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Silver Branch
The Silver Branch or Silver Bough () is a symbol found in Irish mythology and literature. Featured in the Irish poem The Voyage of Bran and the narrative '' Cormac's Adventure in the Land of Promise'', it represents entry into the Celtic Otherworld or Tír na nÓg. Literary examples Voyage of Bran In '' Imram Brain'' ("Voyage of Bran"), the silver apple branch with white apple blossoms was brought to Bran mac Febail by a mysterious woman, who disclosed that the branch of white silver ( ga, findargat) was from Emain (or Emne), presumably the land where she hailed from. After singing verses describing her land as the place of delight (with poetic names such as the "Plain of White Silver"); thereafter she slipped away, and the branch sprang back to her, with Bran having no power to keep it in his grasp. Bran then mounted on a voyage and reached the Land of Women (Tír inna m-Ban), which is Emain, at least according to some commentators. Some other commentators venture the silv ...
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Irish Mythology
Irish mythology is the body of myths native to the island of Ireland. It was originally passed down orally in the prehistoric era, being part of ancient Celtic religion. Many myths were later written down in the early medieval era by Christian scribes, who modified and Christianized them to some extent. This body of myths is the largest and best preserved of all the branches of Celtic mythology. The tales and themes continued to be developed over time, and the oral tradition continued in Irish folklore alongside the written tradition, but the main themes and characters remained largely consistent. The myths are conventionally grouped into ' cycles'. The Mythological Cycle consists of tales and poems about the god-like Túatha Dé Danann, who are based on Ireland's pagan deities, and other mythical races like the Fomorians. Important works in the cycle are the ''Lebor Gabála Érenn'' ("Book of Invasions"), a legendary history of Ireland, the ''Cath Maige Tuired'' ("Ba ...
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Ulster
Ulster (; ga, Ulaidh or ''Cúige Uladh'' ; sco, label= Ulster Scots, Ulstèr or ''Ulster'') is one of the four traditional Irish provinces. It is made up of nine counties: six of these constitute Northern Ireland (a part of the United Kingdom); the remaining three are in the Republic of Ireland. It is the second-largest (after Munster) and second-most populous (after Leinster) of Ireland's four traditional provinces, with Belfast being its biggest city. Unlike the other provinces, Ulster has a high percentage of Protestants, making up almost half of its population. English is the main language and Ulster English the main dialect. A minority also speak Irish, and there are Gaeltachtaí (Irish-speaking regions) in southern County Londonderry, the Gaeltacht Quarter, Belfast, and in County Donegal; collectively, these three regions are home to a quarter of the total Gaeltacht population of Ireland. Ulster-Scots is also spoken. Lough Neagh, in the east, is the largest lake i ...
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Bard
In Celtic cultures, a bard is a professional story teller, verse-maker, music composer, oral historian and genealogist, employed by a patron (such as a monarch or chieftain) to commemorate one or more of the patron's ancestors and to praise the patron's own activities. With the decline of a living bardic tradition in the modern period, the term has loosened to mean a generic minstrel or author (especially a famous one). For example, William Shakespeare and Rabindranath Tagore are respectively known as "the Bard of Avon" (often simply "the Bard") and "the Bard of Bengal". Oxford Dictionary of English, s.v. ''bard'', n.1. In 16th-century Scotland, it turned into a derogatory term for an itinerant musician; nonetheless it was later romanticised by Sir Walter Scott (1771–1832). Etymology The English term ''bard'' is a loan word from the Celtic languages: Gaulish: ''bardo-'' ('bard, poet'), mga, bard and ('bard, poet'), wlm, bardd ('singer, poet'), Middle Breton: ''barz'' ('m ...
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Druid
A druid was a member of the high-ranking class in ancient Celtic cultures. Druids were religious leaders as well as legal authorities, adjudicators, lorekeepers, medical professionals and political advisors. Druids left no written accounts. While they were reported to have been literate, they are believed to have been prevented by doctrine from recording their knowledge in written form. Their beliefs and practices are attested in some detail by their contemporaries from other cultures, such as the Romans and the Greeks. The earliest known references to the druids date to the 4th century BCE. The oldest detailed description comes from Julius Caesar's ''Commentarii de Bello Gallico'' (50s BCE). They were described by other Roman writers such as Cicero, Cicero (44) I.XVI.90. Tacitus, and Pliny the Elder. Following the Roman invasion of Gaul, the druid orders were suppressed by the Roman government under the 1st-century CE emperors Tiberius and Claudius, and had disappeare ...
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Magician (paranormal)
Magic, sometimes spelled magick, is an ancient praxis rooted in sacred rituals, spiritual divinations, and/or cultural lineage—with an intention to invoke, manipulate, or otherwise manifest supernatural forces, beings, or entities in the natural, incarnate world. It is a categorical yet often ambiguous term which has been used to refer to a wide variety of beliefs and practices, frequently considered separate from both religion and science. Although connotations have varied from positive to negative at times throughout history, magic continues to have an important religious and medicinal role in many cultures today. Within Western culture, magic has been linked to ideas of the Other, foreignness, and primitivism; indicating that it is "a powerful marker of cultural difference" and likewise, a non-modern phenomenon. During the late nineteenth and early twentieth century, Western intellectuals perceived the practice of magic to be a sign of a primitive mentality and also commo ...
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Fairies
A fairy (also fay, fae, fey, fair folk, or faerie) is a type of mythical being or legendary creature found in the folklore of multiple European cultures (including Celtic, Slavic, Germanic, English, and French folklore), a form of spirit, often described as metaphysical, supernatural, or preternatural. Myths and stories about fairies do not have a single origin, but are rather a collection of folk beliefs from disparate sources. Various folk theories about the origins of fairies include casting them as either demoted angels or demons in a Christian tradition, as deities in Pagan belief systems, as spirits of the dead, as prehistoric precursors to humans, or as spirits of nature. The label of ''fairy'' has at times applied only to specific magical creatures with human appearance, magical powers, and a penchant for trickery. At other times it has been used to describe any magical creature, such as goblins and gnomes. ''Fairy'' has at times been used as an adjective, with a m ...
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Gods
A deity or god is a supernatural being who is considered divine or sacred. The ''Oxford Dictionary of English'' defines deity as a god or goddess, or anything revered as divine. C. Scott Littleton defines a deity as "a being with powers greater than those of ordinary humans, but who interacts with humans, positively or negatively, in ways that carry humans to new levels of consciousness, beyond the grounded preoccupations of ordinary life". Religions can be categorized by how many deities they worship. Monotheistic religions accept only one deity (predominantly referred to as "God"), whereas polytheistic religions accept multiple deities. Henotheistic religions accept one supreme deity without denying other deities, considering them as aspects of the same divine principle. Nontheistic religions deny any supreme eternal creator deity, but may accept a pantheon of deities which live, die and may be reborn like any other being. Although most monotheistic religions traditionally ...
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Immacallam In Dá Thuarad
The ''Immacallam in dá Thuarad'', or ''The Colloquy of the two Sages'' ("Colloquy" sometimes being replaced with "Dialogue"), is an example of bardic, or Ollamhic in this case, interchange found in the twelfth century Book of Leinster."The Colloquy of the Two Sages". ed. and trans. by Whitley Stokes''Revue celtique'' vol 26pp. 4-64. Paris: Librairie Emile Bouillon, 1905. The story is that when Adna mac Uthidir, Ollamh to the King of Ulster (Conchobar mac Nessa), died, his title was given to the poet (presumably a Fili) Ferchertne, a man of high arts and experience. But Adnae's son, Néde, who was away studying in Scotland, heard of his father's death on the waves while walking the shore. "One day the youth went forth along the edge of the sea - poets ever believed that the brink of water was a place of revelation. And as he stood there, he heard a sound like a wailing chant of sadness, which seemed strange to him. So he cast a spell upon the water, causing it to reveal to him w ...
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Gertrude Schoepperle
Gertrude Schoepperle (July 15, 1882 – December 11, 1921) was an American university professor and a scholar of medieval Celtic, French, and German literature. Biography Gertrude Schoepperle was born in Oil City, Pennsylvania, July 15, 1882. Her parents were Vinzens Schoepperle, of Rötenbach, Germany, and Elizabeth Klein, of Kittanning, Pennsylvania. Schoepperle attended Oil City High School. She studied at Wellesley College, Radcliffe College, before traveling abroad to continue her studies in Munich, Paris (with Ferdinand Lot, Joseph Bédier, and Marie Henri d'Arbois de Jubainville), and Dublin. She graduated with a Ph.D. in 1909, at Radcliffe College, with the thesis of "Studies on the Origin of the Tristan Romance". From 1912 to 1913 she taught German at New York University. From 1911 to 1919, she taught in the English Department at the University of Illinois at Urbana–Champaign and established a strong Celtic studies program. From 1919 to 1921, she taught French at ...
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Tristan And Isolde
Tristan and Iseult, also known as Tristan and Isolde and other names, is a medieval chivalric romance told in numerous variations since the 12th century. Based on a Celtic legend and possibly other sources, the tale is a tragedy about the illicit love between the Cornish knight Tristan and the Irish princess Iseult. It depicts Tristan's mission to escort Iseult from Ireland to marry his uncle, King Mark of Cornwall. On the journey, Tristan and Iseult ingest a love potion, instigating a forbidden love affair between them. The story has had a lasting impact on Western culture. Its different versions exist in many European texts in various languages from the Middle Ages. The earliest instances take two primary forms: the courtly and common branches. The former begins with the 12th-century poems of Thomas of Britain and Béroul, while the latter reflects a now-lost original version. A subsequent version emerged in the 13th century in the wake of the greatly expanded Prose ''Trist ...
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