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Siahnamayi
''Siyāhnamā'ī'' ( fa, سیاهنمایی), literally "portraying in black", is a derogatory term used by Iranian Principlists, Iranian conservative critics to disparage cinema of Iran, Iranian films that allegedly convey a negative image of the country. Definition Some Iranian critics, most notably Massoud Farasati, believe that films portraying "a gloomy and dark image of social conditions under the Government of Islamic Republic of Iran, Islamic Republic, or an Exoticism, exotic and primitive image of Iranians in rural Setting (narrative), settings" only seek to win awards in Western world, the Western film festivals. Some Iranian diaspora and government officials also hold such a reading. Not all Iranian critics, however, agree on this point. Houshang Golmakani is among critics who do not maintain this idea. Some notable filmmakers in Iran are accused of having such an agenda, like Asghar Farhadi and Jafar Panahi. Panahi has answered the accusations in ''Taxi (2015 film), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taxi (2015 Film)
''Taxi'' (full title ''Jafar Panahi's Taxi''; fa, تاکسی), also known as ''Taxi Tehran'', is a 2015 Iranian docufiction starring and directed by Jafar Panahi. The film premiered in competition at the 65th Berlin International Film Festival where it won the Golden Bear and the FIPRESCI Prize. In 2010, Panahi was banned from making films and travelling for 20 years, so his niece Hana Saeidi, who also appears in the film, collected the award on his behalf. Plot ''Taxi'' portrays director Jafar Panahi as he courses through the streets of Tehran while pretending to be a share taxi driver. He wants to hear a piece of his passengers' life and declines any payment for the services. His earliest passengers include a conservative-minded man who supports capital punishment and a woman supporting its abolition, a pirated video vendor named Omid who once lent foreign films not available in the country to Panahi, an injured man and his wife who both insist on recording a last will due to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iranian Principlists
The Principlists ( fa, اصولگرایان, Osul-Garāyān, ), also interchangeably known as the Iranian Conservatives Open access material licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. and formerly referred to as the Right or Right-wing, are one of two main political camps inside post-revolutionary Iran, the other being Reformists. The term '' hardliners'' that some western sources use in the Iranian political context usually refers to the faction, although the principlist camp also includes more centrist tendencies. The camp rejects the ''status quo'' internationally, but tends to preserve it domestically. Within Iranian politics, a principlist refers to the conservative supporters of the Supreme Leader of Iran and advocates for protecting the ideological 'principles' of the Islamic Revolution’s early days. According to Hossein Mousavian, "The Principlists constitute the main right-wing/conservative political movement in Ira ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Of Iran
The Cinema of Iran (Persian: سینمای ایران), also known as the Cinema of Persia, refers to the cinema and film industries in Iran which produce a variety of commercial films annually. Iranian art films have garnered international fame and now enjoy a global following. Iranian films are usually written and spoken in the Persian language. Iranian cinema has had many ups and downs. Along with China, Iran has been lauded as one of the best exporters of cinema in the 1990s. Some critics now rank Iran as the world's most important national cinema, artistically, with a significance that invites comparison to Italian neorealism and similar movements in past decades. A range of international film festivals have honoured Iranian cinema in the last twenty years. Many film critics from around the world have praised Iranian cinema as one of the world's most important artistic cinemas. History Visual arts in Iran The earliest examples of visual representations in Iranian history ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Massoud Farasati
Massoud Farassati (also spelled ''Farasati'' or ''Ferasati'', fa, مسعود فراستی) is an Iranian film critic. He used to regularly appear in the Iranian State Television programme ''Haft'', hosted by Fereydoun Jeyrani and later by Behrouz Afkhami. He has published anthologies of writings about such classical filmmakers as Charlie Chaplin, John Ford, Alfred Hitchcock, Federico Fellini, Akira Kurosawa and Ingmar Bergman in Persian. Views According to Saeed Kamali Dehghan of ''The Guardian'', his views are close to those of the Iranian government. He is a harshly dismissive of Abbas Kiarostami's works. Farassati uses the terms ''Siahnamayi'' and ''Festival Cinema'' ( fa, سینمای جشنوارهای) to describe films he deems "exotic" to foreign audience and of only seeking to win awards in the West. As of today, Ferassati appears on the show 'Ketab Baaz' with views regarding diverse subjects Favourite movies # ''Vertigo'' , Alfred Hitchcock # ''Saraband'' , In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Government Of Islamic Republic Of Iran
The Government of the Islamic Republic of Iran ( fa, نظام جمهوری اسلامی ایران, Neẓām-e jomhūrī-e eslāmi-e Irān, known simply as ''Neẓām'' ( fa, نظام, lit=the system) among its supporters) is the ruling state and current political system in Iran, in power since the Islamic revolution and fall of the Pahlavi dynasty in 1979. Its constitution, adopted by an ex post facto referendum, uses separation of powers model with Executive, Legislative, and Judicial systems, while the Supreme Leader is the country's head of state and commander-in-chief of the armed forces. It is currently one of the three governments using the title Islamic republic. Creation The Islamic Republic of Iran was created shortly after the Islamic Revolution. The first major demonstrations with the intent to overthrow the Shah Mohammad Reza Pahlavi began in January 1978, with a new, Islam-based, theocratic Constitution being approved in December 1979, ending the monar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exoticism
Exoticism (from "exotic") is a trend in European art and design, whereby artists became fascinated with ideas and styles from distant regions and drew inspiration from them. This often involved surrounding foreign cultures with mystique and fantasy which owed more to European culture than to the exotic cultures themselves: this process of glamorisation and stereotyping is called "exoticisation". History of exoticism The word "exotic" is rooted in the Greek word ''exo'' ("outside") and means, literally, "from outside". It was coined during Europe's Age of Discovery, when "outside" seemed to grow larger each day, as Western ships sailed the world and dropped anchor off other continents. The first definition of "exotic" in most modern dictionaries is "foreign", but while all things exotic are foreign, not everything foreign is exotic. Since there is no outside without an inside, the foreign only becomes exotic when imported – brought from the outside in. From the early 17th century, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Setting (narrative)
A setting (or backdrop) is the time and geographic location within a narrative, either non-fiction or fiction. It is a literary element. The setting initiates the main backdrop and mood for a story. The setting can be referred to as story world or ''milieu'' to include a context (especially society) beyond the immediate surroundings of the story. Elements of setting may include culture, historical period, geography, and hour. Along with the plot, character, theme, and style, setting is considered one of the fundamental components of fiction. Role Setting may refer to the social milieu in which the events of a novel occur. The elements of the story setting include the passage of time, which may be static in some stories or dynamic in others with, for example, changing seasons. A setting can take three basic forms. One is the natural world, or in an outside place. In this setting, the natural landscapes of the world play an important part in a narrative, along with living creature ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Western World
The Western world, also known as the West, primarily refers to the various nations and state (polity), states in the regions of Europe, North America, and Oceania.Western Civilization Our Tradition; James Kurth; accessed 30 August 2011 The Western world is also known as the Occident (from the Latin word ''occidēns'' "setting down, sunset, west") in contrast to the Eastern world known as the Orient (from the Latin word ''oriēns'' "origin, sunrise, east"). Following the Discovery of America in 1492, the West came to be known as the "world of business" and trade; and might also mean the Northern half of the North–South divide, the countries of the ''Global North'' (often equated with capitalist Developed country, developed countries). [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iranian Diaspora
Iranian diaspora refers to Iranian people or those who are of Iranian ancestry living outside Iran.Азербайджанцы хорошо интегрированы в германское общество – Нусрет Дельбест , Азербайджанцы хорошо интегрированы в германское общество – Нусрет Дельбест , Ежедневный информационный ресурс ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Houshang Golmakani
Houshang Golmakani is an Iranian journalist, film critic and director. He was born in Gorgan on March 23, 1954. Houshang Golmakani started his professional career in 1972 as a journalist and film critic for ''Tehran Economist''. He graduated in cinema and television from the College of Dramatic Arts of Tehran in 1982. He is one of the three founders of ''Film (Iranian magazine)'', the oldest post-revolutionary film magazine in Iran (founded in 1982 with Massoud Mehrabi and Abbas Yari). In 1993, Film (Iranian magazine) began to print an English version of the magazine for its international readers, FILM International, the only English magazine solely about Iranian cinema. Houshang Golmakani is also a writer and a director. He directed a documentary about the life and works of Mohsen Makhmalbaf, ''STARDUST-STRICKEN; Mohsen Makhmalbaf: A Portrait'' (1996). He writes books about cinema and translate screenplays. Works Translation of screenplays Houshang Golmakani has translated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asghar Farhadi
Asghar Farhadi ( fa, اصغر فرهادی, ; born 7 May 1972)Soureh Movie Database is an Iranian film director and screenwriter. He has received critical acclaim for his international films which focus on the human condition as well as portray intimate and challenging stories of internal family conflicts. His films include the dramas '''' (2009), '''' (2011), '' The Past'' (2013), '' [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jafar Panahi
Jafar Panâhi ( fa, جعفر پناهی, ; born 11 July 1960) is an Iranian film director, screenwriter, and film editor, commonly associated with the Iranian New Wave film movement. After several years of making short films and working as an assistant director for fellow Iranian filmmaker Abbas Kiarostami, Panahi achieved international recognition with his feature film debut, ''The White Balloon'' (1995). The film won the Caméra d'Or at the 1995 Cannes Film Festival, the first major award an Iranian film won at Cannes. Panahi was quickly recognized as one of Iran's most influential filmmakers. His films were often banned in Iran, but he continued to receive international acclaim from film theorists and critics and won numerous awards, including the Golden Leopard at the Locarno International Film Festival for '' The Mirror'' (1997), the Golden Lion at the Venice Film Festival for '' The Circle'' (2000), and the Silver Bear at the Berlin Film Festival for '' Offside'' (2006). Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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