Sinngedichte
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Sinngedichte
Sinngedichte (''Poems of the Senses'' or ''Epigrams''), Op. 1, is a waltz composed by Johann Strauss II Johann Baptist Strauss II (25 October 1825 – 3 June 1899), also known as Johann Strauss Jr., the Younger or the Son (german: links=no, Sohn), was an Austrian composer of light music, particularly dance music and operettas. He composed ov ... in 1844 for his debut as a composer at in Vienna. The waltz was played along with several other compositions that Strauss had written for the occasion, such as the waltz Gunstwerber and the polka Herzenslust. The waltz was an unprecedented success when first performed, and had to be repeated a record nineteen times. ;Waltz 1 : \relative b' References Waltzes by Johann Strauss II 1844 compositions {{classical-composition-stub ...
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Johann Strauss II
Johann Baptist Strauss II (25 October 1825 – 3 June 1899), also known as Johann Strauss Jr., the Younger or the Son (german: links=no, Sohn), was an Austrian composer of light music, particularly dance music and operettas. He composed over 500 waltzes, polkas, quadrilles, and other types of dance music, as well as several operettas and a ballet. In his lifetime, he was known as "The Waltz King", and was largely responsible for the popularity of the waltz in Vienna during the 19th century. Some of Johann Strauss's most famous works include "The Blue Danube", "Kaiser-Walzer" (Emperor Waltz), "Tales from the Vienna Woods", "Frühlingsstimmen", and the "Tritsch-Tratsch-Polka". Among his operettas, ''Die Fledermaus'' and ''Der Zigeunerbaron'' are the best known. Strauss was the son of Johann Strauss I and his first wife Maria Anna Streim. Two younger brothers, Josef and Eduard Strauss, also became composers of light music, although they were never as well known as their brot ...
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Gunstwerber
''Gunstwerber'' (or ''Die Gunstwerber''; English: ''Wooers of Favour''), Op. 4, is a waltz by Johann Strauss II. It was first played on 15 October 1844 at Strauss' début as a composer in Dommayer's Casino in Hietzing, Vienna, along with several of Strauss' other works, such as the waltz '' Sinngedichte'' and the polka Polka is a dance and genre of dance music originating in nineteenth-century Bohemia, now part of the Czech Republic. Though associated with Czech culture, polka is popular throughout Europe and the Americas. History Etymology The term ... '' Herzenslust''. The music critic Ernst Décsey commented on Strauss' waltz: "As if singing had broken out from all three storeys of the house ..the same charm, the same modest ''piano'', the same reverberating ''forte'' as the father. Basses rumble, intermediate parts woo, and the main violin theme vibrates across to the ladies." References Waltzes by Johann Strauss II 1844 compositions {{classical-c ...
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Herzenslust
Herzenslust (''Heart's Content''), Op. 3, is a polka composed by Johann Strauss II in the fall of 1844 for his debut as a composer at the Dommayer's Casino establishment in Vienna. It was performed along with several of Strauss' other early compositions, such as the waltz The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the wa ...es Sinngedichte and Gunstwerber, and the Debut-Quadrille. Reviewing Strauss' debut, the journal ''Der Wanderer'' noted that both the Debut-Quadrille and the Herzenslust Polka "are so piquant in their inspiration, and handled with such glittering effect in the instrumentation that we €¦have to recognise and commend the bold and exuberant talent of Strauss Son." References Compositions by Johann Strauss II 1844 compositions Polkas {{classical- ...
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Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ...
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Waltz
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750, ...
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