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Spohr
Louis Spohr (, 5 April 178422 October 1859), baptized Ludewig Spohr, later often in the modern German form of the name Ludwig, was a German composer, violinist and conducting, conductor. Highly regarded during his lifetime, Spohr composed ten Symphony, symphonies, ten Opera, operas, eighteen violin concerti, four clarinet concerti, four Oratorio, oratorios, and various works for small ensemble, chamber music, and art songs.Clive Brown. "Spohr, Louis." Grove Music Online. Oxford Music Online. 18 May 2012 Spohr invented the violin chinrest and the orchestral Rehearsal letter, rehearsal mark. His output spans the Transition from Classical to Romantic music, transition between Classical period (music), Classical and Romantic music, but fell into obscurity following his death, when his music was rarely heard. The late 20th century saw a revival of interest in List of compositions by Louis Spohr, his oeuvre, especially in Europe. Life Spohr was born in Braunschweig in the duchy of Bru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Spohr
Louis Spohr (, 5 April 178422 October 1859), baptized Ludewig Spohr, later often in the modern German form of the name Ludwig, was a German composer, violinist and conductor. Highly regarded during his lifetime, Spohr composed ten symphonies, ten operas, eighteen violin concerti, four clarinet concerti, four oratorios, and various works for small ensemble, chamber music, and art songs.Clive Brown. "Spohr, Louis." Grove Music Online. Oxford Music Online. 18 May 2012 Spohr invented the violin chinrest and the orchestral rehearsal mark. His output spans the transition between Classical and Romantic music, but fell into obscurity following his death, when his music was rarely heard. The late 20th century saw a revival of interest in his oeuvre, especially in Europe. Life Spohr was born in Braunschweig in the duchy of Brunswick-Wolfenbüttel to Karl Heinrich Spohr and Juliane Ernestine Luise Henke, but in 1786 the family moved to Seesen. Spohr's first musical encouragement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dorette Spohr
Dorette Spohr (2 December 1787 – 20 November 1834), also called Dorette Scheidler Spohr, was a German harpist and pianist active in the early 19th century. Biography Dorette Spohr was born as Dorette Scheidler on 2 December 1787 in Kassel, Germany. Her father was a cellist and chamber musician from Gotha, and her mother was a singer. She learned harp from Johann Georg Heinrich Backofen, who was a harpist at the court of Gotha. In 1805, Scheidler met Louis Spohr, a concertmaster at the court of Gotha. They were married on 2 February 1806. Music career Spohr initially performed music composed by Backofen, but after her marriage, Louis Spohr composed for her. Between June 1806 and October 1807, Spohr bought a harp from Paris using part of her dowry. From 1810 to 1812, Spohr was principal harpist at the court of Gotha, where she taught the Duke's daughter, Princess Louise of Saxe-Gotha-Altenburg Princess is a regal rank and the feminine equivalent of prince (from Latin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Compositions By Louis Spohr
This is an incomplete list of compositions by Louis Spohr (1784–1859). The list is divided into works given an opus number by the composer and those that were not (WoO). With opus number * Violin Concerto No. 1, Op. 1 (1802) * Violin Concerto No. 2, Op. 2 (1804) * 3 Concertant Duos for 2 Violins, Op. 3 * 2 String Quartets, Op. 4 (nos. 1, 2) (1805) * Potpourri No. 1 for Violin & String Trio, Op. 5 (1832) * Violin Concerto No. 3, Op. 7 (1805) * 2 Concertant Duos for 2 Violins, Op. 9 (1808) * Violin Concerto No. 4, Op. 10 (1805) #Allegro moderato #Adagio #Rondo. Allegretto * String Quartet, Op. 11 Quatuor Brillant No. 1 (1806) #Allegro moderato #Adagio #Rondo * Overture in C minor, Op. 12 * Duet for Violin and Viola, Op. 13 * String Quartet, Op. 15 (nos. 1, 2) * Violin Concerto No. 5, Op. 17 * Symphony No. 1 in E-flat major, Op. 20 * Alruna, die Eulenkönigin (Overture), Op. 21 * Potpourri No. 2 in B-flat major on themes by Mozart for Violin & String Quartet (with Bass ad libitum) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinrest
A chinrest is a shaped piece of wood (or plastic) attached to the body of a violin or a viola to aid in the positioning of the player's jaw or chin on the instrument. The chinrest may be made of ebony, rosewood, boxwood, or plastic. History The chinrest was invented by Louis Spohr in the early 19th century, about 1820. Historically, this has been explained as a response to increasingly difficult repertoire which demanded freer left hand techniques than had previously been used; however, Spohr intended his small block attached to the bout to protect the tailpiece, which he reportedly broke with his vigorous playing. However, after being promoted by prominent violinists of the day, such as Pierre Baillot and Giovanni Battista Viotti, it gained quick acceptance among most violists & violinists and is today considered a standard part of the viola and violin. Chinrest attachment The chinrest is attached to the instrument by one or two metal clamps that hook over the edge of the b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Braunschweig
Braunschweig () or Brunswick ( , from Low German ''Brunswiek'' , Braunschweig dialect: ''Bronswiek'') is a city in Lower Saxony, Germany, north of the Harz Mountains at the farthest navigable point of the river Oker, which connects it to the North Sea via the rivers Aller and Weser. In 2016, it had a population of 250,704. A powerful and influential centre of commerce in medieval Germany, Brunswick was a member of the Hanseatic League from the 13th until the 17th century. It was the capital city of three successive states: the Principality of Brunswick-Wolfenbüttel (1269–1432, 1754–1807, and 1813–1814), the Duchy of Brunswick (1814–1918), and the Free State of Brunswick (1918–1946). Today, Brunswick is the second-largest city in Lower Saxony and a major centre of scientific research and development. History Foundation and early history The date and circumstances of the town's foundation are unknown. Tradition maintains that Brunswick was created through the merge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seesen
Seesen is a town and municipality in the Goslar (district), district of Goslar, in Lower Saxony, Germany. It is situated on the northwestern edge of the Harz mountain range, approx. west of Goslar. History The Duchy of Saxony, Saxon settlement of ''Sehusa'' was first mentioned in a 974 deed issued by Emperor Otto II, Holy Roman Emperor, Otto II and Chancellor Willigis, from 1235 on it belonged to the House of Welf, Welf dukes of Brunswick-Lüneburg who had a castle erected. In 1428 Seesen received German town law, town privileges by Duke Otto II the One-Eyed of Principality of Göttingen, Brunswick-Göttingen. On 17 July 1810, Israel Jacobson dedicated in Seesen the first synagogue which employed an organ and a choir during prayer and introduced some German liturgy. This day is celebrated by Reform Judaism worldwide as its foundation date. In 1836 Heinrich Engelhard Steinweg (later named Henry E. Steinway) built his first grand piano in his kitchen in Seesen; the instrument is to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively tau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Rochlitz
Johann Friedrich Rochlitz (12 February 1769 – 16 December 1842) was a German playwright, musicologist and art and music critic. His most notable work is his autobiographical account ''Tage der Gefahr'' (''Days of Danger'') about the Battle of Leipzig in 1813 — in ''Kunst und Altertum'', Goethe called it "one of the most wondrous productions ever to have been written". A Friedrich-Rochlitz-Preis for art criticism is named after him — it is awarded by the Leipzig Gesellschaft für Kunst und Kritik and was presented for the fourth time in 2009. Life Friedrich Rochlitz was born in Leipzig, where he attended the Thomasschule, and where, from 1789 to 1791, he studied theology, before working as a private tutor. In 1798 he founded the Allgemeine musikalische Zeitung, along with Gottfried Christoph Härtel, serving as its editor until 1818. He planned to marry the harpist Therese Emilie Henriette Winkel and so Duke Karl August made him a privy councillor of the Duchy of Saxe-We ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Period (music)
The Classical period was an era of classical music between roughly 1750 and 1820. The Classical period falls between the Baroque and the Romantic periods. Classical music has a lighter, clearer texture than Baroque music, but a more sophisticated use of form. It is mainly homophonic, using a clear melody line over a subordinate chordal accompaniment, Blume, Friedrich. ''Classic and Romantic Music: A Comprehensive Survey''. New York: W. W. Norton, 1970 but counterpoint was by no means forgotten, especially in liturgical vocal music and, later in the period, secular instrumental music. It also makes use of ''style galant'' which emphasized light elegance in place of the Baroque's dignified seriousness and impressive grandeur. Variety and contrast within a piece became more pronounced than before and the orchestra increased in size, range, and power. The harpsichord was replaced as the main keyboard instrument by the piano (or fortepiano). Unlike the harpsichord, which plucks str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conducting
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rehearsal Letter
A rehearsal letter is a boldface letter of the alphabet in an orchestral score, and its corresponding parts, that provides the conductor, who typically leads rehearsals, with a convenient spot to tell the orchestra to begin at places other than the start of movements or pieces. Rehearsal letters are most often used in scores of the Romantic era and onwards, beginning with Louis Spohr. Rehearsal letters are typically placed at structural points in the piece. Terminology They may also be generically called rehearsal marks or rehearsal figures, or, when numbers are used instead of letters, rehearsal numbers. Purpose In the course of rehearsing a symphony or piece, it is often necessary for the conductor to stop and go back to some point in the middle, in order to master the more difficult passages or sections, or to resolve a challenge that the ensemble is having. Many scores and parts have bar numbers, every five or ten bars, or at the beginning of each page or line. But as piece ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harp
The harp is a stringed musical instrument that has a number of individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orchestras or concerts. Its most common form is triangular in shape and made of wood. Some have multiple rows of strings and pedal attachments. Ancient depictions of harps were recorded in Current-day Iraq (Mesopotamia), Iran (Persia), and Egypt, and later in India and China. By medieval times harps had spread across Europe. Harps were found across the Americas where it was a popular folk tradition in some areas. Distinct designs also emerged from the African continent. Harps have symbolic political traditions and are often used in logos, including in Ireland. History Harps have been known since antiquity in Asia, Africa, and Europe, dating back at least as early as 3000 BCE. The instrument had great popularity in Europe during the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
