|
Shanghai Animation Film Studio
Shanghai Animation Film Studio () also known as SAFS () is a Chinese animation studio based in Shanghai, China, as part of the Shanghai Film Group Corporation. Shanghai Animation Film Studio was officially established in April, 1957, led by pioneering animators and artists including Te Wei, and Wan Brothers. It has produced around 500 films with over 40,000 minutes of original animation data source, covering 80% of China's domestic animation production. SAFS produces a number of animated films in various art forms with Chinese artistic characteristics, including Jianzhi, Shuimohua, Puppetoon, Zhezhi (also known as origami), Shadow puppetry, etc. It also has international collaborations with various studios around the world. History Establishment (1946-1957) In 1949, at the time the People's of Republic China was established, the Ministry of Culture sent a group of young animators, including Te Wei (1915-2010), the caricaturist, and Jing Shi (1919-1997), the painter, to Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
State-owned Enterprise
A state-owned enterprise (SOE) is a Government, government entity which is established or nationalised by the ''national government'' or ''provincial government'' by an executive order or an act of legislation in order to earn Profit (economics), profit for the Government, government, control monopoly of the Private sector, private sector entities, provide products and services to citizens at a lower price and for the achievement of overall financial goals & developmental objectives in a particular country. The national government or provincial government has majority ownership over these ''state owned enterprises''. These ''state owned enterprises'' are also known as public sector undertakings in some countries. Defining characteristics of SOEs are their distinct legal form and possession of Profit (economics), financial goals & developmental objectives (e.g., a state railway company may aim to make transportation more accessible and earn profit for the government), SOEs ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shadow Play
Shadow play, also known as shadow puppetry, is an ancient form of storytelling and entertainment which uses flat articulated cut-out figures (shadow puppets) which are held between a source of light and a translucent screen or scrim. The cut-out shapes of the puppets sometimes include translucent color or other types of detailing. Various effects can be achieved by moving both the puppets and the light source. A talented puppeteer can make the figures appear to walk, dance, fight, nod and laugh. Shadow play is popular in various cultures, among both children and adults in many countries around the world. More than 20 countries are known to have shadow show troupes. Shadow play is an old tradition and it has a long history in Southeast Asia, especially in Indonesia, Malaysia, Thailand, and Cambodia. It has been an ancient art and a living folk tradition in China, India, Iran and Nepal. It is also known in Egypt, Turkey, Syria, Greece, Germany, France, and the United States. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hu Jinqing
Hu Jinqing (; March 1936 – 13 May 2019) was a Chinese animator and film director, and a pioneer in adapting the traditional art of Chinese paper cutting to animation. His film '' The Fight Between the Snipe and the Clam'' won the Silver Bear for Best Short Film at the 1984 Berlin International Film Festival. He co-directed the 1980s animated television series ''Calabash Brothers'' and created the Hulu (Calabash) Babies, which have become some of the most popular animated characters in China. Life and career Hu was born in March 1936 in Changzhou, Jiangsu, Republic of China. He joined the Shanghai Animation Film Studio in the 1950s as a young artist. In 1958, he assisted Wan Guchan, a founder of China's animation industry, in making the first-ever Chinese paper cutting animation film, ''Pigsy Eats Watermelon''. In 1983, Hu directed the animated short film '' The Fight Between the Snipe and the Clam'', based on the Chinese proverb "in the fight between the snipe and the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wan Guchan
Wan Guchan (; 18 January 1900 – 19 November 1995) was a Chinese filmmaker. Born in Nanjing, Jiangsu, he was one of the Wan brothers who pioneered the Chinese animations industry. Early history Wan Guchan joined his twin brother Wan Laiming in most of the animation projects and experimentations.Travel Channel China. "." "Tieshangongzhufirst-length cartoon." Retrieved on 2006-12-24. Achievements Throughout his career, Wan Guchan would be the closest to Wan Laiming in assisting him in all major projects. In 1958, he would be credited as the innovator of a new paper-cut method. The technique was demonstrated in the animation ''Pigsy Eats Watermelon''. Wan Guchan would also take part in the 1964 film ''Havoc in Heaven ''Havoc in Heaven'', also translated as ''Uproar in Heaven'', is a Chinese donghua feature film directed by Wan Laiming and produced by all four of the Wan brothers. The film was created at the height of the Chinese animation industry in the 1960 ...'', which woul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zhou Enlai
Zhou Enlai (; 5 March 1898 – 8 January 1976) was a Chinese statesman and military officer who served as the first Premier of the People's Republic of China, premier of the People's Republic of China from 1 October 1949 until his death on 8 January 1976. Zhou served under Chairman Mao Zedong and helped the Chinese Communist Party, Communist Party rise to power, later helping consolidate its control, form its Foreign policy of China, foreign policy, and develop the Economy of China, Chinese economy. As a diplomat, Zhou served as the Chinese Foreign Minister of the People's Republic of China, foreign minister from 1949 to 1958. Advocating peaceful coexistence with Western Bloc, the West after the Korean War, he participated in the Geneva Conference (1954), 1954 Geneva Conference and the 1955 Bandung Conference, and helped orchestrate 1972 Nixon visit to China, Richard Nixon's 1972 visit to China. He helped devise policies regarding disputes with the United States, Taiwan, the So ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hundred Flowers Campaign
The Hundred Flowers Campaign, also termed the Hundred Flowers Movement (), was a period from 1956 to 1957 in the People's Republic of China during which the Chinese Communist Party (CCP) encouraged citizens to openly express their opinions of the Communist Party. Following the failure of the campaign, CCP Chairman Mao Zedong conducted an ideological crackdown on those who criticized the party, which continued through 1959. During the campaign, differing views and solutions to national policy were encouraged based on the famous expression by Mao: "The policy of letting a hundred flowers bloom and a hundred schools of thought contend is designed to promote the flourishing of the arts and the progress of science." The movement was in part a response to the demoralization of intellectuals, who felt estranged from the Communist Party. After this brief period of liberalization, the crackdown continued through 1957 and 1959 as an Anti-Rightist campaign against those who were critical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Conceited General
''The Proud General'' () is a Chinese animated featurette produced by Shanghai Animation Film Studio under the animator Te Wei. It is also translated as ''The Conceited General''. Plot After a victorious military campaign, a general returns home to glory and prosperity. The king rewards him and claims that all enemies will be intimidated by the general. From then on, the general no longer practices martial arts. He eats, drinks, lives the glamorous life, and doesn't bother anymore with sharpening his weapons. When the enemy one day returns, his own arrogance leads to his defeat and eventually to the downfall of the whole nation. Creators Production The film was heavily influenced by Disney from the perspective of character design, movement and storytelling point of view. The music is derived from the Beijing Opera Peking opera, or Beijing opera (), is the most dominant form of Chinese opera, which combines music, vocal performance, mime, dance and acrobatics. It arose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Magical Pen
''The Magic Brush'' is a Chinese animated stop-motion film produced by the Shanghai Animation Film Studio. There were two versions of the film. In 1954 the first film was called ''"Ma Liang and his Magic Brush"'' (Chinese: 神筆馬良). In 1955 the second film was called ''"Magic Brush"'' (Chinese: 神筆). They are also interchangeably referred to as the ''"Magic Pen"'' or ''"Magical Pen"''. Plot A young and kind peasant boy named Ma Liang used to cut reeds and bamboo from the rich . He liked drawing and drew pictures everywhere and had the greatest dream to be an artist. As Ma Liang gets ready for bed one night after looking at all his drawings, an elderly man appeared in his dream and gave him a paintbrush. He informs Ma Liang of the brush's great power and tells him to use it wisely. Before Ma Liang can thank him, the old man disappeared . To test the power, Ma Liang uses the brush to paint a rooster. When he paints the last feather, the rooster comes to life and flie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peking Opera
Peking opera, or Beijing opera (), is the most dominant form of Chinese opera, which combines music, vocal performance, mime, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1644–1912) and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing court and has come to be regarded as one of the cultural treasures of China. Major performance troupes are based in Beijing, Tianjin and Shanghai. The art form is also preserved in Taiwan, where it is also known as (). It has also spread to other regions such as the United States and Japan. Peking opera features four main role types, '' sheng'' (gentlemen), ''dan'' (women), '' jing'' (rough men), and '' chou'' (clowns). Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Peking opera's characteristically sparse stage. They use the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wan Laiming
Wan Laiming (; 18 January 1900 – 7 October 1997) was born in Nanjing, Qing dynasty. He was one of the Wan brothers who pioneered the Chinese animation industry, and is commonly considered as China's first animator. As the director of the Shanghai Animation Film Studio, he would raise the standard to International level before other historical events affected the industry. Early history Wan Laiming and Wan Guchan were twin brothers. They were the first ones to experiment with primitive film technology adapted from the United States and other parts of the world, and were often inspired by foreign cartoons that made it to Shanghai. In 1919 they worked in the fine art departments at Shanghai Commercial Press. They were exposed to early technologies like zoetrope with galloping horses that animate on rotation. Other cinema techniques like zoetrope projection principles were being studied. In the early 1920s on a summer evening, the brothers were squeezed into a small attic. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wan Chaochen
Wan Chao-Chan (; 1906–1992) was born in Nanjing, China. He was one of the Wan brothers who pioneered the Chinese animations industry. History He joined his other brothers Wan Laiming Wan Laiming (; 18 January 1900 – 7 October 1997) was born in Nanjing, Qing dynasty. He was one of the Wan brothers who pioneered the Chinese animation industry, and is commonly considered as China's first animator. As the director of the Sha ... in most of the animation projects that came after the experimentations.Travel Channel China. "." "Tieshangongzhufirst-length cartoon." Retrieved on 2006-12-24. Filmography References External links China Movie DB Chinese animators Film directors from Jiangsu 20th-century Chinese inventors Cinema pioneers 1906 births 1992 deaths Artists from Nanjing Chinese film directors Chinese animated film directors Chinese animated film producers {{animator-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suzhou
Suzhou (; ; Suzhounese: ''sou¹ tseu¹'' , Mandarin: ), alternately romanized as Soochow, is a major city in southern Jiangsu province, East China. Suzhou is the largest city in Jiangsu, and a major economic center and focal point of trade and commerce. Administratively, Suzhou is a prefecture-level city with a population of 6,715,559 in the city proper, and a total resident population of 12,748,262 as of the 2020 census in its administrative area. The city jurisdiction area's north waterfront is on a lower reach of the Yangtze whereas it has its more focal south-western waterfront on Lake Tai – crossed by several waterways, its district belongs to the Yangtze River Delta region. Suzhou is now part of the Greater Shanghai metro area, incorporating most of Changzhou, Wuxi and Suzhou urban districts plus Kunshan and Taicang, with a population of more than 38,000,000 residents as of 2020. Its urban population grew at an unprecedented rate of 6.5% between 2000 and 2014, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Zhou Enlai"){kind=icon}
.jpg "Click for more on -> Peking Opera")
