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Sleng Teng
Sleng Teng is the name given to one of the first fully computerized riddims, influential in Jamaican music and beyond. The riddim, which was the result of work by Noel Davey, Ian "Wayne" Smith, and Lloyd "King Jammy" James, was first released with Wayne's vocals under the title "Under Mi Sleng Teng" in early 1985. Composition In mid-1984 Jamaican musician George "Buddy" Haye went on tour to the United States with the Wailing Souls. Before he left Jamaica, Buddy had promised a young musician named Noel Davey that he would buy a synthesizer while in the United States and bring it back to him. Wailing frontman Rudolph "Garth" Dennis had recommended Davey as an up-and-coming talent to foster. Although Davey was expecting a programmable synthesizer (he had been promised a Yamaha DX7) Garth delivered a consumer-grade Casiotone MT-40 keyboard. This keyboard only held recordings of sound, triggered by user input, rather than waveform generators whose outputs can be extensively mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wayne Smith (musician)
Wayne Smith (born Ian Flemmings Smith, born 5 December 1965 – died 17 February 2014) was a Jamaican reggae and dancehall musician best known for his 1985 hit "Under Me Sleng Teng", which is regarded as the track which initiated the digital era of reggae. Biography Smith grew up in the Waterhouse area of Kingston, Jamaica.Campbell, Howard (2014)Wayne Smith, Trailblazer, ''Jamaica Observer'', 19 February 2014; retrieved 19 February 2014 He performed with sound systems and began recording in 1980 at age 14, initially working with producer Prince Jammy, his next door neighbour, who produced his debut album ''Youthman Skanking'' (1982) and the 1985 follow-up ''Smoker Super''.Katz, David (2014)Wayne Smith's Under Mi Sleng Teng – the song that revolutionised reggae, ''The Guardian'', 20 February 2014. Retrieved 23 February 2014 His 1985 recording of "(Under Mi) Sleng teng", is generally regarded as the beginning of ragga style reggae. The rhythm was a preset pattern programmed i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barrington Levy
Barrington Ainsworth Levy (born 30 April 1964) is a Jamaican reggae and dancehall artist. Career Levy was born in Clarendon, Jamaica. He formed a band called the Mighty Multitude, with his cousin, Everton Dacres; the pair released "My Black Girl" in 1977.Thompson, Dave (2002) ''Reggae & Caribbean Music'', Backbeat Books, , p. 147-149 Levy established his solo career the following year with the release of "A Long Time Since We Don't Have No Love"; though the single was a failure, the fourteen-year-old was a popular performer at Jamaican dancehalls.Moskowitz, David V. (2006) ''Caribbean Popular Music: an Encyclopedia of Reggae, Mento, Ska, Rock Steady, and Dancehall'', Greenwood Press, , p. 175-6 In an August 2014 interview with Midnight Raver, record producer Delroy Wright revealed that it was his brother Hyman Wright who first met Barrington Levy in the mid-1970s through Wade "Trinity" Brammer. According to Delroy Wright, Hyman Wright recorded a host of tracks with Barringt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dub Music
Dub is an electronic musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style.Dub: soundscapes and shattered songs in Jamaican reggae, p.2 Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, the application of studio effects such as echo and reverb, emphasis of the rhythm section (the stripped-down drum-and-bass track is sometimes referred to as a riddim), and the occasional dubbing of vocal or instrumental snippets from the original version or other works.Michael Veal (2013)''Dub: Soundscapes and Shattered Songs in Jamaican Reggae'', pages 26-44, "Electronic Music in Jamaica" Wesleyan University Press Dub was pioneered by recording engineers and producers such as Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others beginning in the late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beats Per Minute
Beat, beats or beating may refer to: Common uses * Patrol, or beat, a group of personnel assigned to monitor a specific area ** Beat (police), the territory that a police officer patrols ** Gay beat, an area frequented by gay men * Battery (crime), a criminal offense involving unlawful physical contact * Assault, inflicting physical harm or unwanted physical contact * Corporal punishment, punishment intended to cause physical pain * Strike (attack), repeatedly and violently striking a person or object * Victory, success achieved in personal combat, military operations or in any competition People * Beat (name), a German male given name * Jackie Beat, drag persona of Kent Fuher (born 1963) * Aone Beats (born 1984) Nigerian record producer * Billy Beats (1871-1936) British footballer * Cohen Beats (Michael Cohen, born 1986), Israeli record producer * Eno Beats (Enock Kisakye, born 1991), Ugandan record producer * Laxio Beats (Bernard Antwi-Darko, born 1987), Ghanaian recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Okuda Hiroko
is the Japanese inventor and musicologist who, at the start of her career in 1980, composed the rhythm and bass preset backing tracks included in Casio's electronic keyboards. These included the "rock" rhythm, which became the ubiquitous Sleng Teng Riddim, heralded the Ragga movement, and has since underpinned hundreds of hit reggae songs. Okuda and Casio have allowed her backing-rhythm work to proliferate under a free attribution-only license, which have contributed to their popularity and widespread use. She holds more than a dozen patents in the fields of electronic musical instruments and presently works at the intersection of electronic music and visual art. Childhood and education Okuda, a pianist from childhood, became a fan of British rock music in middle school, and this developed into a deep interest in Jamaican reggae in the 1970s. Okuda attended a musical high school, and then Kunitachi College of Music, where she studied musicology with an emphasis on Reggae, th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Casio
is a Japanese multinational electronics manufacturing corporation headquartered in Shibuya, Tokyo, Japan. Its products include calculators, mobile phones, digital cameras, electronic musical instruments, and analogue and digital watches. It was founded in 1946, and in 1957 introduced the world's first entirely compact electronic calculator. It was an early digital camera innovator, and during the 1980s and 1990s, the company developed numerous affordable home electronic keyboards for musicians along with introducing the world's first mass-produced digital watches. History Casio was established as Kashio Seisakujo in April 1946 by Tadao Kashio ( 樫尾忠雄 1917–1993), an engineer specializing in fabrication technology. Kashio's first major product was the yubiwa pipe, a finger ring that would hold a cigarette, allowing the wearer to smoke the cigarette down to its nub while also leaving the wearer's hands free. Japan was impoverished immediately following World War II, so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Osbourne
Johnny Osbourne (born Errol Osbourne, 1948) is one of the most popular Jamaican reggae and dancehall singers of all time, who rose to success in the late 1970s and mid-1980s. His album '' Truths and Rights'' was a roots reggae success, and featured "Jah Promise" and the album's title track, "Truths and Rights". He also enjoyed big hits with covers of U.S. soul tunes such as "Ready Or Not" and Earth, Wind and Fire's "Reasons". In addition, he has had many songs with the phrase 'Rub A Dub' in the title, the most acclaimed of these is to the "Rub A Dub Session". Osbourne is also the most in-demand vocalist for dubplates due to the amount of dancehall classics he has had. This has resulted in the nickname Dancehall Godfather. He is probably best known for his mid-1980s dancehall reggae hits "Buddy Bye" (based on King Jammy's Sleng Teng riddim), "Ice Cream Love" and "Water Pumping". Career Johnny Osbourne attended the Alpha Boys School, an orphanage in Kingston, Jamaica that also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saw
Clive Bright (2 December 1966 – August 1988), better known as Tenor Saw, was a Jamaican dancehall singjay in the 1980s, considered one of the most influential singers of the early digital reggae era. His best-known song was the 1985 hit "Ring the Alarm" on the "Stalag" riddim. Biography Born in Victoria Jubilee Hospital, Kingston, Jamaica, Bright was raised as the fourth of six children in the Payne Land, Maverley and Olympic Gardens areas of West Kingston before the family settled in Duhaney Park.Bonitto, Brian (2013)Tenor Saw Lives On, ''Jamaica Observer'', 9 August 2013. Retrieved 10 August 2013 Bright had a religious upbringing and sang in the Seventh-day Adventist Church of God choir in Olympic Gardens. Seeking to make it as a recording artist, Bright approached several of Kingston's producers. After being rejected by several others, George Phang gave the youngster a chance; His first single, "Roll Call" was recorded in 1984 for Phang's Powerhouse label, on the "Queen Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black Scorpio
Black Scorpio is a Jamaican sound system and record label run by Maurice "Jack Scorpio" Johnson. History Johnson had started to operate a single turntable and speaker sound system in 1968 and started the Special I sound system in 1972, changing the name to Black Scorpio after the name caused friction in the area in which it was based, with the largely People's National Party-supporting locals suspecting sympathies with the Jamaica Labour Party due to its similarity to that party's slogan.Stolzoff, Norman C. (2000) ''Wake the Town and Tell the People: Dancehall Culture in Jamaica'', Duke University Press, , p. 96-7Lesser, Beth (2008) ''Dancehall: The Rise of Jamaican Dancehall Culture'', Soul Jazz, , p. 81 Also known as 'The Horseman Sound' to the close association of Johnson (who owned racehorses) and deejays that worked on the sound system (General Trees and Lord Sassafrass) with horse racing, it rose to become one of the top sounds in Jamaica.Oumano, Elena (1995)Jamaica's Regg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reggae Sound System
In Jamaican popular culture, a sound system is a group of disc jockeys, engineers and MCs playing ska, rocksteady or reggae music. The sound system is an important part of Jamaican culture and history. History The sound system concept first became popular in the 1940s, in the parish of Kingston. DJs would load up a truck with a generator, turntables, and huge speakers and set up street parties. Tom the Great Sebastian, founded by Chinese-Jamaican businessman Tom Wong, was the first commercially successful sound system and influenced many sound systems that came later. Gooden 2012 In the beginning, the DJs played American rhythm and blues music, but as time progressed and more local music was created, the sound migrated to a local flavour. The sound system remained successful when the conservative, BBC-modeled Jamaican establishment radio refused to play the people's music, while DJs could play whatever they wanted and favored local sounds such as reggae. The sound systems ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Clash
A sound clash is a musical competition where crew members from opposing sound systems pit their skills against each other. Sound clashes take place in a variety of venues, both indoors and outdoors, and primarily feature reggae and dancehall music. The object is to beat or "kill" their competitors. In Jamaica, sound clashes, with their "violently martial ethos", date back at least to the 1950s, when systems like Tom the Great Sebastian and Duke Reid's the Trojan clashed in the old Back-O-Wall (now Tivoli Gardens) neighborhood of Kingston. Sometimes these clashes turned violent, with one system destroying the other system's equipment. The first reported clash was between Tom the Great Sebastian and Count Nick in 1952. Although sound clashes are perhaps most commonly associated with Jamaica, they also form an integral part of Black British culture in London, with early proponents such as Jah Shaka running sound systems and engaging in sound clashes as early as the 1970s. Franco Ros ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
