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Cobra (Zorn)
''Cobra'' is an unpublished but recorded and frequently performed musical composition by John Zorn. ''Cobra'' was conceived as a system with very detailed rules but with no pre-conceived sequence of events (a " game piece") for a group of musical improvisors and a prompter. Zorn completed ''Cobra'' on October 9, 1984. The composition consists of a set of cues notated on cards, and rules corresponding to the cues that direct the players what to do in response to the cards. The number of players, instrumentation, and length of the piece is indeterminate, but a "prompter" is essential to the piece, holding the cards at his or her discretion and issuing other cues. Because there is no traditional musical notation and the players improvise, the piece may sound radically different from performance to performance. The title was inspired by a table-top war game published by TSR. As was commented upon in some length in a 2004 interview, Zorn has, with his own words, "deliberately chosen no ...
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Musical Composition
Musical composition can refer to an original piece or work of music, either vocal or instrumental, the structure of a musical piece or to the process of creating or writing a new piece of music. People who create new compositions are called composers. Composers of primarily songs are usually called songwriters; with songs, the person who writes lyrics for a song is the lyricist. In many cultures, including Western classical music, the act of composing typically includes the creation of music notation, such as a sheet music "score," which is then performed by the composer or by other musicians. In popular music and traditional music, songwriting may involve the creation of a basic outline of the song, called the lead sheet, which sets out the melody, lyrics and chord progression. In classical music, orchestration (choosing the instruments of a large music ensemble such as an orchestra which will play the different parts of music, such as the melody, accompaniment, counte ...
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Karlheinz Stockhausen
Karlheinz Stockhausen (; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is known for his groundbreaking work in electronic music, for introducing controlled chance ( aleatory techniques) into serial composition, and for musical spatialization. He was educated at the Hochschule für Musik Köln and the University of Cologne, later studying with Olivier Messiaen in Paris and with Werner Meyer-Eppler at the University of Bonn. One of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic music—both with and without live performers—they range from miniatures for musical boxes through works for s ...
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Improvisation
Improvisation is the activity of making or doing something not planned beforehand, using whatever can be found. Improvisation in the performing arts is a very spontaneous performance without specific or scripted preparation. The skills of improvisation can apply to many different faculties, across all artistic, scientific, physical, cognitive, academic, and non-academic disciplines; see Applied improvisation. Improvisation also exists outside the arts. Improvisation in engineering is to solve a problem with the tools and materials immediately at hand. Improvised weapons are often used by guerrillas, insurgents and criminals. Engineering Improvisation in engineering is to solve a problem with the tools and materials immediately at hand. Examples of such improvisation was the re-engineering of carbon dioxide scrubbers with the materials on hand during the Apollo 13 space mission, or the use of a knife in place of a screwdriver to turn a screw. Engineering improvisations ...
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John Zorn's Game Pieces Volume 2
John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testament Works * Gospel of John, a title often shortened to John * First Epistle of John, often shortened to 1 John * Second Epistle of John, often shortened to 2 John * Third Epistle of John, often shortened to 3 John People * John the Baptist (died c. AD 30), regarded as a prophet and the forerunner of Jesus Christ * John the Apostle (lived c. AD 30), one of the twelve apostles of Jesus * John the Evangelist, assigned author of the Fourth Gospel, once identified with the Apostle * John of Patmos, also known as John the Divine or John the Revelator, the author of the Book of Revelation, once identified with the Apostle * John the Presbyter, a figure either identified with or distinguished from the Apostle, the Evangelist and John of Patmos Other people with the given name Religious figures * John, father of Andrew the Apostle and Saint Peter * Pop ...
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Tokyo Operations '94
Tokyo (; ja, 東京, , ), officially the Tokyo Metropolis ( ja, 東京都, label=none, ), is the capital and largest city of Japan. Formerly known as Edo, its metropolitan area () is the most populous in the world, with an estimated 37.468 million residents ; the city proper has a population of 13.99 million people. Located at the head of Tokyo Bay, the prefecture forms part of the Kantō region on the central coast of Honshu, Japan's largest island. Tokyo serves as Japan's economic center and is the seat of both the Japanese government and the Emperor of Japan. Originally a fishing village named Edo, the city became politically prominent in 1603, when it became the seat of the Tokugawa shogunate. By the mid-18th century, Edo was one of the most populous cities in the world with a population of over one million people. Following the Meiji Restoration of 1868, the imperial capital in Kyoto was moved to Edo, which was renamed "Tokyo" (). Tokyo was devastated b ...
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Live At The Knitting Factory
Live at the Knitting Factory may refer to a number of live concert releases by several musicians, usually referring to recordings at the New York music venue, the Knitting Factory. These include: *''More Live at the Knitting Factory '' More Live at the Knitting Factory'' is a 1993 two-CD live album by Charles Gayle. It was recorded on February 1, 15, and 22, 1993 at The Knitting Factory. Reception In a review for AllMusic, Ron Wynn wrote: "Tenor saxophonist Charles Gayle pla ...'' by Charles Gayle *'' Solo Sessions Vol. 1: Live at the Knitting Factory'' by John Legend *'' ''Live at the Knitting Factory'' (Roscoe Mitchell album) *'' Naked City Live, Vol. 1: The Knitting Factory 1989'' by Naked City *'' Live at the Knitting Factory New York City'' by Telectu *'' John Zorn's Cobra: Live at the Knitting Factory'' by John Zorn {{disambiguation ...
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Cobra (album)
''Cobra'' is a double album featuring a live and studio performance of John Zorn's improvisational game piece, Cobra recorded in 1985 and 1986 and released on the Hathut label in 1987. Subsequent recordings of the piece were released on Knitting Factory ('' John Zorn's Cobra: Live at the Knitting Factory'' (1992)), Avant ('' John Zorn's Cobra: Tokyo Operations '94'' (1994)) and Zorn's own label Tzadik Records, ('' Cobra: John Zorn's Game Pieces Volume 2'')) in 2002. Reception AllMusic contains two disparate reviews of the album, the first by Brian Olewnick awarded the album 3 stars stating "one is left with the nagging (and correct) sense of something crucial being missed. As a document in Zorn's career, ''Cobra'' is essential. As a purely musical experience, it is, quite unfortunately, less so".Olewnick, BAllMusic Reviewaccessed July 22, 2011 The second review of the 2002 CD reissue by Steve Loewy rated the album 4½ stars calling it "A masterpiece of eclecticism... all prese ...
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WRPI
WRPI (91.5 FM) is a non-commercial free-format college radio station run entirely by students attending Rensselaer Polytechnic Institute and staffed by community members and students. WRPI broadcasts 365 days a year with an effective radiated power of 10,000 watts, serving listeners in Albany, eastern New York, western Massachusetts, Vermont, and via webstream. The studios are located in the basement of the Darrin Communications Center and the FM signal is broadcast from North Greenbush. Programming includes a wide range of music, cultural and public affairs programs, live bands, special events, and sports simulcasts, particularly of RPI hockey, football, and baseball. WRPI has a large record library dating to the origins of the station, estimated at 43,800 albums, and a large CD library, dating to the start of the medium. History Founding The predecessor to WRPI was an RPI-owned AM broadcasting radio station known as WHAZ. WHAZ began broadcasting in 1922, and was among the f ...
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Roulette Intermedium
Roulette Intermedium is a performing arts and new music venue located in Brooklyn, New York City. Founded in 1978, it has been located in the neighborhoods of Tribeca and SoHo in Manhattan, and now resides in a renovated theater in downtown Brooklyn. Roulette is a nonprofit organization focusing on fostering experimental dance, new music, and performance. History Origins Roulette Intermedium Inc. was founded in 1978 by trombonist Jim Staley, sound-artists David Weinstein and Dan Senn, and graphic artist Laurie Szujewska as an artists' space for the presentation of music, dance and intermedia. Named in honor of Weinstein's piece Café Roulette —"an homage to Dada and to chance operations in music" — and housed in Staley's TriBeCa loft, Roulette was a product of the burgeoning Downtown Music scene and produced between 50 and 90 concerts a year. The range is broad, with a strong focus on new jazz and contemporary music works, improvised collaborations, and one-time special ...
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Plus-Minus (Stockhausen)
''Plus-Minus'', 2 × 7 pages for realisation, is a composition for one or several performers by Karlheinz Stockhausen, first written in 1963 and redrafted in 1974. It is Nr. 14 in the composer's catalogue of works, and has a variable performing length that depends on the version worked out from the given materials. The score is dedicated to Mary Bauermeister. History ''Plus-Minus'' is a " polyvalent process composition", designed as a project for the composition students attending the first Cologne Courses for New Music, held at the in October to December 1963. In it, various compositional premises of Stockhausen's are presented in such a way as to enable the most radically different concrete results. ''Plus-Minus'' was composed in September 1963 while Stockhausen was in Siculiana, preparing for what proved to be an aborted performance of ''Momente'' at the Palermo Festival: The piece represents an extreme instance of the new, open type of composition Stockhausen was develo ...
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John Zorn
John Zorn (born September 2, 1953) is an American composer, conductor, saxophonist, arranger and producer who "deliberately resists category". Zorn's avant-garde and experimental approaches to composition and improvisation are inclusive of jazz, rock, hardcore, classical, contemporary, surf, metal, soundtrack, ambient, and world music.Milkowski, B."John Zorn: One Future, Two Views"(interview) in ''Jazz Times'', March 2000, pp. 28–35,118–121; accessed July 24, 2010. In 2013, ''Down Beat'' described Zorn as "one of our most important composers" and in 2020 ''Rolling Stone'' noted that " ltough Zorn has operated almost entirely outside the mainstream, he's gradually asserted himself as one of the most influential musicians of our time".Steamer, H.‘He Made the World Bigger’: Inside John Zorn's Jazz-Metal Multiverse ''Rolling Stone'', June 22, 2020. Zorn entered New York City's downtown music scene in the mid-1970s, collaborating with improvising artists while developin ...
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Downtown Scene
Downtown music is a subdivision of American music, closely related to experimental music, which developed in downtown Manhattan in the 1960s. History The scene the term describes began in 1960, when Yoko Ono, one of the early Fluxus artists, opened her loft at 112 Chambers Street, in a part of Lower Manhattan later named Tribeca, to be used as a performance space for a series curated by La Monte Young and Richard Maxfield. Prior to this, most classical music performances in New York City occurred "uptown" around the areas that the Juilliard School at Lincoln Center and Columbia University would soon occupy. Ono's gesture led to a new performance tradition of informal performances in nontraditional venues such as lofts and converted industrial spaces, involving music much more experimental than that of the more conventional modern classical series Uptown. Spaces in Manhattan that supported Downtown music from the 1960s on included the Judson Memorial Church, The Kitchen, Experime ...
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