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Soul Coughing
Soul Coughing was an American alternative rock band composed of vocalist/guitarist Mike Doughty (also known as M. Doughty), keyboardist/sampler Mark Degli Antoni, bassist Sebastian Steinberg, and drummer Yuval Gabay. Soul Coughing developed a devout fanbase and garnered largely positive response from critics. Steve Huey of AllMusic described the band as "one of the most unusual cult bands of the 1990s... driven by frontman Mike Doughty's stream-of-consciousness poetry. Soul Coughing's sound was a willfully idiosyncratic mix of improvisational jazz grooves, oddball samples, hip hop, electronics, and noisy experimentalism". Doughty himself described the band's sound as "deep slacker jazz". The group broke up in 2000. Recording career All four Soul Coughing members were regulars at The Knitting Factory, a New York City nightclub and performance venue that was part of the 1980s and 1990s experimental downtown scene. Doughty was a doorman known for his improvized comedic quasi-r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alternative Rock
Alternative rock, or alt-rock, is a category of rock music that emerged from the independent music underground of the 1970s and became widely popular in the 1990s. "Alternative" refers to the genre's distinction from Popular culture, mainstream or commercial rock or pop music. The term's original meaning was broader, referring to musicians influenced by the musical style or independent, DIY ethic, DIY ethos of late-1970s punk rock.di Perna, Alan. "Brave Noise—The History of Alternative Rock Guitar". ''Guitar World''. December 1995. Traditionally, alternative rock varied in terms of its sound, social context, and regional roots. Throughout the 1980s, magazines and zines, college radio airplay, and word of mouth had increased the prominence and highlighted the diversity of alternative rock's distinct styles (and music scenes), such as noise pop, indie rock, grunge, and shoegaze. In September 1988, Billboard (magazine), ''Billboard'' introduced "alternative" into their charting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum And Bass
Drum and bass (also written as drum & bass or drum'n'bass and commonly abbreviated as D&B, DnB, or D'n'B) is a genre of electronic dance music characterized by fast breakbeats (typically 165–185 beats per minute) with heavy bass and sub-bass lines, samples, and synthesizers. The genre grew out of the UK's rave scene in the 1990s. The popularity of drum and bass at its commercial peak ran parallel to several other UK dance styles. A major influence was the original Jamaican dub and reggae sound that influenced jungle's bass-heavy sound. Another feature of the style is the complex syncopation of the drum tracks' breakbeat. Drum and bass subgenres include breakcore, ragga jungle, hardstep, darkstep, techstep, neurofunk, ambient drum and bass, liquid funk (a.k.a. liquid drum and bass), jump up, drumfunk, sambass, and drill 'n' bass. Drum and bass has influenced many other genres like hip hop, big beat, dubstep, house, trip hop, ambient music, techno, jazz, rock and pop. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
El Oso
''El Oso'' (Spanish for ''The Bear'') is the third and final studio album by the New York City band Soul Coughing, released on September 29, 1998 by Slash Records and Warner Bros. Records. The album received generally positive critical reception upon release. ''El Oso'' made it to #1 on KTUH's charts on the week of January 25, 1999. Background The album's style takes heavy inspiration from the electronic music style drum and bass, which followed after the band toured with supporting DJs Krust and Die prior to the album's conceptualization; drum and bass DJ and producer Optical was enlisted to co-produce the album. Artist Jim Woodring (''Frank'') drew the cartoon "monkey-bear" on the disc's cover. The chorus of the song "$300" is a sample of a Chris Rock joke; singer Mike Doughty heard the joke which is backmasked on Rock's live standup album ''Roll with the New''. Curious, Doughty recorded it into his ASR-10 sampler with the intention of simply reversing it and seeing what ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irresistible Bliss
''Irresistible Bliss'' is the second studio album by the American electronic music group Soul Coughing, released in 1996. The band initially planned for Tchad Blake, producer of their first album ''Ruby Vroom'', to produce the album, but the death of a family member in a car accident caused Blake to take a hiatus. Over the objections of his bandmates and his record label, Slash Records/Warner Bros., frontman Mike Doughty (then billed as "M. Doughty") hired producer David Kahne (Fishbone, The Bangles, Sublime, Tony Bennett, Sugar Ray, The Strokes); he was intent on following up the wild sonics of ''Ruby Vroom'' with a tightly wound, trembly, New Wave–inspired record. The tracking, at Manhattan's Power Station recording studio, was complete in eleven days, and Doughty was jubilant at the results. Doughty tapped Steve Fisk to produce the tune "Unmarked Helicopters" for ''The X-Files'' soundtrack '' Songs in the Key of X''. All of ''Irresistible Bliss''s songs were produced by Kahn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruby Vroom
''Ruby Vroom'' is the debut studio album by American rock band Soul Coughing, released in 1994. The album's sound is a mixture of sample-based tunes (loops of Raymond Scott's " Powerhouse" on "Bus to Beelzebub", Toots and the Maytals, Howlin' Wolf, The Andrews Sisters, and The Roches on "Down to This", and a loop of sampler player Mark Degli Antoni's orchestral horns on "Screenwriter's Blues", among others). It also features guitar-based tunes like "Janine", "Moon Sammy", and "Supra Genius" and jazzy, upright-bass-fueled songs that often slyly quoted other material—the theme from '' Courageous Cat'' on "Is Chicago, Is Not Chicago", Thelonious Monk's "Misterioso" on "Casiotone Nation", and Bobby McFerrin's cover of Joan Armatrading's "Opportunity" on "Uh, Zoom Zip". The album sold approximately 70,000 copies, as of April 1996, according to ''Billboard''. Title ''Ruby'' was named after a mispronunciation of the name of Ruby Froom, daughter of record producer Mitchell Froom—a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live At The Knitting Factory
Live at the Knitting Factory may refer to a number of live concert releases by several musicians, usually referring to recordings at the New York music venue, the Knitting Factory. These include: *''More Live at the Knitting Factory'' by Charles Gayle *'' Solo Sessions Vol. 1: Live at the Knitting Factory'' by John Legend *'' ''Live at the Knitting Factory'' (Roscoe Mitchell album) *'' Naked City Live, Vol. 1: The Knitting Factory 1989'' by Naked City *''Live at the Knitting Factory New York City ''Live at the Knitting Factory New York City'' is an album released on Mundo da Canção in 1990 by Telectu Telectu is a Portuguese experimental, avant-garde music duo formed in 1982 by Vítor Rua (former member of GNR) and Jorge Lima Barreto, ...'' by Telectu *'' John Zorn's Cobra: Live at the Knitting Factory'' by John Zorn {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cobra (Zorn)
''Cobra'' is an unpublished but recorded and frequently performed musical composition by John Zorn. ''Cobra'' was conceived as a system with very detailed rules but with no pre-conceived sequence of events (a " game piece") for a group of musical improvisors and a prompter. Zorn completed ''Cobra'' on October 9, 1984. The composition consists of a set of cues notated on cards, and rules corresponding to the cues that direct the players what to do in response to the cards. The number of players, instrumentation, and length of the piece is indeterminate, but a "prompter" is essential to the piece, holding the cards at his or her discretion and issuing other cues. Because there is no traditional musical notation and the players improvise, the piece may sound radically different from performance to performance. The title was inspired by a table-top war game published by TSR. As was commented upon in some length in a 2004 interview, Zorn has, with his own words, "deliberately chosen no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Zorn
John Zorn (born September 2, 1953) is an American composer, conductor, saxophonist, arranger and producer who "deliberately resists category". Zorn's avant-garde and experimental approaches to composition and improvisation are inclusive of jazz, rock, hardcore, classical, contemporary, surf, metal, soundtrack, ambient, and world music.Milkowski, B."John Zorn: One Future, Two Views"(interview) in ''Jazz Times'', March 2000, pp. 28–35,118–121; accessed July 24, 2010. In 2013, ''Down Beat'' described Zorn as "one of our most important composers" and in 2020 ''Rolling Stone'' noted that " ltough Zorn has operated almost entirely outside the mainstream, he's gradually asserted himself as one of the most influential musicians of our time".Steamer, H.‘He Made the World Bigger’: Inside John Zorn's Jazz-Metal Multiverse ''Rolling Stone'', June 22, 2020. Zorn entered New York City's downtown music scene in the mid-1970s, collaborating with improvising artists while developin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Downtown Scene
Downtown music is a subdivision of American music, closely related to experimental music, which developed in downtown Manhattan in the 1960s. History The scene the term describes began in 1960, when Yoko Ono, one of the early Fluxus artists, opened her loft at 112 Chambers Street, in a part of Lower Manhattan later named Tribeca, to be used as a performance space for a series curated by La Monte Young and Richard Maxfield. Prior to this, most classical music performances in New York City occurred "uptown" around the areas that the Juilliard School at Lincoln Center and Columbia University would soon occupy. Ono's gesture led to a new performance tradition of informal performances in nontraditional venues such as lofts and converted industrial spaces, involving music much more experimental than that of the more conventional modern classical series Uptown. Spaces in Manhattan that supported Downtown music from the 1960s on included the Judson Memorial Church, The Kitchen, Experime ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Knitting Factory
The Knitting Factory is a nightclub in New York City that features eclectic music and entertainment. After opening in 1987, various other locations were opened in the United States. The Knitting Factory gave its audience poetry readings, performance art, standup comedy, and musicians who transcended the usual boundaries of rock and jazz, often experimental music. The Knitting Factory owners distributed some performances to radio stations, and around 1990 starting a radio show and the record label Knitting Factory Works. Later the founders started Knitting Factory Records in 1998. History Founding in New York (1987) It was founded by Michael Dorf and Louis Spitzer in 1987. The Knitting Factory was named by Dorf's and Spitzer's childhood friend Bob Appel and songwriter Jonathan Zarov, who derived the name through joking about Appel's experience working in an actual knitting factory. Appel, a lifelong musician, joined as a co-owner and co-manager soon after its founding. John Zorn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
