Show Boat (Kenny Dorham Album)
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Show Boat (Kenny Dorham Album)
''Showboat'' is an album by American jazz trumpeter Kenny Dorham featuring performances of tunes from the Jerome Kern-Oscar Hammerstein II musical ''Show Boat'' recorded in 1960 and released on the Time label.Kenny Dorham discography
accessed October 7, 2010


Reception

The review by awarded the album 4 stars and stated "This is one of Dorham's better sessions from the era and is easily recommended to his fans and collectors of hard bop".Yanow, S.

Kenny Dorham
McKinley Howard "Kenny" Dorham (August 30, 1924 – December 5, 1972) was an American jazz trumpeter, singer, and composer. Dorham's talent is frequently lauded by critics and other musicians, but he never received the kind of attention or public recognition from the jazz establishment that many of his peers did. For this reason, writer Gary Giddins said that Dorham's name has become "virtually synonymous with ''underrated''." Dorham composed the jazz standard "Blue Bossa", which first appeared on Joe Henderson's album ''Page One''. Biography Dorham was one of the most active bebop trumpeters. He played in the big bands of Lionel Hampton, Billy Eckstine, Dizzy Gillespie, and Mercer Ellington and the quintet of Charlie Parker. He joined Parker's band in December 1948. He was a charter member of the original cooperative The Jazz Messengers, Jazz Messengers. He also recorded as a sideman with Thelonious Monk and Sonny Rollins, and he replaced Clifford Brown in the Max Roach Quintet af ...
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Scott Yanow
Scott Yanow (born October 4, 1954) is an American jazz reviewer, historian, and author.Allmusic Biography/ref> Biography Yanow was born in New York City and grew up near Los Angeles. Since 1974, he was a regular reviewer of many jazz styles and was the jazz editor for ''Record Review.'' He wrote for many jazz and arts magazines, including ''JazzTimes'', ''Jazziz'', ''Down Beat'', ''Cadence'', ''CODA'' and the ''Los Angeles Jazz Scene''. In September 2002, Yanow was interviewed on-camera by CNN about the Monterey Jazz Festival and wrote an in-depth biography on Dizzy Gillespie for AllMusic.com. He authored 12 books on jazz (including 2022's Life Through The Eyes Of A Jazz Journalist), over 900 liner notes for CDs and over 20,000 reviews of jazz recordings. Yanow was a contributor to and co-editor of the third edition of the ''All Music Guide to Jazz''. He continues to write for ''Downbeat, Jazziz'', the ''Los Angeles Jazz Scene'', "Syncopated Times," "Jazz Artistry Now," the ''J ...
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Kenny Dorham Albums
Kenny is a surname, a given name, and a diminutive of several different given names. In Ireland, the surname is an Anglicisation of the Irish ''Ó Cionnaith'', also spelt ''Ó Cionnaoith'' and ''Ó Cionaodha'', meaning "descendant of Cionnaith". It was once popular in the 16th-century in Leinster, Munster, parts of Connacht and in County Tyrone in Ulster, and was Anglicised as O'Kenna, O'Kenny, O'Kinney, Kenna, Kenny, and Kinney amongst other variations. One bearer of the name was Cainnech of Aghaboe, better known in English as Saint Canice - a sixth-century Irish priest and missionary from near Dungiven, after whom the city and county of Kilkenny is also named. The Irish form ''Cill Chainnigh'' means "Church of Canice". It is thought that the ''Ó Cionnaith'' sept was part of the Uí Maine kingdom, based in Connacht. Within this area, the name is associated traditionally with counties Galway and Roscommon. Kenny is ranked at number 76 in the list of the most common surnames in ...
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picture info

Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Art Taylor
Arthur S. Taylor Jr. (April 6, 1929 – February 6, 1995) was an American jazz drummer, who "helped define the sound of modern jazz drumming".Watrous, Peter (February 7, 1995)"Art Taylor, 65, Jazz Drummer Who Inspired Young Musicians" ''The New York Times''. Career As a teenager, Taylor joined a local Harlem band that featured Sonny Rollins, Jackie McLean and Kenny Drew. After playing in the bands of Howard McGhee (1948), Coleman Hawkins (1950–51), Buddy DeFranco (1952), Bud Powell (1953), George Wallington and Art Farmer (1954), Powell and Wallington again (1954–55), Gigi Gryce and Donald Byrd (1956), he formed his own group, Taylor's Wailers.Feather, Leonard & Gitler, Ira (2007), ''The Biographical Encyclopedia of Jazz'', p. 637. Oxford University Press. Between 1957 and 1963, he toured with Donald Byrd, recorded with Miles Davis, Gene Ammons and John Coltrane, and performed with Thelonious Monk; Taylor also was a member of the original Kenny Dorham Quartet of 1957 ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Jimmy Garrison
James Emory Garrison (March 3, 1934 – April 7, 1976) was an American jazz double bassist. He is best remembered for his association with John Coltrane from 1961 to 1967. Career Garrison was raised in both Miami and Philadelphia where he learned to play bass. Garrison came of age in the 1950s Philadelphia jazz scene, which included fellow bassists Reggie Workman and Henry Grimes, pianist McCoy Tyner and trumpeter Lee Morgan. Between 1957 and 1962, Garrison played and recorded with trumpeter Kenny Dorham; clarinetist Tony Scott; drummer Philly Joe Jones; and saxophonists Bill Barron, Lee Konitz, and Jackie McLean, as well as Curtis Fuller, Benny Golson, Lennie Tristano, and Pharoah Sanders, among others. In 1961, he recorded with Ornette Coleman, appearing on Coleman's albums '' Ornette on Tenor'' and '' The Art of the Improvisers''. He also worked with Walter Bishop, Jr. and Cal Massey during the early years of his career. He formally joined Coltrane's quartet in 1962, ...
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Kenny Drew
Kenneth Sidney "Kenny" Drew (August 28, 1928 – August 4, 1993) was an American-Danish jazz pianist. Biography Drew was born in New York City, United States, and received piano lessons from the age of five.Feather, Leonard, & Ira Gitler (2007). ''The Biographical Encyclopedia of Jazz'', Oxford University Press. He attended the High School of Music & Art in Manhattan. Drew's first recording, in 1950, was with Howard McGhee, and over the next two years he worked in bands led by Buddy DeFranco, Coleman Hawkins, Lester Young, and Charlie Parker, among others. After a brief period with his own trio in California, Drew returned to New York, playing with Dinah Washington, Johnny Griffin, Buddy Rich, and several others over the following few years. He led many recording sessions throughout the 1950s, and in 1957 appeared on John Coltrane's album, '' Blue Train''. Drew was one of the American jazz musicians who settled in Europe around this period: he moved to Paris in 1961 and to C ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Jimmy Heath
James Edward Heath (October 25, 1926 – January 19, 2020), nicknamed Little Bird, was an American jazz saxophonist, composer, arranger, and big band A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s an ... leader. He was the brother of bassist Percy Heath and drummer Albert Heath. Biography Heath was born in Philadelphia on October 25, 1926.[ Allmusic biography] His father, an auto mechanic, played the clarinet, performing on the weekends. His mother sang in a church choir. The family frequently played recordings of big band jazz groups around the house. Heath's sister was a pianist, while his brothers were bassist Percy Heath (older) and drummer Albert Heath (his youngest sibling). During World War II, Heath was rejected for the draft for being below the minimum weight. Heath origin ...
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Bill (Show Boat)
"Bill" is a song heard in Act II of Kern and Hammerstein's classic 1927 musical, ''Show Boat''. The song was written by Kern and P. G. Wodehouse for their 1917 musical '' Oh, Lady! Lady!!'' for Vivienne Segal to perform, but it was withdrawn because it was considered too melancholy for that show. When Kern and Hammerstein were at work on a serious and somewhat tragic production of ''Show Boat'', however, they decided that the song would be perfect for a nightclub scene in that show. Hammerstein revised Wodehouse's original lyrics somewhat (although he would always give full credit to Wodehouse for the song and take none for himself), and the song was given to real-life nightclub singer Helen Morgan to sing as she portrayed the mulatto Julie in that version of ''Show Boat''. The song is rendered only once in the show and is highly emotional, with the singer supposedly on the verge of tears. It is sung in an audition scene portrayed in Act II. At the Trocadero, a local Chicago night ...
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Ol' Man River
"Ol' Man River" is a show tune from the 1927 musical ''Show Boat'' with music by Jerome Kern and lyrics by Oscar Hammerstein II. The song contrasts the struggles and hardships of African Americans with the endless, uncaring flow of the Mississippi River. It is sung from the point of view of a black stevedore on a showboat,"Lesson: Ol’ Man River" (school lesson for Mississippi River), Michael E. Marrapodi, New Covenant Christian School, Ashland, Massachusetts, 2006, webpageMassGeo-River: shows phrase "feared of dyin' " (rather than "skeered" of dying) as sung in earlier recordings. and is the most famous song from the show. The song is meant to be performed in a slow tempo; it is sung complete once in the musical's lengthy first scene by the stevedore "Joe" who travels with the boat, and, in the stage version, is heard four more times in brief reprises. Joe serves as a sort of musical one-man Greek chorus, and the song, when reprised, comments on the action, as if saying, "This ha ...
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