Solarisation
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Solarisation
The Sabatier effect, also known as pseudo-solarization (or pseudo-solarisation) and erroneously referred to as the Sabattier effect, is a phenomenon in photography in which the image recorded on a negative or on a photographic print is wholly or partially reversed in tone. Dark areas appear light or light areas appear dark. Solarization and pseudo-solarization are quite distinct effects. Over time, the "pseudo" has been dropped in many photographic darkroom circles and discussions, but the effect that is meant is the Sabattier effect and not the solarization by extreme overexposure (see below). Background Initially, the term "solarization" was used to describe the effect observed in cases of extreme overexposure of the photographic film or plate in the camera. The effect generated in the dark room was then called ''pseudo-solarization''. Spencer defines the Sabattier effect as: "Partial image reversal produced by brief exposure to white light of a partly developed silver halid ...
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Solarization (photography)
The term solarization in photography is used to describe the effect of ''tone reversal'' observed in cases of extreme overexposure of the photographic film in the camera. Most likely, the effect was first observed in scenery photographs including the sun. The sun, instead of being the whitest spot in the image, turned black or grey. For instance, Minor White's photograph of a winter scene, ''The Black Sun 1955'', was a result of the shutter of his camera freezing in the open position, producing severe overexposure. Ansel Adams had also earlier created a solarized sun image, titled ''Black Sun, Owens Valley, California, 1939'', by overexposure. Definition When a photographic layer, suitable for solarization (see below), is exposed to actinic radiation, the resulting darkening after development will not increase steadily, but reaches a maximum which decreases under more intense exposure. In general is the phenomenon only then called solarization if the exposure has been produced ...
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Solarization (photography)
The term solarization in photography is used to describe the effect of ''tone reversal'' observed in cases of extreme overexposure of the photographic film in the camera. Most likely, the effect was first observed in scenery photographs including the sun. The sun, instead of being the whitest spot in the image, turned black or grey. For instance, Minor White's photograph of a winter scene, ''The Black Sun 1955'', was a result of the shutter of his camera freezing in the open position, producing severe overexposure. Ansel Adams had also earlier created a solarized sun image, titled ''Black Sun, Owens Valley, California, 1939'', by overexposure. Definition When a photographic layer, suitable for solarization (see below), is exposed to actinic radiation, the resulting darkening after development will not increase steadily, but reaches a maximum which decreases under more intense exposure. In general is the phenomenon only then called solarization if the exposure has been produced ...
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Lee Miller
Elizabeth "Lee" Miller, Lady Penrose (April 23, 1907 – July 21, 1977), was an American photographer and photojournalist. She was a fashion model in New York City in the 1920s before going to Paris, where she became a fashion and fine art photographer. During the Second World War, she was a war correspondent for ''Vogue'', covering events such as the London Blitz, the liberation of Paris, and the concentration camps at Buchenwald and Dachau. Early life Miller was born on April 23, 1907, in Poughkeepsie, New York. Her parents were Theodore and Florence Miller (née MacDonald). Her father was of German descent, and her mother was of Scottish and Irish descent. She had a younger brother named Erik, and her older brother was the aviator Johnny Miller. Theodore always favored Lee, and often used her as a model for his amateur photography. When she was seven years old, Lee was raped while staying with a family friend in Brooklyn and was infected with gonorrhea. In her childhoo ...
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Armand Sabatier
Armand Sabatier (, , ; 13 January 1834 – 22 December 1910) was a French zoologist known for his studies of comparative anatomy of animals, and for his work in photography, discovering and publishing in 1860 the Sabattier effect, also known as pseudo-solarisation. He studied in Montpellier, where he took special mathematics courses in high school, then enrolled in medicine. He then did three years of internship in Lyon, then returned to Montpellier, where he defended in 1863 his doctoral thesis of medicine, entitled "Anatomical, physiological and clinical study on pulmonary auscultation in children".. He married Laure Gervais de Rouville and they had a daughter, Jeanne. During the Franco-Prussian War of 1870 he was surgeon in charge of the ambulances of the South. After the war, he prepared his doctorate of sciences, which he obtained in 1873, after defending his thesis entitled "The heart and the central circulation of the vertebrates". He was appointed professor and chair of zo ...
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Photography
Photography is the art, application, and practice of creating durable images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is employed in many fields of science, manufacturing (e.g., photolithography), and business, as well as its more direct uses for art, film and video production, recreational purposes, hobby, and mass communication. Typically, a lens is used to focus the light reflected or emitted from objects into a real image on the light-sensitive surface inside a camera during a timed exposure. With an electronic image sensor, this produces an electrical charge at each pixel, which is electronically processed and stored in a digital image file for subsequent display or processing. The result with photographic emulsion is an invisible latent image, which is later chemically "developed" into a visible image, either negative or positive, depending on the purp ...
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Photographic Techniques
Photography is the art, application, and practice of creating durable images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is employed in many fields of science, manufacturing (e.g., photolithography), and business, as well as its more direct uses for art, film and video production, recreational purposes, hobby, and mass communication. Typically, a lens is used to focus the light reflected or emitted from objects into a real image on the light-sensitive surface inside a camera during a timed exposure. With an electronic image sensor, this produces an electrical charge at each pixel, which is electronically processed and stored in a digital image file for subsequent display or processing. The result with photographic emulsion is an invisible latent image, which is later chemically "developed" into a visible image, either negative or positive, depending on the purpose ...
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Spiritual Tree Dsc06786 Duo Nevit
Spiritual is the adjective for spirit. Spiritual may also refer to: Religion *Spirituality, a concern with matters of the spirit **Spiritual attack, an attack by Satan and his demons on a Christian **Spiritual body, a Christian term for resurrection **Spiritual but not religious, a religious categorization **Spiritual bypass, a "tendency to use spiritual ideas and practices to sidestep or avoid facing unresolved emotional issues, psychological wounds, and unfinished developmental tasks" **Spiritual communion, a Christian practice of desiring union with Jesus Christ in the Eucharist **Spiritual crisis, a form of identity crisis where an individual experiences drastic changes to their meaning system typically because of a spontaneous spiritual experience **Spiritual death, absence of spirituality **Spiritual development, the development of the personality towards a religious or spiritual desired better personality **Spiritual direction, the practice of being with people as they atte ...
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Photoshop
Adobe Photoshop is a raster graphics editor developed and published by Adobe Inc. for Windows and macOS. It was originally created in 1988 by Thomas and John Knoll. Since then, the software has become the industry standard not only in raster graphics editing, but in digital art as a whole. The software's name is often colloquially used as a verb (e.g. "to photoshop an image", "photoshopping", and "photoshop contest") although Adobe discourages such use. Photoshop can edit and compose raster images in multiple layers and supports masks, alpha compositing and several color models including RGB, CMYK, CIELAB, spot color, and duotone. Photoshop uses its own PSD and PSB file formats to support these features. In addition to raster graphics, Photoshop has limited abilities to edit or render text and vector graphics (especially through clipping path for the latter), as well as 3D graphics and video. Its feature set can be expanded by plug-ins; programs developed and distributed in ...
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CLUT
In computer graphics, a palette is the set of available colors from which an image can be made. In some systems, the palette is fixed by the hardware design, and in others it is dynamic, typically implemented via a color lookup table (CLUT), a correspondence table in which selected colors from a certain color space's color reproduction range are assigned an index, by which they can be referenced. By referencing the colors via an index, which takes less information than needed to describe the actual colors in the color space, this technique aims to reduce data usage, including processing, transfer bandwidth, RAM usage, and storage. Images in which colors are indicated by references to a CLUT are called indexed color images. Description As of 2019, the most common image colorspace in graphics cards is the RGB color model with 8 bits per pixel color depth. Using this technique, 8 bits per pixel are used to describe the luminance level in each of the RGB channels, therefore 24 bi ...
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Video Synthesizer
A video synthesizer is a device that electronically creates a video signal. A video synthesizer is able to generate a variety of visual material without camera input through the use of internal video pattern generators. It can also accept and "clean up and enhance" or "distort" live television camera imagery. The synthesizer creates a wide range of imagery through purely electronic manipulations. This imagery is visible within the output video signal when this signal is displayed. The output video signal can be viewed on a wide range of conventional video equipment, such as TV monitors, theater video projectors, computer displays, etc. Video pattern generators may produce static or moving or evolving imagery. Examples include geometric patterns (in 2D or 3D), subtitle text characters in a particular font, or weather maps. Imagery from TV cameras can be altered in color or geometrically scaled, tilted, wrapped around objects, and otherwise manipulated. A particular video synth ...
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Agfacontour Professional
Agfacontour Professional was (as of 2002 not anymore produced) a special emulsion sheet film which, after exposure and development in the Agfacontour developer, produced direct equidensities. Agfacontour was introduced in 1970 by Agfa-Gevaert to produce equidensities by a direct, one-developing-step process. Until then equidensities had to be obtained using one of the following techniques: *The most popular method to obtain equidensities was the ''One-Film'' technique, better known as Sabattier effect (a.k.a. Pseudosolarization). *Another technique, making tonal extractions on high-contrast film, was called the ''Two-Film'' technique (negative-positive process): from a negative 3-5 different exposures were made on ultra high-contrast lith-films. These 3-5 positives were then copied again on ultra high-contrast lith-film to obtain negatives with virtually no grey tones. Then one positive and a negative from a different set were sandwiched together in register to obtain one spec ...
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