldara, in Vienna in 1732, and turned into an opera by at least 60 other composers during the next century. Metastasio based the background of the story on late Classical works by Cassius Dio (Book 19 of the ''Roman History'') and Elio Sparziano (''Vita Hadriani Caesaris''). The aria ''Che fa il mio bene?'' also known as ''L'amante impaziente'', sung by the character Emirena, was set to music by Ludwig van Beethoven in his Opus 82: 4 Arietten und ein Duett. Performances The libretto was composed for Charles VI, Holy Roman Emperor and premiered in the Theater am Kärntnertor in Vienna on 4 November 1732. The scenes were designed by Antonio Galli da Bibiena (1697–1774). A revised version was first performed in 1733, with music by Giacomelli. Some of the later operas based on this libretto were also created for royal festivities: the version by Perg ...
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Riccardo Broschi
Riccardo Broschi (c. 1698 – 1756) was a composer of baroque music and the brother of the opera singer Carlo Broschi, known as Farinelli. Life Broschi was born in Naples, the son of Salvatore Broschi, a composer and chapelmaster of the Cathedral of the Puglinese citizens, and Caterina Berrese (according to the Book of Baptisms of the Church of S. Nicola, today near the Episcopal Archives). The Broschi family moved to Naples at the end of 1711, and enrolled Riccardo, their firstborn, in the Conservatory of S. Maria di Loreto, where he would study to become a composer under G. Perugino and F. Mancinipresso. Salvatore, meanwhile, died unexpectedly, at age 36, on 4 November 1717. Caterina subsequently made Riccardo head of the family. He made his debut in 1725 with ''La Vecchia Sorda''. Next, he moved to London in 1726 and stayed there until 1734 and wrote six heroic operas, his most successful being ''Artaserse''. In 1737 he moved to Stuttgart and briefly served at the Stuttga ...
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Johann Adolph Hasse
Johann Adolph Hasse (baptised 25 March 1699 – 16 December 1783) was an 18th-century German composer, singer and teacher of music. Immensely popular in his time, Hasse was best known for his prolific operatic output, though he also composed a considerable quantity of sacred music. Married to soprano Faustina Bordoni and a friend of librettist Pietro Metastasio, whose libretti he frequently set, Hasse was a pivotal figure in the development of '' opera seria'' and 18th-century music. Early career Hasse was baptised in Bergedorf near Hamburg where his family had been church organists for three generations. His career began in singing when he joined the Hamburg Oper am Gänsemarkt in 1718 as a tenor. In 1719 he obtained a singing post at the court of Brunswick, where in 1721 his first opera, ''Antioco'', was performed; Hasse himself sang in the production. He is thought to have left Germany during 1722. During the 1720s he lived mostly in Naples, dwelling there for six or seven ...
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Geminiano Giacomelli
Geminiano Giacomelli (sometimes Jacomelli) (28 May 1692 – 25 January 1740) was an Italian composer. Biography Giacomelli was born in Piacenza. In 1724 he was named to the post of ''Kapellmeister'' to the duke of Parma. Beginning with the first performance of his opera ''Ipermestra'', in 1724, he became one of the most popular opera composers of his era. Between 1724 and 1740 he composed 19 operas. His best known opera is ''Cesare in Egitto'' of 1735. He also wrote a deal of sacred music, including eight psalm settings for tenor and bass, and some concertos with continuo. In 1738 Giacomelli again became ''Kapellmeister'', this time at the Basilica della Santa Casa in Loreto; he died in Loreto in 1740. List of works Operas *''Ipermestra'' (Venice, 1724) *''Catone in Utica'' (Vienna 1727; Teatro Ducale, Milan, 1736) *''Scipione in Cartagine'' (Venice, 1728) *''Zidiana'' (Milan, 1728) *''Astianatte '' (Alessandria, 1729) *''Gianguir'' (Venice, 1729) *''Lucio Papirio dittat ...
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Farnace
''Farnace'' is an opera by Italian composer Antonio Vivaldi, set to a libretto by Antonio Maria Lucchini initially set by Leonardo Vinci during 1724. Vivaldi's setting received its first performance in 1727 at the Teatro Sant'Angelo in Venice. Popular at the time, and revived with great success at the Sporck theater in Prague in 1730, Vivaldi's ''Farnace'' ( RV 711) slipped into oblivion until the last quarter of the 20th century when it emerged from obscurity. History of the libretto ''Farnace'' is the title of several 18th-century operas set to various librettos. The earliest version was written by Lorenzo Morari with music by Antonio Caldara, first performed at the Teatro Sant'Angelo in Venice in 1703. The best known libretto on this subject, however, was written by Antonio Maria Lucchini and set by Vinci and Vivaldi. Corselli version ''Farnace'' was recomposed by Francesco Corselli (1705–1778) (an Italian composer with a French father). Corselli's ''Farnace'' receive ...
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Pasticcio
In music, a ''pasticcio'' or ''pastiche'' is an opera or other musical work composed of works by different composers who may or may not have been working together, or an adaptation or localization of an existing work that is loose, unauthorized, or inauthentic. Etymology The term is first attested in the 16th century referring both to a kind of pie containing meat and pasta (''see pastitsio'') and to a literary mixture; for music, the earliest attestation is 1795 in Italian and 1742 in English. It derives from the post-classical Latin ''pasticium'' (13th century), a pie or pasty.''Oxford English Dictionary'', March 2008 revision, ''s.v.'' pasticcio In opera In the 18th century, opera ''pasticcios'' were frequently made by composers such as Handel, for example ''Oreste'' (1734), ''Alessandro Severo'' (1738) and ''Giove in Argo'' (1739), as well as Gluck, and Johann Christian Bach. These composite works would consist mainly of portions of other composers' work, although they could ...
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