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Sightseeing Through Whisky
''Sightseeing Through Whisky'' (french: Pauvre John ou les Aventures d'un buveur de whisky) is a 1907 French short silent film credited to Georges Méliès. It was sold by Méliès's Star Film Company and is numbered 1000–1004 in its catalogues. Plot A large group of tourists, complete with guidebooks, pith helmets, and a tour guide, arrive at a rocky landscape dominated by a ruined temple. One of the tourists, tired from the sightseeing, lies down on a rock and goes to sleep. A drunken footman, carrying the sightseers' luggage, lags behind the group. As they move on, he sits down and starts drinking extensively from a bottle found among the luggage. As the footman collapses in a drunken stupor, a figure in Ancient Grecian or Roman robes appears and demands the frightened footman's attention. The robed figure summons up various visions: women in classical drapery, posing in tableaux; an ancient festival with dancing Bacchantes; Dionysus himself, riding a donkey; a fountain of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Méliès
Marie-Georges-Jean Méliès (; ; 8 December 1861 – 21 January 1938) was a French illusionist, actor, and film director. He led many technical and narrative developments in the earliest days of cinema. Méliès was well known for the use of special effects, popularizing such techniques as substitution splices, multiple exposures, time-lapse photography, dissolves, and hand-painted colour. He was also one of the first filmmakers to use storyboards. His films include '' A Trip to the Moon'' (1902) and ''The Impossible Voyage'' (1904), both involving strange, surreal journeys somewhat in the style of Jules Verne, and are considered among the most important early science fiction films, though their approach is closer to fantasy. The 2011 film ''Hugo'' was inspired by the life and work of Méliès. Early life and education Marie-Georges-Jean Méliès was born 8 December 1861 in Paris, son of Jean-Louis Méliès and his Dutch wife, Johannah-Catherine Schuering. His father h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fernande Albany
Fernande Françoise Raoult, known professionally as Fernande Albany (22 December 1889, Lison – 25 November 1966, Paris), was a French actress in theatre and film. Career Albany appeared in many of the films of Georges Méliès. Her work on the Parisian stage included roles in ''L'alcôve de Marianne'' by Félix Gandera (Théâtre de l'Athénée, 1920), ''Les Fontaines lumineuses'' by Georges Berr and Louis Verneuil (Théâtre des Variétés, 1935), and ''Crépuscule du théâtre'' by Henri-René Lenormand (Théâtre du Vieux-Colombier, 1937). Albany was married to the French stage and film actor Charles Dechamps. Filmography Silent films Source: at IMDB * 1904 : ''Voyage à travers l'impossible'' (English title: '' |
Star Film Company
The Manufacture de films pour cinématographes, often known as Star Film, was a French film production company run by the illusionist and film director Georges Méliès. History On 28 December 1895, Méliès attended the celebrated first public demonstration of the Lumière Brothers' Kinetoscope. The event, held in a room at 14 Boulevard des Capucines in Paris with one hundred chairs and an entry price of 1, demonstrated the practicality of film cameras and projectors. According to later recollections by Méliès, he immediately approached Antoine Lumière and offered to buy a Lumière projector for his own experimentation; Lumière refused. Méliès went on to make repeated offers, all similarly turned down. Méliès next turned to the British film experimenter Robert W. Paul, and in February 1896, obtained an Animatographe projector for 1,000, along with a collection of short films, some by Paul and some by Edison Studios. Méliès projected these for the first time at his t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Short Film
A short film is any motion picture that is short enough in running time not to be considered a feature film. The Academy of Motion Picture Arts and Sciences defines a short film as "an original motion picture that has a running time of 40 minutes or less, including all credits". In the United States, short films were generally termed short subjects from the 1920s into the 1970s when confined to two 35 mm reels or less, and featurettes for a film of three or four reels. "Short" was an abbreviation for either term. The increasingly rare industry term "short subject" carries more of an assumption that the film is shown as part of a presentation along with a feature film. Short films are often screened at local, national, or international film festivals and made by independent filmmakers with either a low budget or no budget at all. They are usually funded by film grants, nonprofit organizations, sponsor, or personal funds. Short films are generally used for industry experience and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silent Film
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema pri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pith Helmet
The pith helmet, also known as the safari helmet, salacot, sola topee, sun helmet, topee, and topi) is a lightweight cloth-covered helmet made of sholapith. The pith helmet originates from the Spanish Empire, Spanish military adaptation of the native ''salakot'' headgear of the Philippines. It was often worn by European travellers and explorers, in the varying climates found in Southeast Asia, Africa, and the tropics, but was also used in many other contexts. It was routinely issued to European military personnel serving overseas in hot climates from the mid-nineteenth to the mid-twentieth century. Definition Typically, a pith helmet derives from either the sola plant, ''Aeschynomene aspera'', an Indian swamp plant, or from ''Aeschynomene paludosa''. In the narrow definition, a pith helmet is technically a type of sun helmet made out of pith material. However, the pith helmet may more broadly refer to the particular style of helmet. In this case, a pith helmet can be made out o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tableau Vivant
A (; often shortened to ; plural: ), French language, French for "living picture", is a static scene containing one or more actors or models. They are stationary and silent, usually in costume, carefully posed, with props and/or scenery, and may be Theatre, theatrically lit. It thus combines aspects of theatre and the visual arts. A tableau may either be 'performed' live, or depicted in painting, photography and sculpture, such as in many works of the Romanticism, Romantic, Aestheticism, Aesthetic, Symbolism (arts), Symbolist, Pre-Raphaelite, and Art Nouveau movements. In the late 19th and early 20th centuries, tableaux sometimes featured ('flexible poses') by virtually nude models, providing a form of Erotica, erotic entertainment, both on stage and in print. Tableaux continue to the present day in the form of living statues, street performers who busk by posing in costume. Origin Occasionally, a Mass (liturgy), Mass was punctuated with short dramatic scenes and paintin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bacchante
In Greek mythology, maenads (; grc, μαινάδες ) were the female followers of Dionysus and the most significant members of the Thiasus, the god's retinue. Their name literally translates as "raving ones". Maenads were known as Bassarids, Bacchae , or Bacchantes in Roman mythology after the penchant of the equivalent Roman god, Bacchus, to wear a bassaris or fox skin. Often the maenads were portrayed as inspired by Dionysus into a state of ecstatic frenzy through a combination of dancing and intoxication. During these rites, the maenads would dress in fawn skins and carry a thyrsus, a long stick wrapped in ivy or vine leaves and tipped with a pine cone. They would weave ivy-wreaths around their heads or wear a bull helmet in honor of their god, and often handle or wear snakes. These women were mythologized as the "mad women" who were nurses of Dionysus in Nysa. Lycurgus "chased the Nurses of the frenzied Dionysus through the holy hills of Nysa, and the sacred implements ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dionysus
In ancient Greek religion and myth, Dionysus (; grc, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre. The Romans called him Bacchus ( or ; grc, Βάκχος ) for a frenzy he is said to induce called ''bakkheia''. As Dionysus Eleutherios ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In Orphic religion, he wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Substitution Splice
The substitution splice or stop trick is a cinematic special effect in which filmmakers achieve an appearance, disappearance, or transformation by altering one or more selected aspects of the mise-en-scène between two shots while maintaining the same framing and other aspects of the scene in both shots. The effect is usually polished by careful editing to establish a seamless cut and optimal moment of change. It has also been referred to as stop motion substitution or stop-action. The pioneering French filmmaker Georges Méliès claimed to have accidentally developed the stop trick, as he wrote in ''Les Vues Cinématographiques'' in 1907 (translated from French): According to the film scholar Jacques Deslandes, it is more likely that Méliès discovered the trick by carefully examining a print of the Edison Manufacturing Company's 1895 film ''The Execution of Mary Stuart'', in which a primitive version of the trick appears. In any case, the substitution splice was both the fir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pyrotechnic
Pyrotechnics is the science and craft of creating such things as fireworks, safety matches, oxygen candles, explosive bolts and other fasteners, parts of automotive airbags, as well as gas-pressure blasting in mining, quarrying, and demolition. This trade relies upon self-contained and self-sustained exothermic chemical reactions to make heat, light, gas, smoke and/or sound. The name comes from the Greek words ''pyr'' ("fire") and ''tekhnikos'' ("made by art"). People responsible for the safe storage, handling, and functioning of pyrotechnic devices are known as pyrotechnicians. Proximate pyrotechnics Explosions, flashes, smoke, flames, fireworks and other pyrotechnic-driven effects used in the entertainment industry are referred to as proximate pyrotechnics. Proximate refers to the pyrotechnic device's location relative to an audience. In the majority of jurisdictions, special training and licensing must be obtained from local authorities to legally prepare and use proximate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Centre National De La Cinématographie
Center or centre may refer to: Mathematics *Center (geometry), the middle of an object * Center (algebra), used in various contexts ** Center (group theory) ** Center (ring theory) * Graph center, the set of all vertices of minimum eccentricity Places United States * Centre, Alabama * Center, Colorado * Center, Georgia * Center, Indiana * Center, Jay County, Indiana * Center, Warrick County, Indiana * Center, Kentucky * Center, Missouri * Center, Nebraska * Center, North Dakota * Centre County, Pennsylvania * Center, Portland, Oregon * Center, Texas * Center, Washington * Center, Outagamie County, Wisconsin * Center, Rock County, Wisconsin **Center (community), Wisconsin *Center Township (other) *Centre Township (other) *Centre Avenue (other) *Center Hill (other) Other countries * Centre region, Hainaut, Belgium * Centre Region, Burkina Faso * Centre Region (Cameroon) * Centre-Val de Loire, formerly Centre, France * Centre (department), Ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
