Sinopia
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Sinopia
Sinopia (also known as sinoper, named after the now Turkish city Sinop) is a dark reddish-brown natural earth pigment, whose reddish colour comes from hematite, a dehydrated form of iron oxide. It was widely used in Classical Antiquity and the Middle Ages for painting, and during the Renaissance it was often used on the rough initial layer of plaster for the underdrawing for a fresco. The word came to be used both for the pigment and for the preparatory drawing itself, which may be revealed when a fresco is stripped from its wall for transfer. During the Middle Ages sinopia in Latin and Italian came to mean simply a red ochre. It entered the English language as the word sinoper, meaning a red earth colour. Sinopia is a colour in various modern colour systems. Sinopia pigment From Ancient times through the Renaissance, the pigment was mined in Cappadocia, and exported to Europe through the port of Sinop, a Greek colony on the Black Sea. The pigment was valued for its qualit ...
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Figura Al Museu Delle Sinopie De Pisa
Figura may refer to: * Bella Figura, one act ballet by Jiří Kylián * Fgura, town in the south of Malta * Figura etymologica, rhetoric al figure * Figura Serpentinata, style in painting and sculpture * Oliva figura, species of sea snail, a marine gastropod mollusk in the family Olividae (olives) * translation of figure in some languages *Typology, a new testament theory of interpretation of events, people and sacraments of the Hebrew bible as figurative *''Figura,'' a 1938 essay by Erich Auerbach People * Anna Figura (b. 1990), Polish ski mountaineer * Katarzyna Figura Katarzyna Małgorzata Figura (Polish pronunciation: ; born 22 March 1962) is a Polish film, theatre and television actress. She is sometimes billed as "Kasia Figura", as in ''Prêt-à-Porter'', Robert Altman's 1994 film. Career Figura was bor ... (b. 1962), Polish actress * Paulina Figura (b. 1991), Polish ski mountaineer {{Disambiguation ...
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Venetian Red
Venetian red is a light and warm (somewhat unsaturated) pigment that is a darker shade of red, derived from nearly pure ferric oxide (Fe2O3) of the hematite type. Modern versions are frequently made with synthetic red iron oxide. Historically, Venetian red was a red earth color often used in Italian Renaissance paintings. It was also called sinopia because the best-quality pigment came from the port of Sinop in northern Turkey. It was the major ingredient in the pigment called ', described by the 15th-century Italian painter and writer Cennino Cennini in his handbook on painting, ''Il libro dell'arte''. Cennini recommended mixing Venetian red with lime white, in proportions of two to one, to paint the skin tones of faces, hands and nudes. During the English Civil War (1642–1651), Venetian red was adopted as the primary uniform colour of the New Model Army, to ease mutual identification on the battlefield. In addition, Venetian red was cheaper than other dyes at the time. Follo ...
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Shades Of Red
Varieties of the color red may differ in hue, colorfulness, chroma (also called saturation, intensity, or colorfulness) or lightness (or value, tone, or brightness), or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a red or other hue mixed with white, a shade being mixed with black. A large selection of these various colors is shown below. In specific color systems Red (RGB) ''Red (RGB)'', ''RGB red'', or ''electric red'' (as opposed to ''pigment red'', shown below) is the brightest possible red that can be reproduced on a computer monitor. This color is an approximation of an orangish red spectral color. It is one of the three primary colors of light in the RGB color model, along with Shades of green#Computer web color greens, green and blue. The three additive primaries in the RGB color system are the three colors of light chosen such as to provide the maximum gamut of colors that are capable of being represented on a ...
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Die Neue Sachlichkeit
The New Objectivity (in german: Neue Sachlichkeit) was a movement in German art that arose during the 1920s as a reaction against expressionism. The term was coined by Gustav Friedrich Hartlaub, the director of the ''Kunsthalle'' in Mannheim, who used it as the title of an art exhibition staged in 1925 to showcase artists who were working in a post-expressionist spirit. As these artists—who included Max Beckmann, Otto Dix, George Grosz, Christian Schad, Rudolf Schlichter and Jeanne Mammen—rejected the self-involvement and romantic longings of the expressionists, Weimar intellectuals in general made a call to arms for public collaboration, engagement, and rejection of romantic idealism. Although principally describing a tendency in German painting, the term took a life of its own and came to characterize the attitude of public life in Weimar Germany as well as the art, literature, music, and architecture created to adapt to it. Rather than some goal of philosophical objectiv ...
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List Of Inorganic Pigments
The following list includes commercially or artistically important inorganic pigments of natural and synthetic origin.. Purple pigments Aluminum pigments * Ultramarine violet: (PV15) - a synthetic or naturally occurring sulfur containing silicate mineral. Copper pigments *Han purple: BaCuSi2O6. Cobalt pigments *Cobalt violet: (PV14) Co3(PO4)2. Manganese pigments *Manganese violet: NH4MnP2O7 (PV16) manganic ammonium pyrophosphate. Gold pigments *Purple of Cassius: Gold nanoparticles suspended in tin dioxide - Aux • SnO2. Blue pigments Aluminum pigments *Ultramarine (PB29): a synthetic or naturally occurring sulfur containing silicate mineral - (generalized formula) *Persian blue: made by grinding up the mineral Lapis lazuli. The most important mineral component of lapis lazuli is lazurite (25% to 40%), a feldspathoid silicate mineral with the formula . Cobalt pigments *Cobalt blue (PB28): cobalt(II) aluminate. * Cerulean blue (PB35): cobalt(II) stannate. *Cerium ura ...
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List Of Colors
These are the lists of colors; * List of colors: A–F * List of colors: G–M * List of colors: N–Z * List of colors (compact) * List of colors by shade * List of color palettes * List of Crayola crayon colors * List of RAL colors * List of X11 color names In computing, on the X Window System, X11 color names are represented in a simple text file, which maps certain strings to RGB color values. It was traditionally shipped with every X11 installation, hence the name, and is usually located in ''< ... See also * Index of color-related articles * List of dyes Templates that list color names * * * * {{DEFAULTSORT:colors ...
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Underpainting
In art, an underpainting is an initial layer of paint applied to a ground, which serves as a base for subsequent layers of paint. Underpaintings are often monochromatic and help to define color values for later painting. Underpainting gets its name because it is painting that is intended to be painted over (see overpainting) in a system of working in layers. There are several different types of underpainting, such as veneda, verdaccio, morellone, imprimatura and grisaille.''Underpaint.'' In: The different types have different colourings. Grisaille is plain grey. Verdaccio is a grey tending towards yellow or green that brings out more luminous tones. While imprimatura uses earth tones. Underpainting has several advantages over working from a plain canvass. The neutral colours of the underpaint will not distract if they are not completely covered. It also aids the painter in getting a correct tone. Comparing colours to a white background is very different from the colouring of the f ...
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Arriccio
Intonaco is an Italian term for the final, very thin layer of plaster on which a fresco is painted. The plaster is painted while still wet, in order to allow the pigment to penetrate into the intonaco itself. An earlier layer, called arriccio, is laid slightly coarsely to provide a key for the intonaco, and must be allowed to dry, usually for some days, before the final very thin layer is applied and painted on.Ugo Procacci, in ''Frescoes from Florence'',pp. 15-25 1969, Arts Council, London, gives a full account of the process. In Italian the term intonaco is also used much more generally for normal plaster or mortar wall-coatings in buildings. Intonaco is traditionally a mixture of sand (with granular dimensions less than two millimeters) and a binding substance. Types of intonaco Different types of intonaco are classified based on the binding material used: * Intonaco based on lime, where the only binding substance is hydrated lime * Intonaco lime/cement, where the binding ele ...
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Cennino Cennini
Cennino d'Andrea Cennini (c. 1360 – before 1427) was an Italian painter influenced by Giotto. He was a student of Agnolo Gaddi in Florence. Gaddi trained under his father, called Taddeo Gaddi, who trained with Giotto. Cennini was born in Colle di Val d'Elsa, Tuscany. After training as an artist with Agnolo Gaddi in Florence he worked at the court of Francesco Novello da Carrara in Padua for some years before apparently returning to Colle di Val d'Elsa. He is remembered mainly for having authored ''Il libro dell'arte''. Thought to have been written around the turn of the 15th century, the book is a "how to" on late Medieval and early Renaissance painting. It contains information on pigments, brushes, drawing, panel painting, the art of fresco, painting on fabrics and casting, amongst other techniques and tricks. Cennini also mentions oil painting in passing, which was important for dispelling the myth, propagated by Giorgio Vasari and Karel Van Mander, that oil painting was ...
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Cappadocia
Cappadocia or Capadocia (; tr, Kapadokya), is a historical region in Central Anatolia, Turkey. It largely is in the provinces Nevşehir, Kayseri, Aksaray, Kırşehir, Sivas and Niğde. According to Herodotus, in the time of the Ionian Revolt (499 BC), the Cappadocians were reported as occupying a region from Mount Taurus to the vicinity of the Euxine (Black Sea). Cappadocia, in this sense, was bounded in the south by the chain of the Taurus Mountains that separate it from Cilicia, to the east by the upper Euphrates, to the north by Pontus, and to the west by Lycaonia and eastern Galatia. Van Dam, R. ''Kingdom of Snow: Roman rule and Greek culture in Cappadocia.'' Philadelphia: University of Pennsylvania Press, 2002, p.13 The name, traditionally used in Christian sources throughout history, continues in use as an international Tourism in Turkey, tourism concept to define a region of exceptional natural wonders, in particular characterized by fairy chimneys and a unique ...
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Crc Griggmercatale
CRC may refer to: Science and technology * Carboniferous Rainforest Collapse, an event at the end of the Carboniferous period * Class-responsibility-collaboration card, used as a brainstorming tool in the design of object-oriented software * Clinical research coordinator, responsible for conducting clinical trials * Colorectal cancer, the development of cancer in the colon or rectum * CRC Energy Efficiency Scheme, formerly the Carbon Reduction Commitment, a UK wide scheme designed to increase energy efficiency in large energy users * ''CRC Handbook of Chemistry and Physics'', a reference manual published by CRC Press * Cyclic redundancy check, a type of hash function used to produce a checksum in order to detect errors in data storage or transmission Organizations * California Rehabilitation Center, a state prison in the United States Of America * Canadian Red Cross * Capital Research Center, an American conservative non-profit organization * Central Revolutionary Committee (Fre ...
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Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ...
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