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Shanghai Opera House
Shanghai Opera House (; Shanghainese: ''Zånhae Kujihyoe'') is the official government-funded western-style opera company of Shanghai, China, and the resident opera company at the new Shanghai Grand Theatre (上海大剧院 ''Shanghai Da Juyuan''). Although the term "Opera House" is often applied to the building, both in English and Chinese texts, officially the building is not an opera house and the term "Shanghai Opera House" properly applies only to the performing company, not the building, as is also true for its senior sister company, the China National Opera House (CNOH) in Beijing. The reason for the distinction is found in that the Chinese character ''Yuan'' (院) applies primarily to a school or institute or dramatic troupe rather than the building in which a school, institute or dramatic company resides. The offices, practice rooms and small rehearsal theatre are located at No.10 100- lòng Changshu Road, Jing'an District, Shanghai. Repertoire The repertoire of the o ...
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Shanghai Grand Theatre - At Night
Shanghai (; , , Standard Mandarin pronunciation: ) is one of the four direct-administered municipalities of the People's Republic of China (PRC). The city is located on the southern estuary of the Yangtze River, with the Huangpu River flowing through it. With a population of 24.89 million as of 2021, Shanghai is the most populous urban area in China with 39,300,000 inhabitants living in the Shanghai metropolitan area, the second most populous city proper in the world (after Chongqing) and the only city in East Asia with a GDP greater than its corresponding capital. Shanghai ranks second among the administrative divisions of Mainland China in human development index (after Beijing). As of 2018, the Greater Shanghai metropolitan area was estimated to produce a gross metropolitan product (nominal) of nearly 9.1 trillion RMB ($1.33 trillion), exceeding that of Mexico with GDP of $1.22 trillion, the 15th largest in the world. Shanghai is one of the world's major centers for ...
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Die Fledermaus
' (, ''The Flittermouse'' or ''The Bat'', sometimes called ''The Revenge of the Bat'') is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée, which premiered in 1874. Background The original literary source for ' was ' (''The Prison''), a farce by German playwright Julius Roderich Benedix that premiered in Berlin in 1851. On 10 September 1872, a three-act French vaudeville play by Henri Meilhac and Ludovic Halévy, ', loosely based on the Benedix farce, opened at the Théâtre du Palais-Royal. Meilhac and Halévy had provided several successful libretti for Offenbach and ''Le Réveillon'' later formed the basis for the 1926 silent film '' So This Is Paris'', directed by Ernst Lubitsch. Meilhac and Halévy's play was soon translated into German by Karl Haffner (1804–1876), at the instigation of Max Steiner, as a non-musical play for production in Vienna. The French custom of a New Year's Eve ''réveillon'', or supper party ...
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Lu Xun
Zhou Shuren (25 September 1881 – 19 October 1936), better known by his pen name Lu Xun (or Lu Sun; ; Wade–Giles: Lu Hsün), was a Chinese writer, essayist, poet, and literary critic. He was a leading figure of modern Chinese literature. Writing in vernacular Chinese and classical Chinese, he was a short story writer, editor, translator, literary critic, essayist, poet, and designer. In the 1930s, he became the titular head of the League of Left-Wing Writers in Shanghai during republican era China (1912-1949). Lu Xun was born into a family of landlords and government officials in Shaoxing, Zhejiang; the family's financial resources declined over the course of his youth. Lu aspired to take the imperial examinations, but due to his family's relative poverty he was forced to attend government-funded schools teaching "Western education". Upon graduation, Lu went to medical school in Japan but later dropped out. He became interested in studying literature but was eventually f ...
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Thunderstorm (play)
''Thunderstorm'' () is a play written in 1933 by the Chinese dramatist Cao Yu. It is one of the most popular Chinese dramatic works of the period prior to the Japanese invasion of China in 1937. History The drama ''Thunderstorm'' was first published in the literary magazine, ''Literary Quarterly''. Shortly after its publication, a production of the play was mounted in Jinan, and later, in 1935, in Shanghai and in Tokyo, both of which were well received. In 1936, ''Thunderstorm'' debuted in Nanjing, with Cao Yu himself acting in the lead role. Plot The subject matter of ''Thunderstorm'' is the disastrous effects of rigid traditionalism and hypocrisy on the wealthy, modern, somewhat Westernized Zhou family. Specifically, the plot of ''Thunderstorm'' centers on the Zhou family's psychological and physical destruction as a result of incest and oppression, caused by its morally depraved and corrupt patriarch, Zhou Puyuan, a wealthy businessman. The following synopsis is based on the ...
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Sister Jiang
Jiang Zhuyun (; 20 August 1920 – 14 November 1949) was a Chinese communist resistance fighter and revolutionary martyr.Spymaster: Dai Li and the Chinese Secret Service - Page 166 Frederic E. Wakeman - 2003 "Occasionally, but only very seldom, was a woman able to shame her torturers in return. Shen Zui tells the story of Xu Yuanju's interrogation of the Communist Jiang Zhuyun in Chongqing. After she disdainfully refused to answer his questions, ..." She is the basis of the character of Jiang Xueqin, or "Sister Jiang" () in the semi-fictional novel '' Red Crag''.East Asian History - Institute of Advanced Studies, Australian National University, 1998 p134-137 Life She was born Jiang Zhujun () in Jiangjiawan, Dashanpu, Zigong, Sichuan province. She moved after a drought struck their area and her mother asked for help from her brother who lived in Chongqing. When her grandmother died they were able to move out of her uncle's house. He was well off, whilst her family had difficulty ...
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Red Guards On Honghu Lake
''Red Guards on Honghu Lake'' (Chinese: 洪湖赤卫队) is a Chinese modern opera in six acts. It was first performed in October 1956 in Wuhan, Hubei by the Hubei Experimental Theater Society (湖北省实验歌剧团). It is set in Honghu, Hubei. Its music was composed by Zhu Benhe, Zhang Jing'an, and Ouyang Qianshu. It was adapted to the cinema in 1961. Plot synopsis The opera is based on a true story. In the summer of 1930, a landlord of Pengjiadun named Peng Batian takes advantage of the departure of the Red Army, cooperating with colonel Feng of the Kuomintang The Kuomintang (KMT), also referred to as the Guomindang (GMD), the Nationalist Party of China (NPC) or the Chinese Nationalist Party (CNP), is a major political party in the Republic of China, initially on the Chinese mainland and in Tai ... to attack the Honghu Base Area. Secretary Han Ying and Captain Liu Chuang lead the Red Guards to withdraw, then raid Pengjiadun with the help of an Underground Party s ...
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Fangcaoxin
''Fangcaoxin'' (芳草心 "Fangfang, heart of grass") is a 1983 Chinese-language western-style opera or musical, and 1986 film. It was filmed as ''Fangcaoxin'' in 1986, and appears listed in some sources by an English title "The Passion and the Love." The geju was based on the play ''Zhenqing jiayi'' (《真情假意》) by Ping Danhe which was in the repertoire of the Frontline Song and Dance Troupe (前线歌舞团). The original play was collectively edited, with a new libretto by Xiang Tong (向彤) and He Zhaohua (何兆华) and then set to music by Wang Zujie (王祖皆 b.1949) and Zhang Zhuoya (张卓娅). It had its first performance in Nanjing in 1983 by the Frontline Song and Dance Troupe. The most famous excerpt is the aria ''xiao cao'' (《小草》 "little grass"). Plot The plot concerns twin sisters Yunyun (媛媛) and Fangfang (芳芳) and their love for the engineer Yu Gang (于刚). Yu Gang is blinded in an accident and his girlfriend Yunyun deserts him, her twin ...
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Zan Yuen
''Zan Yuen'' (《苍原》''cāngyuán'' "boundless grasslands") is a 1995 Chinese-language western-style opera (中国当代歌剧). The plot concerns a Mongolian tribe returning from Siberia to China during the reign of the Qianlong Emperor in the Qing dynasty.China Theatre Annual 中国戏剧年鉴. China Theatre Annual Editorial. 《中国戏剧年鉴》 編輯部 - 1997 Page 162 "现在,《苍原》大获成功,尤其是音乐大获成功,证明他具有这种才能。现在,让我们就《苍原》音乐创作所取得的成就,做一简单的评析。在歌剧音乐创作中,音乐风格的确立,以及为达成某种风格采用的具体构成方式,是每一个作曲家都要面对的问] 1 。徐占海在 ..." The music was composed by Xu Zhanhai (徐占海 born 1945), of the Shenyang Music Institute and Liaoning Opera, based on the plot of a radio drama series ''Run to the place where the sun rises'' (《奔向太阳升起的地方》) by screenwriter Yan Derong (阎德 ...
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White-Haired Girl
''The White-Haired Girl'' () is a Chinese opera, ballet, (later adapted to Beijing Opera and a film) by Yan Jinxuan to a Chinese libretto by He Jingzhi and Ding Yi. The folklore of the white-haired girl is believed to have spread widely in the areas occupied by the Communist Party of Northern China since the late 1930s. Many years later, a literary work was created in the liberated area controlled by the Chinese Communist Party in the late 1940s. The film was made in 1950 and the first Peking opera performance was in 1958. The first ballet performance was by Shanghai Dance Academy, Shanghai in 1965. It has also been performed by the noted soprano Guo Lanying. The opera is based on legends circulating in the border region of Shanxi, Chahar and Hebei, describing the misery suffered by local peasantry, particularly the misery of the female members. The stories are based on real-life stories of no fewer than half a dozen women, in a time frame stretching from the late Qing dynasty ...
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Chinese-language Western-style Opera
Chinese contemporary classical opera (Chinese: 当今古典歌剧; ''dāngjīn gŭdiăn gējù''; "contemporary classical opera") is a musical art form drawing on western opera traditions - distinct from modern developments of traditional Chinese opera. One of the first western-style operas was ''The White Haired Girl'' (1940). Chinese-language western-style opera is to be distinguished the Revolutionary operas of the Cultural Revolution such as ''Taking Tiger Mountain by Strategy'' which were mainly an adaption of Peking opera with socialist text and subjects, with some influence from Soviet musical theatre. The 1950s-70s saw several patriotic socialist operas, such as ''Red Guards on Honghu Lake'' (1956). Modern operas with a continuation of "realist" socialist elements include ''A Village Teacher'' (2009). China has several separate ''geju'' companies under the Ministry of Culture, parallel with the traditional Chinese opera companies. The most prestigious are the Beijing-based ...
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L'amour Des Trois Oranges
''The Love for Three Oranges'', Op. 33, also known by its French language title ' (russian: Любовь к трём апельсинам, links=no, ''Lyubov' k tryom apel'sinam''), is a satirical opera by Sergei Prokofiev. Its French libretto was based on the Italian play '' L'amore delle tre melarance'' by Carlo Gozzi. The opera premiered at the Auditorium Theatre in Chicago, Illinois, on 30 December 1921. Composition history The opera was the result of a commission during Prokofiev's successful first visit to the United States in 1918. After well-received concerts of his works in Chicago (including his First Symphony), Prokofiev was approached by the director of the Chicago Opera Association, Cleofonte Campanini, to write an opera. Conveniently, Prokofiev had drafted a libretto during his trip to the US; he had based it on Carlo Gozzi's play in the ''Commedia dell'arte'' tradition, (which was itself based on Giambattista Basile's fairy tale "The Love for Three Oranges"). The ...
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I Pagliacci
''Pagliacci'' (; literal translation, "Clowns") is an Italian opera in a prologue and two acts, with music and libretto by Ruggero Leoncavallo. The opera tells the tale of Canio, actor and leader of a commedia dell'arte theatrical company, who murders his wife Nedda and her lover Silvio on stage during a performance. ''Pagliacci'' premiered at the Teatro Dal Verme in Milan on 21 May 1892, conducted by Arturo Toscanini, with Adelina Stehle as Nedda, Fiorello Giraud as Canio, Victor Maurel as Tonio, and Mario Ancona as Silvio. Soon after its Italian premiere, the opera played in London (with Nellie Melba as Nedda) and in New York (on 15 June 1893, with Agostino Montegriffo as Canio). ''Pagliacci'' is the composer's only opera that is still widely performed. ''Pagliacci'' is often staged with ''Cavalleria rusticana'' by Pietro Mascagni, a double bill known colloquially as "Cav and Pag". Origin and disputes Leoncavallo was a little-known composer when Pietro Mascagni's ''Cavalleria ...
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