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Sonoton
Sonoton Music claims to be the world's largest independently owned Production Music Library. Formed 1965 by Rotheide and Gerhard Narholz in Munich (Germany), the company owns the copyrights of over 130,000 compositions and musical recordings of all genres. With more than 35 subsidiaries worldwide, Sonoton Music licences the use of its music for TV, motion picture, advertising and internet productions. History 1965 Rotheide and Gerhard Narholz establish Sonoton Music as a company in Munich, Germany. Gerhard Narholz, songwriter for artists such as Petula Clark, Bill Ramsey and Heidi Brühl, and composer for German feature films and television series, provides specific film and television music as background music, thus introducing library music in Germany. 1965 - 1970 Sonoton continues to develop the library business in Germany. The initial TV-specific music catalogue is expanded into a variety of genres through works of other composers. 1969 Sonoton enters the international marke ...
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Gerhard Narholz
Gerhard Narholz (born June 9, 1937) is an Austrian-American composer, arranger and conductor, dedicated to easy listening and film score music. Between 1958 and 1965 he wrote pop songs for artists such as Petula Clark, Heidi Brühl, Bill Ramsey and film scores for various German feature films and TV series. He also produced various instrumental pop albums for Polydor Germany and Tokyo (under his pseudonym Otto Sieben). In 1965, Narholz founded the Sonoton Recorded Music Library. Between 1970 and 1980 Narholz arranged, produced and conducted numerous LPs with large string orchestra under his pseudonym Norman Candler for Decca Records / Telefunken, Germany and King Records, Tokyo. 1971 Norman Candler received the "3 Star Award" from BBC London for "Best Album of the Year". Narholz founded the record label Pro Viva, which is dedicated to contemporary classical music of living composers. He composed and produced Easy Listening albums for Sonoton and Intersound with artists such as Bil ...
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Horst Jankowski
Horst Jankowski (30 January 1936 – 29 June 1998) was a classically trained German pianist, most famous for his internationally successful easy listening music. Biography Born in Berlin, Jankowski studied at the Berlin Music Conservatory and played jazz in Germany in the 1950s, serving as bandleader for singer Caterina Valente. Jankowski's fame as a composer of easy listening pop peaked in 1965 with his tune "Eine Schwarzwaldfahrt", released in English as "A Walk in the Black Forest". The tune became a pop hit, reaching #1 on the US easy listening chart, #12 on the US ''Billboard'' Hot 100, and #3 on the UK Singles Chart. It sold over one million copies, and was awarded a gold disc. The track was featured on the BBC's review of the 1960s music scene, ''Pop Go The Sixties'', broadcast on BBC One and ZDF, on 31 December 1969. It can be heard years before 1965 in episodes of ''Perry Mason (1957 TV series)''. ''The Genius of Jankowski'' album, released in 1965, was also a millio ...
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Production Music
Production music (also known as stock music or library music) is recorded music that can be licensed to customers for use in film, television, radio and other media. Often, the music is produced and owned by production music libraries. Background Unlike popular and classical music publishers, who typically own less than 50 percent of the copyright in a composition, production music libraries own all of the copyrights of their music. Thus, it can be licensed without the composer's permission, as is necessary in licensing music from normal publishers. This is because virtually all music created for music libraries is done on a work-for-hire basis. Production music is a convenient solution for media producers—they are able to license any piece of music in the library at a reasonable rate, whereas a specially commissioned work could be prohibitively expensive. Similarly, licensing a well-known piece of popular music could cost anywhere from tens to hundreds of thousands of dollar ...
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Geoff Bastow
K.I.D. was a British musician and the 1980s Italo disco musician best known for his SAM import and club hit "You Don't Like My Music (Hupendi Muziki Wangu?!)" that entered the '' Billboard'' Club charts. The name is a pseudonym used by Geoffrey Bastow. Career Bastow, who is also known as Geoff Bastow (20 May 1949 in Yorkshire, England – 16 March 2007 in Berlin, Germany), was a Munich-based English songwriter and record producer.Geoff Bastow - Credits - Writing & Arrangement
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In the early 1970s, Bastow recorded albums such as ''Music To Varnish Owls By'' (1975), ''Flavour Of The Month'' (1977) and ''The Video Age'' (1980) for ...
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Dave Gage
Dave Gage (born 1957) is an American harmonica player and instructor, recording artist, author, and webmaster, known for harmonica web sites and more than 25 years of session work in recording studios throughout Southern California. Gage plays both diatonic and chromatic "harps," as the harmonica is informally known. He is a veteran of several bands, most recently the eponymous "Gage," and an acknowledged master of the "tongue switching" technique that modifies standard harmonica tongue blocking to create a rock-guitar effect similar to the tapping made famous by guitarist Eddie Van Halen Eddie Van Halen. As the reviewers from Planet Harmonica stated, "Dave Gage puts forward a modern Rock/Heavy Metal approach rather than a bluesy one, although his style doesn't depart as radically from blues as say, John Popper's." Biography Looking for a way to round out content on a website devoted to an early iteration of his band, Gage began posting harmonica tips to the web in 1997. Those t ...
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John Fox (composer, Arranger, Conductor)
John Fox (30 April 1924 - 10 February 2015) was a British composer and conductor of light music. Fox was born in Sutton, Surrey and was educated at Sutton West School for Boys. He also took piano lessons and by his teens had formed his own group. This then led to him playing in an RAF band towards the end of the war, and upon being demobbed, he began his musical career, initially teaching during the day and playing ‘gigs’ at night. He then went on to study at the Royal College of Music (RCM), studying composition, piano and violin. After leaving the RCM, Fox began to play in big bands, as well as arranging and accompanying singers. He then formed the resident band at the Grand Hotel, Eastbourne. He would spend the day arranging and composing and then drive to Eastbourne each night. It was at this time that he met the singer Joy Devon, who was to join the band and eventually become his wife. She played an important role co-producing recording projects and running their music ...
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Music Library
A music library contains music-related materials for patron use. Collections may also include non-print materials, such as digitized music scores or audio recordings. Use of such materials may be limited to specific patron groups, especially in private academic institutions. Music library print collections include dictionaries and encyclopedias, indexes and directories, printed music, music serials, bibliographies, and other music literature. Types Traditionally, there are four types of music libraries: #Those developed to support departments of music in university or college settings; #Those developed to support conservatories and schools of music; #Those housed within public libraries; #Those developed as independent libraries or archives supporting music organizations. Musical instrument library A musical instrument library lends or shares musical instruments. Examples can be found in Canada; Perth, Australia; and Massachusetts, Illinois, Ohio, Washington anNew Paltz, New Yo ...
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Petula Clark
Petula Sally Olwen Clark, CBE (born 15 November 1932) is an English singer, actress, and composer. She has one of the longest serving careers of a British singer, spanning more than seven decades. Clark's professional career began during the Second World War as a child entertainer on BBC Radio. In 1954 she charted with "The Little Shoemaker", the first of her big UK hits, and within two years she began recording in French. Her international successes have included " ''Prends mon coeur''", "Sailor" (a UK number one), "Romeo", and " Chariot". Hits in German, Italian and Spanish followed. In late 1964 Clark's success extended to the United States with a four-year run of career-defining, often upbeat singles, many written or co-written by Tony Hatch and Jackie Trent. These songs include her signature song " Downtown", "I Know a Place", " My Love", " A Sign of the Times", " I Couldn't Live Without Your Love", "Who Am I", " Colour My World", " This Is My Song" (by Charles Chaplin), ...
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Munich
Munich ( ; german: München ; bar, Minga ) is the capital and most populous city of the States of Germany, German state of Bavaria. With a population of 1,558,395 inhabitants as of 31 July 2020, it is the List of cities in Germany by population, third-largest city in Germany, after Berlin and Hamburg, and thus the largest which does not constitute its own state, as well as the List of cities in the European Union by population within city limits, 11th-largest city in the European Union. The Munich Metropolitan Region, city's metropolitan region is home to 6 million people. Straddling the banks of the River Isar (a tributary of the Danube) north of the Northern Limestone Alps, Bavarian Alps, Munich is the seat of the Bavarian Regierungsbezirk, administrative region of Upper Bavaria, while being the population density, most densely populated municipality in Germany (4,500 people per km2). Munich is the second-largest city in the Bavarian dialects, Bavarian dialect area, ...
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Gesellschaft Für Musikalische Aufführungs- Und Mechanische Vervielfältigungsrechte
The Gesellschaft für musikalische Aufführungs- und mechanische Vervielfältigungsrechte (GEMA; "Society for musical performing and mechanical reproduction rights") is a government-mandated collecting society and performance rights organization based in Germany, with administrative offices in Berlin and Munich. GEMA represents the usage rights stemming from authors' rights (e.g., mechanical licensing, broadcast licensing, synchronization licensing) for the musical works of those composers, lyricists, and publishers who are members in the organization. It is the only such institution in Germany and a member of BIEM and CISAC. Other collecting societies include the (AKM) ''Society of authors, composers and music publishers'' ( de) in Austria and SUISA in Switzerland. As an "accredited profit-making association with legal capacity" (de: '' rechtsfähiger wirtschaftlicher Verein''), GEMA's capacity to be a subject of legal rights and duties is based upon state conferral (unde ...
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Mechanical-Copyright Protection Society
The Mechanical-Copyright Protection Society (MCPS) is an organisation that collects royalties and protects rights for music publisher, song writer and composer members, when their music is reproduced, in any format – including online, physical and synchronised. The MCPS collects and pays royalties to members when their music is: * copied and used in physical products (such as records, CDs and DVDs) * streamed or downloaded on services such as Spotify, Apple Music, Netflix and Amazon * synchronised into audio-visual entertainment including TV, film, video games and advertising * on radio. The MPA Group owns and operates MCPS on behalf of over 30,000 music publisher, song writer and composer members. History The Mechanical-Copyright Protection Society was established in its first form in 1910, originally known as Mecolico, the Mechanical Licenses Company. This was a reaction to the introduction of the Copyright Act of 1911 which formally accredited copyright to sound recor ...
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Performing Rights
Performing rights are the right to perform music in public. It is part of copyright law and demands payment to the music's composer/lyricist and publisher (with the royalties generally split 50/50 between the two). Performances are considered "public" if they take place in a public place and the audience is outside of a normal circle of friends and family, including concerts nightclubs, restaurants etc. Public performance also includes broadcast and cable television, radio, and any other transmitted performance of a live song. Permission to publicly perform a song must be obtained from the copyright holder or a collective rights organization. By region United States In the United States, broadcasters can pay for their use of music in one of two ways: they can obtain permission/license directly from the music's copyright owner (usually the publisher), or they can obtain a license from ASCAP, BMI, SESAC to use all of the music in their repertoires. ASCAP, BMI and SESAC are ...
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