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Señor Blues (song)
"Señor Blues" is a composition by Horace Silver. The original version, an instrumental by Silver's quintet, was recorded on November 10, 1956. It has become a jazz standard. Silver later wrote lyrics, which were first recorded by Silver's band with Bill Henderson singing in 1958. Composition "'Señor Blues' is a 12/8 Latin piece with a dark, exotic flavor that recalls no other jazz composer as much as Duke Ellington. The first two chords are E minor and B7, resembling (whether consciously intended or not) one of Ellington's favorite harmonic gestures." Original recording The piece was first recorded on November 10, 1956, by the Horace Silver Quintet, of Silver (piano), Hank Mobley (tenor saxophone), Donald Byrd (trumpet), Doug Watkins (bass), and Louis Hayes (drums). Scott Yanow commented that Señor Blues' officially put Horace Silver on the map". It was released as part of the Blue Note Records album ''6 Pieces of Silver ''6 Pieces of Silver'' is a studio album by ja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horace Silver
Horace Ward Martin Tavares Silver (September 2, 1928 – June 18, 2014) was an American jazz pianist, composer, and arranger, particularly in the hard bop style that he helped pioneer in the 1950s. After playing tenor saxophone and piano at school in Connecticut, Silver got his break on piano when his trio was recruited by Stan Getz in 1950. Silver soon moved to New York City, where he developed a reputation as a composer and for his bluesy playing. Frequent sideman recordings in the mid-1950s helped further, but it was his work with the Jazz Messengers, co-led by Art Blakey, that brought both his writing and playing most attention. Their ''Horace Silver and the Jazz Messengers'' album contained Silver's first hit, " The Preacher". After leaving Blakey in 1956, Silver formed his own quintet, with what became the standard small group line-up of tenor saxophone, trumpet, piano, bass, and drums. Their public performances and frequent recordings for Blue Note Records increased Silver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
6 Pieces Of Silver
''6 Pieces of Silver'' is a studio album by jazz pianist Horace Silver released on the Blue Note label in 1957 featuring performances by Silver with Donald Byrd, Hank Mobley, Doug Watkins and Louis Hayes. The Allmusic review by Scott Yanow awarded the album 4½ stars and states "The early Silver quintet was essentially The Jazz Messengers of the year before but already the band was starting to develop a sound of its own. " Señor Blues" officially put Horace Silver on the map".Yanow, S. Allmusic Reviewaccessed 16 November 2009. The front cover photograph was taken at Central Park West, Upper West Side. Track listing Personnel *Horace Silver – piano * Donald Byrd – trumpet (tracks 1, 3-6 & 8-10) * Hank Mobley – tenor saxophone (tracks 1, 3-6 & 8) *Junior Cook – tenor saxophone (tracks 9 & 10) *Doug Watkins – bass (tracks 1-8) * Gene Taylor – bass (tracks (tracks 9 & 10) *Louis Hayes Louis Hayes (born May 31, 1937) is an America ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hardbop
Hard bop is a subgenre of jazz that is an extension of bebop (or "bop") music. Journalists and record companies began using the term in the mid-1950s to describe a new current within jazz that incorporated influences from rhythm and blues, gospel music, and blues, especially in saxophone and piano playing. David H. Rosenthal contends in his book ''Hard Bop'' that the genre is, to a large degree, the natural creation of a generation of African-American musicians who grew up at a time when bop and rhythm and blues were the dominant forms of black American music. Prominent hard bop musicians included Horace Silver, Clifford Brown, Charles Mingus, Art Blakey, Cannonball Adderley, Miles Davis, John Coltrane, Hank Mobley, Thelonious Monk and Lee Morgan. Musical style Hard bop is sometimes referred to as "funky hard bop". The "funky" label refers to the rollicking, rhythmic feeling associated with the style. The descriptor is also used to describe soul jazz, which is commonly assoc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue Note Records
Blue Note Records is an American jazz record label owned by Universal Music Group and operated under Capitol Music Group. Established in 1939 by Alfred Lion and Max Margulis, it derived its name from the blue notes of jazz and the blues. Originally dedicated to recording traditional jazz and small group swing, the label began to switch its attention to modern jazz around 1947. From there, Blue Note grew to become one of the most prolific, influential and respected jazz labels of the mid-20th century, noted for its role in facilitating the development of hard bop, post-bop and avant-garde jazz, as well as for its iconic modernism, modernist art direction. History Historically, Blue Note has principally been associated with the "hard bop" style of jazz (mixing bebop with other forms of music including soul music, soul, blues, rhythm and blues and gospel music, gospel), but also recorded essential albums in the avant-garde and Free Jazz, free styles of jazz. Horace Silver, Jimm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Lion
Alfred Lion (born Alfred Löw; April 21, 1908 – February 2, 1987), was an American record executive who co-founded the jazz record label Blue Note in 1939. Lion retired in 1967, having sold the company, after producing recordings by leading musicians throughout the 1940s, 1950s, and 1960s. Early years Lion was born in Schöneberg -later a borough of Berlin- on April 21, 1908.Garner, Carla"Alfred Lion."In ''Immigrant Entrepreneurship: German-American Business Biographies, 1720 to the Present'', vol. 5, edited by R. Daniel Wadhwani. German Historical Institute. Last modified April 28, 2014. His fascination with jazz began at the age of 16 when he saw a concert by Sam Wooding's Orchestra. In 1926, Lion emigrated to the United States, but while working on the New York docks he was attacked by an anti-immigrant worker; he returned to Germany to convalesce. From 1933, Lion lived in South America, working for German import-export companies, returning to New York in 1938. His presence at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Standard
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications (sheet music collections of popular tunes) and jazz reference works offer a rough guide to which songs are considered standards. Not all jazz standards were written by jazz composers. Many are originally Tin Pan Alley popular songs, Broadway show tunes or songs from Hollywood musicals – the Great American Songbook. In Europe, jazz standards and "fake books" may even include some traditional folk songs (such as in Scandinavia) or pieces of ethnic music (such as gypsy melodies) that have been played with a jazz feel by well known jazz players. A commonly played song can only be considered a jazz standard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Henderson (performer)
William Randall Henderson (March 19, 1926 – April 3, 2016) was an American jazz singer and actor in television and film. Biography Henderson was born in Chicago, Illinois. Henderson began his professional music career in 1952, performing in Chicago with Ramsey Lewis, and began recording as a leader after a move to New York in 1958. He subsequently recorded with jazz pianist Horace Silver on a vocal version of Silver's " Señor Blues" which was a jukebox hit (in the mid-1950s), and remains one of jazz label Blue Note's top-selling singles. Additionally, Henderson performed and recorded with Oscar Peterson ('' Bill Henderson with the Oscar Peterson Trio''), Jimmy Smith, Count Basie, Yusef Lateef, and Eddie Harris. He was under contract to the Vee Jay label between 1958 and 1961, who recorded his first album as leader, ''Bill Henderson Sings'' (1958), which features trumpeter Booker Little among the sidemen. Beginning in the mid-1970s, he frequently appeared on television in sup ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hank Mobley
Henry "Hank" Mobley (July 7, 1930 – May 30, 1986) was an American hard bop and soul jazz tenor saxophonist and composer. Mobley was described by Leonard Feather as the "middleweight champion of the tenor saxophone", a metaphor used to describe his tone, that was neither as aggressive as John Coltrane nor as mellow as Lester Young, and his style that was laid-back, subtle and melodic, especially in contrast with players like Coltrane and Sonny Rollins. The critic Stacia Proefrock claimed him "one of the most underrated musicians of the bop era." Mobley's compositions included "Double Exposure," "Soul Station", and "Dig Dis," among others. Early life and education Mobley was born in Eastman, Georgia, but was raised in Elizabeth, New Jersey, near Newark. He described himself as coming from a musical family and spoke of his uncle playing in a jazz band. As a child, Mobley played piano. When he was 16, an illness kept him in the house for several months. His grandmother though ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donald Byrd
Donaldson Toussaint L'Ouverture Byrd II (December 9, 1932 – February 4, 2013) was an American jazz and rhythm & blues trumpeter and vocalist. A sideman for many other jazz musicians of his generation, Byrd was one of the few hard bop musicians who successfully explored funk and soul while remaining a jazz artist. As a bandleader, Byrd was an influence on the early career of Herbie Hancock. Biography Early life and career Byrd was born in 1932 in Detroit, Michigan. His family came from the African-American middle-class. His father, Elijah Thomas Byrd, was a Methodist minister who greatly valued education and oversaw his son's schooling. His mother, Cornelia Taylor, introduced Byrd to jazz music and it was her brother who gave Byrd his first trumpet. He attended Cass Technical High School. He performed with Lionel Hampton before finishing high school. During this period, his first professional recording session was in 1949 at Fortune Records in Detroit with the Robert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doug Watkins
Douglas Watkins (March 2, 1934 – February 5, 1962) was an American jazz double bassist. He was best known for being an accompanist to various hard bop artists in the Detroit area, including Donald Byrd and Jackie McLean. Biography Watkins was born in Detroit, Michigan, United States. An original member of the Jazz Messengers, he later played in Horace Silver's quintet and freelanced with Gene Ammons, Kenny Burrell, Donald Byrd, Art Farmer, Jackie McLean, Hank Mobley, Lee Morgan, Sonny Rollins, and Phil Woods among others. Some of Watkins' best-known work can be heard, when as a 22-year-old, he appeared on the 1956 album ''Saxophone Colossus'' by tenor saxophonist Sonny Rollins, with Max Roach and Tommy Flanagan. According to Horace Silver's autobiography, ''Let's Get to the Nitty Gritty'', Watkins, along with Silver, later left Art Blakey's Jazz Messengers because the other members of the band at the time (Kenny Dorham, Hank Mobley and Blakey) had serious drug problems, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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