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Sophisticated Giant
''Sophisticated Giant'' is a jazz album by saxophonist Dexter Gordon recorded in 1977 by an eleven-piece band playing tunes arranged by trombone player Slide Hampton. The album marked Gordon's return to the United States after a long residency in Europe. Reception AllMusic reviewer Scott Yanow awarded the album 4 stars and called it "An excellent acquisition." Track listing Side one # "Laura (1945 song), Laura" (David Raksin) – 7:37 # "The Moontrane" (Woody Shaw) – 6:36 # "Red Top" (Lionel Hampton, Ben Kynard) – 8:51 Side two #"Fried Bananas" (Dexter Gordon) – 7:53 #"You're Blasé" (Ord Hamilton, Bruce Sievier) – 9:49 #"How Insensitive" (Antônio Carlos Jobim, Vinícius de Moraes) – 4:53 :''All tunes arranged by Slide Hampton'' :''Recorded June 21 & 22, 1977 at Sound Ideas, NYC by William Wittman'' Personnel *Dexter Gordon — Tenor saxophone, tenor and soprano saxophone *Frank Wess — alto saxophone, flute, piccolo *Woody Shaw &mdash ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), vinyl, audio tape, or another medium such as digital distribution. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl long-playing (LP) records played at   rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the popularity of the cassette reached its peak during the late 1980s, sharply declined during the 1990s and had largely disappeared ...
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David Raksin
David Raksin (August 4, 1912 – August 9, 2004) was an American composer who was noted for his work in film and television. With more than 100 film scores and 300 television scores to his credit, he became known as the "Grandfather of Film Music." Biography David Raksin was born in Philadelphia, Pennsylvania, United States, to Jewish parents (of Russian heritage). His father was an orchestra conductor. Raksin played professionally in dance bands while attending Central High School of Philadelphia. He went on to study composition with Harl McDonald at the University of Pennsylvania, and later with Isadore Freed in New York and Arnold Schoenberg in Los Angeles. In New York, Raksin worked as an arranger for Harms/Chappell. One of his earliest film assignments was as assistant to Charlie Chaplin in the composition of the score to '' Modern Times'' (1936). He is perhaps best remembered for his score for the film '' Laura'' (1944). The theme music for the film, " Laura", with the a ...
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Piccolo
The piccolo ( ; Italian for 'small') is a half-size flute and a member of the woodwind family of musical instruments. Sometimes referred to as a "baby flute" the modern piccolo has similar fingerings as the standard transverse flute, but the sound it produces is an octave higher. This has given rise to the name ottavino (), by which the instrument is called in Italian and thus also in scores of Italian composers. Piccolos are often orchestrated to double the violins or the flutes, adding sparkle and brilliance to the overall sound because of the aforementioned one-octave transposition upwards. The piccolo is a standard member in orchestras, marching bands, and wind ensembles. History Since the Middle Ages, evidence indicates the use of octave transverse flutes as military instruments, as their penetrating sound was audible above battles. In cultured music, however, the first piccolos were used in some of Jean Philippe Rameau's works in the first half of the 18th century. S ...
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Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ...
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Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, ...
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Frank Wess
Frank Wellington Wess (January 4, 1922 – October 30, 2013) was an American jazz saxophonist and flutist. In addition to his extensive solo work, Wess is remembered for his time in Count Basie's band from the early 1950s into the 1960s. Critic Scott Yanow described him as one of the premier proteges of Lester Young, and a leading jazz flutist of his era—using the latter instrument to bring new colors to Basie's music. Biography Wess was born in Kansas City, Missouri, United States, the son of a principal father and a schoolteacher mother. He began with classical music training and played in Oklahoma in high school. He later switched to jazz on moving to Washington, D.C. and by nineteen was working with big bands. His career was interrupted by World War II although he did play with a military band in the period. After leaving the military, he joined Billy Eckstine's orchestra. He returned to Washington D.C. a few years afterwards and received a degree in flute at the city's ...
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Soprano Saxophone
The soprano saxophone is a higher-register variety of the saxophone, a woodwind instrument invented in the 1840s. The soprano is the third-smallest member of the saxophone family, which consists (from smallest to largest) of the soprillo, sopranino, soprano, alto, tenor, baritone, bass, contrabass saxophone and tubax. Soprano saxophones are the smallest and thus highest-pitched saxophone in common use. The instrument A transposing instrument pitched in the key of B, modern soprano saxophones with a high F key have a range from concert A3 to E6 (written low B to high F) and are therefore pitched one octave above the tenor saxophone. There is also a soprano saxophone pitched in C, which is uncommon; most examples were produced in America in the 1920s. The soprano has all the keys of other saxophone models (with the exception of the low A on some baritones and altos). Soprano saxophones were originally keyed from low B to high E, but a low B mechanism was patented in 1887 ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recogniz ...
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Vinícius De Moraes
Marcus Vinícius da Cruz e Mello Moraes (19 October 1913 – 9 July 1980), better known as Vinícius de Moraes () and nicknamed O Poetinha ("The little poet"), was a Brazilian poet, diplomat, lyricist, essayist, musician, singer, and playwright. With his frequent and diverse musical partners, including Antônio Carlos Jobim, his lyrics and compositions were instrumental in the birth and introduction to the world of bossa nova music. He recorded numerous albums, many in collaboration with noted artists, and also served as a successful Brazilian career diplomat. Early life Moraes was born in Gávea, a neighbourhood of Rio de Janeiro, to Clodoaldo da Silva Pereira Moraes, a public servant, and Lidia Cruz, a housewife and amateur pianist. In 1916, his family moved to Botafogo, where he attended Afrânio Peixoto Primary School. Fleeing the 18 of the Copacabana Fort revolt, his parents moved to Governador Island while Moraes remained at his grandfather's home in Botafogo to f ...
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Antônio Carlos Jobim
Antônio Carlos Brasileiro de Almeida Jobim (25 January 1927 – 8 December 1994), also known as Tom Jobim (), was a Brazilian composer, pianist, guitarist, songwriter, arranger, and singer. Considered one of the great exponents of Brazilian music, Jobim internationalized bossa nova and, with the help of important American artists, merged it with jazz in the 1960s to create a new sound, with popular success. As a result, he is sometimes known as the "father of bossa nova". Jobim was a primary force behind the creation of the bossa nova style, and his songs have been performed by many singers and instrumentalists internationally since the early 1960s. In 1965, the album ''Getz/Gilberto'' was the first jazz record to win the Grammy Award for Album of the Year. It also won Best Jazz Instrumental Album – Individual or Group and Best Engineered Album, Non-Classical. The album's single '" Garota de Ipanema (The Girl from Ipanema)'", composed by Jobim, has become one of the mos ...
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How Insensitive
"How Insensitive" is a bossa nova and jazz standard song composed by Brazilian musician Antônio Carlos Jobim. The lyrics were written in Portuguese by Vinícius de Moraes and in English by Norman Gimbel. Jobim recorded the song in 1994 with Sting on lead vocals for his album, '' Antônio Brasileiro''. Background In Brazil the song goes by the title "Insensatez", which translates more accurately to "Foolishness". The song resembles Chopin's prelude in E minor. Recorded versions The song has been performed and recorded often by a diverse group of singers, such as: *Frank Sinatra * Peggy Lee (1964) *Andy Williams on His Album '' The Shadow of Your Smile'' in 1966 *Shirley Bassey * Telly Savalas *Olivia Newton-John * Petula Clark * The Monkees (Recorded in 1968, Released in 1996) *Liberace *William Shatner *Iggy Pop *Judy Garland *The 5th Dimension *Sinéad O'Connor *Robert Wyatt Musicians who covered the composition in the jazz genre: * Joao Gilberto * Laurindo Almeida *Wes Mo ...
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You're Blasé
"You're Blasé" is a jazz standard composed in 1931 by Ord Hamilton (1900–1955) with lyrics by Bruce Sievier (1894–1953) and introduced by Binnie Hale in John Murray Anderson's production of the London musical revue ''Bow Bells'' (1932). (Hamilton wrote the standard "My Sweet" (1932) and Sievier wrote the English version of " Parlez-moi d'amour" (1930) by Jean Lenoir.) Early popular recordings of "You're Blasé" in 1932 were by Jack Hylton and His Orchestra (vocal by Pat O'Malley), and by Gus Arnheim and His Orchestra (vocal by Meri Bell). Cover versions * Binnie Hale (1932) ( Binnie Hale#Discography) * Adelaide Hall, 1939, BBC Studios, London. *Ella Fitzgerald - for her albums ''Like Someone in Love'' (1957) and '' Take Love Easy'' (1973). * Sarah Vaughan recorded the song on her album ''How Long Has This Been Going On?'' (1978). Musicians on the recording were pianist Oscar Peterson, guitarist Joe Pass, bassist Ray Brown, and drummer Louis Bellson. * Julie London r ...
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