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Shugborough Inscription
The Shugborough Inscription is a sequence of letters – O U O S V A V V, between the letters D M on a lower plane – carved on the 18th-century Shepherd's Monument in the grounds of Shugborough Hall in Staffordshire, England, below a mirror image of Nicolas Poussin's painting the '' Shepherds of Arcadia''. It has never been satisfactorily explained, and has been called one of the world's top uncracked ciphertexts. In 1982, the authors of the pseudohistorical ''The Holy Blood and the Holy Grail'' suggested that Poussin was a member of the Priory of Sion, and that his ''Shepherds of Arcadia'' contained hidden meanings of great esoteric significance. The book makes a passing reference to the Shepherd's monument and the inscription, but offers no solution. In 2003, Dan Brown copied many elements of ''The Holy Blood and the Holy Grail'' in his bestselling novel ''The Da Vinci Code'', but made no mention of the Shugborough inscription. However, the book led to renewed interest in ''Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shugborough Inscription
The Shugborough Inscription is a sequence of letters – O U O S V A V V, between the letters D M on a lower plane – carved on the 18th-century Shepherd's Monument in the grounds of Shugborough Hall in Staffordshire, England, below a mirror image of Nicolas Poussin's painting the '' Shepherds of Arcadia''. It has never been satisfactorily explained, and has been called one of the world's top uncracked ciphertexts. In 1982, the authors of the pseudohistorical ''The Holy Blood and the Holy Grail'' suggested that Poussin was a member of the Priory of Sion, and that his ''Shepherds of Arcadia'' contained hidden meanings of great esoteric significance. The book makes a passing reference to the Shepherd's monument and the inscription, but offers no solution. In 2003, Dan Brown copied many elements of ''The Holy Blood and the Holy Grail'' in his bestselling novel ''The Da Vinci Code'', but made no mention of the Shugborough inscription. However, the book led to renewed interest in ''Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shugborough Shepherds Monument Horned Head
Shugborough Hall is a stately home near Great Haywood, Staffordshire, England. The hall is situated on the edge of Cannock Chase, about east of Stafford and from Rugeley. The estate was owned by the Bishops of Lichfield until the dissolution of the monasteries, upon which it passed through several hands before being purchased in 1624 by William Anson, a local lawyer and ancestor of the Earls of Lichfield. The estate remained in the Anson family for three centuries. Following the death of the 4th Earl of Lichfield in 1960, the estate was allocated to the National Trust in lieu of death duties, and then immediately leased to Staffordshire County Council. Management of the estate was returned to the National Trust in 2016. It is open to the public and comprises the hall, museum, kitchen garden and a model farm. History upAdmiral George Anson, 1st Baron Anson The Shugborough estate was owned by the Bishops of Lichfield until the dissolution of the monasteries around 1540, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarcophagus
A sarcophagus (plural sarcophagi or sarcophaguses) is a box-like funeral receptacle for a corpse, most commonly carved in stone, and usually displayed above ground, though it may also be buried. The word ''sarcophagus'' comes from the Greek σάρξ ' meaning "flesh", and φαγεῖν ' meaning "to eat"; hence ''sarcophagus'' means "flesh-eating", from the phrase ''lithos sarkophagos'' ( λίθος σαρκοφάγος), "flesh-eating stone". The word also came to refer to a particular kind of limestone that was thought to rapidly facilitate the decomposition of the flesh of corpses contained within it due to the chemical properties of the limestone itself. History of the sarcophagus Sarcophagi were most often designed to remain above ground. The earliest stone sarcophagi were used by Egyptian pharaohs of the 3rd dynasty, which reigned from about 2686 to 2613 B.C. The Hagia Triada sarcophagus is a stone sarcophagus elaborately painted in fresco; one style of later A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arcadia (utopia)
Arcadia ( gr, Αρκαδία) refers to a vision of pastoralism and harmony with nature. The term is derived from the Greek province of the same name which dates to antiquity; the province's mountainous topography and sparse population of pastoralists later caused the word ''Arcadia'' to develop into a poetic byword for an idyllic vision of unspoiled wilderness. Arcadia is a poetic term associated with bountiful natural splendor and harmony. The 'Garden' is often inhabited by shepherds. The concept also figures in Renaissance mythology. Although commonly thought of as being in line with Utopian ideals, Arcadia differs from that tradition in that it is more often specifically regarded as unattainable. Furthermore, it is seen as a lost, Edenic form of life, contrasting to the progressive nature of Utopian desires. The inhabitants were often regarded as having continued to live after the manner of the Golden Age, without the pride and avarice that corrupted other regions. It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin
Latin (, or , ) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the Roman Republic it became the dominant language in the Italian region and subsequently throughout the Roman Empire. Even after the fall of Western Rome, Latin remained the common language of international communication, science, scholarship and academia in Europe until well into the 18th century, when other regional vernaculars (including its own descendants, the Romance languages) supplanted it in common academic and political usage, and it eventually became a dead language in the modern linguistic definition. Latin is a highly inflected language, with three distinct genders (masculine, feminine, and neuter), six or seven noun cases (nominative, accusative, genitive, dative, ablative, and vocative), five declensions, four verb conjuga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Scheemakers
Peter Scheemakers or Pieter Scheemaeckers II or the Younger (10 January 1691 – 12 September 1781) was a Flemish sculptor who worked for most of his life in London. His public and church sculptures in a classicist style had an important influence on the development of modern sculpture in England.Peter Scheemakers at online Encyclopædia Britannica Scheemakers is perhaps best known for executing the -designed memorial to which was erected in |
Relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palmette
The palmette is a motif in decorative art which, in its most characteristic expression, resembles the fan-shaped leaves of a palm tree. It has a far-reaching history, originating in ancient Egypt with a subsequent development through the art of most of Eurasia, often in forms that bear relatively little resemblance to the original. In ancient Greek and Roman uses it is also known as the anthemion (from the Greek ανθέμιον, a flower). It is found in most artistic media, but especially as an architectural ornament, whether carved or painted, and painted on ceramics. It is very often a component of the design of a frieze or border. The complex evolution of the palmette was first traced by Alois Riegl in his ''Stilfragen'' of 1893. The half-palmette, bisected vertically, is also a very common motif, found in many mutated and vestigial forms, and especially important in the development of plant-based scroll ornament. Description The essence of the palmette is a symmetrical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antefix
An antefix (from Latin ', to fasten before) is a vertical block which terminates and conceals the covering tiles of a tiled roof (see imbrex and tegula, monk and nun). It also serves to protect the join from the elements. In grand buildings, the face of each stone antefix was richly carved, often with the anthemion ornament. In less grand buildings moulded ceramic antefixes, usually terracotta, might be decorated with figures heads, either of humans, mythological creatures, or astrological iconography, especially in the Roman period. On temple roofs, maenads and satyrs were often alternated. The frightening features of the Gorgon, with its petrifying eyes and sharp teeth was also a popular motif to ward off evil. A Roman example from the Augustan period features the butting heads of two billy goats. It may have had special significance in imperial Rome since the constellation Capricorn was adopted by the emperor Augustus as his own lucky star sign and appeared on coins and leg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pan (mythology)
In ancient Greek religion and mythology, Pan (; grc, Πάν, Pán) is the god of the wild, shepherds and flocks, rustic music and impromptus, and companion of the nymphs. He has the hindquarters, legs, and horns of a goat, in the same manner as a faun or satyr. With his homeland in rustic Arcadia, he is also recognized as the god of fields, groves, wooded glens, and often affiliated with sex; because of this, Pan is connected to fertility and the season of spring. In Roman religion and myth, Pan's counterpart was Faunus, a nature god who was the father of Bona Dea, sometimes identified as Fauna; he was also closely associated with Sylvanus, due to their similar relationships with woodlands. In the 18th and 19th centuries, Pan became a significant figure in the Romantic movement of western Europe and also in the 20th-century Neopagan movement. Origins Many modern scholars consider Pan to be derived from the reconstructed Proto-Indo-European god ''*Péh₂usōn'', whom th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metope
In classical architecture, a metope (μετόπη) is a rectangular architectural element that fills the space between two triglyphs in a Doric frieze, which is a decorative band of alternating triglyphs and metopes above the architrave of a building of the Doric order. Metopes often had painted or sculptural decoration; the most famous example are the 92 metopes of the Parthenon marbles some of which depict the battle between the Centaurs and the Lapiths. The painting on most metopes has been lost, but sufficient traces remain to allow a close idea of their original appearance. In terms of structure, metopes may be carved from a single block with a triglyph (or triglyphs), or they may be cut separately and slide into slots in the triglyph blocks as at the Temple of Aphaea. Sometimes the metopes and friezes were cut from different stone, so as to provide color contrast. Although they tend to be close to square in shape, some metopes are noticeably larger in height or in width ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frieze
In architecture, the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Paterae are also usually used to decorate friezes. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the moldings of the cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. This style is typical for the Persians. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painted, sculpted or even calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of discrete panels. The material of which the frieze is made of may be plasterwork, carved wood or other decorative medium. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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