Shrine Of The Virgin Of Guápulo
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Shrine Of The Virgin Of Guápulo
The Church and Monastery of Our Lady of Guápulo was the first Marian devotions, Marian shrine in what is now the Republic of Ecuador, founded in 1620 in Guápulo, a beautiful corner located northeast of the city of Quito, the capital of the country, located at 2,690 meters above sea level. Friar Juan de Dios Navas affirmed that this Shrine is one of the best relics inherited from the Colony. The image of the Virgin of Guápulo was the model used for the sculpture of Our Lady of El Cisne and also that of El Quinche. To get to the Guápulo Church, you must travel along the paved road known as the "Path of the Conquerors" (Camino de los Conquistadores), which was used by Francisco de Orellana in 1542 as a route that led him to discover the Amazon River. History Around 1587, a small chapel was erected in the Real Audiencia of Quito in Guashayacu (Guápulo), dedicated to the cult of the Mother of God in the invocation of Our Lady of Guadalupe of Guápulo. This dedication has its orig ...
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Luis De Rivera (painter)
José Luis Gonzalez de Rivera y Revuelta, born in Bilbao, Spain, in 1944, was a psychiatrist, pupil of Wolfgang Luthe, and educator in autogenics and anti-mobbing practices. Education After studying medicine at the University of Navarra and doing his doctorate at the Universidad del País Vasco in Bilbao, he specialized in Psychiatry and Psychotherapy Psychotherapy (also psychological therapy, talk therapy, or talking therapy) is the use of psychological methods, particularly when based on regular personal interaction, to help a person change behavior, increase happiness, and overcome pro ... at McGill University in Montreal, Montreal, Canada, being one of the pupils of autogenics teacher Wolfgang Luthe. Rivera later edited and published "Wolfgang Luthe Introductory Workshop: Introduction to the Methods of Autogenic Training, Therapy and Psychotherapy". Medical and teaching career During his time in Canada, he worked at Montreal General Hospital, Québec, where he fo ...
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Pedro De Alcántara
Pedro is a masculine given name. Pedro is the Spanish, Portuguese, and Galician name for '' Peter''. Its French equivalent is Pierre while its English and Germanic form is Peter. The counterpart patronymic surname of the name Pedro, meaning "son of Peter" (compare with the English surname Peterson) is Pérez in Spanish, and Peres in Galician and Portuguese, Pires also in Portuguese, and Peiris in coastal area of Sri Lanka (where it originated from the Portuguese version), with all ultimately meaning "son of Pêro". The name Pedro is derived via the Latin word "petra", from the Greek word "η πέτρα" meaning "stone, rock". The name Peter itself is a translation of the Aramaic ''Kephas'' or '' Cephas'' meaning "stone". An alternate archaic spelling is ''Pêro''. Pedro may refer to: Notable people Monarchs, mononymously *Pedro I of Portugal *Pedro II of Portugal *Pedro III of Portugal *Pedro IV of Portugal, also Pedro I of Brazil *Pedro V of Portugal *Pedro II of ...
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Altarpiece
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Many altarpieces have been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere. History Origins and early development Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the developme ...
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Virgin Of The Pillar
Our Lady of the Pillar ( es, Nuestra Señora del Pilar) is the name given to the Blessed Virgin Mary in the context of the traditional belief that Mary, while living in Jerusalem, supernaturally appeared to the Apostle James the Greater in AD 40 while he was preaching in what is now Spain. Those who adhere to this belief consider this appearance to be the only recorded instance of Mary exhibiting the mystical phenomenon of bilocation. Among Catholics, it is also considered the first Marian apparition, and unique because it happened while Mary was still living on Earth. This title is also associated with a wooden image commemorating the apparition, which is now enshrined at the Cathedral-Basilica of Our Lady of the Pillar in Zaragoza, Aragon, Spain. Pope Callixtus III granted indulgences for visitors to the shrine in 1456. Pope Innocent XIII in 1730 mandated her veneration throughout the Spanish Empire. On 20 May 1905, Pope Pius X granted the image a canonical coronation. ...
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Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ...
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Immaculate Conception
The Immaculate Conception is the belief that the Virgin Mary was free of original sin from the moment of her conception. It is one of the four Marian dogmas of the Catholic Church, meaning that it is held to be a divinely revealed truth whose denial is heresy. Debated by medieval theologians, it was not defined as a dogma until 1854, by Pope Pius IX in the papal bull ''Ineffabilis Deus'', which states that Mary, through God's grace, was conceived free from the stain of original sin through her role as the Mother of God: We declare, pronounce, and define that the doctrine which holds that the most Blessed Virgin Mary, in the first instance of her conception, by a singular grace and privilege granted by Almighty God, in view of the merits of Jesus Christ, the Saviour of the human race, was preserved free from all stain of original sin, is a doctrine revealed by God and therefore to be believed firmly and constantly by all the faithful. While the Immaculate Conception ass ...
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Churrigueresque
Churrigueresque (; Spanish: ''Churrigueresco''), also but less commonly "Ultra Baroque", refers to a Spanish Baroque style of elaborate sculptural architectural ornament which emerged as a manner of stucco decoration in Spain in the late 17th century and was used up to about 1750, marked by extreme, expressive and florid decorative detailing, normally found above the entrance on the main facade of a building. Origins Named after the architect and sculptor, José Benito de Churriguera (1665–1725), who was born in Madrid and who worked primarily in Madrid and Salamanca, the origins of the style are said to go back to an architect and sculptor named Alonso Cano, who designed the facade of the cathedral at Granada, in 1667. A distant, early 15th century precursor of the highly elaborate Churrigueresque style can be found in the Lombard Charterhouse of Pavia, yet the sculpture-encrusted facade still has the Italianate appeal to rational narrative. Churrigueresque appeals to the ...
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Mudéjar Art
Mudéjar art, also known as Mudéjar style, refers to a type of ornamentation and decoration used in the Iberian Peninsula, Iberian Christian kingdoms, primarily between the 13th and 16th centuries. It was applied to Romanesque architecture, Romanesque, Gothic art, Gothic, and Renaissance architectural styles as constructive, ornamental, and decorative motifs derived from those that had been brought to or developed in Al-Andalus. These motifs and techniques were also present in the art and crafts, especially Hispano-Moresque ware, Hispano-Moresque lustreware that was once widely exported across Europe from southern and eastern Spain at the time. The term ''Mudejar art'' was coined by the art historian José Amador de los Ríos, José Amador de los Ríos y Serrano in reference to the ''Mudéjars'' who played a leading role in introducing Islamic derived decorative elements into the Iberian Christian kingdoms. The Mudéjars were those Muslims who remained in the former areas of Al- ...
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Virgin Of The Rosary Of Guápulo - MET
Virginity is the state of a person who has never engaged in sexual intercourse. The term ''virgin'' originally only referred to sexually inexperienced women, but has evolved to encompass a range of definitions, as found in traditional, modern and ethical concepts. Heterosexual individuals may or may not consider loss of virginity to occur only through penile-vaginal penetration, while people of other sexual orientations often include oral sex, anal sex, or mutual masturbation in their definitions of losing one's virginity. There are cultural and religious traditions that place special value and significance on this state, predominantly towards unmarried females, associated with notions of personal purity, honor, and worth. Like chastity, the concept of virginity has traditionally involved sexual abstinence. The concept of virginity usually involves moral or religious issues and can have consequences in terms of social status and in interpersonal relationships.See her an ...
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Manuel Chili "Caspicara"
Manuel Chili (''ca. '' 1723, Quito – 1796) – known as Caspicara ("wooden face") – was an Ecuadorian sculptor who exemplified the Quito School movement of the 18th century Andes. His major religious works, characterized by polychromed wood sculptures in an elegant Spanish Baroque style, are preserved in the Quito Cathedral and the Church of San Francisco de Quito The Basilica and Convent of San Francisco ( es, Iglesia y Convento de San Francisco), commonly known as ''el San Francisco'', is a Catholic basilica that stands in the middle of the historic center of Quito, in front of the square of the same n ..., Ecuador, and in Popayán, Colombia. His work was rediscovered in 1791 and championed by Eugenio Espejo, then the country's leading intellectual. Biography Caspicara was born into an Indigenous family in Quito in about 1723. Among his predecessors was Lucas Barrionuevo (d. 1594) and among his mentors was Bernardo de Legarda (''ca.'' 1700–1773), whom he is ...
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