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Kalimba
Mbira ( ) are a family of musical instruments, traditional to the Shona people of Zimbabwe. They consist of a wooden board (often fitted with a resonator) with attached staggered metal tines, played by holding the instrument in the hands and plucking the tines with the thumbs (at minimum), the right forefinger (most mbira), and sometimes the left forefinger. Musicologists classify it as a lamellaphone, part of the plucked idiophone family of musical instruments. In Eastern and Southern Africa, there are many kinds of mbira, often accompanied by the hosho, a percussion instrument. It is often an important instrument played at religious ceremonies, weddings, and other social gatherings. The "Art of crafting and playing Mbira/Sansi, the finger-plucking traditional musical instrument in Malawi and Zimbabwe" was added to the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2020. A modern interpretation of the instrument, the kalimba, was commercially pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mbira Nyunga Nyunga
Mbira ( ) are a family of musical instruments, traditional to the Shona people of Zimbabwe. They consist of a wooden board (often fitted with a resonator) with attached staggered metal tines, played by holding the instrument in the hands and plucking the tines with the thumbs (at minimum), the right forefinger (most mbira), and sometimes the left forefinger. Musicologists classify it as a lamellaphone, part of the plucked idiophone family of musical instruments. In Eastern and Southern Africa, there are many kinds of mbira, often accompanied by the hosho, a percussion instrument. It is often an important instrument played at religious ceremonies, weddings, and other social gatherings. The "Art of crafting and playing Mbira/Sansi, the finger-plucking traditional musical instrument in Malawi and Zimbabwe" was added to the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2020. A modern interpretation of the instrument, the kalimba, was commercially pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Earth, Wind And Fire
Earth, Wind & Fire (EW&F or EWF) is an American band whose music spans the genres of jazz, R&B, soul, funk, disco, pop, big band, Latin, and Afro pop. They are among the best-selling bands of all time, with sales of over 90 million records worldwide. The band was founded in Chicago by Maurice White in 1969, growing out of the Salty Peppers. Prominent members have included Philip Bailey, Verdine White, Ralph Johnson, Larry Dunn, Al McKay, Roland Bautista, Robert Brookins, Sonny Emory, Fred Ravel, Ronnie Laws, Sheldon Reynolds and Andrew Woolfolk. The band is known for its kalimba sound, dynamic horn section, energetic and elaborate stage shows, and the contrast between Bailey's falsetto and Maurice's baritone. The band has won 6 Grammys out of 17 nominations and four American Music Awards out of 12 nominations. They have been inducted into the Rock and Roll Hall of Fame, the Vocal Group Hall of Fame, the NAACP Image Award Hall of Fame, and Hollywood's Roc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice White
Maurice White (December 19, 1941 – February 4, 2016) was an American singer, musician, songwriter, and record producer. He was best known as the founder, leader, main songwriter, and producer of the band Earth, Wind & Fire, and served as the band's co-lead singer with Philip Bailey. Described as a "visionary" by ''Vibe'' and a "mastermind" by ''Variety'', White was nominated for a total of 22 Grammys, of which he won seven. He was inducted into the Rock and Roll Hall of Fame and the Vocal Group Hall of Fame as a member of Earth, Wind & Fire, and was also inducted individually into the Songwriters Hall of Fame. He additionally worked with artists such as Deniece Williams, Cher, The Emotions, Barbra Streisand, Ramsey Lewis, and Neil Diamond. Biography Early career Maurice White was born in Memphis, Tennessee, on December 19, 1941. He grew up in South Memphis, where he lived with his grandmother in the Foote Homes Projects and was a childhood friend of Booker T. Jones and Dav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugh Tracey
Hugh Travers Tracey was an English ethnomusicologist. He and his wife collected and archived music from Southern and Central Africa. From the 1920s through the 1970s, Tracey made over 35,000 recordings of African folk music. He popularized the mbira (a musical instrument of the Shona people) internationally under the name ''kalimba''. Hugh Tracy saw the importance of music within culture when he worked a tobacco farm in Southern Rhodesia. Here, he experienced music that displayed beliefs and morals, which inspired him to make his filed recordings. He wanted to stop the losing of traditional music and culture from modernity and recoded all of his field recordings from rural areas that still held onto traditional culture and ideas. Life and career Tracey was born in Willand, Devon, in 1903. In the late 1920s Tracey was a farmer in rural Devon, when he decided to travel to Southern Rhodesia, current Zimbabwe. There he continued to work as a farmer, but became deeply interested in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lamellaphone
A lamellophone (also lamellaphone or linguaphone) is a member of the family of musical instruments that makes its sound by a thin vibrating plate called a lamella or tongue, which is fixed at one end and has the other end free. When the musician depresses the free end of a plate with a finger or fingernail, and then allows the finger to slip off, the released plate vibrates. An instrument may have a single tongue (such as a Jew's harp) or a series of multiple tongues (such as a mbira thumb piano). Linguaphone comes from the Latin root ''lingua'' meaning "tongue", (i.e., a long thin plate that is fixed only at one end). lamellophone comes from the Latin word ' for "small metal plate", and the Greek word ''phonē'' for "sound, voice". The lamellophones constitute category 12 in the Hornbostel–Sachs system for classifying musical instruments, plucked idiophones. There are two main categories of plucked idiophones, those that are in the form of a frame (121) and those that are i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lamellophone
A lamellophone (also lamellaphone or linguaphone) is a member of the family of musical instruments that makes its sound by a thin vibrating plate called a lamella or tongue, which is fixed at one end and has the other end free. When the musician depresses the free end of a plate with a finger or fingernail, and then allows the finger to slip off, the released plate vibrates. An instrument may have a single tongue (such as a Jaw harp, Jew's harp) or a series of multiple tongues (such as a mbira thumb piano). Linguaphone comes from the Latin root ''lingua'' meaning "tongue", (i.e., a long thin plate that is fixed only at one end). lamellophone comes from the Latin word ' for "small metal plate", and the Greek language, Greek word ''phonē'' for "sound, voice". The lamellophones constitute category 12 in the Hornbostel–Sachs system for classifying musical instruments, plucked idiophones. There are two main categories of plucked idiophones, those that are in the form of a frame ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lamellophones
A lamellophone (also lamellaphone or linguaphone) is a member of the family of musical instruments that makes its sound by a thin vibrating plate called a lamella or tongue, which is fixed at one end and has the other end free. When the musician depresses the free end of a plate with a finger or fingernail, and then allows the finger to slip off, the released plate vibrates. An instrument may have a single tongue (such as a Jew's harp) or a series of multiple tongues (such as a mbira thumb piano). Linguaphone comes from the Latin root ''lingua'' meaning "tongue", (i.e., a long thin plate that is fixed only at one end). lamellophone comes from the Latin word ' for "small metal plate", and the Greek word ''phonē'' for "sound, voice". The lamellophones constitute category 12 in the Hornbostel–Sachs system for classifying musical instruments, plucked idiophones. There are two main categories of plucked idiophones, those that are in the form of a frame (121) and those that are i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marimba
The marimba () is a musical instrument in the percussion family that consists of wooden bars that are struck by mallets. Below each bar is a resonator pipe that amplifies particular harmonics of its sound. Compared to the xylophone, the timbre of the marimba is warmer, deeper, more resonant, and more pure. It also tends to have a lower range than that of a xylophone. Typically, the bars of a marimba are arranged chromatically, like the keys of a piano. The marimba is a type of idiophone. Today, the marimba is used as a solo instrument, or in ensembles like orchestras, marching bands (typically as a part of the front ensemble), percussion ensembles, brass and concert bands, and other traditional ensembles. Etymology and terminology The term ''marimba'' refers to both the traditional version of this instrument and its modern form. Its first documented use in the English language dates back to 1704. The term is of Bantu origin, deriving from the prefix meaning 'many' and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalahari Desert
The Kalahari Desert is a large semi-arid sandy savanna in Southern Africa extending for , covering much of Botswana, and parts of Namibia and South Africa. It is not to be confused with the Angolan, Namibian, and South African Namib coastal desert, whose name is of Khoekhoegowab origin and means "vast place". Etymology ''Kalahari'' is derived from the Tswana word ''Kgala'', meaning "the great thirst", or ''Kgalagadi'', meaning "a waterless place"; the Kalahari has vast areas covered by red sand without any permanent surface water. History The Kalahari Desert was not always a dry desert. The fossil flora and fauna from Gcwihaba Cave in Botswana indicates that the region was much wetter and cooler at least from 30 to 11 thousand BP (before present) especially after 17,500 BP. Geography Drainage of the desert is by dry black valleys, seasonally inundated pans and the large salt pans of the Makgadikgadi Pan in Botswana and Etosha Pan in Namibia. The only permanent river, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zambezi River
The Zambezi River (also spelled Zambeze and Zambesi) is the fourth-longest river in Africa, the longest east-flowing river in Africa and the largest flowing into the Indian Ocean from Africa. Its drainage basin covers , slightly less than half of the Nile's. The river rises in Zambia and flows through eastern Angola, along the north-eastern border of Namibia and the northern border of Botswana, then along the border between Zambia and Zimbabwe to Mozambique, where it crosses the country to empty into the Indian Ocean. The Zambezi's most noted feature is Victoria Falls. Its other falls include the Chavuma Falls at the border between Zambia and Angola, and Ngonye Falls near Sioma in western Zambia. The two main sources of hydroelectric power on the river are the Kariba Dam, which provides power to Zambia and Zimbabwe, and the Cahora Bassa Dam in Mozambique, which provides power to Mozambique and South Africa. Additionally, two smaller power stations are along the Zambezi Ri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Babatunde Olatunji
Michael Babatunde Olatunji (April 7, 1927 – April 6, 2003) was a Nigerian drummer, educator, social activist, and recording artist. Early life Olatunji was born in the village of Ajido, near Badagry, Lagos State, in southwestern Nigeria. A member of the Ogu people, Olatunji was introduced to traditional African music at an early age. His name, Bàbátúndé, means 'father has returned', because he was born two months after his father, an Ogu (Egun) man, Zannu died, and Olatunji was considered to be a reincarnation. His father was a local fisherman who was about to rise to the rank of chieftain, and his mother was a potter who was a member of the Ogu people. Olatunji grew up speaking the Gun (Ogu/Egun) and Yoruba languages. His maternal grandmother and a great-grandmother were priestesses of the Vodun and Ogu religions, and they worshipped the Vodun, such as Kori, the goddess of fertility. Because of his father's premature death, from an early age he was groomed to take ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
