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Sousta
Sousta ( gr, Σούστα, links=no) is a Greek folk dance, performed at weddings as an activity of courtship between husband and wife. It originates from Ancient Greece, and holds prominence in Dodecanese Islands, and broader Aegean region. It is the second most common Greek dance, after the Syrtos, with many Greek islands and villages adopting their own version. The performance of the dance reflects various gender roles, inter-played with values of romance and marriage. The Sousta acted as a socialisation process between the youth of a village, evolving into a dance central to these youth as they grew up and formed relationships with others. Socially, the Sousta also functioned as a visible verification of courtship, namely paying respects to the wife and her family. The Sousta is most commonly performed as a three-step dance, with a 'hopping' motion and crossed-over hands. There are elements of eroticism and courtship acted out in the dance, which is usually performed by pa ...
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Nisiotika
Nisiotika ( el, νησιώτικα, meaning "insular (songs)") are the songs and dances of Greek islands with a variety of styles, played by ethnic Greeks in Greece, Turkey, Australia, the United States and elsewhere. The lyre is the dominant folk instrument along with the laouto, violin, tsampouna and souravli with widely varying Greek characteristics. Representative musicians and performers of Nisiotika include: Mariza Koch, credited with reviving the field in the 1970s, Yiannis Parios, Domna Samiou and the ''Konitopoulos family'' (Giorgos and Vangelis Konitopoulos, Eirini, Nasia and Stella Konitopoulou). There are also prominent elements of Cretan music on the Dodecanese Islands and Cyclades. Notable artists ''Composers:'' * Giorgos Konitopoulos * Vangelis Konitopoulos * Stathis Koukoularis *Yiannis Parios * Nikos Ikonomidis *Stamatis Hatzopoulos ''Singers:'' * Glykeria *Vagelis konitopoulos *Stella Konitopoulou *Yiannis Parios *Domna Samiou *Mariza Koch * Nasia Ko ...
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Samos
Samos (, also ; el, Σάμος ) is a Greece, Greek island in the eastern Aegean Sea, south of Chios, north of Patmos and the Dodecanese, and off the coast of western Turkey, from which it is separated by the -wide Mycale Strait. It is also a separate regional units of Greece, regional unit of the North Aegean region. In Classical Antiquity, ancient times, Samos was an especially rich and powerful city-state, particularly known for its vineyards and wine production. It is home to Pythagoreion and the Heraion of Samos, a UNESCO World Heritage Site that includes the Eupalinian aqueduct, a marvel of ancient engineering. Samos is the birthplace of the Greek philosophy, Greek philosopher and mathematician Pythagoras, after whom the Pythagorean theorem is named, the philosophers Melissus of Samos and Epicurus, and the astronomer Aristarchus of Samos, the first known individual to propose that the Heliocentrism, Earth revolves around the sun. Samian wine was well known in antiquity and ...
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Syrtaki
Sirtaki or syrtaki ( el, συρτάκι) is a dance of Greek origin, choreographed for the 1964 film ''Zorba the Greek''. It is a recent Greek folkdance, and a mixture of "syrtos" and the slow and fast rhythms of the hasapiko dance. The dance and the accompanying music by Mikis Theodorakis are also called Zorba's dance, the Zorba or "the dance of Zorba". The dance has become popular in Greece and one that is identified with the Greeks. The name ''sirtaki'' comes from the Greek word syrtos – from σύρω (τον χορό), which means "drag (the dance)" or "lead (the dance)" – a common name for a group of traditional Greek dances of so-called "dragging" style, as opposed to pidikhtos (πηδηχτός), a hopping or leaping style. Despite its name, sirtaki incorporates both syrtos (in its slower part) and pidikhtós (in its faster part) elements. Choreography The dance was created specifically for the film ''Zorba the Greek'' rather than a traditional form of dance. The na ...
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Cretan Music
The music of Crete ( el, Κρητική μουσική), also called kritika ( el, κρητικά), refers to traditional forms of Greek folk music prevalent on the island of Crete in Greece. Cretan traditional music includes instrumental music (generally also involving singing), a capella songs known as the rizitika, "Erotokritos," Cretan urban songs (tabachaniotika), as well as other miscellaneous songs and folk genres (lullabies, ritual laments, etc.). Historically, there have been significant variations in the music across the island (more violin than lyra in far Eastern and Western Crete, a preference for the ''syrtos'' in Western Crete and ''kondylies'' in Eastern Crete). Some of this variation continues today and in the late-twentieth and early-twenty-first centuries has received greater attention by scholars and the mass media. Nonetheless, over the course of the twentieth-century, the sense of a single, island-wide Cretan musical tradition emerged. Although much Cret ...
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Ballos
The Ballos ( el, Μπάλος) is a Greek folk dance and a form of sirtos. There are also different versions in other Balkan countries. The Ballos is of Greek origin, with ancient Greek elements. The name originates in the Italian ''ballo'' via Latin "ballo" which derives from the Greek verb "βαλλίζω" ''ballizo'', "to dance, to jump").ballare
myetymology.com The melody of a ''ballos'' is generally joyous and lyrical which is typical of the music of the Aegean Islands. This couples' dance incorporates all the elements of courtship: attraction, flirtation, display of masculine prowess and feminine virtue, pursuit, and rejection followed by eventual capture and surrender. Its origin is in the island culture of Greece. Men could not approach women easi ...
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Kalamatianos
The Kalamatianós ( el, Καλαματιανός) is one of the best known dances of Greece. It is a popular Greek folkdance throughout Greece, Cyprus and internationally and is often performed at many social gatherings worldwide. As is the case with most Greek folk dances, it is danced in chain with a counterclockwise rotation, the dancers holding hands. It is a joyous and festive dance; its musical beat is , subdivided into of three parts of 3+2+2 beats, corresponding to 3 steps per bar. There are 12 steps in the dance corresponding to 4 bars of music. These steps include 10 steps counterclockwise ("forward") followed by 2 steps clockwise ("backwards"). Depending on the occasion and the dancers' proficiency, certain steps may be taken as jumps or squats. The lead dancer usually holds the second dancer by a handkerchief, this allowing him or her to perform more elaborate steps and acrobatics. The steps of the Kalamatianós are the same as those of the Syrtos, but the ...
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Greek Folk Music
Greek traditional music (Greek: παραδοσιακή μουσική, "traditional music"; also δημοτικά τραγούδια, "folk songs") includes a variety of Greek styles played by ethnic Greeks in Greece, Cyprus, Australia, the United States and other parts of Europe. Apart from the common music found generally in Greece, each region of Greece contains a distinct type of folk music that originated from the region due to their history, traditions and cultural influences. Overview Greek folk music originally, predominantly contained one genre, known as Greek ''Demotiko (or Demotic/Paradosiako).'' This refers to the traditional Greek popular songs and music of mainland Greece and islands, which date back to the Byzantine times. It was the sole popular musical genre of the Greek people until the spread of ''Rebetiko'' and '' Laiko'' (other genres of folk music) in the early 20th century, spread by the Greek refugees from Asia Minor. This style of music evolved from t ...
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Greek Music
The music of Greece is as diverse and celebrated as its history. Greek music separates into two parts: Greek traditional music and Byzantine music. These compositions have existed for millennia: they originated in the Byzantine period and Greek antiquity; there is a continuous development which appears in the language, the rhythm, the structure and the melody. Music is a significant aspect of Hellenic culture, both within Greece and in the diaspora. Greek musical history Greek musical history extends far back into ancient Greece, since music was a major part of ancient Greek theater. Later influences from the Roman Empire, Eastern Europe and the Byzantine Empire changed the form and style of Greek music. In the 19th century, opera composers, like Nikolaos Mantzaros (1795–1872), Spyridon Xyndas (1812–1896) and Spyridon Samaras (1861–1917) and symphonists, like Dimitris Lialios and Dionysios Rodotheatos revitalized Greek art music. However, the diverse history of art m ...
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Clarinet
The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitches. The clarinet family is the largest such woodwind family, with more than a dozen types, ranging from the BB♭ contrabass to the E♭ soprano. The most common clarinet is the B soprano clarinet. German instrument maker Johann Christoph Denner is generally credited with inventing the clarinet sometime after 1698 by adding a register key to the chalumeau, an earlier single-reed instrument. Over time, additional keywork and the development of airtight pads were added to improve the tone and playability. Today the clarinet is used in classical music, military bands, klezmer, jazz, and other styles. It is a standard fixture of the orchestra and concert band. Etymology The word ''clarinet'' may have entered the English language vi ...
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Mandolin
A mandolin ( it, mandolino ; literally "small mandola") is a stringed musical instrument in the lute family and is generally plucked with a pick. It most commonly has four courses of doubled strings tuned in unison, thus giving a total of 8 strings, although five (10 strings) and six (12 strings) course versions also exist. There are of course different types of strings that can be used, metal strings are the main ones since they are the cheapest and easiest to make. The courses are typically tuned in an interval of perfect fifths, with the same tuning as a violin (G3, D4, A4, E5). Also, like the violin, it is the soprano member of a family that includes the mandola, octave mandolin, mandocello and mandobass. There are many styles of mandolin, but the three most common types are the ''Neapolitan'' or ''round-backed'' mandolin, the ''archtop'' mandolin and the ''flat-backed'' mandolin. The round-backed version has a deep bottom, constructed of strips of wood, glued tog ...
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Violin
The violin, sometimes known as a '' fiddle'', is a wooden chordophone ( string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument ( soprano) in the family in regular use. The violin typically has four strings (some can have five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo instruments. Violins are also important in many varieties of folk music, including country music, bluegrass music, and in jazz. Electric violins with solid bodies and piezoelectri ...
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Cretan Lyra
) * Lira da braccio * Rabāb (Arabic الرباب) * Lijerica * Violin , musicians = * Andreas Rodinos * Alekos Karavitis * Antonis Papadakis (Kareklas) * Kostas Mountakis * Nikos Xilouris * Psarantonis * Ross Daly * Yiorgos Kaloudis * Thanassis Skordalos * Georgia Dagaki The Cretan lyra ( el, Κρητική λύρα) is a Greek pear-shaped, three-stringed bowed musical instrument, central to the traditional music of Crete and other islands in the Dodecanese and the Aegean Archipelago, in Greece. The Cretan lyra is considered to be the most popular surviving form of the medieval Byzantine lyra, an ancestor of most European bowed instruments. Playing style The lyra is held vertically on the player's lap, in the same way as a small viol, rather than being placed under the chin of the player like a violin. For normal right-handed playing, the player's right hand holds the bow. The strings are stopped by pressing the fingernails of the player's left hand again ...
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