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Songs (John Maus Album)
''Songs'' is the first official album by American lo-fi musician John Maus, released on June 27, 2006 by the British label Upset the Rhythm. The album was recorded over the course of five years. It consists of slightly remixed tracks that originally appeared on the self-released albums ''Snowless Winters EP'' (1999), ''Love Letters From Hell'' (2000), and ''I Want to Live!'' (2003). Reception Upon release, the album generally drew negative reviews from critics. ''CMJ'' stated, "It took this Ariel Pink cohort five years to write and record his debut album, and only five minutes to become more annoying than Ariel Pink." ''Tiny Mix Tapes'' gave the LP a four-star review, in which they wrote that Maus's singing "is always an effortless balance between weird visceral descriptions, deadpan humor Deadpan, dry humour, or dry-wit humour is the deliberate display of emotional neutrality or no emotion, commonly as a form of comedic delivery to contrast with the ridiculousness or absurdit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Maus
John Maus (born February 23, 1980) is an American musician, composer, singer, and songwriter known for his baritone singing style and his use of vintage synthesizer sounds and Medieval church modes, a combination that often draws comparisons to 1980s goth-pop. His early lo-fi recordings anticipated and inspired the late 2000s hypnagogic pop movement. On stage, he is characterized for his intense displays of emotion while performing. He is also a former teacher of philosophy at the University of Hawaii, where he later earned his PhD in political science. Maus' early influences included Nirvana, Syd Barrett, Jim Morrison, and composers of the Medieval, Renaissance, and Baroque eras. In 1998, he left his hometown of Austin, Minnesota to study experimental music at the California Institute of the Arts. When he befriended and first worked alongside classmate Ariel Pink, he took a greater interest in pop music. He produced most of the music from his first two albums ''Songs'' (2006) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dark Wave
Dark wave (also typeset as darkwave) is a music genre that emerged from the new wave and post-punk movement of the late 1970s. Dark wave compositions are largely based on minor key tonality and introspective lyrics and have been perceived as being dark, romantic and bleak, with an undertone of sorrow. The genre embraces a range of styles including cold wave,Schilz, Andrea: ''Flyer der Schwarzen Szene Deutschlands: Visualisierungen, Strukturen, Mentalitäten.'' Waxmann Verlag, 2010, , p. 84. ethereal wave, gothic rock,Uecker, Susann: ''Mit High-Heels im Stechschritt'', Hirnkost Verlag, 2014, neoclassical dark wave and neofolk. In the 1980s, a subculture developed primarily in Europe alongside dark wave music, whose followers were called ''wavers'' or ''dark wavers''. In some countries such as Germany, the movement also included fans of gothic rock (so-called ''trad-goths''). 1980s: Origins Since the 1980s, SPEX. Musik zur Zeit: ''Classified Ad by German distribution ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vulture (magazine)
''New York'' is an American biweekly magazine concerned with life, culture, politics, and style generally, and with a particular emphasis on New York City. Founded by Milton Glaser and Clay Felker in 1968 as a competitor to ''The New Yorker'', it was brasher and less polite, and established itself as a cradle of New Journalism. Over time, it became more national in scope, publishing many noteworthy articles on American culture by writers such as Tom Wolfe, Jimmy Breslin, Nora Ephron, John Heilemann, Frank Rich, and Rebecca Traister. In its 21st-century incarnation under editor-in-chief Adam Moss, "The nation's best and most-imitated city magazine is often not about the city—at least not in the overcrowded, traffic-clogged, five-boroughs sense", wrote then-''Washington Post'' media critic Howard Kurtz, as the magazine increasingly published political and cultural stories of national significance. Since its redesign and relaunch in 2004, the magazine has won more National Mag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Upset The Rhythm
Upset The Rhythm is an independent record label based in London with a varied roster of leftfield artists and bands; they also operate as a diverse DIY live music promoter. Huw Stephens featured Upset The Rhythm as "purveyors of interesting indie" on his BBC Radio 1 show (24 November 2011) as part of his ongoing 'Label Of Love' feature. As of 2015, Upset The Rhythm had 85 releases. History Upset The Rhythm initially formed in 2003 while its members were organising a concert for Deerhoof. By 2015, Upset The Rhythm had organised about 700 shows. Upset The Rhythm shows occur each week in venues across London from smaller DIY hubs like Power Lunches to more established venues like The Roundhouse. The record label began in the Summer of 2005, funded by a gift of profits from a The Evens show by Ian MacKaye. The label's first release was a mini-album by Death Sentence: Panda!, followed by debut releases by John Maus, ''No Age'' and Future Islands. The company works with unusual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Love Is Real
''Love Is Real'' is the second album by the American lo-fi musician John Maus John Maus (born February 23, 1980) is an American musician, composer, singer, and songwriter known for his baritone singing style and his use of vintage synthesizer sounds and Medieval church modes, a combination that often draws comparisons to ..., released in 2007 on the British label Upset the Rhythm. Track listing # Heaven Is Real (4:16) # Do Your Best (2:45) # Rights for Gays (2:36) # Love Letters From Hell (3:15) # The Silent Chorus (5:00) # Navy Seals (2:16) # Pure Rockets (3:21) # My Whole World's Coming Apart (3:43) # Don't Worship the Devil (3:41) # Tenebrae (5:19) # Too Much Money (3:24) # Green Bouzard (1:00) # Old Town (1:58) # Times Is Weird (4:42) References 2007 albums John Maus albums {{2000s-album-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lo-fi Music
Lo-fi (also typeset as lofi or low-fi; short for low fidelity) is a music or production quality in which elements usually regarded as imperfections in the context of a recording or performance are present, sometimes as a deliberate choice. The standards of sound quality (fidelity) and music production have evolved throughout the decades, meaning that some older examples of lo-fi may not have been originally recognized as such. Lo-fi began to be recognized as a style of popular music in the 1990s, when it became alternately referred to as DIY music (from "do it yourself"). Harmonic distortion and " analog warmth" are sometimes confused as core features of lo-fi music. Traditionally, lo-fi has been characterized by the inclusion of elements normally viewed as undesirable in professional contexts, such as misplayed notes, environmental interference, or phonographic imperfections (degraded audio signals, tape hiss, and so on). Pioneering, influential, or otherwise significant artist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Maus (2116047976) (cropped)
John Maus (born February 23, 1980) is an American musician, composer, singer, and songwriter known for his baritone singing style and his use of vintage synthesizer sounds and Medieval church modes, a combination that often draws comparisons to 1980s goth-pop. His early lo-fi recordings anticipated and inspired the late 2000s hypnagogic pop movement. On stage, he is characterized for his intense displays of emotion while performing. He is also a former teacher of philosophy at the University of Hawaii, where he later earned his PhD in political science. Maus' early influences included Nirvana, Syd Barrett, Jim Morrison, and composers of the Medieval, Renaissance, and Baroque eras. In 1998, he left his hometown of Austin, Minnesota to study experimental music at the California Institute of the Arts. When he befriended and first worked alongside classmate Ariel Pink, he took a greater interest in pop music. He produced most of the music from his first two albums '' Songs'' (2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ariel Pink
Ariel Marcus Rosenberg ( ; born June 24, 1978), professionally known as Ariel Pink, is an American musician, singer, and songwriter whose work draws heavily from the popular music of the 1960s–1980s. His lo-fi music, lo-fi aesthetic and home recording, home-recorded albums proved influential to many indie musicians starting in the late 2000s. He is frequently cited as "godfather" of the hypnagogic pop and chillwave movements, and he is credited with galvanizing a larger trend involving the evocation of the media, sounds, and outmoded technologies of prior decades, as well as an equal appreciation for high art, high and low art in independent music. A native of Los Angeles, Pink began experimenting with recording songs on an Stem mixing and mastering, eight-track Portastudio as a teenager. His early influences were artists such as Michael Jackson, the Cure (band), the Cure, and R. Stevie Moore. The majority of Ariel Pink discography, his recorded output stems from a prolific ei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tiny Mix Tapes
''Tiny Mix Tapes'' (also ''TMT'' or ''tinymixtapes'') is an online music and film webzine that focuses primarily on new music and related news. In addition to its reviews, it is noted for its subversive, political, and sometimes surreal news, as well as a podcast and its mixtape generator. History Originally called ''Tiny Mixtapes Gone to Heaven'' and hosted on GeoCities, the webzine moved to its current domain in 2001. ''Tiny Mix Tapes'' is a featured reviewer on Metacritic. The writing staff is composed of volunteers who often use pen names (such as "Wolfman," "Mango Starr," "Chizzly St. Claw," and "Filmore Mescalito Holmes"). Some contributors, like Rebecca Armendariz and Alex Brown, go by their real names. Its cofounder and editor-in-chief is Minneapolis-resident Marvin Lin (who writes as "Mr. P"). The music reviews, features, news, film, comics, and the "DeLorean", "Cerberus", and "Automatic Mix Tapes" columns are edited by "Jay," "Gumshoe," "Dan Smart," Benjamin Pearson, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deadpan Humor
Deadpan, dry humour, or dry-wit humour is the deliberate display of emotional neutrality or no emotion, commonly as a form of comedic delivery to contrast with the ridiculousness or absurdity of the subject matter. The delivery is meant to be blunt, ironic, laconic, or apparently unintentional. Etymology The term ''deadpan'' first emerged early in the 20th century, as a compound word (sometimes spelled as two words) combining "dead" and "pan" (a slang term for the face). It appeared in print as early as 1915, in an article about a former baseball player named Gene Woodburn written by his former manager Roger Bresnahan. Bresnahan described how Woodburn used his skill as a ventriloquist to make his manager and others think they were being heckled from the stands. Woodburn, wrote Bresnahan, "had a trick of what the actors call 'the dead pan.' He never cracked a smile and would be the last man you would suspect was working a trick." George M. Cohan, in a 1908 interview, had alluded t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lover Boy (album)
''Lover Boy'' is the sixth studio album by the American recording artist Ariel Pink, under the artist's "Haunted Graffiti" musical project. It is the sixth release in the eponymous series of works. The album was originally released in 2002 through Ballbearings Pinatas and CD Baby as part of a double-CD set with his previous release, ''House Arrest.'' In March 2006, the album was reissued as a single album on CD-R. The reissue includes a slightly different set of tracks from the original album, cutting "credit" and "one on one" from the line-up and adding the live song, "You Are My Angel". Track listing #"Don't Talk To Strangers" #"Didn't It Click?" #"She's My Girl" #"Poultry Head" #"Older Than Her Years" #"So Glad" #"Want Me" #"Loverboy" with John Maus John Maus (born February 23, 1980) is an American musician, composer, singer, and songwriter known for his baritone singing style and his use of vintage synthesizer sounds and Medieval church modes, a combination that often d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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