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Share The Well
Share the Well is the sixth major release from Caedmon's Call. It was released on October 12, 2004 through Essential Records. Inspired by the band's trip to India, Brazil and Ecuador, Share the Well explores universal Christian themes in a variety of geographies, with songs that look through the eyes of both visitor and resident. Major themes include God's all-sufficient goodness, the need for people to share what they have with each other, and the inherent dignity of the oppressed; in particular the Dalit caste of India. This album was recorded in: *OLIO – Lucknow, Uttar Pradesh, India *Puerto Lago – Otavalo, San Pablo Lake, Ecuador *Dark Horse Recording – Franklin, Tennessee *The Moore's House – Houston, Texas *Second Studios – Houston, Texas and also *domestic locations in Ecuador *domestic locations in Brazil *Sunrise Studios – Houston, Texas *The Velvet Eagle – Nashville, Tennessee *Masterphonics Tracking Room – Nashville, Tennessee Track listing # "Intro" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caedmon's Call
Caedmon's Call is a contemporary Christian band which fused traditional folk with world music and alternative rock. They were composed of Cliff Young (lead vocals and rhythm guitar), Danielle Young (vocals), Garett Buell (percussion), Jeff Miller (bass guitar), Todd Bragg (drums), and Josh Moore (keyboard, accordion, harmonica). Former members include Doug Elmore (percussion), Cari Harris Moore (vocals), Randy Holsapple ( Hammond organ), Aric Nitzberg (bass guitar), Joshua Phillips (pan flute/percussion), and Aaron Tate (songwriting duties). Derek Webb (vocals, guitar) left the band in 2001 to pursue a solo career, but briefly returned to the band for the 2007 recording of '' Overdressed''. Andrew Osenga joined around the time of Webb's departure, and left after the brief tour backing the 2007 album ''Overdressed''. History Caedmon's Call was formed in 1993 with six original members, Cliff Young (whose father and brother are highly successful pastors of megachurches), Daniell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panflute
A pan flute (also known as panpipes or syrinx) is a musical instrument based on the principle of the closed tube, consisting of multiple pipes of gradually increasing length (and occasionally girth). Multiple varieties of pan flutes have been popular as folk instruments. The pipes are typically made from bamboo, giant cane, or local reeds. Other materials include wood, plastic, metal and ivory. Name The pan flute is named after Pan, the Greek god of nature and shepherds often depicted with such an instrument. The pan flute has become widely associated with the character Peter Pan created by Sir James Matthew Barrie, whose name was inspired by the god Pan. In Greek mythology, Syrinx (Σύριγξ) was a forest nymph. In her attempt to escape the affection of god Pan (a creature half goat and half man), she was transformed into a water-reed or calamos (cane-reed). Then, Pan cut several reeds, placed them in parallel one next to the other, and bound them together to make ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Repinique
A repinique is a two-headed German drum used in samba '' baterias'' (percussion ensembles). It is used in the Rio de Janeiro and São Paulo Carnival baterias and in the baterias of Bahia, where it is known as ''repique''. It is equivalent to the tik-tik in the non-Brazilian drum kit or to the tenor drum in marching bands. It is tuned very high to produce a tone that cuts through the sound of the rest of the bateria and it is a lead and solo instrument. Typically its body is made of metal. The heads, made of nylon, are tightened through the use of metal tuning rods. The instrument is usually smaller in diameter than the Brazilian caixa (snare drum) but several inches longer in height and lacking a snare. It is carried using a shoulder strap attached to one of the tuning rods. In Rio-style samba it is played with one wooden stick and one hand. In Bahia it is played with two wooden sticks usually but in some cases also like the Rio-style (the ''bloco afro'' Ilê Aiyê for example ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charango
The charango is a small Andean stringed instrument of the lute family, from the Quechua and Aymara populations in the territory of the Altiplano in post-Colonial times, after European stringed instruments were introduced by the Spanish during colonialization. The instrument is widespread throughout the Andean regions of Bolivia, Peru, Ecuador, northern Chile and northwestern Argentina, where it is a popular musical instrument that exists in many variant forms. About long, the charango was traditionally made with the shell from the back of an armadillo (called ''quirquincho'' or ''mulita'' in South American Spanish), but it can also be made of wood, which some believe to be a better resonator. Wood is more commonly used in modern instruments. Charangos for children may also be made from calabash. Many contemporary charangos are now made with different types of wood. It typically has ten strings in five courses of two strings each, but many other variations exist. The charan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dobro
Dobro is an American brand of resonator guitars, currently owned by Gibson and manufactured by its subsidiary Epiphone. The term "dobro" is also used as a generic term for any wood-bodied, single-cone resonator guitar. The Dobro was originally a guitar manufacturing company founded by the Dopyera brothers with the name "Dobro Manufacturing Company". Their guitar design, with a single outward-facing resonator cone, was introduced to compete with the patented inward-facing tricone and biscuit designs produced by the National String Instrument Corporation. The Dobro name appeared on other instruments, notably electric lap steel guitars and solid body electric guitars and on other resonator instruments such as Safari resonator mandolins. History The roots of the Dobro story can be traced to the 1920s when Slovak immigrant and instrument repairman/inventor John Dopyera and musician George Beauchamp were searching for more volume for his guitars. Dopyera built an ampliphonic (or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tamboor
Tamboor is a town in Kalghatgi Taluk, Dharwad District in Karnataka, India. It is about 8 km from Kalghatagi and about 11 km from Kalghatgi (via Devikoppa) NH 63, 3 km from main road in Karnataka state, India. Name Tamboor name came to village due to the huge availability of copper in earlier years. "Tamra nagar" converted to tamroor and tamboor. Geography Tamboor is located at Western Ghats. Thick forests here hold tigers, chital, elephant, sarang, cobra, and other wildlife. Other local areas of interest include Tamboor Lake, Satoo Shahid Durga, Kali River, Anashi Reserve Forest, Supa Dam. Transport It is better to travel in one's own vehicle. Three daily buses and tempose traveling via Devikoppa from Kalghatgi, Hubli, Dharwad and Yellapur. Nearest places: Kalghatgi, Dharwad, Hubli and Yellapur. Basavanna temple Tamboor is an important center of pilgrimage for people of the Lingayat faith. The Temple of Basavanna, one of the most revered saints of the Lin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalimba
Mbira ( ) are a family of musical instruments, traditional to the Shona people of Zimbabwe. They consist of a wooden board (often fitted with a resonator) with attached staggered metal tines, played by holding the instrument in the hands and plucking the tines with the thumbs (at minimum), the right forefinger (most mbira), and sometimes the left forefinger. Musicologists classify it as a lamellaphone, part of the plucked idiophone family of musical instruments. In Eastern and Southern Africa, there are many kinds of mbira, often accompanied by the hosho, a percussion instrument. It is often an important instrument played at religious ceremonies, weddings, and other social gatherings. The "Art of crafting and playing Mbira/Sansi, the finger-plucking traditional musical instrument in Malawi and Zimbabwe" was added to the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2020. A modern interpretation of the instrument, the kalimba, was commercially pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hammond B-3
The Hammond organ is an electric organ invented by Laurens Hammond and John M. Hanert and first manufactured in 1935. Multiple models have been produced, most of which use sliding #Drawbars, drawbars to vary sounds. Until 1975, Hammond organs generated sound by creating an electric current from rotating a metal tonewheel near an electromagnetic pickup, and then strengthening the signal with an Power amplifier, amplifier to drive a speaker enclosure, speaker cabinet. The organ is commonly used with the Leslie speaker. Around two million Hammond organs have been manufactured. The organ was originally marketed by the Hammond Organ Company to Church (building), churches as a lower-cost alternative to the wind-driven pipe organ, or instead of a piano. It quickly became popular with professional jazz musicians in organ trios—small groups centered on the Hammond organ. Jazz club owners found that organ trios were cheaper than hiring a big band. Jimmy Smith (musician), Jimmy Smith's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tamborim
A ''tamborim'' ( or ) is a small, round Brazilian frame drum of Portuguese and African origin. The frame is 6" in width and may be made of metal, plastic, or wood. The head is typically made of nylon and is normally very tightly tuned in order tore and a minimum of sustain. The drum is devoid of snares or jingles. They are frequently confused with the more common tambourine. The size and weight of the tamborim compare with those of the small frame drums of the Orff Schulwerk. The tamborim is used in many genres of Brazilian music. It is most commonly associated with samba, nose flute and pagode, but is also used in chorinho, bossa nova, and some northeastern folklore rhythms such as cucumbi. It is also played in samba music and in carnivals or festivals. Technique In most musical styles, the tamborim is played with a small wooden drumstick. In samba-batucada, it is played with a beater made of several nylon or polyacetal threads bound together. On rare occasions, it may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pandeiro
The pandeiro () is a type of hand frame drum popular in Brazil. The pandeiro is used in a number of Brazilian music forms, such as samba, choro, coco, and capoeira music. The drumhead is tunable, and the rim holds metal jingles (''platinelas'') which are cupped, creating a crisper, drier and less sustained tone on the pandeiro than on the tambourine. It is held in one hand, and struck on the head by the other hand to produce the sound. Typical pandeiro patterns are played by alternating the thumb, fingertips, heel, and palm of the hand. A pandeiro can also be shaken to make sound, or one can run a finger along the head to produce a drum roll. Medieval instrument The term ''pandeiro'' was previously used to describe a square double-skinned frame drum, often with a bell inside; such an instrument is now known by the term ''adufe'' in Spain and Portugal. The term ''pandeiro'' (''pandero'' in Asturian) is still used in parts of Galicia, Asturias and Portugal to describe the squar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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