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Sonny Stitt Sits In With The Oscar Peterson Trio
''Sonny Stitt Sits in with the Oscar Peterson Trio'' is a 1959 album by Sonny Stitt, accompanied by the Oscar Peterson trio. Reception ''The Penguin Guide to Jazz'' rated the album three and a half stars out of four and wrote of the session, "they intermingle their respective many-noted approaches as plausibly as if this were a regular band (in fact, they never recorded together again)." The Allmusic review written by Scott Yanow rated the album four and a half stars out of five. Track listing # "I Can't Give You Anything But Love" (Dorothy Fields, Jimmy McHugh) – 4:05 # "Au Privave" (Charlie Parker) – 3:59 # " The Gypsy" ( Billy Reid) – 3:25 # " I'll Remember April" (Gene de Paul, Patricia Johnston, Don Raye) – 4:41 # "Scrapple from the Apple" (Parker) – 4:20 # "Moten Swing" (Bennie Moten) – 7:09 # "Blues for Pres, Sweets, Ben and All the Other Funky Ones" (Sonny Stitt) – 6:04 # "Easy Does It" (Sy Oliver, Trummy Young) – 5:21 Personnel Performance * Sonny Stit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Gypsy (song)
"The Gypsy" is a popular song written by Billy Reid and published in 1945. The ballad tells the story of a person who visits a Gypsy fortune teller and is reassured that their partner is faithful. Though they both know it to be untrue, the narrator resolves to return, "'Cause I want to believe the Gypsy". History "The Gypsy" was originally introduced in the United Kingdom by Billy Reid's orchestra and vocalist Dorothy Squires, who was also his partner. In the United States, the song was recorded by Bill Kenny & The Ink Spots, Dinah Shore, and Sammy Kaye's orchestra, and was a hit for all three. *The recording by The Ink Spots featuring Bill Kenny was released by Decca Records as catalog number 18817. It first reached the ''Billboard'' chart on May 2, 1946 and lasted 18 weeks on the listings, peaking at No. 1, and was also number one on the R&B charts for three non-consecutive weeks. *The song was also recorded by Guy Lombardo featuring the female cabaret star Hildegarde s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Brown (musician)
Raymond Matthews Brown (October 13, 1926 – July 2, 2002) was an American jazz double bassist, known for his extensive work with Oscar Peterson and Ella Fitzgerald. He was also a founding member of the group that would later develop into the Modern Jazz Quartet. Biography Early life Ray Brown was born October 13, 1926, in Pittsburgh, Pennsylvania, and took piano lessons from the age of eight. After noticing how many pianists attended his high school, he thought of taking up the trombone, but was unable to afford one. With a vacancy in the high school jazz orchestra, he took up the upright bass. Career A major early influence on Brown's bass playing was Jimmy Blanton, the bassist in the Duke Ellington band. As a young man Brown became increasingly well known in the Pittsburgh jazz scene, with his first experiences playing in bands with the Jimmy Hinsley Sextet and the Snookum Russell band. After graduating high school, having heard stories about the burgeoning jazz scene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trummy Young
James "Trummy" Young (January 12, 1912 – September 10, 1984) was an American trombonist in the swing era. He established himself as a star during his 12 years performing with Louis Armstrong in Armstrong's All Stars. He had one hit with his version of "Margie", which he played and sang with Jimmie Lunceford's orchestra in 1937. During his years with Armstrong, Young modified his playing to fit Armstrong's approach to jazz. Biography Young was born in Savannah, Georgia, United States, and grew up Richmond, Virginia; he was originally a trumpeter, but by his professional debut in 1928 he had switched to trombone. From 1933 to 1937, he was a member of Earl Hines' orchestra; he then joined Jimmie Lunceford's orchestra in which he played from 1937 to 1943, scoring a hit on Decca Records with "Margie", which featured his vocal. With Sy Oliver he co-wrote " 'Tain't What You Do (It's the Way That You Do It)", a hit for both Lunceford and Ella Fitzgerald in 1939. His other compositions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sy Oliver
Melvin James "Sy" Oliver (December 17, 1910 – May 28, 1988) was an American jazz arranger, trumpeter, composer, singer and bandleader. Life Sy Oliver was born in Battle Creek, Michigan, United States. His mother was a piano teacher, and his father was a multi-instrumentalist, who demonstrated saxophones at a time when instrument was seldom played other than by marching bands. Oliver left home at 17 to play with Zack Whyte and his Chocolate Beau Brummels and later with Alphonse Trent. He sang and played trumpet with these bands, becoming known for his "growling" horn playing. He also began arranging with them. He continued singing for the next 17 years, making many recordings when he was with Jimmie Lunceford and with his own band. With Lunceford, from 1933 to 1939, he recorded more than two dozen vocals. From 1949 to 1951, he recorded more than a dozen with his band. With Tommy Dorsey, he recorded very few vocals. In 1941, he sang with Jo Stafford, on his own compositions " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bennie Moten
Benjamin Moten (November 13, 1893 – April 2, 1935) was an American jazz pianist and band leader born and raised in Kansas City, Missouri, United States. He led his Kansas City Orchestra, the most important of the regional, blues-based orchestras active in the Midwest in the 1920s, and helped to develop the riffing style that would come to define many of the 1930s big bands. The jazz standard "Moten Swing" bears his name. Career Moten started making music from an early age and developed as a pianist, pulling together other musicians in a band. His first recordings were made (for OKeh Records) on September 23, 1923, and were rather typical interpretations of the New Orleans style of King Oliver and others. They also showed the influence of the ragtime that was still popular in the area, as well as the stomping beat for which his band was famous. These OKeh sides (recorded 1923–1925) are some of the more valuable acoustic jazz 78s of the era; they are treasured records in many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moten Swing (born 1965), American singer
{{surname, Moten ...
Moten is a surname. Notable people with the name include: *Bennie Moten (1894–1935), American jazz pianist and band leader born in Kansas City, Missouri *Benny Moten (1916–1977), American jazz bassist *Eddie Moten (born 1981), American football cornerback for the Dallas Vigilantes of Arena Football 1 *Eric Moten (born 1968), former offensive guard in the NFL *Etta Moten Barnett (1901–2004), American actress and contralto vocalist *Fred Moten (born 1962), American poet and scholar * Lawrence Moten (born 1972), retired American professional basketball player *Mariyah Moten a Pakistani Model * Patrick Moten (born 1957), musician and songwriter *Wendy Moten Wendy Moten (born November 22, 1964) is an American jazz singer from Tennessee. Born in Memphis and based in Nashville, Moten has had a successful career in music, including several major-label solo records, some international hit songs, and a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scrapple From The Apple
"Scrapple from the Apple" is a bebop composition by Charlie Parker written in 1947, commonly recognized today as a jazz standard, written in F major. The song borrows its chord progression from " Honeysuckle Rose", a common practice for Parker, as he based many of his successful tunes over already well-known chord changes. While the A section is based on " Honeysuckle Rose", the B section or "middle eight" comes from the rhythm changes, which are based on George Gershwin's "I Got Rhythm". Other versions * Lenny Breau – '' Pickin' Cotten'' (1977, released 2001) * Sonny Criss with Tal Farlow – ''Up, Up, and Away'' (1967) * Miles Davis – ''Many Miles of Davis'' (1962) * Curtis Fuller – ''Jazz Conference Abroad'' (1962) * Dexter Gordon – ''Our Man in Paris'' (1963) * Jim Hall – ''Jim Hall Live!'' (1975) * Tom Harrell with Kenny Garrett and Kenny Barron – ''Moon Alley'' (1985) * Keith Jarrett – '' After the Fall'' (1998, released 2018) * Frank Morgan Quartet – ''Yard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Raye
Don Raye (born Donald MacRae Wilhoite Jr., March 16, 1909 – January 29, 1985) was an American songwriter, best known for his songs for The Andrews Sisters such as "Beat Me Daddy, Eight to the Bar", " The House of Blue Lights", "Just for a Thrill" and "Boogie Woogie Bugle Boy." The latter was co-written with Hughie Prince. While known for such wordy novelty numbers, he also wrote the lyrics to "You Don't Know What Love Is," a simple, poetic lament of unusual power. He also composed the song "(That Place) Down the Road a Piece," one of his boogie woogie songs, which has a medium bright boogie tempo. It was written for the Will Bradley Orchestra, who recorded it in 1940, but the song was destined to become a rock and roll standard, recorded by The Rolling Stones, Chuck Berry, Jerry Lee Lewis, Foghat, Amos Milburn, Harry Gibson, and countless others. In 1940, he wrote the lyrics for the patriotic song "This Is My Country". In 1985, Don Raye was inducted into the Songwriters Hall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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