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Snuff (film)
''Snuff'' is a 1976 splatter film directed by Michael Findlay and Horacio Fredriksson. Originally an exploitation film loosely based on the 1969 murders committed by the Manson Family, it is most notorious for being falsely marketed as if it were an actual snuff film. The controversy about the film was deliberately manufactured to attract publicity: it prompted an investigation by the New York County District Attorney, who determined that the murder shown in the film was fake. This picture contributed to the urban legend of snuff films, although the concept did not originate with it. Plot Actress Terry London (played by Mirta Massa) and her producer, Max Marsh, visit an unnamed country in South America. A female biker cult led by a man named Satán () stalks and eventually murders the pregnant London and her circle of friends. In the film's last minutes, the action is interrupted as the camera pulls out to show the crew shooting the scene: the director is then seen flirtin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Findlay (filmmaker)
Michael Findlay (August 27, 1937 – May 16, 1977) was an American filmmaker, producer and screenwriter. Along with his wife Roberta, Findlay created numerous low-budget Z movies in the 1960s and 1970s. They have been described as "the most notorious filmmakers in the annals of sexploitation". In the mid-to-late 1960s, Findlay was prominent among a small group of underground New York filmmakers (including Joseph W. Sarno, Joseph P. Mawra, and Lou Campa) that produced exploitation "roughies" (early slasher films which combined conventional horror or thriller stories with sadomasochistic sex scenes) for the grindhouse market. Sometimes he would direct under the alias Julian Marsh and act in his own films billed as Robert West. His wife Roberta (a.k.a. Anna Riva) was the cinematographer, co-writer, and supporting actress for many of their films together. They also employed the same actors repeatedly, most notably Uta Erickson, and Marie Brent, a.k.a. Janet Banzet. The Find ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cult
In modern English, ''cult'' is usually a pejorative term for a social group that is defined by its unusual religious, spiritual, or philosophical beliefs and rituals, or its common interest in a particular personality, object, or goal. This sense of the term is controversial and weakly defined—having divergent definitions both in popular culture and academia—and has also been an ongoing source of contention among scholars across several fields of study. Richardson, James T. 1993. "Definitions of Cult: From Sociological-Technical to Popular-Negative." ''Review of Religious Research'' 34(4):348–56. . . An older sense of the word involves a set of religious devotional practices that are conventional within their culture, related to a particular figure, and often associated with a particular place. References to the "cult" of a particular Catholic saint, or the imperial cult of ancient Rome, for example, use this sense of the word. While the literal and original sens ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoax
A hoax is a widely publicized falsehood so fashioned as to invite reflexive, unthinking acceptance by the greatest number of people of the most varied social identities and of the highest possible social pretensions to gull its victims into putting up the highest possible social currency in support of the hoax. Whereas the promoters of frauds, fakes, and scams devise them so that they will withstand the highest degree of scrutiny customary in the affair, hoaxers are confident, justifiably or not, that their representations will receive no scrutiny at all. They have such confidence because their representations belong to a world of notions fundamental to the victims' views of reality, but whose truth and importance they accept without argument or evidence, and so never question. Some hoaxers intend eventually to unmask their representations as in fact a hoax so as to expose their victims as fools; seeking some form of profit, other hoaxers hope to maintain the hoax indefini ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Media Frenzy
Media circus is a colloquial metaphor, or idiom, describing a news event for which the level of media coverage—measured by such factors as the number of reporters at the scene and the amount of material broadcast or published—is perceived to be excessive or out of proportion to the event being covered. Coverage that is Sensationalism, sensationalistic can add to the perception the event is the subject of a media circus. The term is meant to critique the coverage of the event by comparing it to the spectacle and pageantry of a circus. Usage of the term in this sense became common in the 1970s. It can also be called a media feeding frenzy or just media frenzy, especially when they cover the media coverage. History Although the idea is older, the term ''media circus'' began to appear around the mid-1970s. An early example is from the 1976 book by author Lynn Haney, in which she writes about a romance in which the athlete Chris Evert was involved: "Their courtship, after all, h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movie Theater
A movie theater (American English), cinema (British English), or cinema hall ( Indian English), also known as a movie house, picture house, the movies, the pictures, picture theater, the silver screen, the big screen, or simply theater is a building that contains auditoria for viewing films (also called movies) for entertainment. Most, but not all, movie theaters are commercial operations catering to the general public, who attend by purchasing a ticket. The film is projected with a movie projector onto a large projection screen at the front of the auditorium while the dialogue, sounds, and music are played through a number of wall-mounted speakers. Since the 1970s, subwoofers have been used for low-pitched sounds. Since the 2010s, the majority of movie theaters have been equipped for digital cinema projection, removing the need to create and transport a physical film print on a heavy reel. A great variety of films are shown at cinemas, ranging from animated films to bl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Publicity Stunt
In marketing, a publicity stunt is a planned event designed to attract the public's attention to the event's organizers or their cause. Publicity stunts can be professionally organized, or set up by amateurs. Such events are frequently utilized by both advertisers and celebrities, the majority of whom are notable athletes and politicians. Organizations sometimes seek publicity by staging newsworthy events that attract media coverage. They can be in the form of groundbreakings, world record attempts, dedications, press conferences, or organized protests. By staging and managing these types of events, the organizations attempt to gain some form of control over what is reported in the media. Successful publicity stunts have news value, offer photo, video, and sound bite opportunities, and are arranged primarily for media coverage. It can be difficult for organizations to design successful publicity stunts that highlight the message instead of burying it. For example, it makes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pornographic Film
Pornographic films (pornos), erotic films, sex films, and 18+ films are films that present sexually explicit subject matter in order to arouse and satisfy the viewer. Pornographic films present sexual fantasies and usually include erotically stimulating material such as nudity ( softcore) and sexual intercourse ( hardcore). A distinction is sometimes made between "erotic" and "pornographic" films on the basis that the latter category contains more explicit sexuality, and focuses more on arousal than storytelling; the distinction is highly subjective. Pornographic films are produced and distributed on a variety of media, depending on the demand and technology available, including traditional film stock in various formats, home video, DVDs, Internet download, cable TV, in addition to other media. Today, pornographic films are sold or rented on DVD; shown through Internet streaming, special channels and pay-per-view on cable and satellite; and viewed in rapidly disa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carter Stevens
Carter Stevens (October 17, 1944 – December 30, 2020) was a pornographic film actor, director, grip, gaffer, and film processing lab technician. Stevens earned a degree in photography from the Rochester Institute of Technology, worked at Eastman Kodak Company and was a shift supervisor at Movielab, the largest independent motion picture processing facility in New York, before going into film-making. He made 8 mm loops, appeared in over 50 adult films between around 1973 and 1993, and directed about 40 films between 1972 and 1996, including a series of films for the Avon Theater chain. After Stevens's film ''Punk Rock'' received favorable reviews and with the increasing popularity of the punk rock music genre, he re-edited and released the film into an R-rated version, replacing explicit sex footage with more music and expanded plot. He fought battles with drugs, a life-threatening heart attack, and charges of obscenity before re-emerging in the 1990s and early 2000s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinéma Vérité
Cinéma vérité (, , ; "truthful cinema") is a style of documentary filmmaking developed by Edgar Morin and Jean Rouch, inspired by Dziga Vertov's theory about Kino-Pravda. It combines improvisation with use of the camera to unveil truth or highlight subjects hidden behind reality. It is sometimes called observational cinema, if understood as pure direct cinema: mainly without a narrator's voice-over. There are subtle, yet important, differences between terms expressing similar concepts. Direct Cinema is largely concerned with the recording of events in which the subject and audience become unaware of the camera's presence: operating within what Bill Nichols, an American historian and theoretician of documentary film, calls the "observational mode", a fly on the wall. Many therefore see a paradox in drawing attention away from the presence of the camera and simultaneously interfering in the reality it registers when attempting to discover a cinematic truth. History Ciné ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sexploitation Film
A sexploitation film (or sex-exploitation film) is a class of independently produced, low-budget feature film that is generally associated with the 1960s and early 1970s, and that serves largely as a vehicle for the exhibition of non-explicit sexual situations and gratuitous nudity. The genre is a subgenre of exploitation films. The term "sexploitation" has been used since the 1940s. Sexploitation films were generally exhibited in urban grindhouse theatres, the precursor to the adult movie theaters of the 1970s and 1980s that featured hardcore pornography content. The term soft-core is often used to designate non-explicit sexploitation films after the general legalisation of hardcore content. Nudist films are often considered to be subgenres of the sex-exploitation genre as well. "Nudie" films and "Nudie-cuties" are associated genres. History of sexploitation films in United States After a series of United States Supreme Court rulings in the late 1950s and 1960s, increasing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jim Brown
James Nathaniel Brown (born February 17, 1936) is a former American football player, sports analyst and actor. He played as a fullback for the Cleveland Browns of the National Football League (NFL) from 1957 through 1965. Considered to be one of the greatest running backs of all time, as well as one of the greatest players in NFL history, Brown was a Pro Bowl invitee every season he was in the league, was recognized as the AP NFL Most Valuable Player three times, and won an NFL championship with the Browns in 1964. He led the league in rushing yards in eight out of his nine seasons, and by the time he retired, he had shattered most major rushing records. In 2002, he was named by '' The Sporting News'' as the greatest professional football player ever. Brown earned unanimous All-America honors playing college football at Syracuse University, where he was an all-around player for the Syracuse Orangemen football team. The team later retired his number 44 jersey, and he was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slaughter (1972 Film)
''Slaughter'' is a 1972 blaxploitation film directed by Jack Starrett and starring Jim Brown as a former Green Berets, Green Beret captain seeking revenge for a murder. Stella Stevens, Rip Torn, Don Gordon (actor), Don Gordon and Cameron Mitchell (actor), Cameron Mitchell co-star. This film was followed by a sequel the following year, ''Slaughter's Big Rip-Off'' (1973). Plot summary After the father of Vietnam veteran and ex-Green Berets, Green Beret captain Slaughter (Jim Brown) is killed by a car bomb, he becomes obsessed with avenging the murder. He learns it was arranged by a Cleveland, Ohio, Cleveland organized-crime gang and tracks down the mobster personally responsible, killing a Mafia member in the process. The murderer, however, manages to escape. Slaughter gets arrested and charged with first-degree murder, but Treasury Department official Price (Cameron Mitchell (actor), Cameron Mitchell) offers to drop all charges if he agrees to go to an unnamed South American co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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