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Shahrud
The Shahrud (Turkish ''Şehrud'' from Persian شاهرود, DMG ''šāh-i rūd'' or ''šāh-rūd'') was a short-necked lute, illustrated in the '' Surname-i Hümayun'', resembling an oud or barbat, but being much larger. The larger size gave the instrument added resonance and a deeper ( bass) range, like the modern mandobass, mandolone or Algerian mandole. The word also referred to a type of zither written about by Al Farabi and illustrated in his book ''Kitāb al-mūsīqī al kabīr''. That illustration has led scholars to speculate the instrument was a box-zither, or a harp combined with a psaltery. The šāh-rūd was introduced to Samarkand in the early 10th century and spread to Middle Eastern Arabic music. Another writer who referred to the instrument was Abd al-Qadir in his work ''Maqasid al-Alhan'' (Persian for: purports of Music)(مقاصد الحان). al-Qadir was interested in the restoration and improvement of stringed musical instruments, and his work provides inf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Category:Necked Bowl Lutes
{{Commons category, Necked bowl lutes This category is for necked lutes that have a rounded back rather than a flat back. In the Hornbostel-Sachs classification system, ''necked bowl lutes'' are designated as 321.321. Necked lutes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
çeng
The ''çeng'' is a Turkish harp. It was a popular Ottoman Empire, Ottoman instrument until the last quarter of the 17th century. The ancestor of the Ottoman harp is thought to be an instrument seen in ancient Assyrian tablets. While a similar instrument also appears in Art of Ancient Egypt, Egyptian drawings. The çeng belongs to the family of instruments known in organology as "open harps", which are further divided into the "bow harps" and the "square harps". The çeng is in the latter groups. History Of the square harps used for 2,500 years in not only the Middle East but in Central Asia and the Far East as well, the Ottoman çeng was the last to fall into disuse. The father of the Ottoman çeng, which in Ottoman poetry was a metaphor for one in love doubled over in agony from a lover's cruelty, was the Iranian çeng. But in Istanbul, the instrument gained certain features. Writers such as Safiyüddin Urmevî (−1294) and Abd al-Qadir Maraghi (1350-60-1435) gave detail ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timurid Empire
The Timurid Empire ( chg, , fa, ), self-designated as Gurkani ( Chagatai: کورگن, ''Küregen''; fa, , ''Gūrkāniyān''), was a PersianateB.F. Manz, ''"Tīmūr Lang"'', in Encyclopaedia of Islam, Online Edition, 2006 Turco-Mongol empire that dominated Greater Iran in the early 15th century, comprising modern-day Iran, Iraq, Afghanistan, much of Central Asia, the South Caucasus, as well as most of contemporary Pakistan and parts of contemporary North India and Turkey. The empire was founded by Timur (also known as Tamerlane), a warlord of Turco-Mongol lineage, who established the empire between 1370 and his death in 1405. He envisioned himself as the great restorer of the Mongol Empire of Genghis Khan, regarded himself as Genghis's heir, and associated much with the Borjigin. Timur continued vigorous trade relations with Ming China and the Golden Horde, with Chinese diplomats like Ma Huan and Chen Cheng regularly traveling west to Samarkand to buy and sell goods. The em ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarinda (instrument)
A sarinda or saranda is a North Indian stringed folk musical instrument similar to lutes or fiddles. It is played with a bow and has between ten and thirty strings. The bottom part of the front of its hollow wooden soundbox is covered with animal skin. It is played while sitting on the ground in a vertical orientation. The Sarangi and Nepali sarangi are similar to the Saranda. Several ethnic groups of India, e.g. Bauls of Bengal, Punjabi people, the folk artists of Rajasthan, Assam and Tripura, use the sarinda in their traditional music and dance. It is the sole accompaniment for a soloist or group folk singer(s). See also *Sarangi - a more common relative of the sarinda. *Sarangi (Nepali) The Nepali Sarangi ( ne, नेपाली सारङ्गी) is a Nepali folk instrument. It is a chordophone played by bowing. Traditionally in Nepal, the Sarangi was only played by people of Gandarbha or Gaine caste (both contested and i ... - a simpler version of the sarangi, p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balochistan
Balochistan ( ; bal, بلۏچستان; also romanised as Baluchistan and Baluchestan) is a historical region in Western and South Asia, located in the Iranian plateau's far southeast and bordering the Indian Plate and the Arabian Sea coastline. This arid region of desert and mountains is primarily populated by ethnic Baloch people. The Balochistan region is split between three countries: Iran, Afghanistan and Pakistan. Administratively it comprises the Pakistani province of Balochistan, the Iranian province of Sistan and Baluchestan, and the southern areas of Afghanistan, which include Nimruz, Helmand and Kandahar provinces. It borders the Pashtunistan region to the north, Sindh and Punjab to the east, and Iranian regions to the west. Its southern coastline, including the Makran Coast, is washed by the Arabian Sea, in particular by its western part, the Gulf of Oman. Etymology The name "Balochistan" is generally believed to derive from the name of the Baloch people. Since ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rubab (instrument)
Rubab, robab or rabab (Pashto/Persian: رُباب, Kashmiri : رَبابہٕ, Sindhi: (Nastaleeq), रबाब (Devanagari), Azerbaijani/ Turkish: Rübab, Tajik/ Uzbek ''рубоб'') is a lute-like musical instrument.David Courtney, 'Rabab'Chandra & David's Homepage/ref> The rubab is one of the national musical instruments of Afghanistan; and is also commonly used in Pakistan in areas inhabited by the Pashtun and Baloch, and also played by Sindhi people in Sindh, by Kashmiri people in Kashmir, and by the Punjabis of the Punjab. Three variants of the rubab are the ''Kabuli rebab'' of Afghanistan, the ''Seni rebab'' of northern India, and the ''Pamiri rubab'' of Tajikistan. These proliferated throughout West, Central, South and Southeast Asia. The Kabuli rebab originates from Afghanistan, and it derives its name from Arabic '' rebab'' 'played with a bow'; in Central Asia and the Indian subcontinent, however, the instrument is plucked and is distinctly different in construc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarod
The sarod is a stringed instrument, used in Hindustani music on the Indian subcontinent. Along with the sitar, it is among the most popular and prominent instruments. It is known for a deep, weighty, introspective sound, in contrast with the sweet, overtone-rich texture of the sitar, with sympathetic strings that give it a resonant, reverberant quality. A fretless instrument, it can produce the continuous slides between notes known as meend (glissandi), which are important in Indian music. Origins The word sarod, which comes from the Persian, is much older than the Indian musical instrument. It can be traced back to ''sorūd'' meaning "song", "melody", "hymn" and further to the Persian verb ''sorūdan'', which correspondingly means "to sing", "to play a musical instrument", but also means "to compose". Alternatively, the shahrud may have given its name to the sarod. The Persian word šāh-rūd is made up of ''šāh'' (shah or king) and ''rūd'' (string). Many scholars of Indi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Evliya Çelebi
Derviş Mehmed Zillî (25 March 1611 – 1682), known as Evliya Çelebi ( ota, اوليا چلبى), was an Ottoman explorer who travelled through the territory of the Ottoman Empire and neighboring lands over a period of forty years, recording his commentary in a travelogue called the '' Seyâhatnâme'' ("Book of Travel"). The name Çelebi is an honorific title meaning "gentleman" or "man of God" (see pre-1934 Turkish naming conventions). Life Evliya Çelebi was born in Constantinople in 1611 to a wealthy family from Kütahya. Both his parents were attached to the Ottoman court, his father, Derviş Mehmed Zilli, as a jeweller, and his mother as an Abkhazian relation of the grand vizier Melek Ahmed Pasha. In his book, Evliya Çelebi traces his paternal genealogy back to Ahmad Yasawi, an early Sufi mystic. Evliya Çelebi received a court education from the Imperial ''ulama'' (scholars). He may have joined the Gulshani Sufi order, as he shows an intimate knowledge of their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maragha
Maragheh ( fa, مراغه, Marāgheh or ''Marāgha''; az, ماراغا ) is a city and capital of Maragheh County, East Azerbaijan Province, Iran. Maragheh is on the bank of the river Sufi Chay. The population consists mostly of Iranian Azerbaijanis who are bilingual in Azerbaijani and Persian. It is from Tabriz, the largest city in northwestern Iran. History Pre-Islamic history It has been long suggested that Maragheh was identical with Phraaspa/Phraata, the winter capital of Atropatene. The 9th-century Muslim historian al-Baladhuri (died 892) reports that the town was originally known as Akra-rudh (called "Afrah-rudh" by Ibn al-Faqih, and "Afrazah-rudh" by Yaqut al-Hamawi) a Persian name which means "river of Afrah", and which the Russian orientalist Vladimir Minorsky considered to seem reminiscent of the name of Phraata. He added that it is unlikely that Maragheh did not exist during the Roman era, due to its favorable location. Rule under the caliphate and Sajids Du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tar (string Instrument)
The tar (from fa, تار, lit=string) is a long-necked, waisted lute family instrument, used by many cultures and countries including Iran, Azerbaijan, Uzbekistan, Armenia, Georgia, Tajikistan (Iranian Plateau), Turkey, and others near the Caucasus and Central Asia regions.tar (musical instrument) Encyclopædia Britannica . Retrieved on 2013-01-01. The older and more complete name of the tār is ''čāhārtār'' or ''čārtār'', meaning in "four string", (''čāhār'' frequently being shorted to ''čār''). This is in accordance with a practice common in Persian-speaking areas of distinguishing lutes on the basis of the number of strings origi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shah
Shah (; fa, شاه, , ) is a royal title that was historically used by the leading figures of Iranian monarchies.Yarshater, EhsaPersia or Iran, Persian or Farsi, ''Iranian Studies'', vol. XXII no. 1 (1989) It was also used by a variety of Persianate societies, such as the Ottoman Empire, the Kazakh Khanate, the Khanate of Bukhara, the Emirate of Bukhara, the Mughal Empire, the Bengal Sultanate, historical Afghan dynasties, and among Gurkhas. Rather than regarding himself as simply a king of the concurrent dynasty (i.e. European-style monarchies), each Iranian ruler regarded himself as the Shahanshah ( fa, شاهنشاه, translit=Šâhanšâh, label=none, ) or Padishah ( fa, پادشاه, translit=Pâdešâh, label=none, ) in the sense of a continuation of the original Persian Empire. Etymology The word descends from Old Persian ''xšāyaθiya'' "king", which used to be considered a borrowing from Median, as it was compared to Avestan ''xšaθra-'', "power" and " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
