Slavonic March
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Slavonic March
The ''Marche slave'' () in B-flat minor, Op. 31, is an orchestral tone poem by Pyotr Ilyich Tchaikovsky published in 1876. It was written to celebrate Russia's intervention in the Serbian-Ottoman War. Titling It has been published variously as ''Slavic March'' ( sr, Словенски марш / ''Slovenski marš''; russian: Славянский марш, Slavyanskiy marsh), ''Slavonic March'', and ''Serbo-Russian March'' ( sr, Српско-руски марш / ''Srpsko-ruski marš''; russian: Сербско-русский марш, Serbsko-russkiy marsh). Background In June 1876, Serbia and the Ottoman Empire were engaged in the Serbian-Ottoman War, in which Russia openly supported Serbia. The Russian Musical Society commissioned an orchestral piece from Tchaikovsky for a concert in aid of the Red Cross Society, and ultimately for the benefit of wounded Serbian veterans. Many Russians sympathized with their fellow Slavs and Orthodox Christians and sent volunteer soldier ...
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Srbi Prodiru Na Mramor
The Serbs ( sr-Cyr, Срби, Srbi, ) are the most numerous South Slavic ethnic group native to the Balkans in Southeastern Europe, who share a common Serbian ancestry, culture, history and language. The majority of Serbs live in their nation state of Serbia, as well as in Bosnia and Herzegovina, Croatia, Montenegro, and Kosovo. They also form significant minorities in North Macedonia and Slovenia. There is a large Serb diaspora in Western Europe, and outside Europe and there are significant communities in North America and Australia. The Serbs share many cultural traits with the rest of the peoples of Southeast Europe. They are predominantly Eastern Orthodox Christians by religion. The Serbian language (a standardized version of Serbo-Croatian) is official in Serbia, co-official in Kosovo and Bosnia and Herzegovina, and is spoken by the plurality in Montenegro. Ethnology The identity of Serbs is rooted in Eastern Orthodoxy and traditions. In the 19th century, the S ...
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Soviet Era
The history of Soviet Russia and the Soviet Union (USSR) reflects a period of change for both Russia and the world. Though the terms "Soviet Russia" and "Soviet Union" often are synonymous in everyday speech (either acknowledging the dominance of Russia over the Soviet Union or referring to Russia during the era of the Soviet Union), when referring to the foundations of the Soviet Union, "Soviet Russia" often specifically refers to brief period between the October Revolution of 1917 and the creation of the Soviet Union in 1922. Before 1922, there were four independent Soviet Republics: the Russian Soviet Federative Socialist Republic, Ukrainian Soviet Socialist Republic, Byelorussian SSR, and Transcaucasian SFSR. These four became the first Union Republics of the Soviet Union, and was later joined by the Bukharan People's Soviet Republic and Khorezm People's Soviet Republic in 1924. During and immediately after World War II, various Soviet Republics annexed portions of count ...
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1812 Overture
''The Year 1812, Solemn Overture'', Op. 49, popularly known as the ''1812 Overture'', is a concert overture in E major written in 1880 by Russian composer Pyotr Ilyich Tchaikovsky to commemorate the successful Russian defense against Napoleon I's invading Grande Armée in 1812. The overture debuted in Moscow on , conducted by Ippolit Al'tani under a tent near the then-almost-finished Cathedral of Christ the Saviour, which also memorialised the 1812 defense of Russia.Felsenfeld, Daniel. Tchaikovsky: A Listener's Guide', p. 54. Amadeus Press, 2006. The fifteen-minute overture is best known for its climactic volley of cannon fire, ringing chimes, and a brass fanfare finale. It has also become a common accompaniment to fireworks displays on the United States' Independence Day. The ''1812 Overture'' went on to become one of Tchaikovsky's most popular works, along with his ballet scores to ''The Nutcracker'', '' The Sleeping Beauty'', and '' Swan Lake''. Instrumentation The ...
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Coda (music)
In music, a coda () (Italian for "tail", plural ''code'') is a passage that brings a piece (or a movement) to an end. It may be as simple as a few measures, or as complex as an entire section. In classical music The presence of a coda as a structural element in a movement is especially clear in works written in particular musical forms. Codas were commonly used in both sonata form and variation movements during the Classical era. In a sonata form movement, the recapitulation section will, in general, follow the exposition in its thematic content, while adhering to the home key. The recapitulation often ends with a passage that sounds like a termination, paralleling the music that ended the exposition; thus, any music coming after this termination will be perceived as extra material, i.e., as a coda. In works in variation form, the coda occurs following the last variation and will be very noticeable as the first music not based on the theme. One of the ways that Beethoven ...
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Slavonic People
Slavs are the largest European ethnolinguistic group. They speak the various Slavic languages, belonging to the larger Balto-Slavic language, Balto-Slavic branch of the Indo-European languages. Slavs are geographically distributed throughout northern Eurasia, mainly inhabiting Central Europe, Central and Eastern Europe, and the Balkans to the west; and Siberia to the east. A large Slavic minority is also scattered across the Baltic states and Central Asia, while a substantial Slavic diaspora is found throughout the Americas, as a result of immigration. Present-day Slavs are classified into East Slavs (chiefly Belarusians, Russians, Rusyns, and Ukrainians), West Slavs (chiefly Czechs, Kashubians, Poles, Slovaks and Sorbs) and South Slavs (chiefly Bosniaks, Bulgarians, Croats, Macedonians (ethnic group), Macedonians, Montenegrins, Serbs and Slovenes). The vast majority of Slavs are traditionally Christians. However, modern Slavic nations and ethnic groups are considerably dive ...
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Tonic (music)
In music, the tonic is the first scale degree () of the diatonic scale (the first note of a scale) and the tonal center or final resolution tone that is commonly used in the final cadence in tonal (musical key-based) classical music, popular music, and traditional music. In the movable do solfège system, the tonic note is sung as ''do''. More generally, the tonic is the note upon which all other notes of a piece are hierarchically referenced. Scales are named after their tonics: for instance, the tonic of the C major scale is the note C. The triad formed on the tonic note, the tonic chord, is thus the most significant chord in these styles of music. In Roman numeral analysis, the tonic chord is typically symbolized by the Roman numeral "I" if it is major and by "i" if it is minor. These chords may also appear as seventh chords: in major, as IM7, or in minor as i7 or rarely iM7: The tonic is distinguished from the root, which is the reference note of a chord, rathe ...
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God Save The Tsar
"God Save the Tsar!" () was the national anthem of the Russian Empire. The song was chosen from a competition held in 1833 and was first performed on 18 December 1833. It was composed by violinist Alexei Lvov, with lyrics written by the court poet Vasily Zhukovsky. It was the anthem until the Russian Revolution of 1917, after which " Worker's Marseillaise" was adopted as the new national anthem until the overthrow of the Russian Provisional Government. Alexei Lvov accompanied Nicholas I on his visit to Austria and Prussia in 1833, where the emperor was saluted with the "God Save the King" everywhere. The melody of the "God Save the King" has been widely used by various powers at the same time since the end of the 18th century, including Russia. The emperor was unimpressed by the monarchical solidarity song, and upon his return, he ordered Lvov, his closest musician, to compose a new anthem. Under the title "Prayer of the Russian People," the new anthem, which music by Alexei Lv ...
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D-flat Major
D-flat major (or the key of D-flat) is a major scale based on D, consisting of the pitches D, E, F, G, A, B and C. Its key signature has five flats. It is enharmonically equivalent to C-sharp major. The D-flat major scale is: : Its relative minor is B-flat minor. Its parallel minor, D-flat minor, is usually replaced by C-sharp minor, since D-flat minor features a B ( B-double-flat) in its key signature making it impractical to use. C-sharp major, the enharmonic equivalent to D-flat major, has a similar problem as it contains seven sharps. Therefore, D-flat major is often used as the parallel major for C-sharp minor. (The same enharmonic situation occurs with the keys of A-flat major and G-sharp minor). For example, in his Prelude No. 15 in D-flat major ("Raindrop"), Frédéric Chopin switches from D-flat major to C-sharp minor for the middle section in the parallel minor, while in his ''Fantaisie-Impromptu'' and Scherzo No. 3, primarily in C-sharp minor, he switche ...
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Josip Runjanin
Josip Runjanin (; 8 December 1821 – 2 February 1878) was a soldier and composer from the Austrian Empire best known for composing the melody of ''Lijepa naša domovino'', which later became the Croatian national anthem. Life Runjanin was born Josif Runjanin to a Serb family on 8 December 1821 and baptized in the Serbian Orthodox Church of Pentecost in Vinkovci. He received his education in Vinkovci, and then Sremski Karlovci. He served in the Imperial Army as a cadet in the town of Glina along the Military Frontier in the Croatian Military Frontier district. While serving in Glina, he attained the rank of captain, and became proficient in playing the piano, being taught by the military bandmaster of Glina. There, he was introduced to the Illyrist circles, where he met noted poet Antun Mihanović. It is generally agreed that Runjanin, an amateur musician, composed the music for Mihanović's patriotic Croatian poem " Horvatska domovina" in 1846 using inspiration from Gaetano ...
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Rado Ide Srbin U Vojnike
''Rado ide Srbin u vojnike'' ( sr-cyr, Радо иде Србин у војнике), translated as "The Serb Enlists Gladly in the Army", is a popular Serbian patriotic song. Its music composition by Kornelije Stanković was adopted alongside ''Sunce jarko'' into Tchaikovsky's ''Marche Slave''. It was adopted with its lyrics changed to the Croatian public. See also *List of Serbian folk songs List of Serbian folk songs: *'Ajd' d' idemo, Rado *'Ajde Jano *'Ajde Kato *Četir' konja debela *Čuješ, seko *'Ej, čija frula *Igrale se delije *Imam jednu želju *Mila Majko *Moj Milane *Na te mislim *Ne vredi plakati *Oj, Jelo, Jelo *Oj, Mor ... References {{reflist Serbian patriotic songs Military marches Serbia in World War I Year of song missing Cultural depictions of Serbian men ...
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