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Skinhead Girl
''Skinhead Girl'' is a cover album by The Specials Released in 2000 (see 2000 in music). After a project backing ska legend Desmond Dekker on his 1993 album ''King of Kings'', producer Roger Lomas brought the band back into the studio to record covers of popular Trojan Records songs. Band member Lynval Golding left two weeks before the sessions,Original Rude Boy: From Borstal to The Specials by Neville Staple with Tony McMahon; Chapter 10: The Third Wave - America Revives Ska and was replaced by former Selecter guitarist Neol Davies on rhythm guitar. Track listing #"I Can't Hide" ( Ken Parker) - 3:32 #"Blam Blam Fever" (Carl Grant, V. Grant) - 3:25 #"Jezebel" (Wayne Shanklin) - 2:43 #"El Pussycat Ska" (Roland Alphonso, Clement Dodd) - 3:40 #"Soldering" ( Ewart Beckford) - 4:06 #"You Don't Know Like I Know" ( Isaac Hayes, David Porter) - 2:36 #"Memphis Underground" (Herbie Mann) - 3:56 #"If I Didn't Love You" (Eric "Monty" Morris) - 3:42 #"Them a Fe Get a Beatin'" ( Peter T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cover Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soldering (song)
"Soldering" is a song written by Ewart Beckford & Alvin Ranglin, and originally released by the Starlights featuring Stanley Beckford in 1975. Other artists who recorded it include Desmond Dekker, the Specials, and Hall & Oates. About a woman's choosiness, the title is a euphemism for sexual intercourse. Originally a big hit in early 1975 for Jamaican Stanley Beckford under the name the Starlights (or the Starlights featuring Stanley Beckford), he is often not credited due to the lack of copyright in Jamaica at the time. AMG's Stephen Thomas Erlewine describes Hall & Oates' cover, from the album ''Daryl Hall & John Oates'' released in late 1975, as, "fall ngflat," and, "reggae Reggae () is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, " Do the Reggay" was the first popular song to use ... tinged."Erlewine, Stephen Thomas.Daryl Hall & John Oa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horace Panter
Horace Panter (born Stephen Graham Panter, 30 August 1953) also known as Sir Horace Gentleman, is the bassist for the British 2 Tone ska band The Specials. Early life Panter was born in Croydon, Surrey and spent most of his formative years in Kettering, Northamptonshire starting a one-year art course at Northampton College in 1971. In 1972, he began studying fine art at Coventry's Lanchester Polytechnic (now Coventry University). Music In his second year at Lanchester Polytechnic he met Jerry Dammers and together they formed The Specials. The band started playing in Coventry bars and clubs before releasing their first single, 'Gangsters' on their own record label (2-Tone). Following the break-up of The Specials in 1981, Panter went on to play with General Public with Dave Wakeling and Ranking Roger from the original Beat, and then with the reformed Specials in the 1990s. Panter then joined forces with Neol Davies of The Selecter The Selecter are an English 2 tone ska rev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roddy Byers
Roddy Radiation (born Roderick James Byers, 5 May 1955 in Keresley, Coventry, England) is an English musician who played lead guitar for The Specials, as well as many rockabilly bands such as the Bonediggers and the Tearjerkers. He wrote the Specials favourites " Concrete Jungle", "Rat Race" and " Hey, Little Rich Girl", later covered by Amy Winehouse. Currently, Byers leads The Skabilly Rebels, a band that mixes ska rhythms with rockabilly. Biography Byers' first real band was formed in Coventry in 1975 and were called The Wild Boys. It was in The Wild Boys that he started songwriting. His first was "1980's Teddy Boy", and later came "Concrete Jungle" which was recorded by The Specials for their debut album, '' Specials'' (1979). Byers joined The Specials when the band was called The Coventry Automatics and wrote several songs for the band. The most successful was "Rat Race", which peaked at number five in the UK Singles Chart in May 1980. Byers also wrote "Hey Little Rich ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neville Staple
Neville Eugenton Staple (born 11 April 1955), sometimes credited as Neville Staples, is a Jamaican-born English singer, known for his work with the 2 Tone ska band the Specials, as well as with his own group, the Neville Staple Band. He also performed with Ranking Roger in the supergroup Special Beat. Early life Staple was born in Manchester, Jamaica. He left Jamaica to live in the English town of Rugby, Warwickshire at the age of five but later moved to Coventry. Neville was a regular fixture at the Locarno Ballroom in Coventry, where he met the resident DJ there, Pete Waterman. Waterman briefly managed the Specials and would later write the foreword to Staple's 2009 biography, ''Original Rude Boy''. Staple's early vocal style was mostly " toasting"—or chanting over a rhythm—a forerunner of rapping brought to Britain in the 1960s by musicians from Jamaica. Staple honed his toasting skills in the sound system scene in Coventry during the 1970s, first on his cousin's "Messe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Derrick Morgan
Derrick Morgan (born 27 March 1940)Walters, Basil (2012)A New Day – Songs heralding JA’s Independence", '' Jamaica Observer'', 3 June 2012, retrieved 3 June 2012 is a Jamaican musical artist who was popular in the 1960s and 1970s. He worked with Desmond Dekker, Bob Marley, and Jimmy Cliff in the rhythm and blues and ska genres, and he also performed rocksteady and skinhead reggae. Biography In 1957, Morgan entered the Vere Johns Opportunity Hour, a talent show held at the Palace Theatre in Kingston. He won with rousing impressions of Little Richard and, shortly after that, was recruited to perform around the island with the popular Jamaican comedy team Bim and Bam. In 1959, Morgan entered the recording studio for the first time. Duke Reid, the sound system boss, was looking for talent to record for his Treasure Isle record label. Morgan cut two popular shuffle-boogie sides "Lover Boy", a.k.a. "S-Corner Rock", and "Oh My". Soon after, Morgan cut the bolero-tinged boog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clancy Eccles
Clancy Eccles (9 December 1940 in Dean Pen, St. Mary, Jamaica – 30 June 2005 in Spanish Town, Jamaica)Katz was a Jamaican ska and reggae singer, songwriter, arranger, promoter, record producer and talent scout. Known mostly for his early reggae works, he brought a political dimension to this music. His house band was known as The Dynamites. Biography Son of a tailor and builder, Eccles spent his childhood in the countryside of the parish of Saint Mary. Eccles had an itinerant childhood due to his father's need to travel Jamaica seeking work. He used to regularly attend church, and he became influenced by spiritual singing; In his words: "One of my uncles was a spiritual revivalist, who always did this heavy type of spiritual singing, and I got to love that".Barrow, p.109 Eccles's professional singing career began as a teenager, working the north-coast hotel circuit in the mid-1950s. In his late teens, he moved to Ocho Rios, where he performed at night in various shows, with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hopeton Lewis
Hopeton Lewis (3 October 1947 – 4 September 2014) was a Jamaican born singer of rocksteady and reggae, an arranger, and radio music presenter. Biography Lewis was born in Kingston, Jamaica. He sang in church from an early age, and started performing as a youth, forming a singing group called the Regals. By the mid-1960s, he began recording and had one of the earliest rocksteady hits with "Take It Easy" in late 1966.Larkin, Colin (1998) "The Virgin Encyclopedia of Reggae", Virgin Books, Barrow, Steve & Dalton, Peter (2004) "The Rough Guide To Reggae", Rough Guides, The track was recorded with Lynn Taitt and the Jets, and is regarded as one of the first rocksteady singles. He lived the later period of his life in Brooklyn, New York, where he presented a show on Grace Deliverance Radio.Campbell, Howard (2014)Singer Hopeton Lewis is dead", '' Jamaica Observer'', 5 September 2014. Retrieved 5 September 2014 Lewis died on 4 September 2014 at his home in Brooklyn, aged 66, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Tosh
Winston Hubert McIntosh, OM (19 October 1944 – 11 September 1987), professionally known as Peter Tosh, was a Jamaican reggae musician. Along with Bob Marley and Bunny Wailer, he was one of the core members of the band the Wailers (1963–1976), after which he established himself as a successful solo artist and a promoter of Rastafari. He was murdered in 1987 during a home invasion. Early music and with the Wailers Tosh was born in Westmoreland, the westernmost parish of Jamaica. He was abandoned by his parents and "shuffled among relatives". When McIntosh was fifteen, his aunt died and he moved to Trenchtown in Kingston, Jamaica. He first learned guitar after watching a man in the country play a song that captivated him. He watched the man play the same song for half a day, memorizing everything his fingers were doing. He then picked up the guitar and played the song back to the man. The man then asked McIntosh who had taught him to play; McIntosh told him that he had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eric "Monty" Morris
Eric "Monty" Morris (born c.1942)Campbell, Howard (2016)Eric 'Monty' Morris to perform at Grace Jerk Festival, ''Jamaica Observer'', 12 November 2016. Retrieved 13 November 2016 is a Jamaican ska singer, known for his work with the Skatalites and hit singles such as "Sammy Dead Oh" and "Oil in My Lamp". Biography Morris grew up in the Trench Town area of Kingston and like many singers of the era, Morris started by competing in talent contests in the early 1950s, including Vere Johns' ''Opportunity Hour'', and made his first recording with Derrick Morgan.Peter I (2004),What a Man Doeth: Interview with Monty Morris, Reggae-vibes.com, retrieved 2010-07-20. Morris went on to record several singles for Prince Buster and Duke Reid and was the original vocalist for The Skatalites. He also recorded as a duo with Roy Panton. Morris had a hit in 1961 with the song "Humpty Dumpty". In the wake of two big Jamaican hits with "Sammy Dead Oh" and "Oil in My Lamp" he performed in the United St ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbie Mann
Herbert Jay Solomon (April 16, 1930 – July 1, 2003), known by his stage name Herbie Mann, was an American jazz flute player and important early practitioner of world music. Early in his career, he also played tenor saxophone and clarinet (including bass clarinet), but Mann was among the first jazz musicians to specialize on the flute. His most popular single was "Hi-Jack", which was a ''Billboard'' No. 1 dance hit for three weeks in 1975. Mann emphasized the groove approach in his music. Mann felt that from his repertoire, the "epitome of a groove record" was ''Memphis Underground'' or '' Push Push'', because the "rhythm section locked all in one perception." Early life, family and education Herbie Mann was born in Brooklyn, New York, New York, to Jewish parents Harry C. Solomon (May 30, 1902 – May 31, 1980), who was of Russian descent, and Ruth Rose Solomon (née Brecher) (July 4, 1905 – November 11, 2004), of Romanian descent who was born in Bukovina, Austria ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
