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Bennie Moten
Benjamin Moten (November 13, 1893 – April 2, 1935) was an American jazz pianist and band leader born and raised in Kansas City, Missouri, United States. He led his Kansas City Orchestra, the most important of the regional, blues-based orchestras active in the Midwest in the 1920s, and helped to develop the riffing style that would come to define many of the 1930s big bands. The jazz standard "Moten Swing" bears his name. Career Moten started making music from an early age and developed as a pianist, pulling together other musicians in a band. His first recordings were made (for OKeh Records) on September 23, 1923, and were rather typical interpretations of the New Orleans style of King Oliver and others. They also showed the influence of the ragtime that was still popular in the area, as well as the stomping beat for which his band was famous. These OKeh sides (recorded 1923–1925) are some of the more valuable acoustic jazz 78s of the era; they are treasured records in many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kansas City, Missouri
Kansas City (abbreviated KC or KCMO) is the largest city in Missouri by population and area. As of the 2020 census, the city had a population of 508,090 in 2020, making it the 36th most-populous city in the United States. It is the central city of the Kansas City metropolitan area, which straddles the Missouri–Kansas state line and has a population of 2,392,035. Most of the city lies within Jackson County, with portions spilling into Clay, Cass, and Platte counties. Kansas City was founded in the 1830s as a port on the Missouri River at its confluence with the Kansas River coming in from the west. On June 1, 1850, the town of Kansas was incorporated; shortly after came the establishment of the Kansas Territory. Confusion between the two ensued, and the name Kansas City was assigned to distinguish them soon after. Sitting on Missouri's western boundary with Kansas, with Downtown near the confluence of the Kansas and Missouri Rivers, the city encompasses about , making ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riff
A riff is a repeated chord progression or refrain in music (also known as an ostinato figure in classical music); it is a pattern, or melody, often played by the rhythm section instruments or solo instrument, that forms the basis or accompaniment of a musical composition. Though riffs are most often found in rock music, heavy metal music, Latin, funk, and jazz, classical music is also sometimes based on a riff, such as Ravel's Boléro. Riffs can be as simple as a tenor saxophone honking a simple, catchy rhythmic figure, or as complex as the riff-based variations in the head arrangements played by the Count Basie Orchestra. David Brackett (1999) defines riffs as "short melodic phrases", while Richard Middleton (1999) defines them as "short rhythmic, melodic, or harmonic figures repeated to form a structural framework". Rikky Rooksby states: "A riff is a short, repeated, memorable musical phrase, often pitched low on the guitar, which focuses much of the energy and excitement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
South (composition)
"South" is a jazz composition by Thamon Hayes and Bennie Moten Benjamin Moten (November 13, 1893 – April 2, 1935) was an American jazz pianist and band leader born and raised in Kansas City, Missouri, United States. He led his Kansas City Orchestra, the most important of the regional, blues-based orchest ....William Emmett Studwell and Mark Baldin: ''The Big Band Reader: Songs Favored by Swing Era Orchestras and Other Popular Ensembles''. Haworth Press, 2000. . p.222 It was introduced by Bennie Moten's Kansas City Orchestra in 1924 and recorded again in 1928, when it became a national hit. It was Moten's most popular composition.Vladimir Bogdanov, Chris Woodstra and Stephen Thomas Erlewine: ''All Music Guide to Jazz: The Definitive Guide to Jazz Music''. Backbeat Books, 2002. . p. 917 Originally an instrumental piece, Ray Charles (a pseudonym for Charles Carpenter) later wrote lyrics for the tune. Notes 1924 songs 1925 singles Jazz compositions {{1920s-jazz-composi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ed Lewis (musician)
Ed Lewis (January 22, 1909 – September 18, 1985) was an American jazz trumpeter. Career Born in Eagle City, Oklahoma, Lewis played early in his career in Kansas City, Missouri, with Jerry Westbrook as a baritone hornist, then switched to trumpet in 1925. He played with Paul Banks and Laura Rucker before joining the Bennie Moten Orchestra, where he played from 1926 to 1932 and was the primary trumpet soloist until Hot Lips Page became a member. In the 1930s he worked with Thamon Hayes (1932–34), Harlan Leonard (1934–37), and Jay McShann (1937). In 1937 Lewis joined the Count Basie Orchestra, where he remained until 1948; he recorded frequently with Basie but almost never soloed. In the 1950s Lewis led his band in New York City for local performances and worked for a while as a taxi driver. He returned to play with the Countsmen in Europe in 1984 shortly before his death. Lewis never led a recording session. Discography * Count Basie, ''The Original American Decca Recordi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Washington
Ronald "Jack" Washington (July 17, 1910 – November 28, 1964) was an American jazz saxophonist who was a member of the Count Basie orchestra in the 1930s and 1940s. Life and career Born in Kansas City, Kansas, he started playing soprano saxophone in his teens before switching to baritone. He began his professional career with the pianist Paul Banks and then toured the Midwest with Jesse Stone's Blues Serenaders. He joined Bennie Moten's Orchestra in summer 1927.Driggs, Frank; Chuck Haddix (2005)''Kansas City Jazz: From Ragtime to Bebop-A History'', p. 55. Oxford University Press, ISBN 019536435X, 9780195364354.''Google Books''. Retrieved 10 December 2022. After Moten's death in 1935, he joined Count Basie's band and remained with Basie until 1950 except for a short period in the U.S. Army. He performed with the Basie band at the ''From Spirituals to Swing'' concerts in New York City in 1938 and 1939.''From Spirituals to Swing'', liner notes, Definitive Records CD reissu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harlan Leonard
Harlan Leonard (July 2, 1905 – November 10, 1983) was an American jazz bandleader and clarinetist from Kansas City, Missouri, United States. Leonard was born in Kansas City in 1905. A professional musician from the age of 17, he joined Bennie Moten's orchestra in 1923, where he led the reed section until 1931. In 1931, he and Thamon Hayes formed the Kansas City Skyrockets, which included trumpeters Ed Lewis and James Ross, trombonist Vic Dickenson, and pianist Jesse Stone. After disputes with the Chicago local of the American Federation of Musicians the band broke up. In 1939, Leonard formed Harlan Leonard and his Rockets, which featured a young Myra Taylor. This band quickly became a leading band in Kansas City and toured nationally. Charlie Parker played in this band for five weeks, but he was fired by Leonard for lack of discipline. The band featured arrangements by its piano player Tadd Dameron that bore suggestions of the transition between swing and bebop. The band bro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kansas City Shuffle
"Kansas City Shuffle" is the name of a 1926 jazz song. The title of the tune refers to an advanced form of bait-and-switch confidence game employing misdirection, subterfuge, and playing on the "mark's" arrogance and/or self-loathing. The scheme In order for a confidence game to be a "Kansas City Shuffle", the mark must be aware, or at least suspect that he is involved in a con, but also be wrong about how the con artist is planning to deceive him. The con artist will attempt to misdirect the mark in a way that leaves him with the impression that he has figured out the game and has the knowledge necessary to outsmart the con artist, but by attempting to retaliate, the mark unwittingly performs an action that helps the con artist to further the scheme. The title refers to a situation where the con man bets the mark money he can't identify what state "Kansas City" is in. The mark, guessing that the conman was hoping to trick him into saying Kansas, identifies Kansas City, Missouri a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fletcher Henderson
James Fletcher Hamilton Henderson (December 18, 1897 – December 29, 1952) was an American pianist, bandleader, arranger and composer, important in the development of big band jazz and swing music. He was one of the most prolific black musical arrangers and, along with Duke Ellington, is considered one of the most influential arrangers and bandleaders in jazz history. Henderson's influence was vast. He helped bridge the gap between the Dixieland and the swing eras. He was often known as "Smack" Henderson (because of smacking sounds he made with his lips). Biography James Fletcher Hamilton Henderson was born in Cuthbert, Georgia. He grew up in a middle-class African American family. His father, Fletcher Hamilton Henderson (1857–1943), was the principal of the nearby Howard Normal Randolph School from 1880 until 1942. His home, now known as the Fletcher Henderson House, is a historic site. His mother, a teacher, taught him and his brother Horace to play the piano. He be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stomping
A stomp (also referred to as a stamp) is a downwards strike with the heel of the foot from the stand-up position, and is usually directed at the head or body of a downed opponent. A stomp similar to an axe kick is referred to as an axe stomp, while a particularly powerful jumping stomp with both heels is called a bronco kick, and a stomp from the clinch directed at the opponent's foot is called a foot stomp or a heel stomp. Use in combat sports Stomping is disallowed in most combat sports. Certain mixed martial arts organizations do, however, allow stomping to different extents. The Ultimate Fighting Championship allows stomps to be performed from the clinch, while stomping on a downed opponent is considered illegal.Ultimate Fighting Championship. This includes stomping with both legsUFC Rules ''www.ufc.tv''. URL last accessed February 6, 2006. Although now defunct as a promotion, PRIDE FC rules allowed competitors to stomp on a downed opponent, either to the head or body. Si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ragtime
Ragtime, also spelled rag-time or rag time, is a musical style that flourished from the 1890s to 1910s. Its cardinal trait is its syncopated or "ragged" rhythm. Ragtime was popularized during the early 20th century by composers such as Scott Joplin, James Scott and Joseph Lamb. Ragtime pieces (often called "rags") are typically composed for and performed on piano, though the genre has been adapted for a variety of instruments and styles. " Maple Leaf Rag", " The Entertainer", "Fig Leaf Rag", "Frog Legs Rag", and "Sensation Rag" are among the most popular songs of the genre. The genre emerged from African American communities in the Southern and Midwestern United States, evolving from folk and minstrel styles and popular dances such as the cakewalk and combining with elements of classical and march music. Ragtime significantly influenced the development of jazz. In the 1960's, the genre had began to be revived with the publication '' The All Played Ragtime'' and artists re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Oliver
Joseph Nathan "King" Oliver (December 19, 1881 – April 8/10, 1938) was an American jazz cornet player and bandleader. He was particularly recognized for his playing style and his pioneering use of Mute (music), mutes in jazz. Also a notable composer, he wrote many tunes still played today, including "Dippermouth Blues", "Sweet Like This", "Canal Street Blues", and "Doctor Jazz". He was the mentor and teacher of Louis Armstrong. His influence was such that Armstrong claimed, "if it had not been for Joe Oliver, Jazz would not be what it is today." Biography Life Joseph Nathan Oliver was born in Aben, Louisiana, near Donaldsonville, Louisiana, Donaldsonville in Ascension Parish, Louisiana, Ascension Parish to Nathan Oliver and Virginia "Jinnie" Jones. He claimed 1881 as his year of birth in his draft registration in September 1918 (two months before the end of World War I) but that year is open to debate, with some census records and other sources suggesting 1884 or 1885 as his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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