Slow Down (Larry Williams Song)
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Slow Down (Larry Williams Song)
"Slow Down" is a rock and roll song written and performed by Larry Williams. Recorded in 1957, AllMusic writer Stewart Mason describes it as "raucous enough to be punk rock nearly a full two decades before the concept was even in existence." Specialty Records released it as a single in 1958, but only the second-side "Dizzy, Miss Lizzy" reached the record charts. Both songs were later covered by the Beatles. Recording Williams recorded the song at Master Recorders, Hollywood, California, on September 11, 1957. Music journalist Gene Sculatti describes the instrumentation provided by the back-up musicians as "unstoppable, nongimmicky, almost careening out of control with its pounding piano and booting sax, 'Slow Down' is arguably Williams's hippest track". The personnel includes: * Larry Williams – vocal, piano * Jewell Grant – baritone sax *Plas Johnson – tenor sax * René Hall – guitar * Ted Brinson – bass * Earl Palmer – drums The Beatles rendition On June 1, 1 ...
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Larry Williams
Larry Williams (born Lawrence Eugene Williams, a.k.a. Lawrence Edward Williams; May 10, 1935 – January 7, 1980) was an American rhythm and blues and rock and roll singer, songwriter, producer, and pianist from New Orleans, Louisiana. Williams is best known for writing and recording some rock and roll classics from 1957 to 1959 for Specialty Records, including " Bony Moronie", "Short Fat Fannie", "Slow Down", "Dizzy, Miss Lizzy" (1958), " Bad Boy" and "She Said Yeah" (1959). John Lennon was a fan, and The Beatles and several other British Invasion groups recorded several of his songs. Williams' life mixed tremendous success with violence and drug addiction. He was a longtime friend of Little Richard, with whom his life intertwined personally and professionally from their meeting in 1955 to Williams' death in 1980. Early life Born in New Orleans, Louisiana, on May 10, 1935, Williams moved west with his family early in his childhood. He spent some time with relatives in Chicago ...
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Parlophone
Parlophone Records Limited (also known as Parlophone Records and Parlophone) is a German–British record label founded in Germany in 1896 by the Carl Lindström Company as Parlophon. The British branch of the label was founded on 8 August 1923 as the Parlophone Company Limited (the Parlophone Co. Ltd.), which developed a reputation in the 1920s as a jazz record label. On 5 October 1926, the Columbia Graphophone Company acquired Parlophone's business, name, logo, and release library, and merged with the Gramophone Company on 31 March 1931 to become Electric & Musical Industries Limited (EMI). George Martin joined Parlophone in 1950 as assistant to Oscar Preuss (who had set up the London branch of the company in 1923), the label manager, taking over as manager in 1955. Martin produced and released a mix of recordings, including by comedian Peter Sellers, pianist Mrs Mills, and teen idol Adam Faith. In 1962, Martin signed the Beatles, a beat group from Liverpool who earlier ...
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The Beatles' Records And The Sixties
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ...
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Ian MacDonald
Ian MacCormick (known by the pseudonym Ian MacDonald; 3 October 1948 – 20 August 2003) was a British music critic and author, best known for both ''Revolution in the Head'', his critical history of the Beatles which borrowed techniques from art historians, and ''The New Shostakovich'', a study of Russian composer Dmitri Shostakovich. Biography MacDonald briefly attended King's College, Cambridge, at first to study English, then archaeology and anthropology. He dropped out after a year. While at Cambridge, he was distantly acquainted with the singer/songwriter Nick Drake. From 1972 to 1975 he served as assistant editor at the ''NME''. MacDonald began a songwriting collaboration as lyricist with Quiet Sun, which included his brother Bill MacCormick and future Roxy Music guitarist Phil Manzanera. The collaboration resumed in the late 1970s, with MacDonald providing lyrics for the album ''Listen Now''. Later, Brian Eno assisted MacDonald in producing ''Sub Rosa'', an album of his ...
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Revolution In The Head
''Revolution in the Head: The Beatles' Records and the Sixties'' is a book by British music critic and author Ian MacDonald, discussing the music of the Beatles and the band's relationship to the social and cultural changes of the 1960s. The first edition was published in 1994, with revised editions appearing in 1997 and 2005, the latter following MacDonald's death in 2003. Background MacDonald first began working as a journalist with the ''New Musical Express'' in the 1970s. He had moved away from popular music writing by the early 1990s with ''The New Shostakovich'', his re-evaluation of the composer Dmitri Shostakovich against earlier KGB written accounts. The success of ''Revolution in the Head'' would inspire MacDonald to return to popular music writing for the music magazine ''Mojo'' in the late '90s, with many of these reviews and essays eventually collected in ''The People's Music'' (2003). Format The book's main section comprises entries on every song recorded by the g ...
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Live At The BBC (The Beatles Album)
''Live at the BBC'' is a 1994 compilation album featuring performances by the Beatles that were originally broadcast on various BBC Light Programme radio shows from 1963 to 1965. The mono album, available in multiple formats but most commonly as a two-CD set, consists of 56 songs and 13 tracks of dialogue; 30 of the songs had never been issued previously by the Beatles. It was the first official release by the Beatles of previously unreleased performances since ''The Beatles at the Hollywood Bowl'' in 1977 and the first containing previously unreleased songs since their final studio album, ''Let It Be'', in 1970. Although the songs were recorded ahead of broadcast, allowing for retakes and occasional overdubbing, they are essentially "live in studio" performances. Most of the songs are cover versions of material from the late 1950s and early 1960s, reflecting the stage set they developed before Beatlemania. Before the album's release, comprehensive collections of the Beatles' BBC ...
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Past Masters
''Past Masters'' is a two-disc compilation album set by the English rock band the Beatles. It was originally released as two separate volumes on 7 March 1988, as part of the first issue of the band's catalogue on compact disc. The set compiles every song released commercially by the band that was not available on the Beatles' 12 original UK albums or the US ''Magical Mystery Tour'' LP. It includes liner notes by Beatles historian Mark Lewisohn. The majority of the ''Past Masters'' set consists of A- and B-sides from the band's singles, including single versions of songs that appeared in a different form on the band's albums. Also included are the full contents of the UK-only ''Long Tall Sally'' EP, two German-language tracks, a song recorded for the American market, and a track released on a charity compilation album. Although ''Past Masters'' is not a studio album and is instead a compilation, it is considered to be the Beatles' 14th (and final) major release. This occurred ...
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Billboard
A billboard (also called a hoarding in the UK and many other parts of the world) is a large outdoor advertising structure (a billing board), typically found in high-traffic areas such as alongside busy roads. Billboards present large advertisements to passing pedestrians and drivers. Typically brands use billboards to build their brands or to push for their new products. The largest ordinary-sized billboards are located primarily on major highways, expressways or principal arterials, and command high-density consumer exposure (mostly to vehicular traffic). These afford greatest visibility due not only to their size, but because they allow creative "customizing" through extensions and embellishments. Posters are the other common form of billboard advertising, located mostly along primary and secondary arterial roads. Posters are a smaller format and are viewed principally by residents and commuter traffic, with some pedestrian exposure. Advertising style Billboard advertisemen ...
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Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky Ne ...
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Something New (Beatles Album)
''Something New'' is an album by English rock band the Beatles, released in 1964 for the North American market only. The album is the third Capitol LP release and fifth American album release overall by the band, following the United Artists release of '' A Hard Day's Night''. The album includes eight songs from the original British release of ''A Hard Day's Night'', as well as the tracks "Slow Down" and "Matchbox" from the ''Long Tall Sally'' EP and the German-language version of "I Want to Hold Your Hand". The mono version also featured the extended single mix of "I'll Cry Instead", while stereo editions included a shorter edit from the UK release of ''A Hard Day's Night''. Release history Originally scheduled for 1 August 1964, the album was rush-released on 20 July 1964, ten days after the British release of ''A Hard Day's Night''. It was released in both mono and stereo versions. All mono mixes of the five songs duplicated from the United Artists soundtrack album are ide ...
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Crown Publishing
The Crown Publishing Group is a subsidiary of Penguin Random House that publishes across several fiction and non-fiction categories. Originally founded in 1933 as a remaindered books wholesaler called Outlet Book Company, the firm expanded into publishing original content in 1936 under the Crown name, and was acquired by Random House in 1988. Under Random House's ownership, the Crown Publishing Group was operated as an independent division until 2018, when it was merged with the rest of Random House's adult programs. Crown authors include Jean Auel, Max Brooks, George W. Bush, Eitan Bernath, Deepak Chopra, Ann Coulter, Andrew Cuomo, Giada De Laurentiis, Will Ferrell (as fictional character Ron Burgundy), Gillian Flynn, Jim Gaffigan, Ina Garten, Mindy Kaling, Rachel Maddow, Jillian Michaels, Barack Obama, Michelle Obama, Theresa Rebeck, Mark Brennan Rosenberg, Judith Rossner, Rebecca Skloot, Suzanne Somers, Martha Stewart, Jonah Goldberg, Michael Jackson and many others. History ...
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I Feel Fine
"I Feel Fine" is a song by the English rock band the Beatles that was released in November 1964 as the A-side of their eighth single. It was written by John Lennon and credited to the Lennon–McCartney partnership. The recording includes one of the earliest uses of guitar feedback in popular music. The single topped charts in the United Kingdom, the United States, Canada, Ireland, the Netherlands, New Zealand, Norway and Sweden. In the UK, it was the fifth-highest-selling single of the 1960s. Origin Lennon wrote the song's guitar riff while the Beatles were in the studio recording "Eight Days a Week" in October 1964, and kept playing it between takes. He later recalled: "I told them I'd write a song specially for the riff. So they said, 'Yes. You go away and do that', knowing that we'd almost finished the album ''Beatles for Sale''. Anyway, going into the studio one morning, I said to Ringo, 'I've written this song but it's lousy'. But we tried it, complete with riff, and it ...
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