Shuti Hieroglyph (two-feather Adornment)
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Shuti Hieroglyph (two-feather Adornment)
The ancient Egyptian Shuti, a ''two-feather adornment'' for crowns, is part of a series of hieroglyphs for "crowns"; usage as a hieroglyph is not as common as the actual crown represented in Egyptian art, and artworks. One popular use of the ''Shuti, two-feather crown'' is by the deity Amun, one of his many crowns he is portrayed wearing. The tail feathers in this crown are generally straight, and are assumed to be the tail feathers of a falcon. They can be compared to the ostrich features in the Atef crown of Osiris, or the single ostrich feather that symbolizes Maat. The ''shuti hieroglyph'' and crown may be based upon Maat's ostrich feather, the single curved-top "shu-feather" hieroglyph. It is shown in iconography in both the straight-feather form (when used as a doubled crown). However, the straight feathers of Amun's crown are thought to be falcon feathers. The Budge two-volume dictionary of hieroglyphs records 20 spellings for ''shuti'', from multiple sources.Budge. ' ...
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Hieroglyph
A hieroglyph ( Greek for "sacred carvings") was a character of the ancient Egyptian writing system. Logographic scripts that are pictographic in form in a way reminiscent of ancient Egyptian are also sometimes called "hieroglyphs". In Neoplatonism, especially during the Renaissance, a "hieroglyph" was an artistic representation of an esoteric idea, which Neoplatonists believed actual Egyptian hieroglyphs to be. The word ''hieroglyphics'' refers to a hieroglyphic script. The Egyptians invented the pictorial script, which refers to any writing system that employs images as symbols for various semantic entities, rather than the abstract signs used by alphabets. The appearance of these distinctive figures in 3000 BCE marked the beginning of Egyptian civilization. Though based on images, Egyptian script was more than a sophisticated form of picture-writing. Each picture/glyph served one of three functions: (1) to represent the image of a thing or action, (2) to stand for a sound or ...
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Amun
Amun (; also ''Amon'', ''Ammon'', ''Amen''; egy, jmn, reconstructed as (Old Egyptian and early Middle Egyptian) → (later Middle Egyptian) → (Late Egyptian), cop, Ⲁⲙⲟⲩⲛ, Amoun) romanized: ʾmn) was a major ancient Egyptian deity who appears as a member of the Hermopolitan Ogdoad. Amun was attested from the Old Kingdom together with his wife Amunet. With the 11th Dynasty ( 21st century BC), Amun rose to the position of patron deity of Thebes by replacing Montu. After the rebellion of Thebes against the Hyksos and with the rule of Ahmose I (16th century BC), Amun acquired national importance, expressed in his fusion with the Sun god, Ra, as Amun-Ra (alternatively spelled Amon-Ra or Amun-Re). Amun-Ra retained chief importance in the Egyptian pantheon throughout the New Kingdom (with the exception of the " Atenist heresy" under Akhenaten). Amun-Ra in this period (16th to 11th centuries BC) held the position of transcendental, self-created creator dei ...
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Atef Crown
Atef is the specific feathered white crown of the ancient Egyptian deity Osiris. It combines the Hedjet, the white crown of Upper Egypt, with curly ostrich feathers on each side of the crown for the Osiris cult. The feathers are identified as ostrich from their curl or curve at the upper ends, with a slight flare toward the base. They are the same feather as (singly) worn by Maat. They may be compared with the falcon tail feathers in two-feather crowns such as those of Amun, which are more narrow and straight without curve. The Atef crown identifies Osiris in ancient Egyptian painting. Osiris wears the Atef crown as a symbol of the ruler of the underworld. The tall bulbous white piece in the center of the crown is between two ostrich feathers. The feathers represent truth and justice. The Atef crown is similar, save for the feathers, to the plain white crown (Hedjet) first recorded in the Predynastic Period and worn as a symbol for pharaonic Upper Egypt. See also * Atef crown ...
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Osiris
Osiris (, from Egyptian ''wsjr'', cop, ⲟⲩⲥⲓⲣⲉ , ; Phoenician: 𐤀𐤎𐤓, romanized: ʾsr) is the god of fertility, agriculture, the afterlife, the dead, resurrection, life, and vegetation in ancient Egyptian religion. He was classically depicted as a green-skinned deity with a pharaoh's beard, partially mummy-wrapped at the legs, wearing a distinctive atef crown, and holding a symbolic crook and flail. He was one of the first to be associated with the mummy wrap. When his brother, Set cut him up into pieces after killing him, Osiris' wife Isis found all the pieces and wrapped his body up, enabling him to return to life. Osiris was widely worshipped until the decline of ancient Egyptian religion during the rise of Christianity in the Roman Empire. Osiris was at times considered the eldest son of the earth god Geb and the sky goddess Nut, as well as being brother and husband of Isis, and brother of Set, Nephthys, and Horus the Elder, with Horus the Younger ...
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Maat
Maat or Maʽat ( Egyptian: mꜣꜥt /ˈmuʀʕat/, Coptic: ⲙⲉⲓ) refers to the ancient Egyptian concepts of truth, balance, order, harmony, law, morality, and justice. Ma'at was also the goddess who personified these concepts, and regulated the stars, seasons, and the actions of mortals and the deities who had brought order from chaos at the moment of creation. Her ideological opposite was Isfet (Egyptian '' jzft''), meaning injustice, chaos, violence or to do evil. Pronunciation Cuneiform texts indicate that the word ''m3ˤt'' was pronounced /múʔʕa/ during the New Kingdom of Egypt, having lost the feminine ending ''t''. Vowel assimilation of ''u'' to ''e'' later produced the Coptic word "truth, justice". History The earliest surviving records indicating that Maat is the norm for nature and society, in this world and the next, were recorded during the Old Kingdom of Egypt, the earliest substantial surviving examples being found in the Pyramid Texts of Unas (ca. ...
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Iconography
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word ''iconography'' comes from the Greek ("image") and ("to write" or ''to draw''). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "icons", in the Byzantine and Orthodox Christian tradition (see Icon). This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic fields other than art history, for example semiotics ...
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Determinative
A determinative, also known as a taxogram or semagram, is an ideogram used to mark semantic categories of words in logographic scripts which helps to disambiguate interpretation. They have no direct counterpart in spoken language, though they may derive historically from glyphs for real words, and functionally they resemble classifiers in East Asian and sign languages. For example, Egyptian hieroglyphic determinatives include symbols for divinities, people, parts of the body, animals, plants, and books/abstract ideas, which helped in reading, but none of which were pronounced. Cuneiform In cuneiform texts of Sumerian, Akkadian and Hittite languages, many nouns are preceded or followed by a Sumerian word acting as a determinative; this specifies that the associated word belongs to a particular semantic group.Edzard, 2003 These determinatives were not pronounced. In transliterations of Sumerian, the determinatives are written in superscript in lower case. Whether a given sign ...
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Gardiner's Sign List
Gardiner's Sign List is a list of common Egyptian hieroglyphs compiled by Sir Alan Gardiner. It is considered a standard reference in the study of ancient Egyptian hieroglyphs. Gardiner lists only the common forms of Egyptian hieroglyphs, but he includes extensive subcategories, and also both vertical and horizontal forms for many hieroglyphs. He includes size-variation forms to aid with the reading of hieroglyphs in running blocks of text. In contrast, for example, the Budge Reference has about 1,000 hieroglyphs listed in 50 pages, but with no size variations. Gardiner does not cross-index signs; once put on the list, other significant uses may be overlooked. One example of this is G16, nbtỉ, the ideogram for the Two Ladies, goddesses Wadjet as the cobra and Nekhbet as the white vulture. These are the protective and patron goddesses of the separate Egyptian kingdoms that joined into ancient Egypt, who were both then displayed on the uraeus of Wadjet when the unification ...
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List Of Egyptian Hieroglyphs
The total number of distinct Egyptian hieroglyphs increased over time from several hundred in the Middle Kingdom to several thousand during the Ptolemaic Kingdom. In 1928/1929 Alan Gardiner published an overview of hieroglyphs, Gardiner's sign list, the basic modern standard. It describes 763 signs in 26 categories (A–Z, roughly). Georg Möller compiled more extensive lists, organized by historical epoch (published posthumously in 1927 and 1936). In Unicode, the block ''Egyptian Hieroglyphs'' (2009) includes 1071 signs, organization based on Gardiner's list. As of 2016, there is a proposal by Michael Everson to extend the Unicode standard to comprise Möller's list. Subsets Notable subsets of hieroglyphs: * Determinatives * Uniliteral signs * Biliteral signs * Triliteral signs * Egyptian numerals Letter classification by Gardiner List of hieroglyphs In Unicode Unicode character names follow Gardiner's sign list (padded with zeroes to three digits, i.e. Gardin ...
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