Shag Times
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Shag Times
''Shag Times'' is a UK compilation and remix double album released in 1989 by The Justified Ancients of Mu Mu (The JAMs). The album also introduced Bill Drummond and Jimmy Cauty's new incarnation – and one which would become considerably more famous – The KLF. Context The title of the album relates to the slogan "''Shag Shag Shag''", a lyric from The JAMs' 1987 debut single "All You Need Is Love" that also appeared as promotional billboard graffiti at the time of the single's release. The gatefold sleeve of the ''Shag Times'' vinyl double LP alludes to a newspaper, whose columns recount The JAMs' actions as reported in the music press, alongside reviews of their musical output. Released in January 1989 (see 1989 in music), ''Shag Times'' includes a selection of The JAMs' singles and album tracks, followed by The Timelords' "Doctorin' the Tardis". The remainder of the album consists of tracks originally by The JAMs, The Timelords and Disco 2000, remixed by and credited to ...
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The Justified Ancients Of Mu Mu
The KLF (also known as the Justified Ancients of Mu Mu, the JAMs, the Timelords and other names) are a British electronic band formed in London in 1987. Bill Drummond (alias King Boy D) and Jimmy Cauty (alias Rockman Rock) began by releasing hip hop music, hip hop-inspired and sampling (music), sample-heavy records as the JAMs. As the Timelords, they recorded the British number-one single "Doctorin' the Tardis", and documented the process of making a hit record in a book ''The Manual, The Manual (How to Have a Number One the Easy Way)''. As the KLF, Drummond and Cauty pioneered stadium house (rave music with a pop-rock production and sampled crowd noise) and, with their 1990 LP ''Chill Out (KLF album), Chill Out'', the ambient house genre. The KLF released a series of international hits on their own KLF Communications record label and became the biggest selling singles act in the world in 1991. From the outset, the KLF adopted the philosophy espoused by esoteric novels ''The Il ...
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Double Album
A double album (or double record) is an audio album that spans two units of the primary medium in which it is sold, typically either records or compact disc. A double album is usually, though not always, released as such because the recording is longer than the capacity of the medium. Recording artists often think of double albums as being a single piece artistically; however, there are exceptions such as John Lennon's ''Some Time in New York City'' (which consisted of one studio record and one live album packaged together) and OutKast's ''Speakerboxxx/The Love Below'' (effectively two solo albums, one by each member of the duo). Since the advent of the compact disc, albums are sometimes released with a bonus disc featuring additional material as a supplement to the main album, with live tracks, studio out-takes, cut songs, or older unreleased material. One innovation was the inclusion of a DVD of related material with a compact disc, such as video related to the album or DVD-A ...
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What Time Is Love
"What Time Is Love?" is a song released, in different mixes, as a series of singles by the band the KLF. It featured prominently and repeatedly in their output from 1988 to 1992 and, under the moniker of 2K, in 1997. In its original form, the track was an instrumental electronic dance anthem; subsequent reworkings, with vocals and additional instrumentation, yielded the international hit singles "What Time Is Love? (Live at Trancentral)" (1990), and "America: What Time Is Love?" (1991), which respectively reached number 5 and number 4 in the UK Singles Chart, and introduced the KLF to a mainstream international audience. History The KLF co-founders Jimmy Cauty and Bill Drummond began releasing music in March 1987, under the pseudonym the Justified Ancients of Mu Mu (the JAMs), named after a cultish organisation from ''The Illuminatus! Trilogy'' novels. The JAMs' output was created from plagiarised samples of popular music grafted together to form new songs, with beatbox rhythms ...
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House Music
House is a music genre characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 120 beats per minute. It was created by Disc jockey, DJs and music producers from Chicago metropolitan area, Chicago's underground Clubbing (subculture), club culture in the late 1970s, as DJs began altering disco songs to give them a more mechanical beat. House was pioneered by African Americans, African American DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music expanded to other American cities such as New York City and became a worldwide phenomenon. House has had a large effect on pop music, especially dance music. It was incorporated by major international pop artists including Whitney Houston, Janet Jackson ("Together Again (Janet Jackson song), Together Again"), Kylie Minogue, Pet Shop Boys and Madonna ("Vogu ...
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Minimalism
In visual arts, music and other media, minimalism is an art movement that began in post–World War II in Western art, most strongly with American visual arts in the 1960s and early 1970s. Prominent artists associated with minimalism include Donald Judd, Agnes Martin, Dan Flavin, Carl Andre, Robert Morris, Anne Truitt and Frank Stella. The movement is often interpreted as a reaction against abstract expressionism and modernism; it anticipated contemporary postminimal art practices, which extend or reflect on minimalism's original objectives. Minimalism in music often features repetition and gradual variation, such as the works of La Monte Young, Terry Riley, Steve Reich, Philip Glass, Julius Eastman and John Adams. The term ''minimalist'' often colloquially refers to anything or anyone that is spare or stripped to its essentials. It has accordingly been used to describe the plays and novels of Samuel Beckett, the films of Robert Bresson, the stories of Raymond Carver, an ...
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Bastard Pop
A mashup (also mesh, mash up, mash-up, blend, bastard pop or bootleg) is a creative work, usually a song, created by blending two or more pre-recorded songs, typically by superimposing the vocal track of one song seamlessly over the instrumental track of another and changing the tempo and key where necessary. Such works are considered "transformative" of original content and in the United States they may find protection from copyright claims under the "fair use" doctrine of copyright law. History The 1967 Harry Nilsson album ''Pandemonium Shadow Show'' features what is nominally a cover of the Beatles' "You Can't Do That" but actually introduced the "mashup" to studio-recording. Nilsson's recording of "You Can't Do That" mashes his own vocal recreations of more than a dozen Beatles songs into this track. Nilsson conceived the combining of many overlaying songs into one track after he played a chord on his guitar and realized how many Beatles songs it could apply to. This recordi ...
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Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware ( samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with '' musique concrète'', experimental music created by splicing and looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with the ability to record and play back short sounds. As technology improved, cheaper standalone samplers with more memory emerged, such as the E-mu Emulator, Akai S950 and Akai MPC. Sampling is a foundation of ...
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Nick Coler
Nick Coler (born 10 April 1952) is an English musician, producer, composer and songwriter. He has been nominated for and won awards for songwriting and music production and has written, produced and played on hit songs for diverse acts ranging from Goldie, KLF, and Alice Cooper to Girls Aloud, Sugababes, and Gabriella Cilmi. Early life Coler was born in London and was educated at St. Joseph's Roman Catholic Nunnery, Redhill, Surrey (where he was thrown out), Alexander road, infants, Woodhatch, St. Johns, Primary, St Mary's preparatory and choir school, Balcombe road Horley, Reigate art school. Career 1970s His first music-related job was working as a session player for Bronze Records in 1978 after being scouted by producer Martin Smith while recording the band he was in, "Why Worry.” During this time he worked with and appeared live with such bands as Goldie and The Small Ads amongst others. In 1979, Coler was signed to Warner Bros. Music with the band The Tigers. 1980s Then ...
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Disco 2000 (band)
Disco 2000 was a British pop band, a side project of The KLF. Vocals were handled by Cress (Cressida Cauty, née Bowyer), then-wife of KLF co-founder Jimmy Cauty, and "Mo". Between 1987 and 1989, Disco 2000 released three singles on the KLF Communications label, none of which entered the top 75 of the UK Singles Chart. History In 1981, Cressida Bowyer and Jimmy Cauty performed in the band Angels 1–5. They later married. In 1987, Jimmy Cauty teamed up with Bill Drummond to form The Justified Ancients of Mu Mu (The JAMs)./ The duo established an independent record label, KLF Communications, as a means to release The JAMs' material, and, as a side project, they dabbled in pop music with 'Disco 2000', a group fronted and vocalised by "Cress" (Cressida Cauty) and "Mo". Disco 2000's debut single, the first of three, was "I Gotta CD", released on 30 October 1987. Neither this nor its follow-up "One Love Nation" (1988) entered the UK Singles Chart. A third single, "Uptight (Everythi ...
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Doctorin' The Tardis
"Doctorin' the Tardis" is a 1988 electronic novelty pop single by the Timelords ("Time Boy" and "Lord Rock", aliases of Bill Drummond and Jimmy Cauty, better known as The KLF). The song is predominantly a mash-up of the ''Doctor Who'' theme music and Gary Glitter's " Rock and Roll (Part Two)" with sections from " Blockbuster!" by Sweet. The single was not well received by critics but was a commercial success, hitting number one on the UK and New Zealand singles charts, and reaching the top 10 in Australia, Finland, Ireland and Norway. The Timelords followed up their chart-topping record with a "how to have a number one" guide, ''The Manual (How to Have a Number One the Easy Way)''. Context The release of "Doctorin' the Tardis" followed a self-imposed break from recording of Drummond and Cauty's sampling outfit, The Justified Ancients of Mu Mu (The JAMs). The single continued The JAMs' strategy of sampling and juxtaposing popular musical works. However, unlike the cultish li ...
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The Timelords (band)
The KLF (also known as the Justified Ancients of Mu Mu, the JAMs, the Timelords and other names) are a British electronic band formed in London in 1987. Bill Drummond (alias King Boy D) and Jimmy Cauty (alias Rockman Rock) began by releasing hip hop music, hip hop-inspired and sampling (music), sample-heavy records as the JAMs. As the Timelords, they recorded the British number-one single "Doctorin' the Tardis", and documented the process of making a hit record in a book ''The Manual, The Manual (How to Have a Number One the Easy Way)''. As the KLF, Drummond and Cauty pioneered stadium house (rave music with a pop-rock production and sampled crowd noise) and, with their 1990 LP ''Chill Out (KLF album), Chill Out'', the ambient house genre. The KLF released a series of international hits on their own KLF Communications record label and became the biggest selling singles act in the world in 1991. From the outset, the KLF adopted the philosophy espoused by esoteric novels ''The Il ...
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