Southwest Side Historic District
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Southwest Side Historic District
The Southwest Side Historic District is a neighborhood in Stoughton, Wisconsin with over 100 contributing properties in various styles built as early as 1856. with It was added to the State and the National Register of Historic Places in 1997. Here are some good examples of different styles, in the order built: * The Stoughton-Falk house at 516 S. Page St. is an Italianate-styled cream brick mansion. Luke Stoughton, the city's founder, built the main block of the house in 1856, two stories tall with a hip roof and wide eaves supported by brackets. Stoughton originally had two wings attached to the main block. Around 1890 Ole Falk, the subsequent owner, removed the two wings and added the corner bay and the porches in the Queen Anne style which had become popular by that time. * The First Universalist Church at 324 S. Page St. is a smallish Greek Revival-styled brick church designed by Steven V. Shipman and built in 1858. The congregation had a female minister in charge in 1869 ...
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Stoughton, Wisconsin
Stoughton is a city in Dane County, Wisconsin, United States. It straddles the Yahara River about 20 miles southeast of the state capital, Madison. Stoughton is part of the Madison Metropolitan Statistical Area. As of the 2020 census, the population was 13,173. Known for its Norwegian heritage, Stoughton hosts a citywide celebration of Syttende Mai, the Norwegian constitution day. Part of the city's celebration of its Norwegian heritage is the Stoughton Norwegian Dancers dance group, sponsored by Stoughton High School, as well as Norwegian flags and memorabilia displayed throughout the town. History Stoughton was founded in 1847 by Luke Stoughton, an Englishman from Vermont. Many Norwegian immigrants settled in the town from 1865 through the early 1900s. Stoughton claims to be the birthplace of the "coffee break", and hosts a small yearly parade to celebrate the distinction. For much of its history, Stoughton has been Dane County's second-largest and economically important cit ...
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Queen Anne Style Architecture In The United States
Queen Anne style architecture was one of a number of popular Victorian architectural styles that emerged in the United States during the period from roughly 1880 to 1910. Popular there during this time, it followed the Second Empire and Stick styles and preceded the Richardsonian Romanesque and Shingle styles. Sub-movements of Queen Anne include the Eastlake movement. The style bears almost no relationship to the original Queen Anne style architecture in Britain (a toned-down version of English Baroque that was used mostly for gentry houses) which appeared during the time of Queen Anne, who reigned from 1702 to 1714, nor of Queen Anne Revival (which appeared in the latter 19th century there). The American style covers a wide range of picturesque buildings with "free Renaissance" (non-Gothic Revival) details, rather than being a specific formulaic style in its own right. The term "Queen Anne", as an alternative both to the French-derived Second Empire style and the less "d ...
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American Craftsman
American Craftsman is an American domestic architectural style, inspired by the Arts and Crafts movement, which included interior design, landscape design, applied arts, and decorative arts, beginning in the last years of the 19th century. Its immediate ancestors in American architecture are the Shingle style architecture, Shingle style, which began the move away from Victorian ornamentation toward simpler forms; and the Prairie style of Frank Lloyd Wright. The name "Craftsman" was appropriated from furniture-maker Gustav Stickley, whose magazine ''The Craftsman'' was first published in 1901. The architectural style was most widely used in small-to-medium-sized Southern California single-family homes from about 1905, so that the smaller-scale Craftsman style became known alternatively as " California bungalow". The style remained popular into the 1930s, and has continued with revival and restoration projects through present times. Influences The American Craftsman style was ...
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Gambrel Roof
A gambrel or gambrel roof is a usually symmetrical two-sided roof with two slopes on each side. (The usual architectural term in eighteenth-century England and North America was "Dutch roof".) The upper slope is positioned at a shallow angle, while the lower slope is steep. This design provides the advantages of a sloped roof while maximizing headroom inside the building's upper level and shortening what would otherwise be a tall roof. The name comes from the Medieval Latin word ''gamba'', meaning horse's hock or leg. The term ''gambrel'' is of American origin, the older, European name being a curb (kerb, kirb) roof. Europeans historically did not distinguish between a gambrel roof and a mansard roof but called both types a mansard. In the United States, various shapes of gambrel roofs are sometimes called Dutch gambrel or Dutch Colonial gambrel with bell-cast eaves, Swedish, German, English, French, or New England gambrel. The cross-section of a gambrel roof is similar to tha ...
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Dutch Colonial Revival
Dutch Colonial is a style of domestic architecture, primarily characterized by gambrel roofs having curved eaves along the length of the house. Modern versions built in the early 20th century are more accurately referred to as "Dutch Colonial Revival", a subtype of the Colonial Revival style. History The modern use of the term is to indicate a broad gambrel roof with flaring eaves that extend over the long sides, resembling a barn in construction. The early houses built by settlers were often a single room, with additions added to either end (or short side) and very often a porch along both long sides. Typically, walls were made of stone and a chimney was located on one or both ends. Common were double-hung sash windows with outward swinging wood shutters and a central double Dutch door. Settlers of the Dutch colonies in New York, Delaware, New Jersey, and western Connecticut built these homes in ways familiar to the regions of Europe from which they came, like the Low Cou ...
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Gothic Revival
Gothic Revival (also referred to as Victorian Gothic, neo-Gothic, or Gothick) is an architectural movement that began in the late 1740s in England. The movement gained momentum and expanded in the first half of the 19th century, as increasingly serious and learned admirers of the neo-Gothic styles sought to revive medieval Gothic architecture, intending to complement or even supersede the neoclassical styles prevalent at the time. Gothic Revival draws upon features of medieval examples, including decorative patterns, finials, lancet windows, and hood moulds. By the middle of the 19th century, Gothic had become the preeminent architectural style in the Western world, only to fall out of fashion in the 1880s and early 1890s. The Gothic Revival movement's roots are intertwined with philosophical movements associated with Catholicism and a re-awakening of high church or Anglo-Catholic belief concerned by the growth of religious nonconformism. Ultimately, the "Anglo-Catholicism" t ...
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Methodist Episcopal
The Methodist Episcopal Church (MEC) was the oldest and largest Methodist denomination in the United States from its founding in 1784 until 1939. It was also the first religious denomination in the US to organize itself on a national basis. In 1939, the MEC reunited with two breakaway Methodist denominations (the Methodist Protestant Church and the Methodist Episcopal Church, South) to form the Methodist Church (USA), Methodist Church. In 1968, the Methodist Church merged with the Evangelical United Brethren Church to form the United Methodist Church. The MEC's origins lie in the First Great Awakening when Methodism emerged as an Evangelicalism, evangelical revival movement within the Church of England that stressed the necessity of being born again and the possibility of attaining Christian perfection. By the 1760s, Methodism had spread to the Thirteen Colonies, and Methodist societies were formed under the oversight of John Wesley. As in England, American Methodists remained ...
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Balustrade
A baluster is an upright support, often a vertical moulded shaft, square, or lathe-turned form found in stairways, parapets, and other architectural features. In furniture construction it is known as a spindle. Common materials used in its construction are wood, stone, and less frequently metal and ceramic. A group of balusters supporting a handrail, coping, or ornamental detail are known as a balustrade. The term baluster shaft is used to describe forms such as a candlestick, upright furniture support, and the stem of a brass chandelier. The term banister (also bannister) refers to a baluster or to the system of balusters and handrail of a stairway. It may be used to include its supporting structures, such as a supporting newel post. Etymology According to the ''Oxford English Dictionary'', "baluster" is derived through the french: balustre, from it, balaustro, from ''balaustra'', "pomegranate flower" rom a resemblance to the swelling form of the half-open flower (''illus ...
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Doric Columns
The Doric order was one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognized by the simple circular capitals at the top of columns. Originating in the western Doric region of Greece, it is the earliest and, in its essence, the simplest of the orders, though still with complex details in the entablature above. The Greek Doric column was fluted or smooth-surfaced, and had no base, dropping straight into the stylobate or platform on which the temple or other building stood. The capital was a simple circular form, with some mouldings, under a square cushion that is very wide in early versions, but later more restrained. Above a plain architrave, the complexity comes in the frieze, where the two features originally unique to the Doric, the triglyph and gutta, are skeuomorphic memories of the beams and retaining pegs of the wooden constructions that preceded stone Dor ...
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Colonial Revival
The Colonial Revival architectural style seeks to revive elements of American colonial architecture. The beginnings of the Colonial Revival style are often attributed to the Centennial Exhibition of 1876, which reawakened Americans to the architectural traditions of their colonial past. Fairly small numbers of Colonial Revival homes were built c. 1880–1910, a period when Queen Anne-style architecture was dominant in the United States. From 1910–1930, the Colonial Revival movement was ascendant, with about 40% of U.S. homes built during this period in the Colonial Revival style. In the immediate post-war period (c. 1950s–early 1960s), Colonial Revival homes continued to be constructed, but in simplified form. In the present-day, many New Traditional homes draw from Colonial Revival styles. While the dominant influences in Colonial Revival style are Georgian and Federal architecture, Colonial Revival homes also draw, to a lesser extent, from the Dutch Colonial ...
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American Foursquare
The American Foursquare or American Four Square is an American house style popular from the mid-1890s to the late 1930s. A reaction to the ornate and mass-produced elements of the Victorian architecture, Victorian and other Revival styles popular throughout the last half of the 19th century, the American Foursquare was plain, often incorporating handcrafted "honest" woodwork (unless purchased from a mail-order catalog). This style incorporates elements of the Prairie School and the American Craftsman, Craftsman styles. It is also sometimes called Transitional Period. The hallmarks of the style include a basically square, boxy design, two-and-one-half stories high, usually with four large, boxy rooms to a floor (with the exception of the attic floor, which typically has only one or two rooms), a center dormer, and a large front porch with wide stairs. The boxy shape provides a maximum amount of interior room space, to use a small city lot to best advantage. Other common features ...
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Palladian Window
Palladian architecture is a European architectural style derived from the work of the Venetian architect Andrea Palladio (1508–1580). What is today recognised as Palladian architecture evolved from his concepts of symmetry, perspective and the principles of formal classical architecture from ancient Greek and Roman traditions. In the 17th and 18th centuries, Palladio's interpretation of this classical architecture developed into the style known as Palladianism. Palladianism emerged in England in the early 17th century, led by Inigo Jones, whose Queen's House at Greenwich has been described as the first English Palladian building. Its development faltered at the onset of the English Civil War. After the Stuart Restoration, the architectural landscape was dominated by the more flamboyant English Baroque. Palladianism returned to fashion after a reaction against the Baroque in the early 18th century, fuelled by the publication of a number of architectural books, including Pall ...
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