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Shakuhachi
A is a Japanese and ancient Chinese longitudinal, end-blown flute that is made of bamboo. The bamboo end-blown flute now known as the was developed in Japan in the 16th century and is called the .Kotobank, Fuke shakuhachi. The Asahi ShimbunKotobank, Shakuhachi. The Asahi Shimbun A bamboo flute known as the , which is quite different from the current style of , was introduced to Japan from China in the 7th century and died out in the 10th century. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Honkyoku Notation Example
''Honkyoku'' (本曲, "original pieces") are the pieces of shakuhachi music collected in the 18th century by a Komuso of the Japanese Fuke sect Kinko Kurosawa. It was believed that these pieces were played by the members of the Fuke Sect. The Fuke sect was a Japanese sect of masterless samurai (Ronins) self called komusō "Lay Monks of the Non-Dual & None-ness". According to Japanologist Torsten Olafsson ''"Having become masterless samurai in a time of peace and having had to join the growing groups of flute-playing beggars to survive, like the komosō:, those rōnin did no longer enjoyed the privileges and relative security of belonging to any ordinary families, or households, that could be inspected, approved, and registered every year under the new "Danka System", as a result in 1640 they organized themselves as sincere members of some kind of a "new" native Buddhist movement that played the shakuhachi' It is believed that after the crushing of the revolt of ronins around S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Honkyoku
''Honkyoku'' (本曲, "original pieces") are the pieces of shakuhachi music collected in the 18th century by a Komuso of the Japanese Fuke sect Kinko Kurosawa. It was believed that these pieces were played by the members of the Fuke Sect. The Fuke sect was a Japanese sect of masterless samurai (Ronins) self called komusō "Lay Monks of the Non-Dual & None-ness". According to Japanologist Torsten Olafsson ''"Having become masterless samurai in a time of peace and having had to join the growing groups of flute-playing beggars to survive, like the komosō:, those rōnin did no longer enjoyed the privileges and relative security of belonging to any ordinary families, or households, that could be inspected, approved, and registered every year under the new "Danka System", as a result in 1640 they organized themselves as sincere members of some kind of a "new" native Buddhist movement that played the shakuhachi' It is believed that after the crushing of the revolt of ronins around Sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suizen
''Suizen'' (吹禅) (“blowing Zen”) is a Zen practice consisting of playing the traditional Japanese shakuhachi bamboo flute as a means of attaining self-realization.''The Annals of the International Shakuhachi Society'', Volume 1. Ed. Dan E Mayers .d., c. 1996? Christopher Blasdel, “The Shakuhachi: Aesthetics of a single tone,” p. 13. Suizen was traditionally practiced by the Komusō (“monks of emptiness”), the Zen Buddhist monks of the Fuke sect of Japan who flourished during the Edo period (1600 to 1868). Instrumental music is rare in all Buddhist practice where instruments usually accompany ritual chants if they are used at all. With ''suizen'', the playing of the shakuhachi as a spiritual exercise is at the core of the religious practice, making it unique in the world of Buddhism. The practice of ''suizen'' may be understood in the context of both ancient Buddhist and Chinese classics which exerted a profound influence on Japanese music, which used awareness of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kari (music)
Kari, in shakuhachi music, is both a property of a note and a technique. To play a note kari means to play it with raised pitch, relative to playing the note meri. In addition to sharpening the pitch, playing a note kari also modifies the tone color or timbre of a note. The usual technique to play a note kari is to raise the chin, increasing the angle and distance between the embouchure Embouchure () or lipping is the use of the lips, facial muscles, tongue, and teeth in playing a wind instrument. This includes shaping the lips to the mouthpiece of a woodwind instrument or the mouthpiece of a brass instrument. The word is of ... and utaguchi (blowing edge). References * * Musical notation {{Japan-music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
End-blown Flute
The end-blown flute (also called an edge-blown flute or rim-blown flute) is a woodwind instrument played by directing an airstream against the sharp edge of the upper end of a tube. Unlike a recorder or tin whistle, there is not a ducted flue voicing, also known as a fipple. Most rim-blown flutes are "oblique" flutes, being played at an angle to the body's vertical axis. A notched flute is an end-blown flute with a notch on the blowing surface. A lip-valley flute is a type of notched flute. End-blown flutes are widespread in folk music and art music. In Europe, the Russians have the svirel, attested from at least the 11th century. In the Middle East and Mediterranean the ney is frequently used, constructed from reed. Depictions of early versions of the ney can be found in wall paintings in ancient Egyptian tombs, indicating that it is one of the oldest musical instruments in continuous use. Several ancient Persian artworks depict the use of the ney. The Persian ney has six fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shaku (unit Of Measurement)
or Japanese foot is a Japanese unit of length derived (but varying) from the Chinese , originally based upon the distance measured by a human hand from the tip of the thumb to the tip of the forefinger (compare span). Traditionally, the length varied by location or use, but it is now standardized as 10/33 m, or approximately . Etymology in English entered English in the early 18th century,Oxford English Dictionary, Volume XV page 148 Webster's Third New International Dictionary of the English Language, 1986 a romanization of the Japanese Go-on reading of the character for . Use in Japan The had been standardized as since 1891. This means that there are 3.3 () to one meter. The use of the unit for official purposes in Japan was banned on March 31 1966, although it is still used in traditional Japanese carpentry and some other fields, such as kimono construction. The traditional Japanese bamboo flute known as the ( and ) derives its name from its length of one and eight . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shaku (unit)
or Japanese foot is a Japanese unit of length derived (but varying) from the Chinese , originally based upon the distance measured by a human hand from the tip of the thumb to the tip of the forefinger (compare span). Traditionally, the length varied by location or use, but it is now standardized as 10/33 m, or approximately . Etymology in English entered English in the early 18th century,Oxford English Dictionary, Volume XV page 148 Webster's Third New International Dictionary of the English Language, 1986 a romanization of the Japanese Go-on reading of the character for . Use in Japan The had been standardized as since 1891. This means that there are 3.3 () to one meter. The use of the unit for official purposes in Japan was banned on March 31 1966, although it is still used in traditional Japanese carpentry and some other fields, such as kimono construction. The traditional Japanese bamboo flute known as the ( and ) derives its name from its length of one and eight . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Koto (musical Instrument)
The is a Japanese plucked half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese and , and similar to the Mongolian , the Korean and , the Vietnamese , the Sundanese and the Kazakhstan . Koto are roughly in length, and made from Paulownia wood (''Paulownia tomentosa'', known as ). The most common type uses 13 strings strung over movable bridges used for tuning, different pieces possibly requiring different tuning. 17-string koto are also common, and act as bass in ensembles. Koto strings are generally plucked using three fingerpicks (), worn on the first three fingers of the right hand. Names and types The character for ''koto'' is , although is often used. However, (''koto'') is the general term for all string instruments in the Japanese language,(jaKotobank koto/ref> including instruments such as the , , , , , and so on. When read as , it indicates the Chinese instrument . The term is used today in the same way. The term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phyllostachys Bambusoides
''Phyllostachys bambusoides'', commonly called , giant timber bamboo, or Japanese timber bamboo, is a species of flowering plant in the bamboo subfamily of the grass family Poaceae, native to China, and possibly also to Japan. Description ''Phyllostachys bambusoides'' is a "running" (monopodial type) evergreen bamboo which can reach a height of roughly and a diameter of . The culms are dark green, with a thin wall that thickens with maturity, and very straight, with long internodes and two distinctive rings at the node. The species is thin-skinned, easily split lengthwise, has long fibres, and is strong and highly flexible, even when split finely. Leaves are dark green, and the sheaths are strong and hairless. New stalks emerge in late spring and grow at a rate of up to a day; one specimen produced culms growing a remarkable in 24 hours. The flowering interval of this species is very long, lasting roughly 120 years. Uses In Asia, ''Phyllostachys bambusoides'', known in Japan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Embouchure
Embouchure () or lipping is the use of the lips, facial muscles, tongue, and teeth in playing a wind instrument. This includes shaping the lips to the mouthpiece of a woodwind instrument or the mouthpiece of a brass instrument. The word is of French origin and is related to the root ', 'mouth'. Proper embouchure allows instrumentalists to play their instrument at its full range with a full, clear tone and without strain or damage to their muscles. Brass embouchure While performing on a brass instrument, the sound is produced by the player buzzing their lips into a mouthpiece. Pitches are changed in part through altering the amount of muscular contraction in the lip formation. The performer's use of the air, tightening of cheek and jaw muscles, as well as tongue manipulation can affect how the embouchure works. Maintaining an effective embouchure is an essential skill for any brass instrumentalist, but its personal and particular characteristics mean that different pedagogues ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pentatonic Scale
A pentatonic scale is a musical scale with five notes per octave, in contrast to the heptatonic scale, which has seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently by many ancient civilizations and are still used in various musical styles to this day. There are two types of pentatonic scales: those with semitones (hemitonic) and those without (anhemitonic). Types Hemitonic and anhemitonic Musicology commonly classifies pentatonic scales as either ''hemitonic'' or ''anhemitonic''. Hemitonic scales contain one or more semitones and anhemitonic scales do not contain semitones. (For example, in Japanese music the anhemitonic ''yo'' scale is contrasted with the hemitonic ''in'' scale.) Hemitonic pentatonic scales are also called "ditonic scales", because the largest interval in them is the ditone (e.g., in the scale C–E–F–G–B–C, the interval found between C–E and G–B). (This should not be confu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shamisen
The , also known as the or (all meaning "three strings"), is a three-stringed traditional Japanese musical instrument derived from the Chinese instrument . It is played with a plectrum called a bachi. The Japanese pronunciation is usually but sometimes when used as a suffix, according to regular sound change (e.g. ). In Western Japanese dialects and several Edo period sources, it is both written and pronounced as . The construction of the varies in shape, depending on the genre in which it is used. The instrument used to accompany kabuki has a thin neck, facilitating the agile and virtuosic requirements of that genre. The one used to accompany puppet plays and folk songs has a longer and thicker neck instead, to match the more robust music of those genres. Construction The is a plucked stringed instrument. Its construction follows a model similar to that of a guitar or a banjo, with a neck and strings stretched across a resonating body. The neck of the is fret ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
