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Spaghetti Vabune!
Spaghetti Vabune! is a Japanese pop band based in Hyogo Prefecture, Japan. They have been active since 2001 and have released two studio albums along with several EPs. Their guitar-driven indie pop music takes inspiration from the Shibuya-kei scene of the early 1990s, notably Flipper's Guitar (whose song ''Cool Spy on a Hot Car'' they covered for a tribute project to the band), as well as Western twee and jangle pop bands. The band has played live in Japan sporadically since 2001 and enjoy limited success overseas. Their track ''Tiger'' was featured on BBC Radio 6 BBC Radio 6 Music is a British digital radio station owned and operated by the BBC, specialising primarily in alternative music. BBC 6 Music was the first national music radio station to be launched by the BBC in 32 years. It is available onl ...'s 'Introducing' programme, and was subsequently elected onto a year-end 'best of' compilation show.https://www.bbc.co.uk/6music/shows/tom_robinsons_introducing/tracklist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japan
Japan ( ja, 日本, or , and formally , ''Nihonkoku'') is an island country in East Asia. It is situated in the northwest Pacific Ocean, and is bordered on the west by the Sea of Japan, while extending from the Sea of Okhotsk in the north toward the East China Sea, Philippine Sea, and Taiwan in the south. Japan is a part of the Ring of Fire, and spans Japanese archipelago, an archipelago of List of islands of Japan, 6852 islands covering ; the five main islands are Hokkaido, Honshu (the "mainland"), Shikoku, Kyushu, and Okinawa Island, Okinawa. Tokyo is the Capital of Japan, nation's capital and largest city, followed by Yokohama, Osaka, Nagoya, Sapporo, Fukuoka, Kobe, and Kyoto. Japan is the List of countries and dependencies by population, eleventh most populous country in the world, as well as one of the List of countries and dependencies by population density, most densely populated and Urbanization by country, urbanized. About three-fourths of Geography of Japan, the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indie Pop
Indie pop (also typeset as indie-pop or indiepop) is a music genre and subculture that combines guitar pop with DIY ethic in opposition to the style and tone of mainstream pop music. It originated from British post-punk in the late 1970s and subsequently generated a thriving fanzine, Independent record label, label, and club and gig circuit. Compared to its counterpart, indie rock, the genre is more melodic, less abrasive, and relatively angst-free. In later years, the definition of ''indie pop'' has bifurcated to also mean bands from unrelated DIY scenes/movements with pop leanings. Subgenres include chamber pop and twee pop. Development and characteristics Origins and etymology Both ''indie'' and ''indie pop'' had originally referred to the same thing during the late 1970s. Inspired more by punk rock's DIY ethos than its style, guitar bands were formed on the then-novel premise that one could record and release their own music instead of having to procure a record contra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shibuya-kei
is a microgenre of pop music or a general aesthetic that flourished in Japan in the mid-to late 1990s. The music genre is distinguished by a "cut-and-paste" approach that was inspired by the kitsch, fusion, and artifice from certain music styles of the past. The most common reference points were 1960s culture and Western pop music, especially the work of Burt Bacharach, Brian Wilson, Phil Spector, and Serge Gainsbourg. Shibuya-kei first emerged as retail music from the Shibuya district of Tokyo. Flipper's Guitar, a duo led by Kenji Ozawa and Keigo Oyamada (Cornelius), formed the bedrock of the genre and influenced all of its groups, but the most prominent Shibuya-kei band was Pizzicato Five, who fused mainstream J-pop with a mix of jazz, soul, and lounge influences. Shibuya-kei peaked in the late 1990s and declined after its principal players began moving into other music styles. Overseas, fans of Shibuya-kei were typically indie pop enthusiasts, which contrasted with the tende ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
J-Pop
J-pop ( ja, ジェイポップ, ''jeipoppu''; often stylized as J-POP; an abbreviated form of "Japanese popular music"), natively also known simply as , is the name for a form of popular music that entered the musical mainstream of Japan in the 1990s. Modern J-pop has its roots in traditional music of Japan, and significantly in 1960s pop and rock music. J-pop replaced ''kayōkyoku'' ("Lyric Singing Music", a term for Japanese popular music from the 1920s to the 1980s) in the Japanese music scene. J-rock bands such as Happy End fused the Beatles and Beach Boys-style rock with Japanese music in the 1960s1970s. J-country had popularity during the international popularity of Westerns in the 1960s1970s as well, and it still has appeal due to the work of musicians like Charlie Nagatani and venues including Little Texas, Tokyo. J-rap became mainstream with producer Nujabes and his work on ''Samurai Champloo'', Japanese pop culture is often seen with anime in hip hop. Other trends ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jangle Pop
Jangle pop is a subgenre of pop rock or college rock that emphasizes jangly guitars and 1960s-style pop melodies. The term originated from Bob Dylan's song " Mr. Tambourine Man", whose 1965 rendition by the Byrds became considered one of the genre's representative works. Since the 1960s, jangle pop has crossed numerous genres, including power pop, psychedelia, new wave, post-punk, and lo-fi. In the 1980s, the most prominent bands of early indie rock were jangle pop groups such as R.E.M., the Wedding Present, and the Smiths. In the early to mid 1980s, the term "jangle pop" emerged as a label for an American post-punk movement that recalled the sounds of "jangly" acts from the 1960s. Between 1983 and 1987, the description "jangle pop" was used to describe bands like R.E.M. and Let's Active as well as the Paisley Underground subgenre, which incorporated psychedelic influences. Etymology The term "jangle pop" was not used during the original movement of the 1960s, but was p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alternative Rock
Alternative rock, or alt-rock, is a category of rock music that emerged from the independent music underground of the 1970s and became widely popular in the 1990s. "Alternative" refers to the genre's distinction from Popular culture, mainstream or commercial rock or pop music. The term's original meaning was broader, referring to musicians influenced by the musical style or independent, DIY ethic, DIY ethos of late-1970s punk rock.di Perna, Alan. "Brave Noise—The History of Alternative Rock Guitar". ''Guitar World''. December 1995. Traditionally, alternative rock varied in terms of its sound, social context, and regional roots. Throughout the 1980s, magazines and zines, college radio airplay, and word of mouth had increased the prominence and highlighted the diversity of alternative rock's distinct styles (and music scenes), such as noise pop, indie rock, grunge, and shoegaze. In September 1988, Billboard (magazine), ''Billboard'' introduced "alternative" into their charting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
J-pop
J-pop ( ja, ジェイポップ, ''jeipoppu''; often stylized as J-POP; an abbreviated form of "Japanese popular music"), natively also known simply as , is the name for a form of popular music that entered the musical mainstream of Japan in the 1990s. Modern J-pop has its roots in traditional music of Japan, and significantly in 1960s pop and rock music. J-pop replaced ''kayōkyoku'' ("Lyric Singing Music", a term for Japanese popular music from the 1920s to the 1980s) in the Japanese music scene. J-rock bands such as Happy End fused the Beatles and Beach Boys-style rock with Japanese music in the 1960s1970s. J-country had popularity during the international popularity of Westerns in the 1960s1970s as well, and it still has appeal due to the work of musicians like Charlie Nagatani and venues including Little Texas, Tokyo. J-rap became mainstream with producer Nujabes and his work on ''Samurai Champloo'', Japanese pop culture is often seen with anime in hip hop. Other trends ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indie Pop
Indie pop (also typeset as indie-pop or indiepop) is a music genre and subculture that combines guitar pop with DIY ethic in opposition to the style and tone of mainstream pop music. It originated from British post-punk in the late 1970s and subsequently generated a thriving fanzine, Independent record label, label, and club and gig circuit. Compared to its counterpart, indie rock, the genre is more melodic, less abrasive, and relatively angst-free. In later years, the definition of ''indie pop'' has bifurcated to also mean bands from unrelated DIY scenes/movements with pop leanings. Subgenres include chamber pop and twee pop. Development and characteristics Origins and etymology Both ''indie'' and ''indie pop'' had originally referred to the same thing during the late 1970s. Inspired more by punk rock's DIY ethos than its style, guitar bands were formed on the then-novel premise that one could record and release their own music instead of having to procure a record contra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flipper's Guitar
Flipper's Guitar (フリッパーズ・ギター) were a Tokyo-based rock band led by (and later a duo of) Keigo Oyamada and Kenji Ozawa. The band were influenced by the chirpy sound of British 80s pop and post-punk groups like Haircut 100, Exhibit B, Orange Juice, The Style Council and Aztec Camera, as well as the fashionably eclectic sounds of early 90s Britain, from alternative dance to acid jazz. The group were an important part of the Tokyo Shibuya-kei scene in the late 1980s to early 1990s, and Oyamada went on to produce work for Pizzicato Five and his close friend Kahimi Karie. The band wears their influence on their sleeves, their song titles often citing their British artists' influence — ''Goodbye Our Pastels Badges'', ''Haircut One Hundred'', ''The Colourfield.'' Following the demise of the band in 1991, the two members pursued solo careers. Ozawa released the album ''The Dogs Bark But The Caravan Moves On'' under his own name, and Oyamada began recording unde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
