Sinfonie Di Concerto Grosso
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Sinfonie Di Concerto Grosso
The ''Sinfonie di concerto grosso'' (R.533/1 to 12) is the title of twelve works for flute, strings and basso continuo by Alessandro Scarlatti, composed in Naples from June 1, 1715 – the same year as the performance of his opera '' Tigrane'', one of his greatest successes, and his oratorio ''La Santissima Trinità''. Composer In 1715, at the age of fifty-five, Scarlatti was at the height of his career and creativity, with extraordinary fertility in all the vocal genres of his time. Yet, he called himself a "glory in decline" (letter to Ferdinando de' Medici). If he chose to write a collection of twelve instrumental works, it was perhaps with a view to publication. He also composed toccatas and variations for the keyboard, an ensemble of six concerti grossi (published in London in 1740), as well as seven sonatas for flute, two violins and continuo, dated the year of his death. ''Sinfonie'' The twelve ''Sinfonie'' of 1715, which are part of this series of instrumental works, ...
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Basso Continuo
Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing the continuo part are called the ''continuo group''. Forces The composition of the continuo group is often left to the discretion of the performers (or, for a large performance, the conductor), and practice varied enormously within the Baroque period. At least one instrument capable of playing chords must be included, such as a harpsichord, organ, lute, theorbo, guitar, regal, or harp. In addition, any number of instruments that play in the bass register may be included, such as cello, double bass, bass viol, or bassoon. In modern performances of chamber works, the most common combination is harpsichord and cello for instrumental works and secular vocal works, such as operas, and organ and cello for sacred music. A double bass may ...
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Fugue
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short ma ...
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Philips
Koninklijke Philips N.V. (), commonly shortened to Philips, is a Dutch multinational conglomerate corporation that was founded in Eindhoven in 1891. Since 1997, it has been mostly headquartered in Amsterdam, though the Benelux headquarters is still in Eindhoven. Philips was formerly one of the largest electronics companies in the world, but is currently focused on the area of health technology, having divested its other divisions. The company was founded in 1891 by Gerard Philips and his father Frederik, with their first products being light bulbs. It currently employs around 80,000 people across 100 countries. The company gained its royal honorary title (hence the ''Koninklijke'') in 1998 and dropped the "Electronics" in its name in 2013, due to its refocusing from consumer electronics to healthcare technology. Philips is organized into three main divisions: Personal Health (formerly Philips Consumer Electronics and Philips Domestic Appliances and Personal Care), Connecte ...
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I Musici
I Musici (pronounced ), also known as I Musici di Roma, is an Italian chamber orchestra from Rome formed in 1951. They are well known for their interpretations of Baroque and other works, particularly Antonio Vivaldi and Tomaso Albinoni. Among their engagements, the original chamber orchestra completed acclaimed tours of Southern Africa 1956, and again in 1967, with a few replacement performersPhoto 1956, original "I Musici" chamber orchestra acclaimed tour of Southern Africa, and again 1967 (with a few new faces)
Classicalmusicianstoza.blogspot.ca In the 1970s, I Musici recorded the first classical

Bernard Soustrot
Bernard Soustrot (born 3 September 1945) is a French classical trumpeter. He is the brother of conductor Marc Soustrot. Biography Born in Lyon, Soustrot entered the Conservatoire de Lyon at the age of 9, in classes of trumpet and cornet; four years later, he obtained a gold medal of trumpet, cornet and solfeggio. In 1970, he became a student of Maurice André at the Conservatoire de Paris. He was awarded various prizes, including in 1975 the first Trumpet Prize and won several renowned competitions, including Prague in 1974 and Geneva in 1975. In 1976 he won the first prize in the Maurice André contest. He began his career in 1975 as a solo trumpeter in the Stuttgart Radio Symphony Orchestra under the direction of Sergiu Celibidache, then in 1976 at the Orchestre philharmonique de Radio France under the direction of Gilbert Amy. 1981 marks the beginning of his career as an international soloist, often associated with a pipe organ. He has been regularly working with , directo ...
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William Bennett (flautist)
William Ingham Brooke Bennett (7 February 1936 – 11 May 2022) was a British flautist and teacher. He played in many English orchestras and chamber music ensembles, and as a soloist. He made more than 100 recordings, including chamber music with partners including George Malcolm, Osian Ellis, and Yehudi Menuhin. He premiered flute concertos written for him, by William Mathias, Diana Burrell and Raimundo Pineda. Bennett taught at the Hochschule für Musik Freiburg in Germany and the Royal Academy of Music, and held master classes worldwide. Early life and studies William Ingham Brooke Bennett was born in London to parents who were both architects. He boarded at Beltane School until he was 16, starting his school life as a seven-year-old during the Second World War. He started playing the recorder at the age of 8 and the flute at 12. He studied the flute in London with Geoffrey Gilbert from the age of 15 and went to the Guildhall School of Music and Drama a year later. In ...
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C Minor
C minor is a minor scale based on C, consisting of the pitches C, D, E, F, G, A, and B. Its key signature consists of three flats. Its relative major is E major and its parallel major is C major. The C natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The C harmonic minor and melodic minor scales are: : : Notable compositions * Charles-Valentin Alkan ** Prelude Op. 31, No. 16 (Assez lentement) ** Symphony for Solo Piano, 1st movement: Allegro ** Trois grandes études, Op. 76, No. 3 "Mouvement semblable et perpetuel" (Rondo-Toccata) for the hands reunited * Johannes Sebastian Bach **Passacaglia and Fugue in C minor, BWV 582 **Lute Suite in C minor, BWV 997 ** Cello Suite No. 5, BWV 1011 **The Musical Offering, BWV 1079 ** Partita No. 2, BWV 826 *Ludwig van Beethoven (See Beethoven and C minor) ** Piano Sonata No. 5 ** Piano Sonata No. 8 (''Pathétique'') ** Piano Concer ...
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C Major
C major (or the key of C) is a major scale based on C, consisting of the pitches C, D, E, F, G, A, and B. C major is one of the most common keys used in music. Its key signature has no flats or sharps. Its relative minor is A minor and its parallel minor is C minor. The C major scale is: : On the piano, the C major scale can be played by playing only the white keys starting on C. Compositions Twenty of Joseph Haydn's 106 symphonies are in C major, making it his second most-used key, second to D major. Of the 134 symphonies mistakenly attributed to Haydn that H. C. Robbins Landon lists in his catalog, 33 are in C major, more than any other key. Before the invention of the valves, Haydn did not write trumpet and timpani parts in his symphonies, except those in C major. Landon writes that it wasn't "until 1774 that Haydn uses trumpets and timpani in a key other than C major... and then only sparingly." Most of Haydn's symphonies in C major are labelled "festive" an ...
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A Minor
A minor is a minor scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has no flats and no sharps. Its relative major is C major and its parallel major is A major. The A natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The A harmonic minor and melodic minor scales are: : : Well-known compositions in A minor *Johann Sebastian Bach ** Violin Concerto in A minor, BWV 1041 *Ludwig van Beethoven ** Violin Sonata No. 4, Op. 23 ** String Quartet No. 15, Op. 132 ** Bagatelle in A minor, "Für Elise" * Johannes Brahms **Double Concerto, Op. 102 * Frédéric Chopin ** Étude Op. 10, No. 2 ** Étude Op. 25, No. 4 ** Étude Op. 25, No. 11, ''Winter Wind'' ** Mazurka Op. 17, No. 4 ** Mazurka Op. 59, No. 1 ** ''Boléro'', Op. 19 ** Prelude No. 2 in A minor, Op. 28/2 ** Waltz in A minor, Op. 34, B. 150 * Franz Liszt ** Transcendental Étude No. 2, ''Fusà ...
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E Minor
E minor is a minor scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has one sharp. Its relative major is G major and its parallel major is E major. The E natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The E harmonic minor and melodic minor scales are: : : Much of the classical guitar repertoire is in E minor, as this is a very natural key for the instrument. In standard tuning (E A D G B E), four of the instrument's six open (un fretted) strings are part of the tonic chord. The key of E minor is also popular in heavy metal music, as its tonic is the lowest note on a standard-tuned guitar. Notable compositions *Joseph Haydn ** Symphony No. 44 (''Trauer'') *Wolfgang Amadeus Mozart ** Violin Sonata No. 21 *Ludwig van Beethoven ** String Quartet No. 8 ** Piano Sonata No. 27 *Niccolò Paganini ** Caprice No. 3 ** Caprice No. 15 *Feli ...
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D Minor
D minor is a minor scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has one flat. Its relative major is F major and its parallel major is D major. The D natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The D harmonic minor and melodic minor scales are: Music in D minor Of Domenico Scarlatti's 555 keyboard sonatas, 151 are in minor keys, and with 32 sonatas, D minor is the most often chosen minor key. ''The Art of Fugue'' by Johann Sebastian Bach is in D minor. Michael Haydn's only minor-key symphony, No. 29, is in D minor. According to Alfred Einstein, the history of tuning has led D minor to be associated with counterpoint and chromaticism (for example, the chromatic fourth), and cites Bach's ''Chromatic Fantasia and Fugue'' in D minor. Mozart's Requiem is written primarily in D minor, as are the famous Queen of the Night Aria, "Der ...
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D Major
D major (or the key of D) is a major scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has two sharps. Its relative minor is B minor and its parallel minor is D minor. The D major scale is: : Characteristics According to Paolo Pietropaolo, D major is Miss Congeniality: it is persistent, sunny, and energetic. D major is well-suited to violin music because of the structure of the instrument, which is tuned G D A E. The open strings resonate sympathetically with the D string, producing a sound that is especially brilliant. This is also the case with all other orchestral strings. Thus, it is no coincidence that many classical composers throughout the centuries have chosen to write violin concertos in D major, including those by Mozart ( No. 2, 1775, No. 4, 1775); Ludwig van Beethoven (1806); Paganini ( No. 1, 1817); Brahms (1878); Tchaikovsky (1878); Prokofiev ( No. 1, 1917); Stravinsky (1931); and Korngold ( 1945). The k ...
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