Slovene Youth Theatre
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Slovene Youth Theatre
The Slovenian Youth Theatre or Mladinsko Theatre ( sl, Slovensko mladinsko gledališče) was founded in Ljubljana in 1955 as the first professional theater for children and youth in Slovenia. It is situated in the Baraga Seminary, which was built by architect Jože Plečnik in the center of Ljubljana. In the 1980s, it became a center of theatrical research and politically-engaged theater. It is known for a wide range of innovative poetics of different directors and an ensemble energy, a Peter Brook-like approach to acting with a laboratory for theatre research for actors, directors, choreographers and musicians to research, develop, and create. History Introduction Mladinsko Theatre was founded in 1955 by Balbina Baranovič, the directress who also founded the first experimental theatre company in Slovenia. Throughout its history, the theatre has collaborated with the theatre reformers that shaped the Slovenian theatre during the second half of the 20th century. The Mladinsk ...
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Ljubljana
Ljubljana (also known by other historical names) is the capital and largest city of Slovenia. It is the country's cultural, educational, economic, political and administrative center. During antiquity, a Roman city called Emona stood in the area. Ljubljana itself was first mentioned in the first half of the 12th century. Situated at the middle of a trade route between the northern Adriatic Sea and the Danube region, it was the historical capital of Carniola, one of the Slovene-inhabited parts of the Habsburg monarchy. It was under Habsburg rule from the Middle Ages until the dissolution of the Austro-Hungarian Empire in 1918. After World War II, Ljubljana became the capital of the Socialist Republic of Slovenia, part of the Socialist Federal Republic of Yugoslavia. The city retained this status until Slovenia became independent in 1991 and Ljubljana became the capital of the newly formed state. Name The origin of the name ''Ljubljana'' is unclear. In the Middle Ages, both ...
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Diego De Brea
Diego de Brea (born 1969 in Šempeter pri Gorici) is a Slovenian theatre director. Life and work Diego de Brea finished elementary school and high school in Nova Gorica and then studied comparative literature and art history at the Faculty of Arts in Ljubljana. In 1995, he started studying theatre direction the Academy for Theatre, Radio, Film and Television in Ljubljana. In 1999, his graduation piece, ''The Birth of Light'', won an award at the International Student Production Theatre Festival in Brno. He has authored a number of well-known performances in Slovenian repertory and non-institutional theatres. He tackles many genres ranging from youth pieces and puppet shows (even a puppet opera), to self-authored projects, classical and contemporary texts as well as musical vaudeville. In Italy, he directed a self-authored project Leonora, starring the opera singer Eleonora Jankovich and based on Wagner’s motifs. His performances toured both in Slovenia and abroad - in Belgr ...
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Heterogeneity
Homogeneity and heterogeneity are concepts often used in the sciences and statistics relating to the uniformity of a substance or organism. A material or image that is homogeneous is uniform in composition or character (i.e. color, shape, size, weight, height, distribution, texture, language, income, disease, temperature, radioactivity, architectural design, etc.); one that is heterogeneous is distinctly nonuniform in at least one of these qualities. Heterogeneous Mixtures, in chemistry, is where certain elements are unwillingly combined and, when given the option, will separate. Etymology and spelling The words ''homogeneous'' and ''heterogeneous'' come from Medieval Latin ''homogeneus'' and ''heterogeneus'', from Ancient Greek ὁμογενής (''homogenēs'') and ἑτερογενής (''heterogenēs''), from ὁμός (''homos'', “same”) and ἕτερος (''heteros'', “other, another, different”) respectively, followed by γένος (''genos'', “kind”); - ...
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Parataxis
Parataxis (from el, παράταξις, "act of placing side by side"; from παρα, ''para'' "beside" + τάξις, ''táxis'' "arrangement") is a literary technique, in writing or speaking, that favors short, simple sentences, without conjunctions or with the use of coordinating, but not with subordinating conjunctions. It contrasts with syntaxis and hypotaxis. It is also used to describe a technique in poetry in which two images or fragments, usually starkly dissimilar images or fragments, are juxtaposed without a clear connection. Readers are then left to make their own connections implied by the paratactic syntax. Ezra Pound, in his adaptation of Chinese and Japanese poetry, made the stark juxtaposition of images an important part of English-language poetry. Etymology Edward Parmelee Morris wrote in 1901 that the term was introduced into linguistics by Friedrich Thiersch in his ''Greek Grammar'' (1831). The term has remained unchanged, but the concept of parataxis has e ...
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Avant-garde
The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical Debate and Poetic Practices' (Toronto: University of Toronto Press, 2004), p. 64 . It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013
The avant-garde pushes the boundaries of what is accepted as the norm or the ''
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Paradigm
In science and philosophy, a paradigm () is a distinct set of concepts or thought patterns, including theories, research methods, postulates, and standards for what constitute legitimate contributions to a field. Etymology ''Paradigm'' comes from Greek παράδειγμα (''paradeigma''), "pattern, example, sample" from the verb παραδείκνυμι (''paradeiknumi''), "exhibit, represent, expose" and that from παρά (''para''), "beside, beyond" and δείκνυμι (''deiknumi''), "to show, to point out". In classical (Greek-based) rhetoric, a paradeigma aims to provide an audience with an illustration of a similar occurrence. This illustration is not meant to take the audience to a conclusion, however it is used to help guide them get there. One way of how a ''paradeigma'' is meant to guide an audience would be exemplified by the role of a personal accountant. It is not the job of a personal accountant to tell a client exactly what (and what not) to spend money on ...
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Bonnie Marranca
Bonnie Marranca is a New York City-based critic and publisher and the editor of '' PAJ: A Journal of Performance and Art,'' which she co-founded in 1976. She has written several collections of criticism, including ''Performance Histories'' (2008), ''Ecologies of Theatre'' (2012), and ''Timelines'' (2021). Her 1984 book ''Theatrewritings'' received the George Jean Nathan Award for Dramatic Criticism. Marranca has edited numerous anthologies of dramatic texts and criticism including ''New Europe: Plays from the Continent'' (2009), ''Plays for the End of the Century'' (1996), ''The Hudson Valley Reader'' (1995), and ''American Dreams: The Imagination of Sam Shepard'' (1981), in addition to ''The Theatre of Images'' (1977), a seminal collection featuring Robert Wilson, Lee Breuer, and Richard Foreman—early exponents of what was later termed postdramatic theatre. Published collections of her interviews include ''Conversations with Meredith Monk'' (2014) and ''Conversations on Art and P ...
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Richard Kostelanetz
Richard Cory Kostelanetz (born May 14, 1940) is an American artist, author, and critic. Birth and Education Kostelanetz was born to Boris Kostelanetz and Ethel Cory and is the nephew of the conductor Andre Kostelanetz. He has a B.A. (1962) from Brown University and an M.A. (1966) in American History from Columbia University under Woodrow Wilson, NYS Regents, and International Fellowships; he also studied at King's College London as a Fulbright Scholar during 1964-1965.''Directory of American Scholars'', 6th ed. (Bowker, 1974), Vol. I, p. 350. He is the recipient of grants from the Guggenheim Foundation (1967), Pulitzer Foundation (1965), the DAAD Berliner Kunstlerprogramm (1981–1983), Vogelstein Foundation (1980), Fund for Investigative Journalism (1981), Pollock-Krasner Foundation (2001), CCLM (1981), ASCAP (1983 annually to the present), American Public Radio Program Fund (1984), and the National Endowment for the Arts with ten individual awards (1976, 1978, 1979, 1981, 19 ...
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Vinko Möderndorfer
Vinko Möderndorfer (born 22 September 1958) is a Slovene writer, poet, playwright and theatre and film director. Möderndorfer was born in Celje in 1958. He studied at the Academy for Theatre, Radio, Film and Television in Ljubljana Ljubljana (also known by other historical names) is the capital and largest city of Slovenia. It is the country's cultural, educational, economic, political and administrative center. During antiquity, a Roman city called Emona stood in the are ... and worked in numerous theatre companies around Slovenia. He started writing poetry in the late 1970s and since the early 1980s also published numerous works of prose, essays and drama as well as poetry and stories for children. In 2000 he won the Prešeren Foundation Award for his book of short stories . In 2003 he received the Rožanc Award for ''Gledališče v ogledalu'' (The Theatre in a Mirror). Film * ''Inferno'' (2014 Slovenian film) directed by Vinko Möderndorfer, starring Jozica Avb ...
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Ivo Svetina
Ivo Svetina (born 9 September 1948) is a Slovene poet, playwright and translator. He has won numerous awards for his plays and poetry collections. In 1998 he was appointed Director of the ''National Theatre Museum of Slovenia''. In 2014 he was elected President of the Slovene Writers' Association. Svetina was born in Ljubljana in 1948. He studied comparative literature at the University of Ljubljana and worked in numerous experimental theatre companies in the late 1960s and 1970s. He worked at RTV Slovenia and the Mladinsko Theatre The Slovenian Youth Theatre or Mladinsko Theatre ( sl, Slovensko mladinsko gledališče) was founded in Ljubljana in 1955 as the first professional theater for children and youth in Slovenia. It is situated in the Baraga Seminary, which was built .... He won the Prešeren Foundation Award in 1988 for his poetry collection ''Peti rokopisi'' and in 2010 the Jenko Award for his poetry collection ''Sfingin hlev''. Selected works Poetry collections ...
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Dramaturge
A dramaturge or dramaturg is a literary adviser or editor in a theatre, opera, or film company who researches, selects, adapts, edits, and interprets scripts, libretti, texts, and printed programmes (or helps others with these tasks), consults authors, and does public relations work. Its modern-day function was originated by the innovations of Gotthold Ephraim Lessing, an 18th-century German playwright, philosopher, and dramatic theory, theatre theorist. Responsibilities One of the dramaturge's contributions is to categorize and discuss the various types of plays or operas, their interconnectedness and their styles. The responsibilities of a dramaturge vary from one theatre or opera company to the next. They might include the hiring of actors, the development of a season of plays or operas with a sense of coherence among them, assistance with and editing of new plays or operas by resident or guest playwrights or composers/librettists, the creation of programmes or accompanying edu ...
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Slovene National Theatre, Ljubljana
The Ljubljana Slovene National Theatre Drama ( sl, Slovensko narodno gledališče Drama Ljubljana, ), or the Slovene National Theatre Drama in Ljubljana, is the national theatre in Ljubljana, Slovenia, best known for its conservative repertoire, including classical European dramatic texts and selected contemporary non-commercial European and Slovene ones. Its seat is the Ljubljana Drama Theatre () to the southeast of the Slovene Museum of Natural History and southwest of the University of Ljubljana, at 1 Erjavec Street (). It is an Art Nouveau building originally of the city's German Theatre (german: Deutsches Theater). History The theatre is heir to the first ever Slovene-language drama performance, staged on 24 October 1867 by the Slovene Dramatic Society in the premises of the Ljubljana Reading Society. After collapse of Austria-Hungary, it was renamed in the short-lived State of Slovenes, Croats and Serbs the ''National Theatre'', and in 1919 the ''Provincial Th ...
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