Sonny Boy (album)
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Sonny Boy (album)
''Sonny Boy'' is a 1961 album by jazz saxophonist Sonny Rollins comprising four tracks from his final recordings for the Prestige label, three of which were originally released on '' Tour de Force'', along with an unissued performance from the session that produced '' Rollins Plays for Bird''.Sonny Rollins discography
accessed February 11, 2013.


Reception

critic states: "''Tour de Force'' is a more logical purchase, although the music on this CD does feature the immortal tenor saxophonist in fine form."Yano ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Abel Meeropol
Abel Meeropol (February 10, 1903 – October 29, 1986)Baker, Nancy Kovaleff, "Abel Meeropol (a.k.a. Lewis Allan): Political Commentator and Social Conscience," '' American Music'' 20/1 (2002), pp. 25–79, ; see especially note 3. was an American songwriter and poet whose works were published under his pseudonym, Lewis Allan. He wrote the poem "Strange Fruit" (1937), which was recorded by Billie Holiday. Meeropol was a member of the American Communist Party, but later quit. Biography Early life Meeropol was born in 1903 to Russian Jewish immigrants in The Bronx, New York City. Meeropol graduated from DeWitt Clinton High School in 1921 (his classmate Countee Cullen graduated in 1922); he earned a B.A. degree from City College of New York, and an M.A. from Harvard. He taught English at DeWitt Clinton High School for 17 years. During his tenure he taught the notable author and racial justice advocate James Baldwin. Song writing and poetry Meeropol wrote the anti-lynching poem "St ...
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George Morrow (bassist)
George Morrow (August 15, 1925 in Pasadena, California – May 26, 1992 in Orlando, Florida Biography at allmusic/ref>) was a jazz bassist. Although most closely associated with Max Roach and Clifford Brown, Morrow also appears on recordings by Sonny Rollins and Sonny Stitt. After leaving the military, George played with Charlie Parker, Sonny Criss, Teddy Edwards, Hampton Hawes and other musicians who were in L.A. George then spent five years in San Francisco (1948–53), often appearing at the Bop City jazz club and working with Dexter Gordon, Wardell Gray, Billie Holiday and Sonny Clark, among others. According to Roach, Morrow had been "free-lancing around San Francisco clubs" when they hired him to play with them after having rejecting two other bassists.Liner notes to ''Brown and Roach, Inc.'' He appeared on all of the studio albums made by the Clifford Brown-Max Roach Quintet. After the band dissolved due to the deaths of Brown and Richie Powell in a car accident, Morrow ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Wade Legge
Wade Legge (February 4, 1934, Huntington, West Virginia – August 29, 1963, Buffalo, New York) was an American jazz pianist and bassist. Wade Legge was born in Huntington, West Virginia, but soon thereafter moved to Buffalo, New York with his parents, both of whom were musicians. Legge played more bass than piano in his early years, and it was with the bass that he was first noticed by Milt Jackson, who recommended him to Dizzy Gillespie. Gillespie hired him and shortly thereafter moved him to piano; he remained a member of Gillespie's ensemble until 1954, and during that time recorded a date in France as a trio session leader recorded by Vogue and leased to Blue Note. Following his tenure with Gillespie, Legge moved to New York City and freelanced there. He played in Johnny Richards's orchestra, and appeared on sessions with Charles Mingus, Sonny Rollins, Joe Roland, Bill Hardman, Pepper Adams, Jimmy Knepper, and Jimmy Cleveland. Legge was one of three pianists who r ...
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Kenny Drew
Kenneth Sidney "Kenny" Drew (August 28, 1928 – August 4, 1993) was an American-Danish jazz pianist. Biography Drew was born in New York City, United States, and received piano lessons from the age of five.Feather, Leonard, & Ira Gitler (2007). ''The Biographical Encyclopedia of Jazz'', Oxford University Press. He attended the High School of Music & Art in Manhattan. Drew's first recording, in 1950, was with Howard McGhee, and over the next two years he worked in bands led by Buddy DeFranco, Coleman Hawkins, Lester Young, and Charlie Parker, among others. After a brief period with his own trio in California, Drew returned to New York, playing with Dinah Washington, Johnny Griffin, Buddy Rich, and several others over the following few years. He led many recording sessions throughout the 1950s, and in 1957 appeared on John Coltrane's album, '' Blue Train''. Drew was one of the American jazz musicians who settled in Europe around this period: he moved to Paris in 1961 and to C ...
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ...
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Kenny Dorham
McKinley Howard "Kenny" Dorham (August 30, 1924 – December 5, 1972) was an American jazz trumpeter, singer, and composer. Dorham's talent is frequently lauded by critics and other musicians, but he never received the kind of attention or public recognition from the jazz establishment that many of his peers did. For this reason, writer Gary Giddins said that Dorham's name has become "virtually synonymous with ''underrated''." Dorham composed the jazz standard "Blue Bossa", which first appeared on Joe Henderson's album ''Page One''. Biography Dorham was one of the most active bebop trumpeters. He played in the big bands of Lionel Hampton, Billy Eckstine, Dizzy Gillespie, and Mercer Ellington and the quintet of Charlie Parker. He joined Parker's band in December 1948. He was a charter member of the original cooperative The Jazz Messengers, Jazz Messengers. He also recorded as a sideman with Thelonious Monk and Sonny Rollins, and he replaced Clifford Brown in the Max Roach Quintet af ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Al Jolson
Al Jolson (born Eizer Yoelson; June 9, 1886 – October 23, 1950) was a Lithuanian-American Jews, Jewish singer, comedian, actor, and vaudevillian. He was one of the United States' most famous and highest-paid stars of the 1920s, and was self-billed as "The World's Greatest Entertainer." Jolson was known for his "shamelessly sentimental, melodramatic approach" towards performing, as well as for popularizing many of the songs he sang. Jolson has been referred to by modern critics as "the king of blackface performers." Although best remembered today as the star of the first talking picture, ''The Jazz Singer'' (1927), he starred in a series of successful musical films during the 1930s. After the attack on Pearl Harbor in December 1941, he was the first star to entertain troops overseas during World War II. After a period of inactivity, his stardom returned with ''The Jolson Story'' (1946), in which Larry Parks played Jolson, with the singer dubbing for Parks. The formula was repeat ...
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Ray Henderson
Ray Henderson (born Raymond Brost; December 1, 1896 – December 31, 1970) was an American songwriter. Early life Born in Buffalo, New York, United States, Henderson moved to New York City and became a popular composer in Tin Pan Alley. He was one third of a successful songwriting and music publishing team with Lew Brown and Buddy De Sylva from 1925 through 1930, responsible for several editions of the revue called ''George White's Scandals'' and such book musicals as ''Good News (musical), Good News'', ''Hold Everything!'', and ''Follow Thru (musical), Follow Thru''. After De Sylva's departure, Henderson continued to write with Brown through 1933. Then, he worked with other partners. In 1934, he composed the musical ''Say When (musical), Say When'' with lyricist Ted Koehler. Music Henderson's biggest hit songs included "Annabelle" (1923), "Bye Bye Blackbird", "Has Anybody Seen My Girl?" (a/k/a "Five Foot Two, Eyes of Blue"), "I'm Sitting on Top of the World", "Don't Bring Lulu" ...
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Buddy DeSylva
George Gard "Buddy" DeSylva (January 27, 1895 – July 11, 1950) was an American songwriter, film producer and record executive. He wrote or co-wrote many popular songs and, along with Johnny Mercer and Glenn Wallichs, he co-founded Capitol Records. Biography DeSylva was born in New York City, but grew up in California, and attended the University of Southern California, where he joined the Theta Xi Fraternity. His Portuguese-born father, Aloysius J. De Sylva, was better known to American audiences as actor Hal De Forrest. His father was also a lawyer as well as an actor. His mother, Georgetta Miles Gard, was the daughter of Los Angeles police chief George E. Gard. DeSylva's first successful songs were those used by Al Jolson on Broadway in the 1918 production of ''Sinbad'', which included "I'll Say She Does". Soon thereafter, he met Jolson and in 1918 the pair went to New York and DeSylva began working as a songwriter in Tin Pan Alley. In the early 1920s, DeSylva frequent ...
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