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Sophie Cruvelli
Sophie Johanne Charlotte Crüwell, vicountess Vigier, stage name Sophie Cruvelli (12 March 1826 – 6 November 1907) was a German opera singer. She was a dramatic soprano who had a brief but stellar public career especially in London and Paris in the middle years of the 19th century. She was admired for her vocal powers and as a tragédienne. Both Verdi and Meyerbeer created operatic roles with the intention that she should first perform them. Origins and training Sophie Crüwell was the daughter of a Protestant Bielefeld family of comfortable means. She showed an early disposition towards music, and she and her sister Marie (later a mezzo-soprano) and her brother (later a baritone) were encouraged and assisted to training by the family. Sophie and Marie commenced their vocal studies with Louis Spohr in Kassel. In 1844 their mother took the girls to Paris to continue their studies, first with Francesco Piermarini, and then with the distinguished tenor Marco Bordogni.Ferris, ''Gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sophie Cruvelli By Desmaisons
Sophie is a version of the female given name Sophia, meaning "wise". People with the name Born in the Middle Ages * Sophie, Countess of Bar (c. 1004 or 1018–1093), sovereign Countess of Bar and lady of Mousson * Sophie of Thuringia, Duchess of Brabant (1224–1275), second wife and only Duchess consort of Henry II, Duke of Brabant and Lothier Born in 1600s and 1700s * Sophie of Anhalt-Zerbst (1729–1796), later Empress Catherine II of Russia * Sophie Amalie of Brunswick-Lüneburg (1628–1685), Queen consort of Denmark-Norway * Sophie Blanchard (1778–1819), French balloonist * Sophie Dorothea of Württemberg (1759–1828), second wife of Tsar Paul I of Russia * Sophie Dawes, Baronne de Feuchères ( 1795–1840), English baroness * Sophie Germain (1776–1831), French mathematician * Sophie Piper (1757–1816), Swedish countess * Sophie Schröder (1781–1868), German actress * Sophie von La Roche (1730–1807), German author Born 1790–1918 * Sophie, Duchess of Alenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benjamin Lumley
Benjamin Lumley (1811 – 17 March 1875 in London) was a Canadian-born British opera manager and solicitor. Born Benjamin Levy, he was the son of a Jewish merchant, Louis Levy. Beginnings at His Majesty's Theatre Lumley's father was a clothes-dealer who had made his original fortune in Canada. The young Benjamin Levy was a pupil at King Edward's School, Birmingham. Lumley trained as a solicitor, and then studied for the Bar under Basil Montagu. In this capacity he gave legal advice to the financially troubled manager of what was then His Majesty's Theatre, Pierre Laporte, who came to rely on him extensively. As Lumley had become familiar with making managerial decisions for the theatre, when Laporte died in 1841 the board of the opera company, consisting mainly of wealthy noblemen, asked him to take over. Lumley had already written a standard handbook on Parliamentary private bills and was launched on a promising legal career. But his memoirs clearly indicate his pleasure in m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jenny Lind
Johanna Maria "Jenny" Lind (6 October 18202 November 1887) was a Swedish opera singer, often called the "Swedish Nightingale". One of the most highly regarded singers of the 19th century, she performed in soprano roles in opera in Sweden and across Europe, and undertook an extraordinarily popular concert tour of the United States beginning in 1850. She was a member of the Royal Swedish Academy of Music from 1840. Lind became famous after her performance in ''Der Freischütz'' in Sweden in 1838. Within a few years, she had suffered vocal damage, but the singing teacher Manuel García saved her voice. She was in great demand in opera roles throughout Sweden and northern Europe during the 1840s, and was closely associated with Felix Mendelssohn. After two acclaimed seasons in London, she announced her retirement from opera at the age of 29. In 1850, Lind went to America at the invitation of the showman P. T. Barnum. She gave 93 large-scale concerts for him and then continued to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Lablache
Luigi Lablache (6 December 1794 – 23 January 1858) was an Italian opera singer of French and Irish ancestry. He was most noted for his comic performances, possessing a powerful and agile bass voice, a wide range, and adroit acting skills: Leporello in ''Don Giovanni'' was one of his signature roles. Biography Luigi Lablache was born in Naples, the son of Nicolas Lablache, a merchant from Marseille, France, to an Irish lady. He was educated from 1806 at the Conservatorio della Pietà de' Turchini in Naples, where Gentili taught him the elements of music, and Giovanni Valesi instructed him in singing, while at the same time he studied the violin and cello. He fled the Conservatorio five times in order to pursue an acting career, but each time he was brought back in disgrace.Grove Dictionary of Music and Musicians, 5th ed., 1954, Eric Blom, ed. His voice was a beautiful contralto, and just before it broke he sang the solos in Mozart's '' Requiem'' on the death of Joseph Hay ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucrezia Borgia (opera)
''Lucrezia Borgia'' is a melodramatic opera in a prologue and two acts by Gaetano Donizetti. Felice Romani wrote the Italian libretto after the play ''Lucrezia Borgia'' by Victor Hugo, in its turn after the legend of Lucrezia Borgia. ''Lucrezia Borgia'' was first performed on 26 December 1833 at La Scala, Milan. Performance history 19th century The first London production was at Her Majesty's Theatre on 6 June 1839 with Giulia Grisi and Mario.Ashbrook and Hibberd, p. 234 When the opera was staged in Paris (Théâtre des Italiens) in 1840, Victor Hugo obtained an injunction against further productions within the domain of French copyright law. The libretto was then rewritten and retitled ''La rinegata'', with the Italian characters changed to Turks, and the performances were resumed. The first English-language production was in London on 30 December 1843. The English tenor Sims Reeves was a noted Gennaro. ''Lucrezia'' was first presented in New Orleans on 27 April 1843 and then ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippo Coletti
Filippo Andrea Francesco Coletti (11 May 1811 – 13 June 1894) was an Italian baritone associated with Giuseppe Verdi. Coletti created two Verdi roles: Gusmano in '' Alzira'' and Francesco in ''I masnadieri''. Verdi revised the role of Germont in ''La traviata'' for Coletti, whose interpretation re-defined the role as it is known today. Coletti was, with Antonio Tamburini (1800–1876) and Giorgio Ronconi (1810–1890), one of the three leading baritones of 19th century Italy, an early model of a 'Verdi baritone'. Born in Anagni, a small town southeast of Rome, Coletti started his career singing baritone coloratura roles in Rossini, Donizetti and Mercadante operas before moving on to vocally substantial Verdi repertory. Coletti gained notoriety in London for his unwitting role in the 1840 Haymarket Theatre riots, and later for his successful four-year London tenure, singing leading baritone roles. Coletti travelled extensively, singing in all major European theatres. Nu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Federico Lablache
Frederick Lablache (29 August 1815 – 30 January 1887) was an English singer. The eldest son of Luigi Lablache, vocalist, was educated by his father. He married and worked with the singer Fanny Wyndham. They both taught at the Academy of Music Life left, Fanny Wyndham in costume About 1837 he appeared at the King's Theatre, London, in Italian opera, and afterwards frequently sang at Manchester with Italian singers such as Giovanni Matteo Mario, Giulia Grisi, and Favanti. In 1844 he took a part in ''Così fan tutte'' at Her Majesty's Theatre, and in 1846 in '' Il matrimonio segreto''. He played the part of Count Rodolphe to Jenny Lind's Amina in '' La sonnambula'' on her first visit to Manchester on 28 August 1847 and he also appeared with her in other character roles under the management of Michael Balfe in 1849. About 1865 he withdrew from the stage, and taught at the Royal Academy of Music. His wife, Fanny Wyndham Lablache, who died in 1877, was a vocalist, whose maide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Barbiere Di Siviglia
''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy ''The Barber of Seville'' (1775). The première of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' has proven to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two hundred years, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera ''The Marriage of Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italo Gardoni
Italo Gardoni (12 March 1821 – 26 March 1882) was a leading operatic tenore di grazia singer from Italy who enjoyed a major international career during the middle decades of the 19th century. Along with Giovanni Mario, Gaetano Fraschini, Enrico Tamberlik and Antonio Giuglini, he was one of the most celebrated Italian tenors of his era. His voice was not large but it was exceptionally pure toned and sweet, lacking any disruptive vibrato. He sang legato passages with impressive smoothness but he could also dispatch florid music with flair and considerable agility. Career Born in Parma, Gardoni studied with Antonio De Cesari (1797–1853). He made his debut as ''Roberto Devereux'' (Donizetti) in Viadana in 1840, and over the following 7 years made his career in France, Italy and Germany. In Paris in December 1844 he was Bothwell in the Paris première of Louis Niedermeyer's opera '' Marie Stuart'' at the Théâtre de l'Académie Royale de Musique opposite the soprano Rosine Sto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Belletti
Giovanni Battista Belletti (17 February 1813 – 27 December 1890)"Belletti, Giovanni Battista" . Retrieved 15 July 2022. was an Italian operatic . He appeared in operas in Italy, Stockholm, London and Paris, and supported in her tour of America. Life< ...
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Ernani
''Ernani'' is an operatic ''dramma lirico'' in four acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on the 1830 play ''Hernani (drama), Hernani'' by Victor Hugo. Verdi was commissioned by the Teatro La Fenice in Venice to write an opera, but finding the right subject took some time, and the composer worked with the inexperienced Piave in shaping first one and then another drama by Hugo into an acceptable libretto. As musicologist Roger Parker notes, the composer "intervened on several important points, insisting for example that the role of Ernani be sung by a tenor (rather than by a contralto as had originally been planned).Parker, p. 71 ''Ernani'' was first performed on 9 March 1844 and it was "immensely popular, and was revived countless times during its early years". It became Verdi's most popular opera until it was superseded by ''Il trovatore'' after 1853. In 1904 it became the first opera to be recorded completely. Composition history Fol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
