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Bastard Pop
A mashup (also mesh, mash up, mash-up, blend, bastard pop or bootleg) is a creative work, usually a song, created by blending two or more pre-recorded songs, typically by superimposing the vocal track of one song seamlessly over the instrumental track of another and changing the tempo and key where necessary. Such works are considered "transformative" of original content and in the United States they may find protection from copyright claims under the "fair use" doctrine of copyright law. History The 1967 Harry Nilsson album ''Pandemonium Shadow Show'' features what is nominally a cover of the Beatles' "You Can't Do That" but actually introduced the "mashup" to studio-recording. Nilsson's recording of "You Can't Do That" mashes his own vocal recreations of more than a dozen Beatles songs into this track. Nilsson conceived the combining of many overlaying songs into one track after he played a chord on his guitar and realized how many Beatles songs it could apply to. This recordi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is considered to be pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other styles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Jackson
Michael Joseph Jackson (August 29, 1958 – June 25, 2009) was an American singer, songwriter, dancer, and philanthropist. Dubbed the "King of Pop", he is regarded as one of the most significant cultural figures of the 20th century. Over a four-decade career, his contributions to music, dance, and fashion, along with his publicized personal life, made him a global figure in popular culture. Jackson influenced artists across many music genres; through stage and video performances, he popularized complicated dance moves such as the moonwalk, to which he gave the name, as well as the robot. He is the most awarded musician in history. The eighth child of the Jackson family, Jackson made his public debut in 1964 with his older brothers Jackie, Tito, Jermaine, and Marlon as a member of the Jackson 5 (later known as the Jacksons). Jackson began his solo career in 1971 while at Motown Records. He became a solo star with his 1979 album '' Off the Wall''. His music videos, incl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roy Orbison
Roy Kelton Orbison (April 23, 1936 – December 6, 1988) was an American singer, songwriter, and musician known for his impassioned singing style, complex song structures, and dark, emotional ballads. His music was described by critics as operatic, earning him the nicknames "The Caruso of Rock" and "The Big O." Many of Orbison's songs conveyed vulnerability at a time when most male rock-and-roll performers chose to project machismo. He performed while standing motionless and wearing black clothes to match his dyed black hair and dark sunglasses, which he wore to counter his shyness and stage fright. Born in Texas, Orbison began singing in a rockabilly and country-and-western band as a teenager. He was signed by Sam Phillips of Sun Records in 1956, but enjoyed his greatest success with Monument Records. From 1960 to 1966, 22 of Orbison's singles reached the ''Billboard'' Top 40. He wrote or co-wrote almost all of his own Top 10 hits, including "Only the Lonely" (1960), " R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lonely Woman (composition)
"Lonely Woman" is a jazz composition by Ornette Coleman. Coleman's recording of it was the opening track on his 1959 Atlantic Records album ''The Shape of Jazz to Come''. Alongside Coleman's alto saxophone, the recording featured Don Cherry on cornet, Charlie Haden on double bass and Billy Higgins on drums. Origin In an interview with Jacques Derrida, Coleman spoke of the origin of the composition: Other versions Haden and Cherry revisited the song on ''Old and New Dreams'' (ECM, 1979), Haden doing so again on '' Etudes'' (1987) and '' In Angel City'' (1988). Pianist John Lewis first recorded the song in January 1962 with the Modern Jazz Quartet for their album of the same name which was one of the earliest recorded covers of a Coleman number.jazzdisco.org entry for Lonely Woman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ornette Coleman
Randolph Denard Ornette Coleman (March 9, 1930 – June 11, 2015) was an American jazz saxophonist, violinist, trumpeter, and composer known as a principal founder of the free jazz genre, a term derived from his 1960 album '' Free Jazz: A Collective Improvisation''. His pioneering performances often abandoned the chordal and harmony-based structure found in bebop, instead emphasizing a jarring and avant-garde approach to improvisation. AllMusic called him "one of the most important (and controversial) innovators of the jazz avant-garde". Born in Fort Worth, Texas, Coleman began his musical career playing in local R&B and bebop groups, and eventually formed his own group in Los Angeles featuring members such as Ed Blackwell, Don Cherry, Charlie Haden, and Billy Higgins. In 1959, he released the controversial album ''The Shape of Jazz to Come'' and began a long residency at the Five Spot jazz club in New York City. His 1960 album ''Free Jazz'' would profoundly influence the di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naked City (album)
''Naked City'' is an album by John Zorn, released on Elektra Nonesuch in February 1990. The band assembled by Zorn for the album would later be known as Naked City. The album is characterized by its covers of movie themes and its fusion of various musical genres. Content The group Zorn assembled for the material recorded on ''Naked City'' would later become a band in its own right known under the same name; the lineup was Zorn on alto saxophone with Bill Frisell on guitar, Wayne Horvitz on keyboards, Fred Frith on bass and Joey Baron on drums. The group was established in 1988 as a "compositional workshop" to test the limitations of a rock band format. The album consists of several covers of movie themes, one jazz standard, and original compositions by Zorn, including several "hardcore miniatures" which would later be compiled on the album '' Torture Garden''. The project, especially on this album, was noted for wildly juxtaposing various musical genres in rapid succession. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Zorn
John Zorn (born September 2, 1953) is an American composer, conductor, saxophonist, arranger and producer who "deliberately resists category". Zorn's avant-garde and experimental approaches to composition and improvisation are inclusive of jazz, rock, hardcore, classical, contemporary, surf, metal, soundtrack, ambient, and world music.Milkowski, B."John Zorn: One Future, Two Views"(interview) in ''Jazz Times'', March 2000, pp. 28–35,118–121; accessed July 24, 2010. In 2013, ''Down Beat'' described Zorn as "one of our most important composers" and in 2020 ''Rolling Stone'' noted that " ltough Zorn has operated almost entirely outside the mainstream, he's gradually asserted himself as one of the most influential musicians of our time".Steamer, H.‘He Made the World Bigger’: Inside John Zorn's Jazz-Metal Multiverse ''Rolling Stone'', June 22, 2020. Zorn entered New York City's downtown music scene in the mid-1970s, collaborating with improvising artists while developin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Guns Of Brixton
"The Guns of Brixton" is a song by the English punk rock band the Clash. It was written and sung by bassist Paul Simonon, who grew up in Brixton, South London. The song has a strong reggae influence, reflecting the culture of the area and the reggae gangster film ''The Harder They Come''. Origins and recording "The Guns of Brixton" was the Clash's first song to be composed and sung by Paul Simonon.Sweeting, Adam. (October 2004). "Death or Glory". ''Uncut''. p. 67. By the time of ''London Calling'', Simonon had learned to play guitar and started contributing more to the songwriting.Rowley, Scott. (October 1999), ''Interview with Paul Simonon''. Bassist Magazine. :"You don't get paid for designing posters or doing the clothes", he said in an interview published by Bassist Magazine in October 1990, "you get paid for doing the songs." The band, separated from manager Bernard Rhodes,Gilbert 2005, pp. 212-213. had to leave their rehearsal studio in Camden Town and find another loca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Clash
The Clash were an English rock band formed in London in 1976 who were key players in the original wave of British punk rock. Billed as "The Only Band That Matters", they also contributed to the and new wave movements that emerged in the wake of punk and employed elements of a variety of genres including reggae, dub, funk, ska, and rockabilly. For most of their recording career, the Clash consisted of lead vocalist and rhythm guitarist Joe Strummer, lead guitarist and vocalist Mick Jones, bassist Paul Simonon, and drummer Nicky "Topper" Headon. Headon left the group in 1982 due to internal friction surrounding his increasing heroin addiction. Further internal friction led to Jones' departure the following year. The group continued with new members, but finally disbanded in early 1986. The Clash achieved critical and commercial success in the United Kingdom with the release of their self-titled debut album, ''The Clash'' (1977) and their second album, ''Give 'Em Enough ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Just Be Good To Me
"Just Be Good to Me" is a song by the S.O.S. Band, written and produced by Jimmy Jam and Terry Lewis for their fourth studio album, ''On the Rise'' (1983). "Just Be Good to Me" was released as the lead single from ''On the Rise'' in March 1983, by Tabu Records. Production The song's percussion and beats were produced using a Roland TR-808 drum machine. Critical reception Daryl Easlea of ''Record Collector'' called "Just Be Good to Me" a "barnstorming electro-soul anthem". Amy Hanson of AllMusic described the song as "showstopping". Covers and samples The song has subsequently been covered by several artists, including Deborah Cox (whose version reached number eight on the US Hot Dance Club Play chart), Mariah Carey (who performed it live on her 1993 Music Box Tour and 1996 Daydream Tour), Shayne Ward (who recorded it for his 2007 album, '' Breathless''), and Faithless in 2008 in a collaboration with Dido. In 2008, Australian artist Seany B released a version of this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The SOS Band
The S.O.S. Band (sometimes written as S.O.S. Band; abbreviation for Sounds of Success) is an American R&B and electro-funk group who gained fame in the 1980s. They are best known for the songs "Take Your Time (Do It Right)", "Just Be Good to Me", and " The Finest". History The Atlanta, Georgia, band was started in 1977, when keyboardist / vocalist Jason Bryant, saxophonists Billy Ellis and Willie "Sonny" Killebrew, guitarist Bruno Speight, bassist John Alexander Simpson, drummer James Earl Jones III, and lead vocalist Mary Davis formed a group called Sounds of Santa Monica that played at Atlanta nightclub the Regal Room. Their manager (Bunny Jackson-Ransom) sent a demo to Clarence Avant, head of Tabu Records. After signing the band to Tabu, Avant suggested that the band work with songwriter/producer Sigidi Abdullah. Abdullah was curious as to why an Atlanta-based band named itself Santa Monica. Keyboardist Jason Bryant replied that the band had an enjoyable concert in Santa Mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dub Be Good To Me
"Dub Be Good to Me" is a song by British dub group Beats International featuring singer Lindy Layton, released on 24 January 1990 as the first single from their debut album, '' Let Them Eat Bingo'' (1990). It was written by frontman Norman Cook and interprets the SOS Band's 1983 hit "Just Be Good to Me", which it is named after. It also samples the songs "The Guns of Brixton" by the Clash, the ''Once Upon a Time in the West'' theme by Ennio Morricone, and "Jam Hot" by Johnny Dynell. "Dub Be Good to Me" was a number-one hit in the United Kingdom and Israel, and also hit number one on the ''Billboard'' Hot Dance Club Play chart in the United States. It is generally considered the band's signature song. MTV Dance ranked "Dub Be Good to Me" number 59 in their list of "The 100 Biggest 90's Dance Anthems of All Time" in 2011. Production Written by Norman Cook (aka Fatboy Slim), "Dub Be Good to Me" was the sole number one single for Cook's outfit Beats International. The track star ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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