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Smot (chanting)
''Smot chanting'', or ''smot'' ( km, or ) is a chanting tradition performed primarily at funerals in Cambodia. It is associated with other various forms of Buddhist chanting used by Buddhism in Cambodia but distinct from both ''paritta'' chant and ''khatha'' used in Buddhist chant to proclaim the ''Dhammapada''. Etymology: the causative form of prayer ''Smot'' or ''smutr'' is a Khmer morphologic transformation of the sanskritic root ''sutra'', which refers to a set prayer or verse, with the causative infix which induces the active verb ''sot'' ( km, ), i.e. to pray, to become factitive, ''smot'' ( km, ), i.e. to cause one to pray. Similarly, ( km, ), i.e. to be deaf, becomes ( km, ), i.e. to make someone deaf. Esthetics: an experience of ''rasa ''beyond religious norms The content of ''smot'' reflects complex origins, where various animistic, Hindu and Buddhist traditions blend together. In contemporary Cambodia, according to Khmer scholar Khing Hoc Dy, ''smot'' fall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cambodia
Cambodia (; also Kampuchea ; km, កម្ពុជា, UNGEGN: ), officially the Kingdom of Cambodia, is a country located in the southern portion of the Indochinese Peninsula in Southeast Asia, spanning an area of , bordered by Thailand to the northwest, Laos to the north, Vietnam to the east, and the Gulf of Thailand to the southwest. The capital and largest city is Phnom Penh. The sovereign state of Cambodia has a population of over 17 million. Buddhism is enshrined in the constitution as the official state religion, and is practised by more than 97% of the population. Cambodia's minority groups include Vietnamese, Chinese, Chams and 30 hill tribes. Cambodia has a tropical monsoon climate of two seasons, and the country is made up of a central floodplain around the Tonlé Sap lake and Mekong Delta, surrounded by mountainous regions. The capital and largest city is Phnom Penh, the political, economic and cultural centre of Cambodia. The kingdom is an elective co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tamil People
The Tamil people, also known as Tamilar ( ta, தமிழர், Tamiḻar, translit-std=ISO, in the singular or ta, தமிழர்கள், Tamiḻarkaḷ, translit-std=ISO, label=none, in the plural), or simply Tamils (), are a Dravidian peoples, Dravidian ethno-linguistic group who trace their ancestry mainly to India’s South India, southern state of Tamil Nadu, union territory of Puducherry (union territory), Puducherry and to Sri Lanka. Tamils who speak the Tamil Language and are born in :Social groups of Tamil Nadu, Tamil clans are considered Tamilians. Tamils constitute 5.9% of the population in India (concentrated mainly in Tamil Nadu and Puducherry), 15% in Sri Lanka (excluding Sri Lankan Moors), 7% in Tamil Malaysians, Malaysia, 6% in Tamil Mauritians, Mauritius, and 5% in Indian Singaporeans, Singapore. From the 4th century BCE, urbanisation and mercantile activity along the western and eastern coasts of what is today Kerala and Tamil Nadu led to the develo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vibrato
Vibrato (Italian language, Italian, from past participle of "wikt:vibrare, vibrare", to vibrate) is a musical effect consisting of a regular, pulsating change of pitch (music), pitch. It is used to add expression to vocal and instrumental music. Vibrato is typically characterised in terms of two factors: the amount of pitch variation ("extent of vibrato") and the speed with which the pitch is varied ("rate of vibrato"). In singing it can occur spontaneously through variations in the larynx. The vibrato of a string instrument and wind instrument is an imitation of that vocal function. Vibrato and tremolo The terms vibrato and tremolo are sometimes incorrectly used interchangeably, although (in the classical world) they are properly defined as separate effects with vibrato defined as a periodic variation in the pitch (frequency) of a musical note, and tremolo as a fast repetition of the same note (usually a semiquaver) in order to produce the audible effect of a longer note, es ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metric Time
Metric time is the measure of time intervals using the metric system. The modern SI system defines the second as the SI base unit, base unit of time, and forms multiples and submultiples with metric prefixes such as kiloseconds and milliseconds. Other units of time – minute, hour, and day – are Non-SI units mentioned in the SI, accepted for use with SI, but are not part of it. Metric time is a measure of time intervals, while decimal time is a means of recording time of day. History The second derives its name from the sexagesimal system, which originated with the Sumer, Sumerians and Babylonians. This system divides a base unit into sixty minutes, each minute into sixty seconds, and each second into sixty Sexagesimal#Modern usage, tierces. The word "minute" comes from the Latin ''pars minuta prima'', meaning "first small part", and "second" from ''pars minuta secunda'' or "second small part". Angular measure also uses sexagesimal units; there, it is the Degree (angle), de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo Rubato
Tempo rubato (, , ; 'free in the presentation', literally ) is a musical term referring to expressive and rhythmic freedom by a slight speeding up and then slowing down of the tempo of a piece at the discretion of the soloist or the conductor. Rubato is an expressive shaping of music that is a part of phrasing. While rubato is often loosely taken to mean playing with expressive and rhythmic freedom, it was traditionally used specifically in the context of expression as speeding up and then slowing down the tempo. In the past, expressive and free playing (beyond only rubato) was often associated with the terms "ad libitum". Rubato, even when not notated, is often used liberally by musicians, e.g. singers frequently use it intuitively to let the tempo of the melody expressively shift slightly and freely above that of the accompaniment. This intuitive shifting leads to rubato's main effect: making music sound expressive and natural. Nineteenth century composer-pianist Frédéric Cho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tro (instrument)
The ''tro'' ( km, ទ្រ) is Cambodia's traditional spike fiddles, bowed string instruments that are held and played vertically. Spike fiddles have a handle that passes through the resonator, often forming a spike, on the bottom side where it emerges. The family is similar or distantly related to the Chinese erhu or huqin. The instruments have a soundbox at the bottom of the stick, covered with leather or snake skin. Strings run from pegs at the top of the stick and secured at the bottom, running across the soundbox. The larger the soundbox, the lower the pitch range. Instruments in this family include the two-stringed ''tro ou'', ''tro sau thom'', ''tro sau toch'' and ''tro che'', as well as the three-stringed ''tro Khmer'' spike fiddle. The two-stringed tros are tuned in a fifth, while the three-stringed tro Khmer is tuned in fourths. The tros, with the exception of the tro Khmer, are strung so that the bowstring is permanently placed between the two stings. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Traditional Cambodian Musical Instruments
Traditional Cambodian musical instruments are the musical instruments used in the traditional and classical music of Cambodia. They comprise a wide range of wind, string, and percussion instruments, used by both the Khmer majority as well as the nation's ethnic minorities. File:Shoulder-mounted nipple gong at Angkor Wat.jpg, Soldiers carry drums and a shoulder-mounted nipple gong in relief at Angkor Wat. File:Kse diev at Angkor Wat, North Section, 16th Century.jpg, Kse diev at Angkor Wat, North Section, 16th Century. File:Kongpeat from Angkor Wat.jpg, Khmer gong chimes from Angkor Wat. Woodwind Flute *Khloy ( km, ខ្លុយ) - vertical duct flute made of bamboo, hardwood, or plastic, with buzzing membrane ** Khloy ek - smaller in size ** Khloy thom - larger in size Free-reed *Sneng ( km, ស្នែង) - water buffalo or ox horn with a single free reed * Pey pok ( km, ប៉ីពក) - free-reed pipe While similar to a flute, it uses a single reed to create sound. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Cappella
''A cappella'' (, also , ; ) music is a performance by a singer or a singing group without instrumental accompaniment, or a piece intended to be performed in this way. The term ''a cappella'' was originally intended to differentiate between Renaissance polyphony and Baroque concertato musical styles. In the 19th century, a renewed interest in Renaissance polyphony, coupled with an ignorance of the fact that vocal parts were often doubled by instrumentalists, led to the term coming to mean unaccompanied vocal music. The term is also used, rarely, as a synonym for ''alla breve''. Early history A cappella could be as old as humanity itself. Research suggests that singing and vocables may have been what early humans used to communicate before the invention of language. The earliest piece of sheet music is thought to have originated from times as early as 2000 B.C. while the earliest that has survived in its entirety is from the first century A.D.: a piece from Greece called the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Solo (music)
In music, a solo (from the Spanish language, Spanish and Italian language, Italian based-word: ''Solo'', meaning ''alone'' or ''by yourself'') is a musical composition, piece or a section (music), section of a piece played or sung featuring a single performer, who may be performing completely alone or supported by an accompanying instrument such as a piano or Organ (music), organ, a Basso continuo, continuo group (in Baroque music), or the rest of a choir, orchestra, band, or other ensemble. Performing a solo is "to solo", and the performer is known as a ''soloist''. The plural is soli or the anglicisation, anglicised form solos. In some contexts these are interchangeable, but ''soli'' tends to be restricted to classical music, and mostly either the solo performers or the solo passage (music), passages in a single piece. Furthermore, the word ''soli'' can be used to refer to a small number of simultaneous parts assigned to single players in an orchestral composition. In the Baroq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khmer Language
Khmer (; , ) is an Austroasiatic languages, Austroasiatic language spoken by the Khmer people, and the Official language, official and national language of Cambodia. Khmer has been influenced considerably by Sanskrit and Pāli, Pali, especially in the royal and religious Register (sociolinguistics), registers, through Hinduism and Buddhism. It is also the earliest recorded and earliest written language of the Mon–Khmer family, predating Mon language, Mon and Vietnamese Language, Vietnamese, due to Old Khmer being the language of the historical empires of Chenla, Angkorian Empire, Angkor and, presumably, their earlier predecessor state, Funan. The vast majority of Khmer speakers speak Central Khmer, the dialect of the central plain where the Khmer are most heavily concentrated. Within Cambodia, regional accents exist in remote areas but these are regarded as varieties of Central Khmer. Two exceptions are the speech of the capital, Phnom Penh, and that of the Khmer Khe in Stung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Passaddhi
''Passaddhi'' is a Pali noun (Sanskrit: prasrabhi, Tibetan: ཤིན་ཏུ་སྦྱང་བ་,Tibetan Wylie: shin tu sbyang ba) that has been translated as "calmness", "tranquillity", "repose" and "serenity." The associated verb is ''passambhati'' (to calm down, to be quiet). In Buddhism, ''passaddhi'' refers to tranquillity of the body, speech, thoughts and consciousness on the path to enlightenment. As part of cultivated mental factors, ''passaddhi'' is preceded by rapture (''pīti'') and precedes concentration (''samādhi''). ''Passaddhi'' is identified as a wholesome factor in the following canonical contexts: * the seven factors of enlightenment (''sambojjhangas'') * meditative absorptions (''jhanani'') * transcendental dependent arising (''lokuttara- paticcasamuppada'') Canonical references In various Buddhist canonical schema, the calming of the body, speech and various mental factors is associated with gladness (''pāmojja'', ''pāmujja''), rapture (''pīti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ethnology
Ethnology (from the grc-gre, ἔθνος, meaning 'nation') is an academic field that compares and analyzes the characteristics of different peoples and the relationships between them (compare cultural anthropology, cultural, social anthropology, social, or sociocultural anthropology). Scientific discipline Compared to ethnography, the study of single groups through direct contact with the culture, ethnology takes the research that ethnographers have compiled and then compares and contrasts different cultures. The term ''ethnologia'' (''ethnology'') is credited to Adam František Kollár, Adam Franz Kollár (1718-1783) who used and defined it in his ''Historiae ivrisqve pvblici Regni Vngariae amoenitates'' published in Vienna in 1783. as: “the science of nations and peoples, or, that study of learned men in which they inquire into the origins, languages, customs, and institutions of various nations, and finally into the fatherland and ancient seats, in order to be able be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
