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Simon Boccanegra (opera)
''Simon Boccanegra'' () is an opera with a prologue and three acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on the play ''Simón Bocanegra'' (1843) by Antonio García Gutiérrez, whose play ''El trovador'' had been the basis for Verdi's 1853 opera, ''Il trovatore''. ''Simon Boccanegra'' was first performed at Teatro La Fenice in Venice on 12 March 1857. Given the complications of the original plot and the generally poor popular response – although the critical one was more encouraging – the opera dropped out of favour after 1866. Finally, 23 years later, Verdi's publisher persuaded the composer to revise the opera, with text changes to be prepared by Arrigo Boito, the librettist who aspired to work with the aging composer on a project which eventually became a new opera, ''Otello'', but to which Verdi had not totally committed at that time. The revised version of ''Simon Boccanegra'', with the now-famous Council Chamber scene, was first perfor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini, whose works significantly influenced him. In his early operas, Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera ''Nabucco'' (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he became professionally successful, he was able to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julian Budden
Julian Medforth Budden (9 April 1924 in Hoylake, Wirral – 28 February 2007 in Florence, Italy) was a British opera scholar, radio producer and broadcaster. He is particularly known for his three volumes on the operas of Giuseppe Verdi (published in 1973, 1978, and 1981), a single-volume biography in 1982 and a single-volume work on Giacomo Puccini and his operas in 2002. He is also the author of numerous entries in the ''Grove Dictionary of Music and Musicians''. Personal life His parents were the then professor of architecture at Liverpool University, Lionel Budden, and a poet, writer and journalist Maud, (née Fraser) who from 1938 until 1964 provided the rhymes for the strip ''Curly Wee and Gussie Goose'', which was syndicated in newspapers throughout the world. Neither of his parents was especially musical and were not interested in what little opera was available locally. His operatic awakening occurred at school when a touring company with piano accompaniment and spoken ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petrarch
Francesco Petrarca (; 20 July 1304 – 18/19 July 1374), commonly anglicized as Petrarch (), was a scholar and poet of early Renaissance Italy, and one of the earliest humanists. Petrarch's rediscovery of Cicero's letters is often credited with initiating the 14th-century Italian Renaissance and the founding of Renaissance humanism. In the 16th century, Pietro Bembo created the model for the modern Italian language based on Petrarch's works, as well as those of Giovanni Boccaccio, and, to a lesser extent, Dante Alighieri. Petrarch was later endorsed as a model for Italian style by the Accademia della Crusca. Petrarch's sonnets were admired and imitated throughout Europe during the Renaissance and became a model for lyrical poetry. He is also known for being the first to develop the concept of the " Dark Ages".Renaissance or Prenai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Parker
Roger Parker (born London United Kingdom, 2 August 1951) is an English musicologist and, since January 2007, has been Thurston Dart Professor of Music at King's College London. His work has centred on opera. Between 2006 and 2010, while Professor of Music at Gresham College, London, Parker presented four series of free public lectures, one example being "Verdi and Milan" in 2007 which is available on video. In addition to teaching, Parker has been active as joint editor in the preparation of critical editions of the work of 19th-century Italian composer Gaetano Donizetti for the Milan publishing house Ricordi. He also acts as Repertory Consultant to the UK's specialised recording company, Opera Rara, which has commissioned performances and recordings of rare Donizetti operas such as ''Belisario'' in 2012 and ''Les Martyrs'' in 2014. Additionally, Parker has presented talks on UK radio on aspects of opera, including his talk "Verdi 200: Viva Verdi" on BBC Radio 3 on 6 January ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Othello
''Othello'' (full title: ''The Tragedy of Othello, the Moor of Venice'') is a tragedy written by William Shakespeare, probably in 1603, set in the contemporary Ottoman–Venetian War (1570–1573) fought for the control of the Island of Cyprus, a possession of the Venetian Republic since 1489. The port city of Famagusta finally fell to the Ottomans in 1571 after a protracted siege. The story revolves around two characters, Othello and Iago. Othello is a Moorish military commander who was serving as a general of the Venetian army in defence of Cyprus against invasion by Ottoman Turks. He has recently married Desdemona, a beautiful and wealthy Venetian lady much younger than himself, against the wishes of her father. Iago is Othello's malevolent ensign, who maliciously stokes his master's jealousy until the usually stoic Moor kills his beloved wife in a fit of blind rage. Due to its enduring themes of passion, jealousy, and race, ''Othello'' is still topical and popular and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giulio Ricordi
Giulio Ricordi (19 December 1840 in Milan – 6 June 1912 in Milan) was an Italian editor and musician who joined the family firm, the Casa Ricordi music publishing house, in 1863, then run by his father, Tito, the son of the company's founder Giovanni Ricordi. Upon his father's death in 1888, Giulio became the head of the company until his death. Biography Under the pen name Jules Burgmein, Ricordi contributed a very great deal to the prestige of the Casa Ricordi as it also produced several magazines (''La gazzetta musicale'', ''Musica e musicisti'' and ''Ars et labor''), and various other once famous publications (''La biblioteca del pianista'', ''l'Opera Omnia di Frédéric Chopin'', ''L'arte musicale in Italia'', ''Le Sonate di Domenico Scarlatti''). Ricordi was also publisher of the later operas by Giuseppe Verdi, having established a relationship with that composer as a young man. In 1853, Ricordi built a mansion, Villa Margherita RicordiCoordinates 45.994321N 9.238636E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Montanelli
Giuseppe Montanelli (21 January 1813 – 17 June 1862) was an Italian statesman and author. Biography Montanelli was born at Fucecchio, then part of the Grand Duchy of Tuscany. As a boy he was an organist and composer. In 1840 was appointed law professor at Pisa after graduating law school when he was 18. He contributed to the ''Antologia'', a celebrated Florentine review, and in 1847 founded a newspaper called ''L'Italia'', the programme of which was "Reform and Nationality." In 1848 Montanelli served with the Tuscan student volunteers at the battle of Curtatone, where he was wounded and taken prisoner by the Austrians.''Britannica''. On being liberated he returned to Tuscany, and the grand duke Leopold II, knowing that he was popular with the masses, sent him to Livorno to quell the disturbances. In October, Leopold, much against his inclinations, asked him to form a ministry. He accepted, and on January 10, 1849, induced the grand duke to establish a national constituent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Traviata
''La traviata'' (; ''The Fallen Woman'') is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on '' La Dame aux camélias'' (1852), a play by Alexandre Dumas ''fils'' adapted from his own 1848 novel. The opera was originally titled ''Violetta'', after the main character. It was first performed on 6 March 1853 at La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer's and librettist's original wishes were carried out and " realistic" productions were staged. ''La traviata'' has become immensely popular and is among the most frequently performed of all operas. Composition history For Verdi, the years 1851 to 1853 were filled with operatic activity. First, he had agreed with the librettist Salvadore Cammarano on a subject for what ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Somma
Antonio Somma (28 August 1809, Udine – 8 August 1864, Venice) was an Italian playwright who is most well known for writing the libretto of an opera which ultimately became Giuseppe Verdi's ''Un ballo in maschera'' in 1859. While a student, his tragedy, '' Parisina'', gave him quite a success. Initially, his contact with Verdi came about when the composer was seeking to continue work on his proposed '' Re Lear'', an adaptation of the Shakespeare play, ''King Lear'', for the opera stage which had begun under his long-time collaborator Salvadore Cammarano who had died. Under Verdi's supervision, Somma wrote the libretto for ''Re Lear'', a project that Verdi never realised musically although extensive work was done and a full libretto completed to the point where Verdi was considering this to be the opera he wrote for Naples for the 1858 season.Budden 1984, pp. 362–363 However, ''Ballo'' had a troubled history and, originally, Somma wrote the libretto under the title of '' Gust ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salvadore Cammarano
Salvadore Cammarano (also Salvatore) (born Naples, 19 March 1801 – died Naples 17 July 1852) was a prolific Italian librettist and playwright perhaps best known for writing the text of '' Lucia di Lammermoor'' (1835) for Gaetano Donizetti. For Donizetti he also contributed the libretti for '' L'assedio di Calais'' (1836), '' Belisario'' (1836), ''Pia de' Tolomei'' (1837), ''Roberto Devereux'' (1837), '' Maria de Rudenz'' (1838), ''Poliuto'' (1838), and '' Maria di Rohan'' (1843), while for Giuseppe Persiani he was the author of '' Ines de Castro''. For Verdi he wrote ''Alzira'' (1845), '' La battaglia di Legnano'' (1849) and '' Luisa Miller'' (1849), but after he died in July 1852, Verdi worked with Leone Emanuele Bardare to complete the libretto for '' Il trovatore'' (1853).Budden, Vol. 2, p.65 Cammarano also started work on libretto for a proposed adaptation of William Shakespeare's play ''King Lear'', named '' Re Lear'', but he died before completing it; a detailed scena ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Lear
''King Lear'' is a tragedy written by William Shakespeare. It is based on the mythological Leir of Britain. King Lear, in preparation for his old age, divides his power and land between two of his daughters. He becomes destitute and insane and a proscribed crux of political machinations. The first known performance of any version of Shakespeare's play was on Saint Stephen's Day in 1606. The three extant publications from which modern editors derive their texts are the 1608 quarto (Q1) and the 1619 quarto (Q2, unofficial and based on Q1) and the 1623 First Folio. The quarto versions differ significantly from the folio version. The play was often revised after the English Restoration for audiences who disliked its dark and depressing tone, but since the 19th century Shakespeare's original play has been regarded as one of his supreme achievements. Both the title role and the supporting roles have been coveted by accomplished actors, and the play has been widely adapted. In hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
